{"title":"Rupert Neve Designs","description":"","products":[{"product_id":"rupert-neve-designs-430-00254","title":"Rupert Neve Designs 430-00254","description":"\u003cp\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRupert Neve Designs 510 500 Series Panel - Blank\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":43895125082155,"sku":"RND-430-00254","price":34.41,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/1737666350636752423657353__79864.1750802214.1280.1280.jpg?v=1775701427"},{"product_id":"rupert-neve-designs-5017","title":"Rupert Neve Designs 5017","description":"\u003cp\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClassic tone and control on the go.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eComprised of a rugged, portable chassis with world-class preamp, compressor and DI circuits as well as two channel operation, Vari-phase, Silk and DI\/mic blending capabilities, the Portico 5017 is an innovative and powerful tool for recording or live performance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTwo Distinct Channels\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe 5017 provides two preamps: one tailored for Mic\/Line sources, and the other for Instrument level sources. Each channel has a dedicated line output, allowing for the 5017 to be used in a