{"title":"Neumann","description":"","products":[{"product_id":"neumann-stv-20","title":"Neumann STV 20","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\r\n\u003ch4\u003e8 Inch (200mm) Stand Extension Tube\u003c\/h4\u003e\r\n\u003cp\u003eThe STV 20 stand extensions are screwed between microphone stands (for example MF 2, MF 3, MF 4, MF 5) and swivel mounts (for example SG 21 bk).\u003c\/p\u003e\r\n\u003cp\u003eLength: 200 mm\u003cbr\u003eDiameter: 19 mm\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894117498923,"sku":"NEU-006187","price":154.74,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/NEU-6187__52818.1682442976.1280.1280.jpg?v=1775682402"},{"product_id":"neumann-stv-40","title":"Neumann STV 40","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\r\n\u003cp\u003eThe STV 40 stand extension is screwed between microphone stands (for example MF 4, MF 5) and swivel mounts (for example SG 21 bk). Length 400 mm. Ø 19 mm.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894117531691,"sku":"NEU-006188","price":171.58,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/product_detail_x2_desktop_stv-40-lying_neumann-stand-extension_m__85031.1682442977.1280.1280.png?v=1775682403"},{"product_id":"neumann-stv-60","title":"Neumann STV 60","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\r\n\u003ch4\u003e24 Inch (600mm) Stand Extension Tube\u003c\/h4\u003e\r\n\u003cp\u003eThe STV 60 stand extensions are screwed between microphone stands (for example MF 2, MF 3, MF 4, MF 5) and swivel mounts (for example SG 21 bk).\u003c\/p\u003e\r\n\u003cp\u003eLength: 600 mm\u003cbr\u003eDiameter: 19 mm\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894117597227,"sku":"NEU-006189","price":232.63,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/NEU-6189__18062.1682442977.1280.1280.jpg?v=1775682403"},{"product_id":"neumann-stv-4","title":"Neumann STV 4","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\r\n\u003ch4\u003e2 Inch (40mm) Stand Extension Tube\u003c\/h4\u003e\r\n\u003cp\u003eThe STV 4 stand extensions are screwed between microphone stands (for example MF 2, MF 3, MF 4, MF 5) and swivel mounts (for example SG 21 bk).\u003c\/p\u003e\r\n\u003cp\u003eLength: 40 mm\u003cbr\u003eDiameter: 19 mm\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894117629995,"sku":"NEU-006190","price":85.26,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/NEU-6190__85629.1682442978.1280.1280.jpg?v=1775682403"},{"product_id":"neumann-pa-100","title":"Neumann PA 100","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\r\n\u003cp\u003eThe pistonphone adapter allows to attach a calibration tool for any 1\" measuring microphone (for example a Brüel \u0026amp; Kjaer 4228 or 4230) to each ear channel stud of the KU 100 dummy head. Each ear system can be calibrated separately.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894117695531,"sku":"NEU-006199","price":76.84,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/NEU-6199__05305.1682435226.1280.1280.jpg?v=1775682404"},{"product_id":"neumann-z-26-mt","title":"Neumann Z 26 MT","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\u003cp\u003eNeumann Z26MT Inline rubber shock mount, fits between stands and swivel mounts\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894117728299,"sku":"NEU-006207","price":93.68,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/NEU-6207__18505.1682435226.1280.1280.jpg?v=1775682404"},{"product_id":"neumann-z-48","title":"Neumann Z 48","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\u003cp\u003eNeumann Z48 Older style clamping action shockmount for all variants of U 67, U 77, U 87, M 269\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894117761067,"sku":"NEU-006208","price":387.37,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/NEU-6208__55999.1682435227.1280.1280.jpg?v=1775682404"},{"product_id":"neumann-u-47-fet","title":"Neumann U 47 FET","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\r\n\u003cp\u003eThe U 47 fet was first manufactured from 1972 to 1986, and since then has been firmly established in the range of microphones used by many well-known studios. In addition to serving as a soloist microphone, it has become legendary especially for the recording of bass-heavy instruments and for the direct miking of loud amps.\u003c\/p\u003e\r\n\u003cp\u003eThe U 47 fet Collectors Edition is a new edition of this classic, issued in the year 2014. For this, Neumann has resumed production of this classic mic, according to the original production documents and schematics. It is supplied with a high-quality wooden case with sophisticated special packaging, and an individual certificate with the serial number of the microphone.\u003c\/p\u003e\r\n\u003cp\u003eIn terms of technical design, the U 47 fet is a condenser microphone with a cardioid directional characteristic and fet 80 circuit technology. Among other things this technology, also used in the U 87, is characterized particularly by a wide dynamic range. The K 47 double large-diaphragm capsule was already employed in the U 47, the legendary tube-based predecessor of the U 47 fet. The K 47 provides a slight boost in the range above 2 kHz.\u003c\/p\u003e\r\n\u003cp\u003eIf required, a switchable low-cut filter raises the lower cutoff frequency electronically from 40 Hz to 140 Hz, thus suppressing undesirable low frequencies (such as impact sound and wind noise), or serving to compensate for the proximity effect. Switchable attenuation can reduce transmission levels by 10 dB, facilitating the processing of very high sound pressure levels of up to 147 dB. In addition, to prevent overloading of the connected preamp, the output signal can be reduced by 6 dB via a switch on the bottom of the microphone.\u003c\/p\u003e\r\n\u003cp\u003eIn order to ensure stable positioning, the microphone is swivel-mounted on an integrated bracket. The bracket stand connector has 5\/8\"-27 internal thread, with an adapter for 1\/2\" and 3\/8\" threads. The microphone cable can be secured at the side of the stand connector, by using the knurled nut to fasten it in the slot (for cable diameters of up to 5 mm). The microphone is available in classic nickel.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894117793835,"sku":"NEU-006427","price":3794.74,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/NEU-6427__50260.1682435227.1280.1280.jpg?v=1775682405"},{"product_id":"neumann-u-89-i","title":"Neumann U 89 I","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\r\n\u003cp\u003eThe U 89* is a studio microphone for universal applications. The headgrille protects a dual-diaphragm capsule. A rotary switch below the headgrille selects from five different polar patterns. Therefore the microphone can be adapted easily to large sound sources, and those that are spread wide apart, or to sound sources to be recorded at a greater distance.\u003c\/p\u003e\r\n\u003cp\u003eThe amplifier accepts sound pressure levels up to 134 dB without distortion. This figure can be increased to 140 dB. An additional rotary switch activates a filter that changes the low frequency response either below 80 Hz or 160 Hz frequency.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe U 89 i is similar in appearance to the U 87. It is of smaller size, and lighter weight. It features five instead of three directional characteristics and a higher maximum sound pressure level which make this microphone easier adaptable to different applications.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003ePolar patterns\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eIn addition to the usual directional polar patterns: omnidirectional, cardioid, and figure-8, we have added a hypercardioid and wide-angle cardioid characteristic. When compared to the standard cardioid pattern, the hypercardioid characteristic suppresses sound from the side more efficiently. The wide-angle polar pattern is especially useful to record large sound sources.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eAcoustic features\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe microphone is addressed from the front, marked with the Neumann logo. The large diaphragm capsule has a very smooth frequency response for all polar patterns over a wide acceptance angle. The frequency response curves are flat up to 10 kHz within a pickup angle of ± 100°.\u003c\/p\u003e\r\n\u003cp\u003eAs a result the U 89 i has a very even diffuse-field response for all polar patterns. This is important in a reverberant environment when more reflections arrive at the microphone capsule. The acoustic information is not affected in its tonal quality when recorded by the microphone.\u003c\/p\u003e\r\n\u003cp\u003eThis characteristic is achieved without resorting to corrective resonance effects.\u003c\/p\u003e\r\n\u003cp\u003eThe capsule it is elastically mounted to avoid any structure borne noise that could interfere with its operation.  \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFilter and attenuation\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe amplifier handles sound pressure levels up to 134 dB without distortion. With a self noise level of 17 dB (A-weighted) the total dynamic range is 117 dB. Maximum sound pressure level is 140 dB when the - 6 dB rotary switch is in the ON position.\u003c\/p\u003e\r\n\u003cp\u003eA low frequency roll-off at 80 Hz or 160 Hz can be activated with another rotary switch below the headgrille. This filter suppresses low frequency interference, yet maintains an even frequency response for close-up sound sources, for example, when proximity effect could adversely affect the program material.\u003c\/p\u003e\r\n\u003cp\u003eA steep high-pass filter in the LIN position prevents the output transformer of the microphone from being overloaded due to undesired subsonic frequencies.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eOperational safety\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eAll exposed surfaces of the microphone capsule, including the diaphragms, are at ground potential. This technology makes them highly immune to electrical and atmospheric interference and contamination through microscopic dust particles.\u003c\/p\u003e\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eVariable large diaphragm microphone\u003c\/li\u003e\r\n\u003cli\u003ePressure-gradient transducer with double membrane capsule\u003c\/li\u003e\r\n\u003cli\u003eFive directional characteristics: omni, wide angle cardioid, cardioid, hypercardioid, figure-8\u003c\/li\u003e\r\n\u003cli\u003eThereby most versatile in all recording situations\u003c\/li\u003e\r\n\u003cli\u003eTwo-stage roll-off filter\u003c\/li\u003e\r\n\u003cli\u003eSwitchable 6 dB pre-attenuation\u003c\/li\u003e\r\n\u003cli\u003eExtended frequency range in comparison to U 87 Ai\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003e\n\u003cbr\u003eSpecifications\u003c\/h3\u003e\r\n\u003ctable style=\"width: 796px; height: 422px;\"\u003e\r\n\u003ctbody\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eAcoustical operating principle\u003c\/td\u003e\r\n\u003ctd\u003ePressure gradient transducer\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eDirectional pattern\u003c\/td\u003e\r\n\u003ctd\u003eOmnidirectional, wide angle, cardioid, hypercardioid, figure-8\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eFrequency range\u003c\/td\u003e\r\n\u003ctd\u003e20 Hz ... 20 kHz\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eSensitivity at 1 kHz into 1 kohm\u003c\/td\u003e\r\n\u003ctd\u003e8 mV\/Pa\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eRated impedance\u003c\/td\u003e\r\n\u003ctd\u003e150 ohms\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eRated load impedance\u003c\/td\u003e\r\n\u003ctd\u003e1 kohms\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eEquivalent noise level, CCIR\u003csup\u003e1)\u003c\/sup\u003e\n\u003c\/td\u003e\r\n\u003ctd\u003e28 dB\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eEquivalent noise level, A-weighted\u003csup\u003e1)\u003c\/sup\u003e\n\u003c\/td\u003e\r\n\u003ctd\u003e17 dB-A\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eSignal-to-noise ratio, CCIR\u003csup\u003e1)\u003c\/sup\u003e (rel. 94 dB SPL)\u003c\/td\u003e\r\n\u003ctd\u003e66 dB\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eSignal-to-noise ratio, A-weighted\u003csup\u003e1)\u003c\/sup\u003e (rel. 94 dB SPL)\u003c\/td\u003e\r\n\u003ctd\u003e77 dB\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eMaximum SPL for THD 0.5%\u003csup\u003e2)\u003c\/sup\u003e\n\u003c\/td\u003e\r\n\u003ctd\u003e134 dB\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eMaximum SPL for THD 0.5% with preattenuation\u003csup\u003e2)\u003c\/sup\u003e\n\u003c\/td\u003e\r\n\u003ctd\u003e140 dB\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eMaximum output voltage\u003c\/td\u003e\r\n\u003ctd\u003e800 mV\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eSupply voltage (P48, IEC 61938)\u003c\/td\u003e\r\n\u003ctd\u003e48 V ± 4 V\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eCurrent consumption (P48, IEC 61938)\u003c\/td\u003e\r\n\u003ctd\u003e0.8 mA\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eMatching connector\u003c\/td\u003e\r\n\u003ctd\u003eXLR3F\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eWeight\u003c\/td\u003e\r\n\u003ctd\u003e400 g\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eDiameter\u003c\/td\u003e\r\n\u003ctd\u003e46 mm\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eLength\u003c\/td\u003e\r\n\u003ctd\u003e185 mm\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003c\/tbody\u003e\r\n\u003c\/table\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894117826603,"sku":"NEU-006449","price":2842.11,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/NEU-6449__85344.1682435228.1280.1280.jpg?v=1775682405"},{"product_id":"neumann-u-89-i-mt","title":"Neumann U 89 I MT","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\r\n\u003cp\u003eA simple rotary switch lets you select any of five directional patterns (omnidirectional, cardioid, figure-8, hypercardioid and wide-angle cardioid) to give you the best option for each recording application that comes your way. Another rotary switch activates a filter that changes the LF response to either below 80 Hz or 160 Hz frequency. This filter suppresses low frequency interference, yet maintains an even frequency response for close-up sound sources. The microphone also features a steep high-pass filter to prevent it from being overloaded by undesired subsonic frequencies.\u003c\/p\u003e\r\n\u003cp\u003eThis mic can handle sound pressure levels up to 134 dB without distortion, and its large dual-diaphragm capsule boasts a very smooth frequency response over a wide acceptance angle. All exposed surfaces of the microphone capsule, including the diaphragms, are at ground potential, making them highly immune to electrical and atmospheric interference and contamination through microscopic dust particles. The capsule is elastically mounted to avoid any structure borne noise that could interfere with its operation.\u003c\/p\u003e\r\n\u003cp\u003eTruly, this is a microphone for the serious studio: a studio that is willing to invest heavily, yet wisely, for a pay-off of pristine sonic performance.\u003c\/p\u003e\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eVariable large diaphragm microphone\u003c\/li\u003e\r\n\u003cli\u003ePressure-gradient transducer with double membrane capsule\u003c\/li\u003e\r\n\u003cli\u003eFive directional characteristics: omni, wide angle cardioid, cardioid, hypercardioid, figure-8\u003c\/li\u003e\r\n\u003cli\u003eTwo-stage roll-off filter\u003c\/li\u003e\r\n\u003cli\u003eSwitchable 10 dB pre-attenuation\u003c\/li\u003e\r\n\u003cli\u003eWide frequency range\u003c\/li\u003e\r\n\u003cli\u003eBlack finish\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003e\n\u003cbr\u003eSpecifications\u003c\/h3\u003e\r\n\u003ctable style=\"width: 757px; height: 532px;\" border=\"0\"\u003e\n\u003ccolgroup\u003e\n\u003ccol\u003e \u003ccol\u003e \u003c\/colgroup\u003e\r\n\u003ctbody\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl63\"\u003eAcoustical operating principle\u003c\/td\u003e\r\n\u003ctd\u003e Pressure gradient transducer \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl63\"\u003eDirectional pattern\u003c\/td\u003e\r\n\u003ctd\u003e Omnidirectional, wide angle, cardioid, hypercardioid, figure-8 \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl63\"\u003eFrequency range\u003c\/td\u003e\r\n\u003ctd\u003e 20 Hz - 20 kHz \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl63\"\u003eSensitivity at 1 kHz into 1 kohm\u003c\/td\u003e\r\n\u003ctd\u003e 8 mV\/Pa \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl63\"\u003eRated impedance\u003c\/td\u003e\r\n\u003ctd\u003e 150 ohms \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl63\"\u003eRated load impedance\u003c\/td\u003e\r\n\u003ctd\u003e 1000 ohms \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl63\"\u003eEquivalent SPL CCIR 468-3\u003c\/td\u003e\r\n\u003ctd\u003e 28 dB \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl63\"\u003eEquivalent SPL DIN\/IEC 651\u003c\/td\u003e\r\n\u003ctd\u003e 17 dB-A \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl63\"\u003eS\/N ratio CCIR 468-3\u003c\/td\u003e\r\n\u003ctd\u003e 66 dB \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl63\"\u003eS\/N ratio DIN\/IEC 651\u003c\/td\u003e\r\n\u003ctd\u003e 77 dB \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl63\"\u003eMaximum SPL for THD 0.5%\u003c\/td\u003e\r\n\u003ctd\u003e 134 dB \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl63\"\u003eMaximum SPL for THD 0.5% with preattanuation\u003c\/td\u003e\r\n\u003ctd\u003e 140 dB \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl63\"\u003eMaximum output voltage\u003c\/td\u003e\r\n\u003ctd\u003e 800 mV \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl63\"\u003eDynamic range of the microphone amplifier DIN\/IEC 651\u003c\/td\u003e\r\n\u003ctd\u003e 117 dB \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl63\"\u003eSupply voltage\u003c\/td\u003e\r\n\u003ctd\u003e 48 V ± 4 V \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl63\"\u003eCurrent consumption\u003c\/td\u003e\r\n\u003ctd\u003e 0.8 mA \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl63\"\u003eMatching connector\u003c\/td\u003e\r\n\u003ctd\u003e XLR 3F \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl63\"\u003eWeight\u003c\/td\u003e\r\n\u003ctd\u003e 400 g (14.1 oz) \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl63\"\u003eDiameter\u003c\/td\u003e\r\n\u003ctd\u003e 46 mm (1.81\") \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl63\"\u003eLength\u003c\/td\u003e\r\n\u003ctd\u003e 185 mm (7.28\")\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003c\/tbody\u003e\r\n\u003c\/table\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894117859371,"sku":"NEU-006450","price":2842.11,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/NEU-6450__56690.1682435228.1280.1280.jpg?v=1775682405"},{"product_id":"neumann-ic-3-mt","title":"Neumann IC 3 MT","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\r\n\u003cp\u003eMicrophone cable with double twist (double helix) braiding as shield. Diameter 5 mm, length 10 m. XLR 3 connectors, matte black.\u003cbr\u003eOther cable lengths are available upon request! Cable material without connectors are also available.\u003cbr\u003eEven if very long (Neumann) cables are used, the electroacoustic characteristics of the microphone are not affected.Only with cable lengths well over 300 m a high-frequency roll-off is noticeable.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894117892139,"sku":"NEU-006543","price":171.58,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/product_detail_x2_desktop_ic-3-mt_neumann-microphone-cable_m__64289.1682435228.1280.1280.png?v=1775682406"},{"product_id":"neumann-ic-4","title":"Neumann IC 4","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\r\n\u003cp\u003eThe Neumann IC4-25 microphone cable with rotatable swivel mount for microphones with a thread, and double twist braiding as shield. It has a 5\/8\"-27 female thread, plus a thread adapter to connect to 1\/2\"- and 3\/8\" stands. Diameter 5 mm, length 10 m. XLR 3 connectors.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894117924907,"sku":"NEU-006547","price":448.42,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/NEU-6547__80346.1682435229.1280.1280.jpg?v=1775682406"},{"product_id":"neumann-ic-4-mt","title":"Neumann IC 4 MT","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\r\n\u003cp\u003e10 m long microphone cable, Black. 3-pin XLR connectors and SGCD 3 rotatable swivel mount.\u003c\/p\u003e\r\n\u003cp\u003eMicrophone cable with rotatable swivel mount for microphones with a thread, and double twist braiding as shield. It has a 5\/8\"-27 female thread, plus a thread adapter to connect to 1\/2\"- and 3\/8\" stands. Diameter 5 mm, length 10 m. XLR 3 connectors.\u003c\/p\u003e\r\n\u003cp\u003eOther cable lengths are available upon request! Cable material without connectors are also available.\u003c\/p\u003e\r\n\u003cp\u003eEven if very long (Neumann) cables are used, the electroacoustic characteristics of the microphone are not affected.Only with cable lengths well over 300 m a high-frequency roll-off is noticeable.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894117957675,"sku":"NEU-006557","price":448.42,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/product_detail_x2_desktop_ic-4-mt_neumann-microphone-cable_m__08313.1682435229.1280.1280.png?v=1775682407"},{"product_id":"neumann-ac-20","title":"Neumann AC 20","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\r\n\u003cp\u003eY-cable with one XLR 5 F connector and two XLR 3 M connectors. It is used to split two-channel signals into two mono channels, when using, for example, the BS 48 i-2 power supply.\u003cbr\u003eOther cable lengths are available upon request!\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894117990443,"sku":"NEU-006595","price":146.32,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/product_detail_x2_desktop_ac-20_neumann-microphone-cable_m__78440.1682435230.1280.1280.png?v=1775682407"},{"product_id":"neumann-ic-6","title":"Neumann IC 6","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\r\n\u003cp\u003eThe microphone cable is with rotatable swivel mount for microphones with a thread and double twist braiding as shield. It has a 5\/8\"-27 female thread, plus a thread adapter to connect to 1\/2\"- and 3\/8\" stands. Diameter 5 mm, length is 7.6 m (25 ft). It features 5 pin XLR connector.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894118023211,"sku":"NEU-006621","price":516.84,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/NEU-6621__66548.1682442983.1280.1280.jpg?v=1775682407"},{"product_id":"neumann-ic-6-mt","title":"Neumann IC 6 MT","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\r\n\u003cp\u003e10m long microphone cable with swivel mount for USM 69 I. Black.\u003c\/p\u003e\r\n\u003cp\u003eMicrophone cable with rotatable swivel mount for microphones with a thread, and double twist braiding as shield. It has a 5\/8\"-27 female thread, plus a thread adapter to connect to 1\/2\"- and 3\/8\" stands. Diameter 5 mm, length 10 m. XLR 5 connectors.\u003c\/p\u003e\r\n\u003cp\u003eOther cable lengths are available upon request! Cable material without connectors are also available.\u003c\/p\u003e\r\n\u003cp\u003eEven if very long (Neumann) cables are used, the electroacoustic characteristics of the microphone are not affected.Only with cable lengths well over 300 m a high-frequency roll-off is noticeable.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894118055979,"sku":"NEU-006622","price":516.84,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/product_detail_x2_desktop_ic-4-mt_neumann-microphone-cable_m_1__29980.1682442984.1280.1280.png?v=1775682408"},{"product_id":"neumann-ic-5-mt","title":"Neumann IC 5 MT","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\r\n\u003cp\u003eMicrophone cable with double twist (double helix) braiding as shield. Diameter 5 mm, length 10 m. XLR 5 connectors.\u003c\/p\u003e\r\n\u003cp\u003eOther cable lengths are available upon request! Cable material without connectors are also available.\u003c\/p\u003e\r\n\u003cp\u003eEven if very long (Neumann) cables are used, the electroacoustic characteristics of the microphone are not affected.Only with cable lengths well over 300 m a high-frequency roll-off is noticeable.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894118776875,"sku":"NEU-006624","price":335.79,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/NEU-6624__30640.1682442984.1280.1280.jpg?v=1775682408"},{"product_id":"neumann-sg-100","title":"Neumann SG 100","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\r\n\u003cp\u003eSwivel mount to attach capsule extensions KVF ... of the variable KM 100 miniature microphone system to tripods. It has a 5\/8\"-27 thread, plus a thread adapter to connect to 1\/2\"- and 3\/8\" stands.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894118842411,"sku":"NEU-006688","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/NEU-6688_1__47704.1682442985.1280.1280.jpg?v=1775682408"},{"product_id":"neumann-sge-100","title":"Neumann SGE 100","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\r\n\u003cp\u003eSwivel mount for detached miniature microphone capsules. A rubber shock mount suppresses structure-borne noise. The swivel mount has an M 6 thread (6 mm). Attaching the swivel mount to the MF 2 table stand, the SGE 100 replaces the rubber shock mount of the table stand.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894118875179,"sku":"NEU-006742","price":163.16,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/NEU-6742_1__60466.1682442987.1280.1280.jpg?v=1775682409"},{"product_id":"neumann-ws-69","title":"Neumann WS 69","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\u003cp\u003eNeumann WS69 Windscreen for USM 69 and SM 69 fet, -20 dB wind noise attentuation, -3 dB @ 15 kHz\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894118907947,"sku":"NEU-006750","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/NEU-6750__37601.1682442977.1280.1280.jpg?v=1775682410"},{"product_id":"neumann-ws-100","title":"Neumann WS 100","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\u003cp\u003eNeumann WS100 Windscreen for KM 80, KM 100, KM 180 or KM D, -23 dB wind noise attenuation, -4 dB @ 15 kHz\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894118940715,"sku":"NEU-006751","price":42.11,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/NEU-6751__79313.1682442978.1280.1280.jpg?v=1775682410"},{"product_id":"neumann-ws-87","title":"Neumann WS 87","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\u003cp\u003eNeumann WS87 Windscreen for U 67, U 87, TLM 103, TLM 50, TLM 127, M 147 Tube and TLM 170, -26 dB wind noise attenuation, -3 dB @ 15 kHz\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894119006251,"sku":"NEU-006753","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/NEU-6753__17020.1682442978.1280.1280.jpg?v=1775682410"},{"product_id":"neumann-mnv-21-mt","title":"Neumann MNV 21 MT","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\r\n\u003cp\u003eThe auditorium hanger adjusts the tilting angle of a microphone suspended by its own cable.\u003c\/p\u003e\r\n\u003cp\u003eThe MNV 21 consists of the tilting clamp, suitable to hold a microphone, and a locking cable strain relief. Suitable for cables with 4-5 mm diameter.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894119071787,"sku":"NEU-006802","price":76.84,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/NEU-6802__25162.1682442978.1280.1280.jpg?v=1775682411"},{"product_id":"neumann-mnv-87","title":"Neumann MNV 87","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\r\n\u003cp\u003eThe Neumann MNV87 is a hanging suspension mount that consists of a suspension cable and a rotating 1\/2\" threaded stud. The stud allows swivel mounts to be adapted and enable both swivel and rotation for easy overhead microphone positioning.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894121431083,"sku":"NEU-006804","price":232.63,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/NEU-6804_1__88511.1682442979.1280.1280.jpg?v=1775682411"},{"product_id":"neumann-mnv-87-mt","title":"Neumann MNV 87 MT","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\r\n\u003cp\u003eThe auditorium hanger consists of a cable suspension and a rotating 1\/2\" threaded stud, to connect to e. g. swivel mounts.\u003c\/p\u003e\r\n\u003cp\u003eThe stud is screwed into the threaded coupling of the swivel mount. Then the microphone can be tilted while it is suspended from its own cable.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894121463851,"sku":"NEU-006806","price":232.63,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/NEU-6806__63364.1682435230.1280.1280.jpg?v=1775682411"},{"product_id":"neumann-mnv-100","title":"Neumann MNV 100","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\r\n\u003cp\u003eThe MNV 100 auditorium hanger is used to suspend a detached miniature microphone capsule freely from ist interconnecting cable. The assembly can be rotated and tilted to any desired angle. Suitable for cables with 3 - 3.5 mm diameter.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894121496619,"sku":"NEU-006811","price":146.32,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/NEU-6811__91499.1682435230.1280.1280.jpg?v=1775682412"},{"product_id":"neumann-ws-47","title":"Neumann WS 47","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\r\n\u003cp\u003eClose range sounds, wind, and fast movements of the microphone boom, all may cause interfering noises.\u003cbr\u003eTo avoid these unwanted sounds, windscreen accessories are available. Typically, they are made out of open-cell polyurethane foam. These windscreens do not cause interfering resonances and do not influence the directional pattern. Only in the upper frequency range is the output level slightly attenuated. The wind noise attenuation was measured without electrical filtering in a turbulent air stream traveling at 20 km\/h, generated by a noiseless wind machine.\u003cbr\u003eWind noise attenuation 22 dB. Attenuation at 15 kHz 3 dB.Diameter 120 mm.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894121529387,"sku":"NEU-006826","price":85.26,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/product_detail_x2_desktop_ws-47_neumann-windscreen_m__93979.1682435231.1280.1280.png?v=1775682412"},{"product_id":"neumann-kmr-82-i","title":"Neumann KMR 82 I","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\r\n\u003ch4\u003eLong Supercardioid Shotgun Condenser Microphone - Nickel\u003c\/h4\u003e\r\n\u003cp\u003eThe KMR 82 is a shotgun microphone with a high directivity that remains within the acceptance angle independent of the frequency. The advantage is that a sound source, for example an actor on stage, will not change its apparent tonal balance when moving within this area.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eShotgun microphones are particularly useful in recording situations where a microphone cannot be positioned within the desired distance of the sound source to produce a sufficiently loud signal level. Typical applications are film and video recordings, where the microphone should not appear in the picture. The KMR 82 has been specifically designed for electronic news gathering.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eAcoustic features\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eIn principle, Neumann shotgun microphones use a combination of a pressure gradient transducer and an interference tube. If the wavelength of the frequency is longer than the tube length, the microphones work as pressure gradient transducers. At higher frequencies they operate as interference transducers for lateral sound. Off-axis sound sources are picked up with reduced level, but without coloration.\u003c\/p\u003e\r\n\u003cp\u003eTherefore, the microphones are well suited to record individual instruments of an orchestra. The pickup areas of several shotgun microphones may even overlap as, for example, during recordings on a large stage, without causing any problem.\u003c\/p\u003e\r\n\u003cp\u003eThe KMR 82 is less sensitive to wind and pop noise when compared to the KM 150 miniature microphone with a similar high directivity. The shotgun microphone features extremely low self noise, good impulse response, and high output level.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003ePolar patterns\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe KMR 82 is a shotgun microphones with a very directional characteristic.\u003c\/p\u003e\r\n\u003cp\u003eThe microphone capsule is positioned inside a housing tube that is acoustically open but has a high flow resistance. The directional pattern of the microphone is lobe shaped. The attenuation of lateral sound is practically independent of the frequency. The KMR 82 has a frequency independent directivity within a pickup angle of 90° for audio signals that determine the tonal balance of the program material.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFilter\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eBetween 2 kHz and 15 kHz the KMR 82 has a boost to compensate for HF transmission losses in air when recording distant sound sources. This may overemphasize any sibilance if the microphone is used close-up. Therefore, a two-position slide switch allows to select the setting that is best for balanced upper frequencies.\u003c\/p\u003e\r\n\u003cp\u003eThe KMR 82 has a high-pass filter to suppress subsonic interference. The cutoff frequency may be raised to 120 Hz ( - 3 dB) with a built-in two-position slide switch.\u003c\/p\u003e\r\n\u003cp\u003eUse on location\u003c\/p\u003e\r\n\u003cp\u003eThe shotgun microphone features very high output capability and a remarkably low self-noise level. Its low power consumption, light weight, and low sensitivity to wind and handling noise, makes it an ideal tool for news gathering on location. Small dimensions, together with a balanced center of gravity, make handling easy without any whiplash effect.\u003c\/p\u003e\r\n\u003cp\u003eHowever, when on location and during strong wind conditions, we recommend using an additional wind screen (included as standard accessory). The wind screen is made of polyurethane foam and also serves as soft padding of the microphone in its leather carrying case.\u003c\/p\u003e\r\n\u003cp\u003eFor mobile use a handle and an elastic suspension are available.\u003c\/p\u003e\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eInterference tube microphone with shotgun directional characteristic Interference\/pressure-gradient transducer\u003c\/li\u003e\r\n\u003cli\u003eHigh lateral and back attenuation\u003c\/li\u003e\r\n\u003cli\u003e45°-recording angle\u003c\/li\u003e\r\n\u003cli\u003eSwitchable filter or preattenuation features\u003c\/li\u003e\r\n\u003cli\u003eExtensive accessories for outdoor use\u003c\/li\u003e\r\n\u003cli\u003eLight weight: 250 g\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003e\n\u003cbr\u003eSpecifications\u003c\/h3\u003e\r\n\u003ctable style=\"width: 641px; height: 697px;\" border=\"0\"\u003e\n\u003ccolgroup\u003e\n\u003ccol span=\"2\"\u003e \u003c\/colgroup\u003e\r\n\u003ctbody\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eAcoustical operating principle\u003c\/td\u003e\r\n\u003ctd\u003e Interference transducer \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eDirectional pattern\u003c\/td\u003e\r\n\u003ctd\u003e Supercardioid\/lobe \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eFrequency range\u003c\/td\u003e\r\n\u003ctd\u003e 20 Hz ... 20 kHz \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eSensitivity at 1 kHz into 1 kohm\u003c\/td\u003e\r\n\u003ctd\u003e 21 mV\/Pa \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eRated impedance\u003c\/td\u003e\r\n\u003ctd\u003e 150 ohms \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eRated load impedance\u003c\/td\u003e\r\n\u003ctd\u003e 1 kohms \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eEquivalent noise level, CCIR1)\u003c\/td\u003e\r\n\u003ctd\u003e 23 dB\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eEquivalent noise level, A-weighted1)\u003c\/td\u003e\r\n\u003ctd\u003e 12 dB-A \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eSignal-to-noise ratio, CCIR1) (rel. 94 dB SPL)\u003c\/td\u003e\r\n\u003ctd\u003e 71 dB \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eSignal-to-noise ratio, A-weighted1) (rel. 94 dB SPL)\u003c\/td\u003e\r\n\u003ctd\u003e 82 dB \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eMaximum SPL for THD 0.5%2)\u003c\/td\u003e\r\n\u003ctd\u003e 128 dB \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eMaximum SPL for THD 0.5% with preattenuation2)\u003c\/td\u003e\r\n\u003ctd\u003e 138 dB \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eMaximum output voltage\u003c\/td\u003e\r\n\u003ctd\u003e 2.6 dBu \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eSupply voltage (P48, IEC 61938)\u003c\/td\u003e\r\n\u003ctd\u003e 48 V ± 4 V \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eCurrent consumption (P48, IEC 61938)\u003c\/td\u003e\r\n\u003ctd\u003e 0.7 mA \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eMatching connector\u003c\/td\u003e\r\n\u003ctd\u003e XLR3F \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eWeight\u003c\/td\u003e\r\n\u003ctd\u003e 250 g \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eDiameter\u003c\/td\u003e\r\n\u003ctd\u003e 21 mm \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eLength\u003c\/td\u003e\r\n\u003ctd\u003e 395 mm \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003c\/tbody\u003e\r\n\u003c\/table\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894121562155,"sku":"NEU-006878","price":1721.05,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/NEU-6878_1__64935.1682435232.1280.1280.jpg?v=1775682412"},{"product_id":"neumann-kmr-82-i-mt","title":"Neumann KMR 82 I MT","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\r\n\u003ch4\u003eLong Supercardioid Shotgun Condenser Microphone - Black\u003c\/h4\u003e\r\n\u003cp\u003eThe KMR 82 is a shotgun microphone with a high directivity that remains within the acceptance angle independent of the frequency. The advantage is that a sound source, for example an actor on stage, will not change its apparent tonal balance when moving within this area.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eShotgun microphones are particularly useful in recording situations where a microphone cannot be positioned within the desired distance of the sound source to produce a sufficiently loud signal level. Typical applications are film and video recordings, where the microphone should not appear in the picture. The KMR 82 has been specifically designed for electronic news gathering.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eAcoustic features\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eIn principle, Neumann shotgun microphones use a combination of a pressure gradient transducer and an interference tube. If the wavelength of the frequency is longer than the tube length, the microphones work as pressure gradient transducers. At higher frequencies they operate as interference transducers for lateral sound. Off-axis sound sources are picked up with reduced level, but without coloration.\u003c\/p\u003e\r\n\u003cp\u003eTherefore, the microphones are well suited to record individual instruments of an orchestra. The pickup areas of several shotgun microphones may even overlap as, for example, during recordings on a large stage, without causing any problem.\u003c\/p\u003e\r\n\u003cp\u003eThe KMR 82 is less sensitive to wind and pop noise when compared to the KM 150 miniature microphone with a similar high directivity. The shotgun microphone features extremely low self noise, good impulse response, and high output level.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003ePolar patterns\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe KMR 82 is a shotgun microphones with a very directional characteristic.\u003c\/p\u003e\r\n\u003cp\u003eThe microphone capsule is positioned inside a housing tube that is acoustically open but has a high flow resistance. The directional pattern of the microphone is lobe shaped. The attenuation of lateral sound is practically independent of the frequency. The KMR 82 has a frequency independent directivity within a pickup angle of 90° for audio signals that determine the tonal balance of the program material.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFilter\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eBetween 2 kHz and 15 kHz the KMR 82 has a boost to compensate for HF transmission losses in air when recording distant sound sources. This may overemphasize any sibilance if the microphone is used close-up. Therefore, a two-position slide switch allows to select the setting that is best for balanced upper frequencies.\u003c\/p\u003e\r\n\u003cp\u003eThe KMR 82 has a high-pass filter to suppress subsonic interference. The cutoff frequency may be raised to 120 Hz ( - 3 dB) with a built-in two-position slide switch.\u003c\/p\u003e\r\n\u003cp\u003eUse on location\u003c\/p\u003e\r\n\u003cp\u003eThe shotgun microphone features very high output capability and a remarkably low self-noise level. Its low power consumption, light weight, and low sensitivity to wind and handling noise, makes it an ideal tool for news gathering on location. Small dimensions, together with a balanced center of gravity, make handling easy without any whiplash effect.\u003c\/p\u003e\r\n\u003cp\u003eHowever, when on location and during strong wind conditions, we recommend using an additional wind screen (included as standard accessory). The wind screen is made of polyurethane foam and also serves as soft padding of the microphone in its leather carrying case.\u003c\/p\u003e\r\n\u003cp\u003eFor mobile use a handle and an elastic suspension are available.\u003c\/p\u003e\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eInterference tube microphone with shotgun directional characteristic Interference\/pressure-gradient transducer\u003c\/li\u003e\r\n\u003cli\u003eHigh lateral and back attenuation\u003c\/li\u003e\r\n\u003cli\u003e45°-recording angle\u003c\/li\u003e\r\n\u003cli\u003eSwitchable filter or preattenuation features\u003c\/li\u003e\r\n\u003cli\u003eExtensive accessories for outdoor use\u003c\/li\u003e\r\n\u003cli\u003eLight weight: 250 g\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003e\n\u003cbr\u003eSpecifications\u003c\/h3\u003e\r\n\u003ctable style=\"width: 646px; height: 687px;\" border=\"0\"\u003e\n\u003ccolgroup\u003e\n\u003ccol span=\"2\"\u003e \u003c\/colgroup\u003e\r\n\u003ctbody\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eAcoustical operating principle\u003c\/td\u003e\r\n\u003ctd\u003e Interference transducer \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eDirectional pattern\u003c\/td\u003e\r\n\u003ctd\u003e Supercardioid\/lobe \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eFrequency range\u003c\/td\u003e\r\n\u003ctd\u003e 20 Hz ... 20 kHz \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eSensitivity at 1 kHz into 1 kohm\u003c\/td\u003e\r\n\u003ctd\u003e 21 mV\/Pa \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eRated impedance\u003c\/td\u003e\r\n\u003ctd\u003e 150 ohms \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eRated load impedance\u003c\/td\u003e\r\n\u003ctd\u003e 1 kohms \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eEquivalent noise level, CCIR1)\u003c\/td\u003e\r\n\u003ctd\u003e 23 dB\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eEquivalent noise level, A-weighted1)\u003c\/td\u003e\r\n\u003ctd\u003e 12 dB-A \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eSignal-to-noise ratio, CCIR1) (rel. 94 dB SPL)\u003c\/td\u003e\r\n\u003ctd\u003e 71 dB \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eSignal-to-noise ratio, A-weighted1) (rel. 94 dB SPL)\u003c\/td\u003e\r\n\u003ctd\u003e 82 dB \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eMaximum SPL for THD 0.5%2)\u003c\/td\u003e\r\n\u003ctd\u003e 128 dB \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eMaximum SPL for THD 0.5% with preattenuation2)\u003c\/td\u003e\r\n\u003ctd\u003e 138 dB \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eMaximum output voltage\u003c\/td\u003e\r\n\u003ctd\u003e 2.6 dBu \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eSupply voltage (P48, IEC 61938)\u003c\/td\u003e\r\n\u003ctd\u003e 48 V ± 4 V \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eCurrent consumption (P48, IEC 61938)\u003c\/td\u003e\r\n\u003ctd\u003e 0.7 mA \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eMatching connector\u003c\/td\u003e\r\n\u003ctd\u003e XLR3F \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eWeight\u003c\/td\u003e\r\n\u003ctd\u003e 250 g \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eDiameter\u003c\/td\u003e\r\n\u003ctd\u003e 21 mm \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eLength\u003c\/td\u003e\r\n\u003ctd\u003e 395 mm \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003c\/tbody\u003e\r\n\u003c\/table\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894121594923,"sku":"NEU-006879","price":1721.05,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/NEU-6879__01046.1682435232.1280.1280.jpg?v=1775682413"},{"product_id":"neumann-kmr-81-i","title":"Neumann KMR 81 I","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\r\n\u003ch4\u003eShort Supercardioid Shotgun Condenser Microphone - Nickel\u003c\/h4\u003e\r\n\u003cp\u003eThe KMR 81 is a shotgun microphone with a high directivity that remains within the acceptance angle independent of the frequency. The advantage is that a sound source, for example an actor on stage, will not change its apparent tonal balance when moving within this area.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eShotgun microphones are particularly useful in recording situations where a microphone cannot be positioned within the desired distance of the sound source to produce a sufficiently loud signal level. Typical applications are film and video recordings, where the microphone should not appear in the picture. The KMR 81 has been specifically designed for electronic news gathering.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eAcoustic features\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eIn principle, Neumann shotgun microphones use a combination of a pressure gradient transducer and an interference tube. If the wavelength of the frequency is longer than the tube length, the microphones work as pressure gradient transducers. At higher frequencies they operate as interference transducers for lateral sound. Off-axis sound sources are picked up with reduced level, but without coloration.\u003c\/p\u003e\r\n\u003cp\u003eTherefore, the microphones are well suited to record individual instruments of an orchestra. The pickup areas of several shotgun microphones may even overlap as, for example, during recordings on a large stage, without causing any problem.\u003c\/p\u003e\r\n\u003cp\u003eThe KMR 81 is less sensitive to wind and pop noise when compared to the KM 150 miniature microphone with a similar high directivity. The shotgun microphone features extremely low self noise, good impulse response, and high output level.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003ePolar patterns\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe KMR 81 is a shotgun microphones with a very directional characteristic.\u003c\/p\u003e\r\n\u003cp\u003eThe microphone capsule is positioned inside a housing tube that is acoustically open but has a high flow resistance. The directional pattern of the microphone is lobe shaped. The attenuation of lateral sound is practically independent of the frequency. The KMR 81 has a frequency independent directivity within a pickup angle of 90° for audio signals that determine the tonal balance of the program material.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFilter and attenuation\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe microphone has a 10 dB attenuation switch to prevent the input of the following unit from overloading.\u003c\/p\u003e\r\n\u003cp\u003eA second switch activates a 200 Hz high-pass filter. Toward the lower frequencies the sensitivity of the microphone is attenuated by approximately 15 dB at 50 Hz. The frequency range above 200 Hz is unaffected.\u003c\/p\u003e\r\n\u003cp\u003eUse on location\u003c\/p\u003e\r\n\u003cp\u003eThe shotgun microphone features very high output capability and a remarkably low self-noise level. Its low power consumption, light weight, and low sensitivity to wind and handling noise, makes it an ideal tools for news gathering on location. Small dimensions, together with a balanced center of gravity, make handling easy without any whiplash effect.\u003c\/p\u003e\r\n\u003cp\u003eHowever, when on location and during strong wind conditions, we recommend using an additional wind screen (included as standard accessory). The wind screen is made of polyurethane foam.\u003c\/p\u003e\r\n\u003cp\u003eFor mobile use a handle and an elastic suspension are available.\u003c\/p\u003e\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eInterference tube microphone with shotgun directional characteristic Interference\/pressure-gradient transducer\u003c\/li\u003e\r\n\u003cli\u003eHigh lateral and back attenuation\u003c\/li\u003e\r\n\u003cli\u003e90°-recording angle\u003c\/li\u003e\r\n\u003cli\u003eSwitchable filter or preattenuation features\u003c\/li\u003e\r\n\u003cli\u003eExtensive accessories for outdoor use\u003c\/li\u003e\r\n\u003cli\u003eLight weight: 145 g\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003e\n\u003cbr\u003eSpecifications\u003c\/h3\u003e\r\n\u003ctable style=\"width: 620px; height: 667px;\" border=\"0\"\u003e\n\u003ccolgroup\u003e\n\u003ccol span=\"2\"\u003e \u003c\/colgroup\u003e\r\n\u003ctbody\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eAcoustical operating principle\u003c\/td\u003e\r\n\u003ctd\u003e Interference transducer \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eDirectional pattern\u003c\/td\u003e\r\n\u003ctd\u003e Supercardioid\/lobe \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eFrequency range\u003c\/td\u003e\r\n\u003ctd\u003e 20 Hz ... 20 kHz \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eSensitivity at 1 kHz into 1 kohm\u003c\/td\u003e\r\n\u003ctd\u003e 18 mV\/Pa \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eRated impedance\u003c\/td\u003e\r\n\u003ctd\u003e 150 ohms \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eRated load impedance\u003c\/td\u003e\r\n\u003ctd\u003e 1 kohms \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eEquivalent noise level, CCIR1)\u003c\/td\u003e\r\n\u003ctd\u003e 23 dB\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eEquivalent noise level, A-weighted1)\u003c\/td\u003e\r\n\u003ctd\u003e 12 dB-A \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eSignal-to-noise ratio, CCIR1) (rel. 94 dB SPL)\u003c\/td\u003e\r\n\u003ctd\u003e 71 dB \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eSignal-to-noise ratio, A-weighted1) (rel. 94 dB SPL)\u003c\/td\u003e\r\n\u003ctd\u003e 82 dB \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eMaximum SPL for THD 0.5%2)\u003c\/td\u003e\r\n\u003ctd\u003e 128 dB \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eMaximum SPL for THD 0.5% with preattenuation2)\u003c\/td\u003e\r\n\u003ctd\u003e 138 dB \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eMaximum output voltage\u003c\/td\u003e\r\n\u003ctd\u003e 1.3 dBu \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eSupply voltage (P48, IEC 61938)\u003c\/td\u003e\r\n\u003ctd\u003e 48 V ± 4 V \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eCurrent consumption (P48, IEC 61938)\u003c\/td\u003e\r\n\u003ctd\u003e 0.8 mA \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eMatching connector\u003c\/td\u003e\r\n\u003ctd\u003e XLR3F \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eWeight\u003c\/td\u003e\r\n\u003ctd\u003e 145 g \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eDiameter\u003c\/td\u003e\r\n\u003ctd\u003e 21 mm \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eLength\u003c\/td\u003e\r\n\u003ctd\u003e 213 mm \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003c\/tbody\u003e\r\n\u003c\/table\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894121627691,"sku":"NEU-006961","price":1549.47,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/NEU-6961_1__86263.1682435233.1280.1280.jpg?v=1775682413"},{"product_id":"neumann-kmr-81-i-mt","title":"Neumann KMR 81 I MT","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\r\n\u003ch4\u003eShort Supercardioid Shotgun Condenser Microphone (Black)\u003c\/h4\u003e\r\n\u003cp\u003eThe KMR 81 is a shotgun microphone with a high directivity that remains within the acceptance angle independent of the frequency. The advantage is that a sound source, for example an actor on stage, will not change its apparent tonal balance when moving within this area.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eShotgun microphones are particularly useful in recording situations where a microphone cannot be positioned within the desired distance of the sound source to produce a sufficiently loud signal level. Typical applications are film and video recordings, where the microphone should not appear in the picture. The KMR 81 has been specifically designed for electronic news gathering.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eAcoustic features\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eIn principle, Neumann shotgun microphones use a combination of a pressure gradient transducer and an interference tube. If the wavelength of the frequency is longer than the tube length, the microphones work as pressure gradient transducers. At higher frequencies they operate as interference transducers for lateral sound. Off-axis sound sources are picked up with reduced level, but without coloration.\u003c\/p\u003e\r\n\u003cp\u003eTherefore, the microphones are well suited to record individual instruments of an orchestra. The pickup areas of several shotgun microphones may even overlap as, for example, during recordings on a large stage, without causing any problem.\u003c\/p\u003e\r\n\u003cp\u003eThe KMR 81 is less sensitive to wind and pop noise when compared to the KM 150 miniature microphone with a similar high directivity. The shotgun microphone features extremely low self noise, good impulse response, and high output level.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003ePolar patterns\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe KMR 81 is a shotgun microphones with a very directional characteristic.\u003c\/p\u003e\r\n\u003cp\u003eThe microphone capsule is positioned inside a housing tube that is acoustically open but has a high flow resistance. The directional pattern of the microphone is lobe shaped. The attenuation of lateral sound is practically independent of the frequency. The KMR 81 has a frequency independent directivity within a pickup angle of 90° for audio signals that determine the tonal balance of the program material.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFilter and attenuation\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe microphone has a 10 dB attenuation switch to prevent the input of the following unit from overloading.\u003c\/p\u003e\r\n\u003cp\u003eA second switch activates a 200 Hz high-pass filter. Toward the lower frequencies the sensitivity of the microphone is attenuated by approximately 15 dB at 50 Hz. The frequency range above 200 Hz is unaffected.\u003c\/p\u003e\r\n\u003cp\u003eUse on location\u003c\/p\u003e\r\n\u003cp\u003eThe shotgun microphone features very high output capability and a remarkably low self-noise level. Its low power consumption, light weight, and low sensitivity to wind and handling noise, makes it an ideal tools for news gathering on location. Small dimensions, together with a balanced center of gravity, make handling easy without any whiplash effect.\u003c\/p\u003e\r\n\u003cp\u003eHowever, when on location and during strong wind conditions, we recommend using an additional wind screen (included as standard accessory). The wind screen is made of polyurethane foam.\u003c\/p\u003e\r\n\u003cp\u003eFor mobile use a handle and an elastic suspension are available.\u003c\/p\u003e\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eInterference tube microphone with shotgun directional characteristic Interference\/pressure-gradient transducer\u003c\/li\u003e\r\n\u003cli\u003eHigh lateral and back attenuation\u003c\/li\u003e\r\n\u003cli\u003e90°-recording angle\u003c\/li\u003e\r\n\u003cli\u003eSwitchable filter or preattenuation features\u003c\/li\u003e\r\n\u003cli\u003eExtensive accessories for outdoor use\u003c\/li\u003e\r\n\u003cli\u003eLight weight: 145 g\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003e\n\u003cbr\u003eSpecifications\u003c\/h3\u003e\r\n\u003ctable style=\"width: 588px; height: 649px;\" border=\"0\"\u003e\n\u003ccolgroup\u003e\n\u003ccol span=\"2\"\u003e \u003c\/colgroup\u003e\r\n\u003ctbody\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eAcoustical operating principle\u003c\/td\u003e\r\n\u003ctd\u003e Interference transducer \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eDirectional pattern\u003c\/td\u003e\r\n\u003ctd\u003e Supercardioid\/lobe \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eFrequency range\u003c\/td\u003e\r\n\u003ctd\u003e 20 Hz ... 20 kHz \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eSensitivity at 1 kHz into 1 kohm\u003c\/td\u003e\r\n\u003ctd\u003e 18 mV\/Pa \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eRated impedance\u003c\/td\u003e\r\n\u003ctd\u003e 150 ohms \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eRated load impedance\u003c\/td\u003e\r\n\u003ctd\u003e 1 kohms \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eEquivalent noise level, CCIR1)\u003c\/td\u003e\r\n\u003ctd\u003e 23 dB\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eEquivalent noise level, A-weighted1)\u003c\/td\u003e\r\n\u003ctd\u003e 12 dB-A \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eSignal-to-noise ratio, CCIR1) (rel. 94 dB SPL)\u003c\/td\u003e\r\n\u003ctd\u003e 71 dB \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eSignal-to-noise ratio, A-weighted1) (rel. 94 dB SPL)\u003c\/td\u003e\r\n\u003ctd\u003e 82 dB \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eMaximum SPL for THD 0.5%2)\u003c\/td\u003e\r\n\u003ctd\u003e 128 dB \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eMaximum SPL for THD 0.5% with preattenuation2)\u003c\/td\u003e\r\n\u003ctd\u003e 138 dB \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eMaximum output voltage\u003c\/td\u003e\r\n\u003ctd\u003e 1.3 dBu \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eSupply voltage (P48, IEC 61938)\u003c\/td\u003e\r\n\u003ctd\u003e 48 V ± 4 V \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eCurrent consumption (P48, IEC 61938)\u003c\/td\u003e\r\n\u003ctd\u003e 0.8 mA \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eMatching connector\u003c\/td\u003e\r\n\u003ctd\u003e XLR3F \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eWeight\u003c\/td\u003e\r\n\u003ctd\u003e 145 g \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eDiameter\u003c\/td\u003e\r\n\u003ctd\u003e 21 mm \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eLength\u003c\/td\u003e\r\n\u003ctd\u003e 213 mm \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003c\/tbody\u003e\r\n\u003c\/table\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894121660459,"sku":"NEU-006962","price":1549.47,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/NEU-6962_1__31615.1682435233.1280.1280.jpg?v=1775682414"},{"product_id":"neumann-usm-69-i","title":"Neumann USM 69 I","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\r\n\u003cp\u003eThe \u003cspan\u003eUSM 69 i Variable Pattern Stereo Microphone\u003c\/span\u003e is a dual capsule stereo microphone with two K67 multi-pattern capsules and independent amplifier stages operating independently from each other. The capsules are stacked and rotated at a 270 degree angle for M\/S and X\/Y style stereo capturing.\u003c\/p\u003e\r\n\u003cp\u003eEach capsule features individually switchable omnidirectional, cardioid, figure-8, hypercardioid and wide-angle cardioid polar patterns for the ultimate in flexible audio capturing. The USM 69 i features independent output stages allowing the capsules to function as individual mono microphones for audio backup capturing applications. The USM 69 i is a powerful stereo microphone for crucial studio recording of vocals and instruments.\u003c\/p\u003e\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSwitchable stereo microphones\u003c\/li\u003e\r\n\u003cli\u003eTwo pressure-gradient transducers with double membrane capsules\u003c\/li\u003e\r\n\u003cli\u003e5 selectable directional patterns: omni, wide angle cardioid, cardioid, hypercardioid, figure-8\u003c\/li\u003e\r\n\u003cli\u003eMS- or XY-stereophony\u003c\/li\u003e\r\n\u003cli\u003eCapsules rotary by 270°\u003c\/li\u003e\r\n\u003cli\u003eVery low noise\u003c\/li\u003e\r\n\u003cli\u003eFreely adjustable aperture and pick-up angles\u003c\/li\u003e\r\n\u003cli\u003eNickel finish\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003e\n\u003cbr\u003eSpecifications\u003c\/h3\u003e\r\n\u003ctable style=\"width: 781px; height: 504px;\" border=\"0\"\u003e\n\u003ccolgroup\u003e\n\u003ccol\u003e \u003ccol\u003e \u003c\/colgroup\u003e\r\n\u003ctbody\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003e Acoustical operating principle\u003c\/td\u003e\r\n\u003ctd\u003e Pressure gradient transducer \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003e Directional pattern\u003c\/td\u003e\r\n\u003ctd\u003e Omnidirectional, wide-angle cardioid, cardioid, hypercardioid, figure-8 \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003e Frequency range\u003c\/td\u003e\r\n\u003ctd\u003e 20 Hz - 20 kHz \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003e Sensitivity at 1 kHz into 1 kohm\u003c\/td\u003e\r\n\u003ctd\u003e 13 mV\/Pa \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003e Rated impedance\u003c\/td\u003e\r\n\u003ctd\u003e 150 ohms \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003e Rated load impedance\u003c\/td\u003e\r\n\u003ctd\u003e 1000 ohms \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003e Equivalent SPL CCIR 468-3\u003c\/td\u003e\r\n\u003ctd\u003e 24 dB \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003e Equivalent SPL DIN\/IEC 651\u003c\/td\u003e\r\n\u003ctd\u003e 13 dB-A \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003e S\/N ratio CCIR 468-3\u003c\/td\u003e\r\n\u003ctd\u003e 70 dB \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003e S\/N ratio DIN\/IEC 651\u003c\/td\u003e\r\n\u003ctd\u003e 81 dB \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003e Maximum SPL for THD 0.5%\u003c\/td\u003e\r\n\u003ctd\u003e 132 dB \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003e Maximum output voltage\u003c\/td\u003e\r\n\u003ctd\u003e 3 dBu \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003e Dynamic range of the microphone amplifier DIN\/IEC 651\u003c\/td\u003e\r\n\u003ctd\u003e 119 dB \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003e Supply voltage\u003c\/td\u003e\r\n\u003ctd\u003e 48 V ± 4 V \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003e Current consumption\u003c\/td\u003e\r\n\u003ctd\u003e 2 x 0.7 mA \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003e Matching connector\u003c\/td\u003e\r\n\u003ctd\u003e XLR 5F \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003e Weight\u003c\/td\u003e\r\n\u003ctd\u003e 18 oz (510 g) \u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003e Length\u003c\/td\u003e\r\n\u003ctd\u003e 11.5” (293 mm)\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003c\/tbody\u003e\r\n\u003c\/table\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894121693227,"sku":"NEU-006974","price":5863.16,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/NEU-6974__91401.1682435234.1280.1280.jpg?v=1775682414"},{"product_id":"neumann-usm-69-i-mt","title":"Neumann USM 69 I MT","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\r\n\u003cp\u003eThe USM 69 i has two built-in rotary switches. The five polar patterns of both capsules can be selected at the microphone itself. Therefore, no special AC power-supply units or powering adapters are necessary. The two outputs attach directly to any 48V phantom-powered connectors. In addition to the usual polar patterns (omnidirectional, cardioid, and figure-8), this microphone has a hypercardioid and a wide-angle cardioid pattern. A built-in DC converter generates the required capsule-polarizing voltages.\u003c\/p\u003e\r\n\u003cp\u003eThe microphone consists of the amplifier section and the capsule head. The amplifier section contains two microphone amplifiers operating independently from each other. They have an extremely low self-noise. Two completely separate microphone capsules are positioned closely above each other within the capsule head. Their diaphragms are made out of gold-sputtered polyester film. The upper capsule rotates against the lower one over a range of 270°. Color markings on the lower capsule system help to identify the angle by which the upper capsule has been rotated.\u003c\/p\u003e\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eDual-Capsule Stereo Design\u003c\/li\u003e\r\n\u003cli\u003eDual-Amplifier Stages\u003c\/li\u003e\r\n\u003cli\u003eVariable Stereo Patterns\u003c\/li\u003e\r\n\u003cli\u003eCustomize Each Capsule Pattern\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003e\n\u003cbr\u003eSpecifications\u003c\/h3\u003e\r\n\u003ctable style=\"width: 518px; height: 299px;\" border=\"0\"\u003e\n\u003ccolgroup\u003e\n\u003ccol\u003e \u003ccol\u003e \u003c\/colgroup\u003e\r\n\u003ctbody\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\" data-selenium=\"specTopic\"\u003eTransducer\u003c\/td\u003e\r\n\u003ctd class=\"xl66\" data-selenium=\"specDetail\"\u003eCondenser\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\" data-selenium=\"specTopic\"\u003eFrequency Range\u003c\/td\u003e\r\n\u003ctd class=\"xl66\" data-selenium=\"specDetail\"\u003e20 Hz to 20 kHz\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl67\" rowspan=\"2\" data-selenium=\"specTopic\"\u003eSignal to Noise Ratio\u003c\/td\u003e\r\n\u003ctd class=\"xl68\" data-selenium=\"specDetail\"\u003e70 dB CCIR\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl66\"\u003e81 dB A-Weighted\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl67\" rowspan=\"2\" data-selenium=\"specTopic\"\u003eEquivalent Noise Level\u003c\/td\u003e\r\n\u003ctd class=\"xl68\" data-selenium=\"specDetail\"\u003e24 dB CCIR\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl66\"\u003e13 dB A-Weighted\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\" data-selenium=\"specTopic\"\u003eMaximum SPL\u003c\/td\u003e\r\n\u003ctd class=\"xl66\" data-selenium=\"specDetail\"\u003e132 dB SPL 0.5%\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\" data-selenium=\"specTopic\"\u003eImpedance\u003c\/td\u003e\r\n\u003ctd class=\"xl66\" data-selenium=\"specDetail\"\u003e150 ohms\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\" data-selenium=\"specTopic\"\u003eSensitivity\u003c\/td\u003e\r\n\u003ctd class=\"xl66\" data-selenium=\"specDetail\"\u003e13 mV\/PA @ 1 kHz into 1 kOhms\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\" data-selenium=\"specTopic\"\u003ePower Requirements\u003c\/td\u003e\r\n\u003ctd class=\"xl66\" data-selenium=\"specDetail\"\u003e48 V+\/- 4 V\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003c\/tbody\u003e\r\n\u003c\/table\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894121725995,"sku":"NEU-006976","price":5863.16,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/NEU-6976__15259.1682435234.1280.1280.jpg?v=1775682414"},{"product_id":"neumann-u-87-ai","title":"Neumann U 87 Ai","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\r\n\u003cp\u003eThe U 87 Ai studio set \u003cb\u003eThe Neumann U 87 Ai - voted as THE best microphone\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe readers of the SOUND ON SOUND magazine have voted: U 87 Ai - the BEST MICROPHONE, announced during the Winter NAMM show 2012 in Anaheim, California.\u003c\/p\u003e\r\n\u003cp\u003eThe SOS award went to products, that \"have made our lives in the studio all the more enjoyable\". It is a further evidence for the reputation of the U 87 Ai as the world famous, professional standard studio condenser microphone. Until today the U 87 sets the mark in the microphone industry by which all others are measured.\u003c\/p\u003e\r\n\u003cp\u003eThe U 87 presents a wide range of features and versatility that make it to one of the most desirable mics available. Our users are recognising the microphone immediately by its distinctive design. Well-known for its warm and well balanced characteristics - your perfect choice as vocal microphone for all types of music and speech. The usage as main microphone for orchestra recordings or as spot mic for single instruments make it the most general-purpose microphone - in studios, for broadcasting, film and television.\u003c\/p\u003e\r\n\u003cp\u003eThe U 87* is equipped with a large dual-diaphragm capsule with three directional patterns: omnidirectional, cardioid and figure-8. These are selectable with a switch below the headgrille.\u003c\/p\u003e\r\n\u003cp\u003eA 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion.\u003c\/p\u003e\r\n\u003cp\u003eFurthermore, the low frequency response can be reduced to compensate for proximity effect.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe U 87 Ai condenser microphone is a large diaphragm microphone with three polar patterns and a unique frequency and transient response characteristic.\u003c\/p\u003e\r\n\u003cp\u003eUsers recognize the microphone immediately by its distinctive design. It is a good choice for most general purpose applications in studios, for broadcasting, film and television.\u003c\/p\u003e\r\n\u003cp\u003eThe U 87 Ai is used as a main microphone for orchestra recordings, as a spot mic for single instruments, and extensively as a vocal microphone for all types of music and speech.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eAcoustic features\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe U 87 Ai is addressed from the front, marked with the Neumann logo. The frequency response of the cardioid and figure-8 directional characteristics are very flat for frontal sound incidence, even in the upper frequency range. The microphone can be used very close to a sound source without the sound becoming unnaturally harsh. By means of a high-pass filter interferences through subsonic and low frequencies are reduced remarkably.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003ePolar patterns\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe dual-diaphragm capsule is elastically mounted and protected by a large headgrille. A switch below the headgrille selects the three directional patterns: omnidirectional, cardioid and figure-8. A window above this switch shows the symbol of the selected characteristic.  \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eElectrical features\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe letter A in the name indicates a more recent generation, as compared to the U 87 i microphones that were built from 1967 to 1986. Modifications apply to the electronic components of the microphone only; the capsule remained unchanged.\u003c\/p\u003e\r\n\u003cp\u003eThe present-day circuitry increases the operational headroom of the U 87 Ai by supplying the bias voltages for the capsule through a reduced resistance. The result is a higher sensitivity of 10 dB for identical sound pressure levels, and an improved S\/N ratio of 3 dB.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFilter and attenuation\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eA switch located at the rear attenuates the sensitivity by 10 dB. When this switch is activated, the microphone accepts sound pressure levels up to 127 dB (equivalent to a sound pressure of 45 Pa) without distortion.\u003c\/p\u003e\r\n\u003cp\u003eAn additional switch at the rear allows to change the microphone's cutoff frequency. This reduces low frequency interference directly at the input of the microphone amplifier.\u003c\/p\u003e\r\n\u003cp\u003eThis setting also compensates for the unavoidable bass boost that occurs with all pressure gradient transducers when they are used at close distance (proximity effect).\u003c\/p\u003e\r\n\u003cp\u003eThe cardioid characteristic maintains a smooth frequency response at a distance of 30 to 40 cm, the figure-8 characteristic even at a distance of 15 to 20 cm.\u003c\/p\u003e\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eVariable large diaphragm microphone\u003c\/li\u003e\r\n\u003cli\u003ePressure-gradient transducer with double membrane capsule\u003c\/li\u003e\r\n\u003cli\u003eThe studio microphone classic\u003c\/li\u003e\r\n\u003cli\u003eThree directional characteristics: omni, cardioid, figure-8\u003c\/li\u003e\r\n\u003cli\u003eSwitchable low frequency roll-off\u003c\/li\u003e\r\n\u003cli\u003eSwitchable 10 dB pre-attenuation\u003c\/li\u003e\r\n\u003cli\u003eIdeal as main and as support microphone in the most differing recording situations\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003e\n\u003cbr\u003eSpecifications\u003c\/h3\u003e\r\n\u003ctable style=\"width: 617px; height: 425px;\" border=\"0\"\u003e\r\n\u003ctbody\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eAcoustical operating principle\u003c\/td\u003e\r\n\u003ctd\u003ePressure gradient transducer\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eDirectional pattern\u003c\/td\u003e\r\n\u003ctd\u003eOmnidirectional, cardioid, figure-8\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eFrequency range\u003c\/td\u003e\r\n\u003ctd\u003e20 Hz ... 20 kHz\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eSensitivity at 1 kHz into 1 kohm\u003c\/td\u003e\r\n\u003ctd\u003e20\/28\/22 mV\/Pa\u003csup\u003e1)\u003c\/sup\u003e\n\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eRated impedance\u003c\/td\u003e\r\n\u003ctd\u003e200 ohms\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eRated load impedance\u003c\/td\u003e\r\n\u003ctd\u003e1 kohms\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eEquivalent noise level, CCIR\u003csup\u003e2)\u003c\/sup\u003e\n\u003c\/td\u003e\r\n\u003ctd\u003e26\/23\/25 dB\u003csup\u003e1)\u003c\/sup\u003e\n\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eEquivalent noise level, A-weighted\u003csup\u003e2)\u003c\/sup\u003e\n\u003c\/td\u003e\r\n\u003ctd\u003e15\/12\/14 dB-A\u003csup\u003e1)\u003c\/sup\u003e\n\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eSignal-to-noise ratio, CCIR\u003csup\u003e2)\u003c\/sup\u003e (rel. 94 dB SPL)\u003c\/td\u003e\r\n\u003ctd\u003e68\/71\/69 dB\u003csup\u003e1)\u003c\/sup\u003e\n\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eSignal-to-noise ratio, A-weighted\u003csup\u003e2)\u003c\/sup\u003e (rel. 94 dB SPL)\u003c\/td\u003e\r\n\u003ctd\u003e79\/82\/80 dB\u003csup\u003e1)\u003c\/sup\u003e\n\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eMaximum SPL for THD 0.5%\u003csup\u003e3)\u003c\/sup\u003e\n\u003c\/td\u003e\r\n\u003ctd\u003e117 dB (cardioid)\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eMaximum SPL for THD 0.5% with preattenuation\u003csup\u003e3)\u003c\/sup\u003e\n\u003c\/td\u003e\r\n\u003ctd\u003e127 dB\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eMaximum output voltage\u003c\/td\u003e\r\n\u003ctd\u003e390 mV\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eSupply voltage (P48, IEC 61938)\u003c\/td\u003e\r\n\u003ctd\u003e48 V ± 4 V\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eCurrent consumption (P48, IEC 61938)\u003c\/td\u003e\r\n\u003ctd\u003e0.8 mA\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eMatching connectors\u003c\/td\u003e\r\n\u003ctd\u003eXLR3F\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eWeight\u003c\/td\u003e\r\n\u003ctd\u003e500 g\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eDiameter\u003c\/td\u003e\r\n\u003ctd\u003e56 mm\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd\u003eLength\u003c\/td\u003e\r\n\u003ctd\u003e200 mm\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003c\/tbody\u003e\r\n\u003c\/table\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894121758763,"sku":"NEU-007022","price":3236.84,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/NEU-7022__06990.1682435235.1280.1280.jpg?v=1775682415"},{"product_id":"neumann-u-87-ai-mt","title":"Neumann U 87 AI MT","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\r\n\u003cp\u003e\u003cstrong\u003eThe Neumann U 87 Ai - voted as THE best microphone\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe readers of the SOUND ON SOUND magazine have voted: U 87 Ai - the BEST MICROPHONE, announced during the Winter NAMM show 2012 in Anaheim, California.\u003c\/p\u003e\r\n\u003cp\u003eThe SOS award went to products, that \"have made our lives in the studio all the more enjoyable\". It is a further evidence for the reputation of the U 87 Ai as the world famous, professional standard studio condenser microphone. Until today the U 87 sets the mark in the microphone industry by which all others are measured.\u003c\/p\u003e\r\n\u003cp\u003eThe U 87 presents a wide range of features and versatility that make it to one of the most desirable mics available. Our users are recognising the microphone immediately by its distinctive design. Well-known for its warm and well balanced characteristics - your perfect choice as vocal microphone for all types of music and speech. The usage as main microphone for orchestra recordings or as spot mic for single instruments make it the most general-purpose microphone - in studios, for broadcasting, film and television.\u003c\/p\u003e\r\n\u003cp\u003eThe U 87* is equipped with a large dual-diaphragm capsule with three directional patterns: omnidirectional, cardioid and figure-8. These are selectable with a switch below the headgrille.\u003c\/p\u003e\r\n\u003cp\u003eA 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion.\u003c\/p\u003e\r\n\u003cp\u003eFurthermore, the low frequency response can be reduced to compensate for proximity effect.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe U 87 Ai condenser microphone is a large diaphragm microphone with three polar patterns and a unique frequency and transient response characteristic.\u003c\/p\u003e\r\n\u003cp\u003eUsers recognize the microphone immediately by its distinctive design. It is a good choice for most general purpose applications in studios, for broadcasting, film and television.\u003c\/p\u003e\r\n\u003cp\u003eThe U 87 Ai is used as a main microphone for orchestra recordings, as a spot mic for single instruments, and extensively as a vocal microphone for all types of music and speech.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eAcoustic features\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe U 87 Ai is addressed from the front, marked with the Neumann logo. The frequency response of the cardioid and figure-8 directional characteristics are very flat for frontal sound incidence, even in the upper frequency range. The microphone can be used very close to a sound source without the sound becoming unnaturally harsh. By means of a high-pass filter interferences through subsonic and low frequencies are reduced remarkably.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003ePolar patterns\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe dual-diaphragm capsule is elastically mounted and protected by a large headgrille. A switch below the headgrille selects the three directional patterns: omnidirectional, cardioid and figure-8. A window above this switch shows the symbol of the selected characteristic.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eElectrical features\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe letter A in the name indicates a more recent generation, as compared to the U 87 i microphones that were built from 1967 to 1986. Modifications apply to the electronic components of the microphone only; the capsule remained unchanged.\u003c\/p\u003e\r\n\u003cp\u003eThe present-day circuitry increases the operational headroom of the U 87 Ai by supplying the bias voltages for the capsule through a reduced resistance. The result is a higher sensitivity of 10 dB for identical sound pressure levels, and an improved S\/N ratio of 3 dB.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFilter and attenuation\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eA switch located at the rear attenuates the sensitivity by 10 dB. When this switch is activated, the microphone accepts sound pressure levels up to 127 dB (equivalent to a sound pressure of 45 Pa) without distortion.\u003c\/p\u003e\r\n\u003cp\u003eAn additional switch at the rear allows to change the microphone's cutoff frequency. This reduces low frequency interference directly at the input of the microphone amplifier.\u003c\/p\u003e\r\n\u003cp\u003eThis setting also compensates for the unavoidable bass boost that occurs with all pressure gradient transducers when they are used at close distance (proximity effect).\u003c\/p\u003e\r\n\u003cp\u003eThe cardioid characteristic maintains a smooth frequency response at a distance of 30 to 40 cm, the figure-8 characteristic even at a distance of 15 to 20 cm.\u003c\/p\u003e\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eVariable large diaphragm microphone\u003c\/li\u003e\r\n\u003cli\u003ePressure-gradient transducer with double membrane capsule\u003c\/li\u003e\r\n\u003cli\u003eThe studio microphone classic\u003c\/li\u003e\r\n\u003cli\u003eThree directional characteristics: omni, cardioid, figure-8\u003c\/li\u003e\r\n\u003cli\u003eSwitchable low frequency roll-off\u003c\/li\u003e\r\n\u003cli\u003eSwitchable 10 dB pre-attenuation\u003c\/li\u003e\r\n\u003cli\u003eIdeal as main and as support microphone in the most differing recording situations\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894121791531,"sku":"NEU-007023","price":3236.84,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/NEU-7023__04958.1682442979.1280.1280.jpg?v=1775682415"},{"product_id":"neumann-km-131","title":"Neumann KM 131","description":"\u003cp\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Miniature Microphone KM 131 The variable condenser miniature microphone system consists of several active microphone capsules with different directional characteristics, an output stage, and numerous accessories.\u003c\/p\u003e\n\u003cp\u003eCurrently there are seven active capsules available: omni diffuse-field equalized, omni free-field equalized, cardioid, wide-angle cardioid, cardioid with bass roll-off, hypercardioid, and figure-8.\u003c\/p\u003e\n\u003cp\u003eThrough the modular construction of mic capsules and the output stage it is very easy to adapt the system to a wide range of applications. The mic becomes nearly invisible during work with cameras (film, video), on stage, or suspended from the ceiling in a concert hall.\u003c\/p\u003e\n\u003cp\u003eAn active capsule can also be screwed directly onto the output stage. The result is a compact miniature microphone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConstruction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe microphones are only 92 or 110 mm resp. long and 22 mm in diameter. They consist of the condenser capsule and the output stage. Both parts can be unscrewed from each other. The system offers several condenser capsules with different directional characteristics.\u003c\/p\u003e\n\u003cp\u003eNumerous accessories can be mounted between the capsules and the output stage. The capsules attach to cables, capsule extensions, swivel mounts, table stands, goose-necks, stereo mounts, and hangers. Therefore, it is very easy to adapt the system to a wide range of applications.\u003c\/p\u003e\n\u003cp\u003eThe active capsule itself is only 35 or 47 mm resp. long. The KM 100 output stage and the active microphone capsule may be separated by up to 50 m of interconnecting cable. These cables are 3 mm in diameter, and therefore very inconspicuous.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAK 20 is a pressure gradient transducer with the figure-8 characteristic, realized with a single diaphragm. The diaphragm diameter is just 16 mm. All sound field components reach the diaphragm directly. This results in identical frequency response curves and output levels at 0° and 180° sound incidence. Corresponding accessories allow combining the AK 20 with other active capsules or microphones to obtain an MS-Stereo setup.\u003c\/li\u003e\n\u003cli\u003eAK 30 is a diffuse-field equalized pressure transducer with a flat frequency response up to 10 kHz (in the diffuse field). In the free sound field this microphone has a boost of approximately 7 dB at 10 kHz.\u003c\/li\u003e\n\u003cli\u003eAK 31 is a free-field equalized pressure transducer with a flat frequency response up to 20 kHz (in the free field). In the diffuse sound field this microphone has a high frequency roll-off above 5 kHz.\u003c\/li\u003e\n\u003cli\u003eAK 40 is a pressure gradient transducer with cardioid characteristic. The frequency curves are very smooth and match 0° sound incidence. Sound from sources within a pickup angle of ± 135° is reproduced without any coloration.\u003c\/li\u003e\n\u003cli\u003eAK 43 is a pressure gradient transducer with wide-angle cardioid characteristic. Attenu- ation at 90° is 4 dB, at 135° it is 8 dB and at 180° it is 11 dB. The frequency response curves for sound sources within an angle of ± 90° are parallel up to 12 kHz.\u003c\/li\u003e\n\u003cli\u003eAK 45 is a pressure gradient transducer with cardioid characteristic, similar to the AK 40. However, it has an acoustic bass roll-off that is useful during applications when subsonic and low frequencies may cause difficulties. The AK 45 is optimized for a flat low frequency response at a recording distance of 15 cm (“speech cardioid”).\u003c\/li\u003e\n\u003cli\u003eAK 50 is a pressure gradient transducer with hypercardioid characteristic. Attenuation of sound incidence from the side or rear is about 10 dB, with minimum sensitivity at an angle of 120°.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eElectrical features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe KM 100 is phantom powered (48 V) and uses transformerless output circuitry. This has several advantages. It features high output capability and extremely low self noise. It provides exceptionally clean sound, free of any coloration. As with traditional transformers, this circuit approach ensures good common mode rejection. The balanced output signal is protected against interference.\u003c\/p\u003e\n\u003cp\u003eThe construction is extremely compact. The entire microphone circuitry is on a single hybrid module measuring only 2 cm² in area. It is built into the microphone capsule, therefore the term “active capsules”.\u003c\/p\u003e\n\u003cp\u003eAll sensitive components are protected within the capsule. As a result, the quality of the audio signal is never compromised through the use of accessories, for example, when the capsule is detached from the output stage and mounted on a cable or a gooseneck.\u003c\/p\u003e\n\u003cp\u003eEven with a long cable between active capsule and output stage, the signal is immune to external interference.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePreattenuation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe output stage has a 10 dB switch. Attenuation is achieved by reducing the capsule voltage to one third.\u003c\/p\u003e\n\u003cp\u003eWhen the switch is on, the microphone is capable of accepting sound pressure levels up to 150 dB without being overloaded.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConnectors\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo diminish the number of connectors within the KM 100 System some accessories were modified. They can now be screwed directly onto the KM 100 output stage without using the KA 100 cable adapter. The new accessories which include the cable adapter, were renamed adding the suffix KA. For example: LC 3 is now LC 3 KA.\u003c\/p\u003e\n\u003cp\u003eThe separate KA 100 cable, needed for older accessories, will be available also in future.\u003c\/p\u003e\n\u003cp\u003eThe KM 100 output stage has a 3-pin XLR connector.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSound diffraction sphere\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe SBK 130 A sound diffraction sphere slips onto the front of the KM 130\/KM 131 pressure microphones. The diaphragm becomes an integral part of the surface of the sphere. This affects the frequency response of the microphones.\u003c\/p\u003e\n\u003cp\u003eWhile sounds coming from the front-half space are emphasized by up to 2.5 dB between 2 kHz and 10 kHz, sounds arriving from the rear-half space are attenuated by a maximum of 2.5 dB in the range above 5 kHz.\u003c\/p\u003e\n\u003cp\u003eSince the sound diffraction sphere causes the pressure buildup of the KM 130\/KM 131 pressure microphones to begin earlier, the frequency response rises smoothly in the middle and upper range. This is similar to a typical pressure gradient microphone, where the directivity increases with rising frequencies. However, since the KM 130\/KM 131 are pressure microphones, they maintain a linear sensitivity down to the lowest frequencies.\u003c\/p\u003e\n\u003cp\u003eThis changing directivity allows to record at a greater distance from the sound source, and makes the KM 130\/KM 131 microphones especially suited as stereo main microphones in A-B configurations.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo recordings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBy means of the AC 30 adapter cable two active capsules, AK 20 and e.g. AK 40 can be connected as MS stereo pair directly with the MTX 191 (A) matrix amplifier. The XY or MS signal is then available at the 5-pin XLR output connector of the MTX 191 (A), and the recording angle can be electrically remote controlled. The output stages KM 100 are then not required.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo set\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe cardioid and hypercardioid microphones are also available as complete stereo sets, SKM 140 and SKM 150, including all accessories in a single jeweler's box. A further SKM 100-MS Stereo Set containing the microphones KM 120 und KM 140 is available.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\u003cli\u003eDiameter: 22 mm\u003c\/li\u003e\n\u003cli\u003eLength: 92 mm\u003c\/li\u003e\n\u003cli\u003eWeight: 80 g\u003c\/li\u003e\n\u003cli\u003eCurrent consumption (P48, IEC 61938): 2 mA\u003c\/li\u003e\n\u003cli\u003eDirectional Pattern: Omni free field eq\u003c\/li\u003e\n\u003cli\u003eFrequency Range: 20 Hz ... 20 kHz\u003c\/li\u003e\n\u003cli\u003eMatching connector: XLR 3 F\u003c\/li\u003e\n\u003cli\u003eRated Impedance: 50 Ohms\u003c\/li\u003e\n\u003cli\u003eSupply voltage (P48, IEC 61938): 48 V ± 4 V\u003c\/li\u003e\n\u003cli\u003eAcoustical operating principle: Pressure transducer\u003c\/li\u003e\n\u003cli\u003eMaximum output voltage: 10 dBu\u003c\/li\u003e\n\u003cli\u003eRated load impedance: 1000 Ohms\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, CCIR: 25 dB\u003c\/li\u003e\n\u003cli\u003eMaximum SPL for THD 0.5%: 140 dB\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, A-weighted: 16 dB-A\u003c\/li\u003e\n\u003cli\u003eSensitivity at 1 kHz into 1 kohm: 12 mv\/Pa\u003c\/li\u003e\n\u003cli\u003eMaximum SPL for THD 0.5% with preattenuation: 150 dB\u003c\/li\u003e\n\u003cli\u003eSignal-to-noise ratio, CCIR (re. 94 dB SPL): 69 dB\u003c\/li\u003e\n\u003cli\u003eSignal-to-noise ratio, A-weighted (re. 94 dB SPL): 78 dB\u003c\/li\u003e\n\u003cli\u003eSignal-to-noise ratio, CCIR (re. 94 dB SPL): 69 dB\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894121824299,"sku":"NEU-007061","price":1225.26,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/ProductImageDesktop_copy__42011.1697486919.1280.1280.jpg?v=1775682416"},{"product_id":"neumann-km-145","title":"Neumann KM 145","description":"\u003cp\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Miniature Microphone KM 145 The variable condenser miniature microphone system consists of several active microphone capsules with different directional characteristics, an output stage, and numerous accessories.\u003c\/p\u003e\n\u003cp\u003eCurrently there are seven active capsules available: omni diffuse-field equalized, omni free-field equalized, cardioid, wide-angle cardioid, cardioid with bass roll-off, hypercardioid, and figure-8.\u003c\/p\u003e\n\u003cp\u003eThrough the modular construction of mic capsules and the output stage it is very easy to adapt the system to a wide range of applications. The mic becomes nearly invisible during work with cameras (film, video), on stage, or suspended from the ceiling in a concert hall.\u003c\/p\u003e\n\u003cp\u003eAn active capsule can also be screwed directly onto the output stage. The result is a compact miniature microphone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConstruction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe microphones are only 92 or 110 mm resp. long and 22 mm in diameter. They consist of the condenser capsule and the output stage. Both parts can be unscrewed from each other. The system offers several condenser capsules with different directional characteristics.\u003c\/p\u003e\n\u003cp\u003eNumerous accessories can be mounted between the capsules and the output stage. The capsules attach to cables, capsule extensions, swivel mounts, table stands, goose-necks, stereo mounts, and hangers. Therefore, it is very easy to adapt the system to a wide range of applications.\u003c\/p\u003e\n\u003cp\u003eThe active capsule itself is only 35 or 47 mm resp. long. The KM 100 output stage and the active microphone capsule may be separated by up to 50 m of interconnecting cable. These cables are 3 mm in diameter, and therefore very inconspicuous.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAK 20 is a pressure gradient transducer with the figure-8 characteristic, realized with a single diaphragm. The diaphragm diameter is just 16 mm. All sound field components reach the diaphragm directly. This results in identical frequency response curves and output levels at 0° and 180° sound incidence. Corresponding accessories allow combining the AK 20 with other active capsules or microphones to obtain an MS-Stereo setup.\u003c\/li\u003e\n\u003cli\u003eAK 30 is a diffuse-field equalized pressure transducer with a flat frequency response up to 10 kHz (in the diffuse field). In the free sound field this microphone has a boost of approximately 7 dB at 10 kHz.\u003c\/li\u003e\n\u003cli\u003eAK 31 is a free-field equalized pressure transducer with a flat frequency response up to 20 kHz (in the free field). In the diffuse sound field this microphone has a high frequency roll-off above 5 kHz.\u003c\/li\u003e\n\u003cli\u003eAK 40 is a pressure gradient transducer with cardioid characteristic. The frequency curves are very smooth and match 0° sound incidence. Sound from sources within a pickup angle of ± 135° is reproduced without any coloration.\u003c\/li\u003e\n\u003cli\u003eAK 43 is a pressure gradient transducer with wide-angle cardioid characteristic. Attenu- ation at 90° is 4 dB, at 135° it is 8 dB and at 180° it is 11 dB. The frequency response curves for sound sources within an angle of ± 90° are parallel up to 12 kHz.\u003c\/li\u003e\n\u003cli\u003eAK 45 is a pressure gradient transducer with cardioid characteristic, similar to the AK 40. However, it has an acoustic bass roll-off that is useful during applications when subsonic and low frequencies may cause difficulties. The AK 45 is optimized for a flat low frequency response at a recording distance of 15 cm (“speech cardioid”).\u003c\/li\u003e\n\u003cli\u003eAK 50 is a pressure gradient transducer with hypercardioid characteristic. Attenuation of sound incidence from the side or rear is about 10 dB, with minimum sensitivity at an angle of 120°.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eElectrical features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe KM 100 is phantom powered (48 V) and uses transformerless output circuitry. This has several advantages. It features high output capability and extremely low self noise. It provides exceptionally clean sound, free of any coloration. As with traditional transformers, this circuit approach ensures good common mode rejection. The balanced output signal is protected against interference.\u003c\/p\u003e\n\u003cp\u003eThe construction is extremely compact. The entire microphone circuitry is on a single hybrid module measuring only 2 cm² in area. It is built into the microphone capsule, therefore the term “active capsules”.\u003c\/p\u003e\n\u003cp\u003eAll sensitive components are protected within the capsule. As a result, the quality of the audio signal is never compromised through the use of accessories, for example, when the capsule is detached from the output stage and mounted on a cable or a gooseneck.\u003c\/p\u003e\n\u003cp\u003eEven with a long cable between active capsule and output stage, the signal is immune to external interference.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePreattenuation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe output stage has a 10 dB switch. Attenuation is achieved by reducing the capsule voltage to one third.\u003c\/p\u003e\n\u003cp\u003eWhen the switch is on, the microphone is capable of accepting sound pressure levels up to 150 dB without being overloaded.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConnectors\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo diminish the number of connectors within the KM 100 System some accessories were modified. They can now be screwed directly onto the KM 100 output stage without using the KA 100 cable adapter. The new accessories which include the cable adapter, were renamed adding the suffix KA. For example: LC 3 is now LC 3 KA.\u003c\/p\u003e\n\u003cp\u003eThe separate KA 100 cable, needed for older accessories, will be available also in future.\u003c\/p\u003e\n\u003cp\u003eThe KM 100 output stage has a 3-pin XLR connector.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSound diffraction sphere\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe SBK 130 A sound diffraction sphere slips onto the front of the KM 130\/KM 131 pressure microphones. The diaphragm becomes an integral part of the surface of the sphere. This affects the frequency response of the microphones.\u003c\/p\u003e\n\u003cp\u003eWhile sounds coming from the front-half space are emphasized by up to 2.5 dB between 2 kHz and 10 kHz, sounds arriving from the rear-half space are attenuated by a maximum of 2.5 dB in the range above 5 kHz.\u003c\/p\u003e\n\u003cp\u003eSince the sound diffraction sphere causes the pressure buildup of the KM 130\/KM 131 pressure microphones to begin earlier, the frequency response rises smoothly in the middle and upper range. This is similar to a typical pressure gradient microphone, where the directivity increases with rising frequencies. However, since the KM 130\/KM 131 are pressure microphones, they maintain a linear sensitivity down to the lowest frequencies.\u003c\/p\u003e\n\u003cp\u003eThis changing directivity allows to record at a greater distance from the sound source, and makes the KM 130\/KM 131 microphones especially suited as stereo main microphones in A-B configurations.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo recordings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBy means of the AC 30 adapter cable two active capsules, AK 20 and e.g. AK 40 can be connected as MS stereo pair directly with the MTX 191 (A) matrix amplifier. The XY or MS signal is then available at the 5-pin XLR output connector of the MTX 191 (A), and the recording angle can be electrically remote controlled. The output stages KM 100 are then not required.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe cardioid and hypercardioid microphones are also available as complete stereo sets, SKM 140 and SKM 150, including all accessories in a single jeweler's box. A further SKM 100-MS Stereo Set containing the microphones KM 120 und KM 140 is available.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDiameter: 22 mm\u003c\/li\u003e\n\u003cli\u003eLength: 92 mm\u003c\/li\u003e\n\u003cli\u003eWeight: 80 g\u003c\/li\u003e\n\u003cli\u003eCurrent consumption (P48, IEC 61938): 2 mA\u003c\/li\u003e\n\u003cli\u003eDirectional Pattern: Cardioid with low frequency roll-off\u003c\/li\u003e\n\u003cli\u003eFrequency Range: 20 Hz ... 20 kHz\u003c\/li\u003e\n\u003cli\u003eMatching connector: XLR 3 F\u003c\/li\u003e\n\u003cli\u003eRated Impedance: 50 Ohms\u003c\/li\u003e\n\u003cli\u003eSupply voltage (P48, IEC 61938): 48 V ± 4 V\u003c\/li\u003e\n\u003cli\u003eAcoustical operating principle: Pressure transducer\u003c\/li\u003e\n\u003cli\u003eMaximum output voltage: 10 dBu\u003c\/li\u003e\n\u003cli\u003eRated load impedance: 1000 Ohms\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, CCIR: 26 dB\u003c\/li\u003e\n\u003cli\u003eMaximum SPL for THD 0.5%: 138 dB\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, A-weighted: 17 dB-A\u003c\/li\u003e\n\u003cli\u003eSensitivity at 1 kHz into 1 kohm: 14 mv\/Pa\u003c\/li\u003e\n\u003cli\u003eMaximum SPL for THD 0.5% with preattenuation: 148 dB\u003c\/li\u003e\n\u003cli\u003eSignal-to-noise ratio, CCIR (re. 94 dB SPL): 68 dB\u003c\/li\u003e\n\u003cli\u003eSignal-to-noise ratio, A-weighted (re. 94 dB SPL): 77 dB\u003c\/li\u003e\n\u003cli\u003eSignal-to-noise ratio, CCIR (re. 94 dB SPL): 68 dB\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894121857067,"sku":"NEU-007068","price":1050.53,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/KM_145_copy__28151.1697487205.1280.1280.jpg?v=1775682416"},{"product_id":"neumann-km-150","title":"Neumann KM 150","description":"\u003cp\u003eThe Miniature Microphone KM 150 The variable condenser miniature microphone system consists of several active microphone capsules with different directional characteristics, an output stage, and numerous accessories.\u003c\/p\u003e\n\u003cp\u003eCurrently there are seven active capsules available: omni diffuse-field equalized, omni free-field equalized, cardioid, wide-angle cardioid, cardioid with bass roll-off, hypercardioid, and figure-8.\u003c\/p\u003e\n\u003cp\u003eThrough the modular construction of mic capsules and the output stage it is very easy to adapt the system to a wide range of applications. The mic becomes nearly invisible during work with cameras (film, video), on stage, or suspended from the ceiling in a concert hall.\u003c\/p\u003e\n\u003cp\u003eAn active capsule can also be screwed directly onto the output stage. The result is a compact miniature microphone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConstruction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe microphones are only 92 or 110 mm resp. long and 22 mm in diameter. They consist of the condenser capsule and the output stage. Both parts can be unscrewed from each other. The system offers several condenser capsules with different directional characteristics.\u003c\/p\u003e\n\u003cp\u003eNumerous accessories can be mounted between the capsules and the output stage. The capsules attach to cables, capsule extensions, swivel mounts, table stands, goose-necks, stereo mounts, and hangers. Therefore, it is very easy to adapt the system to a wide range of applications.\u003c\/p\u003e\n\u003cp\u003eThe active capsule itself is only 35 or 47 mm resp. long. The KM 100 output stage and the active microphone capsule may be separated by up to 50 m of interconnecting cable. These cables are 3 mm in diameter, and therefore very inconspicuous.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAK 20 is a pressure gradient transducer with the figure-8 characteristic, realized with a single diaphragm. The diaphragm diameter is just 16 mm. All sound field components reach the diaphragm directly. This results in identical frequency response curves and output levels at 0° and 180° sound incidence. Corresponding accessories allow combining the AK 20 with other active capsules or microphones to obtain an MS-Stereo setup.\u003c\/li\u003e\n\u003cli\u003eAK 30 is a diffuse-field equalized pressure transducer with a flat frequency response up to 10 kHz (in the diffuse field). In the free sound field this microphone has a boost of approximately 7 dB at 10 kHz.\u003c\/li\u003e\n\u003cli\u003eAK 31 is a free-field equalized pressure transducer with a flat frequency response up to 20 kHz (in the free field). In the diffuse sound field this microphone has a high frequency roll-off above 5 kHz.\u003c\/li\u003e\n\u003cli\u003eAK 40 is a pressure gradient transducer with cardioid characteristic. The frequency curves are very smooth and match 0° sound incidence. Sound from sources within a pickup angle of ± 135° is reproduced without any coloration.\u003c\/li\u003e\n\u003cli\u003eAK 43 is a pressure gradient transducer with wide-angle cardioid characteristic. Attenu- ation at 90° is 4 dB, at 135° it is 8 dB and at 180° it is 11 dB. The frequency response curves for sound sources within an angle of ± 90° are parallel up to 12 kHz.\u003c\/li\u003e\n\u003cli\u003eAK 45 is a pressure gradient transducer with cardioid characteristic, similar to the AK 40. However, it has an acoustic bass roll-off that is useful during applications when subsonic and low frequencies may cause difficulties. The AK 45 is optimized for a flat low frequency response at a recording distance of 15 cm (“speech cardioid”).\u003c\/li\u003e\n\u003cli\u003eAK 50 is a pressure gradient transducer with hypercardioid characteristic. Attenuation of sound incidence from the side or rear is about 10 dB, with minimum sensitivity at an angle of 120°.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eElectrical features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe KM 100 is phantom powered (48 V) and uses transformerless output circuitry. This has several advantages. It features high output capability and extremely low self noise. It provides exceptionally clean sound, free of any coloration. As with traditional transformers, this circuit approach ensures good common mode rejection. The balanced output signal is protected against interference.\u003c\/p\u003e\n\u003cp\u003eThe construction is extremely compact. The entire microphone circuitry is on a single hybrid module measuring only 2 cm² in area. It is built into the microphone capsule, therefore the term “active capsules”.\u003c\/p\u003e\n\u003cp\u003eAll sensitive components are protected within the capsule. As a result, the quality of the audio signal is never compromised through the use of accessories, for example, when the capsule is detached from the output stage and mounted on a cable or a gooseneck.\u003c\/p\u003e\n\u003cp\u003eEven with a long cable between active capsule and output stage, the signal is immune to external interference.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePreattenuation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe output stage has a 10 dB switch. Attenuation is achieved by reducing the capsule voltage to one third.\u003c\/p\u003e\n\u003cp\u003eWhen the switch is on, the microphone is capable of accepting sound pressure levels up to 150 dB without being overloaded.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConnectors\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo diminish the number of connectors within the KM 100 System some accessories were modified. They can now be screwed directly onto the KM 100 output stage without using the KA 100 cable adapter. The new accessories which include the cable adapter, were renamed adding the suffix KA. For example: LC 3 is now LC 3 KA.\u003c\/p\u003e\n\u003cp\u003eThe separate KA 100 cable, needed for older accessories, will be available also in future.\u003c\/p\u003e\n\u003cp\u003eThe KM 100 output stage has a 3-pin XLR connector.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSound diffraction sphere\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe SBK 130 A sound diffraction sphere slips onto the front of the KM 130\/KM 131 pressure microphones. The diaphragm becomes an integral part of the surface of the sphere. This affects the frequency response of the microphones.\u003c\/p\u003e\n\u003cp\u003eWhile sounds coming from the front-half space are emphasized by up to 2.5 dB between 2 kHz and 10 kHz, sounds arriving from the rear-half space are attenuated by a maximum of 2.5 dB in the range above 5 kHz.\u003c\/p\u003e\n\u003cp\u003eSince the sound diffraction sphere causes the pressure buildup of the KM 130\/KM 131 pressure microphones to begin earlier, the frequency response rises smoothly in the middle and upper range. This is similar to a typical pressure gradient microphone, where the directivity increases with rising frequencies. However, since the KM 130\/KM 131 are pressure microphones, they maintain a linear sensitivity down to the lowest frequencies.\u003c\/p\u003e\n\u003cp\u003eThis changing directivity allows to record at a greater distance from the sound source, and makes the KM 130\/KM 131 microphones especially suited as stereo main microphones in A-B configurations.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo recordings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBy means of the AC 30 adapter cable two active capsules, AK 20 and e.g. AK 40 can be connected as MS stereo pair directly with the MTX 191 (A) matrix amplifier. The XY or MS signal is then available at the 5-pin XLR output connector of the MTX 191 (A), and the recording angle can be electrically remote controlled. The output stages KM 100 are then not required.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe cardioid and hypercardioid microphones are also available as complete stereo sets, SKM 140 and SKM 150, including all accessories in a single jeweler's box. A further SKM 100-MS Stereo Set containing the microphones KM 120 und KM 140 is available.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDiameter: 22 mm\u003c\/li\u003e\n\u003cli\u003eLength: 92 mm\u003c\/li\u003e\n\u003cli\u003eWeight: 80 g\u003c\/li\u003e\n\u003cli\u003eCurrent consumption (P48, IEC 61938): 2 mA\u003c\/li\u003e\n\u003cli\u003eDirectional Pattern: Hypercardioid\u003c\/li\u003e\n\u003cli\u003eFrequency Range: 20 Hz ... 20 kHz\u003c\/li\u003e\n\u003cli\u003eMatching connector: XLR 3 F\u003c\/li\u003e\n\u003cli\u003eRated Impedance: 50 Ohms\u003c\/li\u003e\n\u003cli\u003eSupply voltage (P48, IEC 61938): 48 V ± 4 V\u003c\/li\u003e\n\u003cli\u003eAcoustical operating principle: Pressure transducer\u003c\/li\u003e\n\u003cli\u003eMaximum output voltage: 10 dBu\u003c\/li\u003e\n\u003cli\u003eRated load impedance: 1000 Ohms\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, CCIR: 27 dB\u003c\/li\u003e\n\u003cli\u003eMaximum SPL for THD 0.5%: 142 dB\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, A-weighted: 18 dB-A\u003c\/li\u003e\n\u003cli\u003eSensitivity at 1 kHz into 1 kohm: 10 mv\/Pa\u003c\/li\u003e\n\u003cli\u003eMaximum SPL for THD 0.5% with preattenuation: 152 dB\u003c\/li\u003e\n\u003cli\u003eSignal-to-noise ratio, CCIR (re. 94 dB SPL): 67 dB\u003c\/li\u003e\n\u003cli\u003eSignal-to-noise ratio, A-weighted (re. 94 dB SPL): 76 dB\u003c\/li\u003e\n\u003cli\u003eSignal-to-noise ratio, CCIR (re. 94 dB SPL): 67 dB\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894121889835,"sku":"NEU-007077","price":1225.26,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/KM_150_copy__29898.1697487372.1280.1280.jpg?v=1775682417"},{"product_id":"neumann-km-143","title":"Neumann KM 143","description":"\u003cp\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Miniature Microphone KM 143 The variable condenser miniature microphone system consists of several active microphone capsules with different directional characteristics, an output stage, and numerous accessories.\u003c\/p\u003e\n\u003cp\u003eCurrently there are seven active capsules available: omni diffuse-field equalized, omni free-field equalized, cardioid, wide-angle cardioid, cardioid with bass roll-off, hypercardioid, and figure-8.\u003c\/p\u003e\n\u003cp\u003eThrough the modular construction of mic capsules and the output stage it is very easy to adapt the system to a wide range of applications. The mic becomes nearly invisible during work with cameras (film, video), on stage, or suspended from the ceiling in a concert hall.\u003c\/p\u003e\n\u003cp\u003eAn active capsule can also be screwed directly onto the output stage. The result is a compact miniature microphone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConstruction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe microphones are only 92 or 110 mm resp. long and 22 mm in diameter. They consist of the condenser capsule and the output stage. Both parts can be unscrewed from each other. The system offers several condenser capsules with different directional characteristics.\u003c\/p\u003e\n\u003cp\u003eNumerous accessories can be mounted between the capsules and the output stage. The capsules attach to cables, capsule extensions, swivel mounts, table stands, goose-necks, stereo mounts, and hangers. Therefore, it is very easy to adapt the system to a wide range of applications.\u003c\/p\u003e\n\u003cp\u003eThe active capsule itself is only 35 or 47 mm resp. long. The KM 100 output stage and the active microphone capsule may be separated by up to 50 m of interconnecting cable. These cables are 3 mm in diameter, and therefore very inconspicuous.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAK 20 is a pressure gradient transducer with the figure-8 characteristic, realized with a single diaphragm. The diaphragm diameter is just 16 mm. All sound field components reach the diaphragm directly. This results in identical frequency response curves and output levels at 0° and 180° sound incidence. Corresponding accessories allow combining the AK 20 with other active capsules or microphones to obtain an MS-Stereo setup.\u003c\/li\u003e\n\u003cli\u003eAK 30 is a diffuse-field equalized pressure transducer with a flat frequency response up to 10 kHz (in the diffuse field). In the free sound field this microphone has a boost of approximately 7 dB at 10 kHz.\u003c\/li\u003e\n\u003cli\u003eAK 31 is a free-field equalized pressure transducer with a flat frequency response up to 20 kHz (in the free field). In the diffuse sound field this microphone has a high frequency roll-off above 5 kHz.\u003c\/li\u003e\n\u003cli\u003eAK 40 is a pressure gradient transducer with cardioid characteristic. The frequency curves are very smooth and match 0° sound incidence. Sound from sources within a pickup angle of ± 135° is reproduced without any coloration.\u003c\/li\u003e\n\u003cli\u003eAK 43 is a pressure gradient transducer with wide-angle cardioid characteristic. Attenu- ation at 90° is 4 dB, at 135° it is 8 dB and at 180° it is 11 dB. The frequency response curves for sound sources within an angle of ± 90° are parallel up to 12 kHz.\u003c\/li\u003e\n\u003cli\u003eAK 45 is a pressure gradient transducer with cardioid characteristic, similar to the AK 40. However, it has an acoustic bass roll-off that is useful during applications when subsonic and low frequencies may cause difficulties. The AK 45 is optimized for a flat low frequency response at a recording distance of 15 cm (“speech cardioid”).\u003c\/li\u003e\n\u003cli\u003eAK 50 is a pressure gradient transducer with hypercardioid characteristic. Attenuation of sound incidence from the side or rear is about 10 dB, with minimum sensitivity at an angle of 120°.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eElectrical features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe KM 100 is phantom powered (48 V) and uses transformerless output circuitry. This has several advantages. It features high output capability and extremely low self noise. It provides exceptionally clean sound, free of any coloration. As with traditional transformers, this circuit approach ensures good common mode rejection. The balanced output signal is protected against interference.\u003c\/p\u003e\n\u003cp\u003eThe construction is extremely compact. The entire microphone circuitry is on a single hybrid module measuring only 2 cm² in area. It is built into the microphone capsule, therefore the term “active capsules”.\u003c\/p\u003e\n\u003cp\u003eAll sensitive components are protected within the capsule. As a result, the quality of the audio signal is never compromised through the use of accessories, for example, when the capsule is detached from the output stage and mounted on a cable or a gooseneck.\u003c\/p\u003e\n\u003cp\u003eEven with a long cable between active capsule and output stage, the signal is immune to external interference.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePreattenuation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe output stage has a 10 dB switch. Attenuation is achieved by reducing the capsule voltage to one third.\u003c\/p\u003e\n\u003cp\u003eWhen the switch is on, the microphone is capable of accepting sound pressure levels up to 150 dB without being overloaded.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConnectors\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo diminish the number of connectors within the KM 100 System some accessories were modified. They can now be screwed directly onto the KM 100 output stage without using the KA 100 cable adapter. The new accessories which include the cable adapter, were renamed adding the suffix KA. For example: LC 3 is now LC 3 KA.\u003c\/p\u003e\n\u003cp\u003eThe separate KA 100 cable, needed for older accessories, will be available also in future.\u003c\/p\u003e\n\u003cp\u003eThe KM 100 output stage has a 3-pin XLR connector.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSound diffraction sphere\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe SBK 130 A sound diffraction sphere slips onto the front of the KM 130\/KM 131 pressure microphones. The diaphragm becomes an integral part of the surface of the sphere. This affects the frequency response of the microphones.\u003c\/p\u003e\n\u003cp\u003eWhile sounds coming from the front-half space are emphasized by up to 2.5 dB between 2 kHz and 10 kHz, sounds arriving from the rear-half space are attenuated by a maximum of 2.5 dB in the range above 5 kHz.\u003c\/p\u003e\n\u003cp\u003eSince the sound diffraction sphere causes the pressure buildup of the KM 130\/KM 131 pressure microphones to begin earlier, the frequency response rises smoothly in the middle and upper range. This is similar to a typical pressure gradient microphone, where the directivity increases with rising frequencies. However, since the KM 130\/KM 131 are pressure microphones, they maintain a linear sensitivity down to the lowest frequencies.\u003c\/p\u003e\n\u003cp\u003eThis changing directivity allows to record at a greater distance from the sound source, and makes the KM 130\/KM 131 microphones especially suited as stereo main microphones in A-B configurations.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo recordings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBy means of the AC 30 adapter cable two active capsules, AK 20 and e.g. AK 40 can be connected as MS stereo pair directly with the MTX 191 (A) matrix amplifier. The XY or MS signal is then available at the 5-pin XLR output connector of the MTX 191 (A), and the recording angle can be electrically remote controlled. The output stages KM 100 are then not required.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe cardioid and hypercardioid microphones are also available as complete stereo sets, SKM 140 and SKM 150, including all accessories in a single jeweler's box. A further SKM 100-MS Stereo Set containing the microphones KM 120 and KM 140 is available.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDiameter: 22 mm\u003c\/li\u003e\n\u003cli\u003eLength: 92 mm\u003c\/li\u003e\n\u003cli\u003eWeight: 80 g\u003c\/li\u003e\n\u003cli\u003eCurrent consumption (P48, IEC 61938): 2 mA\u003c\/li\u003e\n\u003cli\u003eDirectional Pattern: Cardioid wide angle\u003c\/li\u003e\n\u003cli\u003eFrequency Range: 20 Hz ... 20 kHz\u003c\/li\u003e\n\u003cli\u003eMatching connector: XLR 3 F\u003c\/li\u003e\n\u003cli\u003eRated Impedance: 50 Ohms\u003c\/li\u003e\n\u003cli\u003eSupply voltage (P48, IEC 61938): 48 V ± 4 V\u003c\/li\u003e\n\u003cli\u003eAcoustical operating principle: Pressure gradient transducer\u003c\/li\u003e\n\u003cli\u003eMaximum output voltage: 10 dBu\u003c\/li\u003e\n\u003cli\u003eRated load impedance: 1000 Ohms\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, CCIR: 25 dB\u003c\/li\u003e\n\u003cli\u003eMaximum SPL for THD 0.5%: 138 dB\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, A-weighted: 16 dB-A\u003c\/li\u003e\n\u003cli\u003eSensitivity at 1 kHz into 1 kohm: 15 mv\/Pa\u003c\/li\u003e\n\u003cli\u003eMaximum SPL for THD 0.5% with preattenuation: 148 dB\u003c\/li\u003e\n\u003cli\u003eSignal-to-noise ratio, CCIR (re. 94 dB SPL): 69 dB\u003c\/li\u003e\n\u003cli\u003eSignal-to-noise ratio, A-weighted (re. 94 dB SPL): 78 dB\u003c\/li\u003e\n\u003cli\u003eSignal-to-noise ratio, CCIR (re. 94 dB SPL): 69 dB\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894121922603,"sku":"NEU-007109","price":1050.53,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/Neumann_KM_143_copy__01563.1697487507.1280.1280.jpg?v=1775682417"},{"product_id":"neumann-ku-100","title":"Neumann KU 100","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\r\n\u003cp\u003eThe KU 100 is a dummy head microphone for a truly immersive binaural listening experience with headphones. Although it uses only two channels, its spatial depiction appears three dimensional and shockingly realistic. The KU 100 can be used to great effect in music and audio drama productions. Moreover, KU 100 recordings are loudspeaker compatible.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eThe Easiest Way to Create 3D Audio\u003c\/strong\u003e\u003cbr\u003eConventional recording techniques attempt to transfer an acoustic event into the listener’s environment. The result is often dissatisfactory because the original room is put into a second room. Dummy head recordings are a much more immediate experience, because they transfer the listener into the environment the acoustic event originally took place. Moreover, head related stereo recordings are truly immersive: While conventional stereo recordings are limited to left and right and, at best, a sense of depth behind those speakers, head related recordings create a three dimensional sonic image surrounding the listener.\u003cbr\u003e\u003cbr\u003eThe KU 100 dummy head is a binaural stereo microphone. Two omnidirectional condenser capsules are built into artificial ears mounted on an enclosure resembling a human head. KU 100 recordings played back over high quality headphones thus give the listeners an experience almost identical to what they would have heard with their own ears at the recording position, with stunning lateral and vertical localization and a breathtaking sense of space and a room decay that surrounds the listener. Immersive sound has never been easier: Simply place the KU 100 at the optimal listening position! Unlike older dummy head microphones, the KU 100 is compatible with loudspeaker playback, too, creating a stereo image similar to conventional microphones yet with a superior sense of space and depth.\u003cbr\u003e\u003cbr\u003eThanks to its state-of-the-art transformerless circuitry, the KU 100 has very low self-noise and can handle high sound pressure levels of up to 135 dB without audible distortion and up to 145 dB with the –10 dB preattenuation switch activated. A second switch offers three low cut options, 150 Hz, 40 Hz, and linear. Both switches affect both channels. The KU 100 has a balanced XLR 5 stereo output and unbalanced BNC outputs. Three powering options are available: P48 phantom power, internal battery, and external PSU (included).\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003cbr\u003eDue to its natural and transparent sound, the KU 100 can be used for all kinds of head related recordings. Typical applications range from classical recordings and radio drama productions to experimental pop and ambient recordings. In addition, the Neumann KU 100 is also often used for industrial applications, e.g. documenting and examining noise in automobiles or work places.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eDummy head microphone for immersive sound experience with headphones\u003c\/li\u003e\r\n\u003cli\u003eLoudspeaker compatible\u003c\/li\u003e\r\n\u003cli\u003eNatural sound with flat diffuse field response\u003c\/li\u003e\r\n\u003cli\u003eTransformerless circuitry for low noise and distortion\u003c\/li\u003e\r\n\u003cli\u003eSwitchable pad and dual stage low cut\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894121955371,"sku":"NEU-007130","price":8626.32,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/product_detail_x2_desktop_ku-100-diagonal_neumann-dummy-head_m__75851.1682442980.1280.1280.png?v=1775682417"},{"product_id":"neumann-tlm-170-r","title":"Neumann TLM 170 R","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\r\n\u003cp\u003eThe TLM 170 R* was the first microphone to use the successful fet 100 technology. Along with a balanced, transformerless output stage it features extremely low self-noise and an impressive dynamic range.\u003c\/p\u003e\r\n\u003cp\u003eFive directional characteristics are selectable by means of a rotary switch. In the sixth position, marked \"R\", the directional patterns can be controlled remotely with the N 248 power supply. There is no special cable necessary for this purpose.\u003c\/p\u003e\r\n\u003cp\u003eThe microphone has at its rear a 10 dB attenuation switch for extremely high sound pressure levels, and a high-pass filter to suppress structure born noise.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe TLM 170 R condenser microphone is a large diaphragm microphone with multiple polar patterns. Its sound has a very transparent characteristic, in contrast to some of our other microphones that have a distinct personality.\u003c\/p\u003e\r\n\u003cp\u003eTherefore, this microphone is used for many diverse applications in professional recording studios, in broadcasting, film and television, and for semiprofessional productions. The polar patterns can be selected either at the microphone itself, or controlled remotely through the special N 248 power supply.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eAcoustic features\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe microphone is addressed from the front, marked with the Neumann logo. The large diaphragm capsule inside the headgrille has a very smooth frequency response for all polar patterns over a wide acceptance angle. The curves are flat and parallel to the 0° frequency curve up to 10 kHz within an angle of ± 100°.\u003c\/p\u003e\r\n\u003cp\u003eAs a result the TLM 170 R has a very even diffuse-field response for all polar patterns. This is important in a reverberant environment, as more reflections arrive at the microphone from different directions. The acoustic information is not affected in its tonal quality when recorded by the microphone. This characteristic is achieved without resorting to corrective resonance effects.\u003c\/p\u003e\r\n\u003cp\u003eTherefore, the microphone maintains an excellent impulse response reproducing all transient phenomena of music and speech without any coloration. The capsule is elastically mounted to avoid any structure borne noise that could interfere with its operation.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003ePolar patterns\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eIn addition to the usual directional polar patterns: omnidirectional, cardioid, and figure-8, we have added a hypercardioid and wide-angle cardioid characteristic. When compared to the standard cardioid pattern, the hypercardioid characteristic suppresses sound from the side more efficiently. The wide-angle polar pattern is especially useful to record large sound sources.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eRemote control\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe N 248 controls the polar pattern remotely by varying the phantom voltage. The range is ± 3 V of the nominal 48 V value. (According to DIN standard a range of ± 4 V is permissible.) \u003c\/p\u003e\r\n\u003cp\u003eThe rotary switch on the microphone must be in the position R (= remote control). In this switch position the TLM 170 R microphone analyses the absolute value of the phantom power and selects the corresponding polar pattern. A standard 3-pin microphone cable is used, similar to the microphone's conventional operation. Cable lengths may be up to 300 m (1000 feet).  \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eElectrical features\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe letters TLM stand for \"transformerless microphone\". With TLM technology the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference, that may influence the balanced audio signal.\u003c\/p\u003e\r\n\u003cp\u003eUse on tripods\u003c\/p\u003e\r\n\u003cp\u003eThe TLM 170 R is provided with a tilting side bracket to attach the microphone to booms or stands. The bracket is equipped with rubber elements that effectively protect the microphone from mechanical shock. If necessary, it can be mounted on the other side of the microphone as well. \u003c\/p\u003e\r\n\u003cp\u003eWhen using the IC 4 cable (for example to suspend the microphone from the ceiling with the MNV 87 auditorium hanger), the bracket and its holder need to be removed. The microphone can then be connected to the swivel mount connector of the cable.  \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFilter and attenuation\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe TLM 170 R microphone has a 10 dB attenuation switch to prevent the input of the following unit from being overloaded. A second switch at the rear allows to attenuate the frequency response below 100 Hz to suppress undesired structure borne noise.  \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eOperational safety\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eAll exposed surfaces of the capsule, including the diaphragms, are at ground potential. This technology makes them highly immune to electrical and atmospheric interference and contamination through dust particles.\u003c\/p\u003e\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eLocal and remote controlled large diaphragm microphone\u003c\/li\u003e\r\n\u003cli\u003ePressure-gradient transducer with double membrane capsule\u003c\/li\u003e\r\n\u003cli\u003eFive directional characteristics: omni, wide angle cardioid, cardioid, hypercardioid, figure-8\u003c\/li\u003e\r\n\u003cli\u003ePatented circuitry for remote and local switching of directional characteristics\u003c\/li\u003e\r\n\u003cli\u003eSwitchable low frequency roll-off and 10 dB preattenuation\u003c\/li\u003e\r\n\u003cli\u003eTiltable, elastically suspended bracket mount\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003e\n\u003cbr\u003eSpecifications\u003c\/h3\u003e\r\n\u003ctable style=\"width: 741px; height: 553px;\" border=\"0\"\u003e\n\u003ccolgroup\u003e\n\u003ccol span=\"2\"\u003e \u003c\/colgroup\u003e\r\n\u003ctbody\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eAcoustical operating principle\u003c\/td\u003e\r\n\u003ctd class=\"xl65\"\u003ePressure gradient transducer\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl66\"\u003eDirectional pattern\u003c\/td\u003e\r\n\u003ctd class=\"xl66\"\u003eOmnidirectional, wide angle cardioid, cardioid, hypercardioid, figure-8\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eFrequency range\u003c\/td\u003e\r\n\u003ctd class=\"xl65\"\u003e20 Hz ... 20 kHz\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl66\"\u003eSensitivity at 1 kHz into 1 kohm\u003c\/td\u003e\r\n\u003ctd class=\"xl66\"\u003e8 mV\/Pa\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eRated impedance\u003c\/td\u003e\r\n\u003ctd class=\"xl65\"\u003e50 ohms\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl66\"\u003eRated load impedance\u003c\/td\u003e\r\n\u003ctd class=\"xl66\"\u003e1 kohms\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eEquivalent noise level, CCIR\u003cspan class=\"font6\"\u003e\u003csup\u003e1)\u003c\/sup\u003e\u003c\/span\u003e\n\u003c\/td\u003e\r\n\u003ctd class=\"xl65\"\u003e26 dB\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl66\"\u003eEquivalent noise level, A-weighted\u003cspan class=\"font6\"\u003e\u003csup\u003e1)\u003c\/sup\u003e\u003c\/span\u003e\n\u003c\/td\u003e\r\n\u003ctd class=\"xl66\"\u003e14 dB-A\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eSignal-to-noise ratio, CCIR\u003cspan class=\"font6\"\u003e\u003csup\u003e1)\u003c\/sup\u003e\u003c\/span\u003e\u003cspan class=\"font5\"\u003e (rel. 94 dB SPL)\u003c\/span\u003e\n\u003c\/td\u003e\r\n\u003ctd class=\"xl65\"\u003e68 dB\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl66\"\u003eSignal-to-noise ratio, A-weighted\u003cspan class=\"font6\"\u003e\u003csup\u003e1)\u003c\/sup\u003e\u003c\/span\u003e\u003cspan class=\"font5\"\u003e(rel. 94 dB SPL)\u003c\/span\u003e\n\u003c\/td\u003e\r\n\u003ctd class=\"xl66\"\u003e80 dB\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eMaximum SPL for THD 0.5%\u003cspan class=\"font6\"\u003e\u003csup\u003e2)\u003c\/sup\u003e\u003c\/span\u003e\n\u003c\/td\u003e\r\n\u003ctd class=\"xl65\"\u003e144 dB\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl66\"\u003eMaximum SPL for THD 0.5% with preattenuation\u003cspan class=\"font6\"\u003e\u003csup\u003e2)\u003c\/sup\u003e\u003c\/span\u003e\n\u003c\/td\u003e\r\n\u003ctd class=\"xl66\"\u003e154 dB\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eMaximum output voltage\u003c\/td\u003e\r\n\u003ctd class=\"xl65\"\u003e10 dBu\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl66\"\u003eSupply voltage (P48, IEC 61938)\u003c\/td\u003e\r\n\u003ctd class=\"xl66\"\u003e48 V ± 4 V\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eCurrent consumption (P48, IEC 61938)\u003c\/td\u003e\r\n\u003ctd class=\"xl65\"\u003e3 mA\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl66\"\u003eMatching connector\u003c\/td\u003e\r\n\u003ctd class=\"xl66\"\u003eXLR3F\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eWeight\u003c\/td\u003e\r\n\u003ctd class=\"xl65\"\u003e625 g\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl66\"\u003eDiameter\u003c\/td\u003e\r\n\u003ctd class=\"xl66\"\u003e60 mm\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eLength\u003c\/td\u003e\r\n\u003ctd class=\"xl65\"\u003e152 mm\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003c\/tbody\u003e\r\n\u003c\/table\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894121988139,"sku":"NEU-007165","price":3021.05,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/NEU-7165_1__08748.1682442981.1280.1280.jpg?v=1775682418"},{"product_id":"neumann-tlm-170-r-mt","title":"Neumann TLM 170 R MT","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eNeumann TLM170RMT Multi-Pattern Mic with K89 Capsule | Matte Black\u003c\/strong\u003eis identical to the TLM 170 except it's finished with a matt-black coating, making the microphone inconspicuous in broadcast applications. The large diaphragm, multi-pattern condenser microphone is intended for vocal and general instrument recording and broadcast applications. The microphone features a very smooth, flat frequency response resulting in transparent sound reproduction without any coloration to the signal on output. The output circuitry features a transformer-less design resulting in quiet output in addition to low self-noise and impressive dynamic range. The TLM 170 RMT features 5 directional polar-patterns. Omni-directional, cardioid, hyper-cardioid, and figure 8 are available for use in any recording application. A 10dB pad switch provides further head room and SPL capability and a high pass filter switch eliminates noise at low end frequencies.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eMatt Black Finish\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe TLM 170 RMT features a non-reflective black matt finish, making the microphone less conspicuous in live sound and broadcast applications.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFET Design\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eFET 100 technology along with a balanced, transformerless output stage result in high gain and low noise audio output.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e5 Polar Patterns\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eOmni-directional, wide angled cardioid, hyper-cardioid and figure eight are all available.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eTransparent Output Signal\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe TLM 170RMT features a flat frequency response curve, resulting in clean, transparent audio reproduction without signal coloration.\u003c\/p\u003e\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eLocal and remote controlled large diaphragm microphone\u003c\/li\u003e\r\n\u003cli\u003ePressure-gradient transducer with double membrane capsule\u003c\/li\u003e\r\n\u003cli\u003eFive directional characteristics: omni, wide angle cardioid, cardioid, hypercardioid, figure-8\u003c\/li\u003e\r\n\u003cli\u003ePatented circuitry for remote and local switching of directional characteristics\u003c\/li\u003e\r\n\u003cli\u003eSwitchable low frequency roll-off and 10 dB preattenuation\u003c\/li\u003e\r\n\u003cli\u003eTiltable, elastically suspended bracket mount\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003e\n\u003cbr\u003eSpecifications\u003c\/h3\u003e\r\n\u003ctable style=\"width: 805px; height: 490px;\" border=\"0\"\u003e\n\u003ccolgroup\u003e\n\u003ccol\u003e \u003ccol\u003e \u003c\/colgroup\u003e\r\n\u003ctbody\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eAcoustical operating principle\u003c\/td\u003e\r\n\u003ctd\u003ePressure gradient transducer\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eDirectional pattern\u003c\/td\u003e\r\n\u003ctd\u003eOmnidirectional, wide angle cardioid, cardioid, hypercardioid, figure-8\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eFrequency range\u003c\/td\u003e\r\n\u003ctd\u003e20 Hz ... 20 kHz\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eSensitivity at 1 kHz into 1 kohm\u003c\/td\u003e\r\n\u003ctd\u003e8 mV\/Pa\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eRated impedance\u003c\/td\u003e\r\n\u003ctd\u003e50 ohms\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eRated load impedance\u003c\/td\u003e\r\n\u003ctd\u003e1 kohms\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eEquivalent noise level, CCIR\u003c\/td\u003e\r\n\u003ctd\u003e26 dB\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eEquivalent noise level, A-weighted\u003c\/td\u003e\r\n\u003ctd\u003e14 dB-A\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eSignal-to-noise ratio, CCIR (rel. 94 dB SPL)\u003c\/td\u003e\r\n\u003ctd\u003e68 dB\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eSignal-to-noise ratio, A-weighted (rel. 94 dB SPL)\u003c\/td\u003e\r\n\u003ctd\u003e80 dB-A\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eMaximum SPL (tube characteristic) for THD \u0026lt; 0.5 %\u003c\/td\u003e\r\n\u003ctd\u003e144 dB\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eMaximum SPL (tube characteristic) for THD \u0026lt; 5 %\u003c\/td\u003e\r\n\u003ctd\u003e154 dB\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eMaximum output voltage\u003c\/td\u003e\r\n\u003ctd\u003e10 dBu\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eDyn. range of the mic. amplifier (A-weighted, 0.5 %)\u003c\/td\u003e\r\n\u003ctd\u003e130 dB\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eSupply voltage (P48, IEC 61938)\u003c\/td\u003e\r\n\u003ctd\u003e3 mA\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eMatching connector\u003c\/td\u003e\r\n\u003ctd\u003eXLR 3F\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eWeight\u003c\/td\u003e\r\n\u003ctd\u003e625 g,  1 -1\/4 lbs\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eDiameter\u003c\/td\u003e\r\n\u003ctd\u003e60 mm\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd class=\"xl65\"\u003eLength\u003c\/td\u003e\r\n\u003ctd\u003e152 mm\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003c\/tbody\u003e\r\n\u003c\/table\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894122020907,"sku":"NEU-007166","price":3021.05,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/NEU-7166__85301.1682442983.1280.1280.jpg?v=1775682418"},{"product_id":"neumann-ea-89-a","title":"Neumann EA 89 A","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\r\n\u003ch4\u003eElastic Suspension Shockmount for U 89 i - Nickel\u003c\/h4\u003e\r\n\u003cp\u003eThe EA 89 A is designed for the U 89 i microphone. It has a swivel mount with a 5\/8\"-27 female thread that can be fastened to tripods. Included is a threaded adapter to connect to 1\/2\"- and 3\/8\" studs.\u003c\/p\u003e\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSpecially designed for use with the U 89 i microphone.\u003c\/li\u003e\r\n\u003cli\u003eSwivel mount with 5\/8\"-27 female thread (attaches to tripods\/mic stands).\u003c\/li\u003e\r\n\u003cli\u003eThreaded adapter enables connection to 1\/2\"- and 3\/8\" connections.\u003c\/li\u003e\r\n\u003cli\u003eNickel finish.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894122053675,"sku":"NEU-007195","price":335.79,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/NEU-7195__50501.1682442983.1280.1280.jpg?v=1775682418"},{"product_id":"neumann-ea-89-a-mt","title":"Neumann EA 89 A MT","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\r\n\u003ch4\u003eElastic Suspension Shockmount for U 89 i - Black\u003c\/h4\u003e\r\n\u003cp\u003eThe EA 89 A MT is designed for the U 89 i microphone. It has a swivel mount with a 5\/8\"-27 female thread that can be fastened to tripods. Included is a threaded adapter to connect to 1\/2\"- and 3\/8\" studs.\u003c\/p\u003e\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSpecially designed for use with the U 89 i microphone.\u003c\/li\u003e\r\n\u003cli\u003eSwivel mount with 5\/8\"-27 female thread (attaches to tripods\/mic stands).\u003c\/li\u003e\r\n\u003cli\u003eThreaded adapter enables connection to 1\/2\"- and 3\/8\" connections.\u003c\/li\u003e\r\n\u003cli\u003eBlack finish.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894122086443,"sku":"NEU-007196","price":335.79,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/NEU-7196__60169.1682442984.1280.1280.jpg?v=1775682419"},{"product_id":"neumann-ws-89","title":"Neumann WS 89","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\u003cp\u003eNeumann WS89 Windscreen for U 89 or TLM 193, -27 dB wind noise attenuation, -3 dB @ 15 kHz\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894122119211,"sku":"NEU-007197","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/NEU-7197__14756.1682442984.1280.1280.jpg?v=1775682419"},{"product_id":"neumann-ws-82","title":"Neumann WS 82","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\r\n\u003cp\u003eThe Sennheiser manufactured MZW67 Foam Windscreen is designed to reduce wind noise for the Neumann KMR 82 and KMR 82 i shotgun microphones. The MZW67 is ideal for use outdoors while capturing audio for feature film, sound design, etc.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894122151979,"sku":"NEU-007264","price":68.42,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/NEU-7264__19076.1682442985.1280.1280.jpg?v=1775682419"},{"product_id":"neumann-mf-2","title":"Neumann MF 2","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\r\n\u003cp\u003eSmall table stand with brass base, very sturdy. It has a black matte finish. The bottom is fitted with a non-slip rubber disk. The stand has a 1\/2\" threaded stud for mounting the SG 21 bk, for example. The rubber shock mount between the stud and the base serves to suppress structure-borne noise.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDiameter: 60 mm, Weight 340 g.\u003c\/span\u003e\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894122184747,"sku":"NEU-007266","price":146.32,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/NEU-7266__37939.1682442985.1280.1280.jpg?v=1775682421"},{"product_id":"neumann-ws-81","title":"Neumann WS 81","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\u003cp\u003eNeumann WS81 Windscreen for KMR 81 i, -15 dB wind noise attenuation, -2 dB @ 15 kHz\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894122217515,"sku":"NEU-007268","price":50.53,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/NEU-7268__45411.1682442986.1280.1280.jpg?v=1775682420"},{"product_id":"neumann-ea-170","title":"Neumann EA 170","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\r\n\u003ch4\u003eElastic Suspension Shockmount for TLM 170, TLM 170 R, M 149 Tube or M 150 Tube - Nickel\u003c\/h4\u003e\r\n\u003cp\u003eThe Neumann EA 170 is designed for the TLM 170R and the M 149 Tube microphones. It has a swivel mount with a 5\/8\"-27 female thread that can be fastened to tripods. Included is a threaded adapter to connect to 1\/2\"- and 3\/8\" studs.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894122250283,"sku":"NEU-007271","price":318.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/NEU-7271_1__46949.1682435235.1280.1280.jpg?v=1775682421"},{"product_id":"neumann-ea-170-mt","title":"Neumann EA 170 MT","description":"\u003ch3\u003eOverview\u003c\/h3\u003e\r\n\u003ch4\u003eElastic Suspension Shockmount for TLM 170, TLM 170 R, M 149 Tube or M 150 Tube - Black\u003c\/h4\u003e\r\n\u003cp\u003eThe Neumann EA 170 is designed for the TLM 170R and the M 149 Tube microphones. It has a swivel mount with a 5\/8\"-27 female thread that can be fastened to tripods. Included is a threaded adapter to connect to 1\/2\"- and 3\/8\" studs. Color, black.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":43894122283051,"sku":"NEU-007273","price":318.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/NEU-7273__79584.1682435236.1280.1280.jpg?v=1775682423"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/collections\/neumannlogo.svg?v=1776352514","url":"https:\/\/www.empirepro.com\/collections\/neumann.oembed?page=8","provider":"Empire Pro","version":"1.0","type":"link"}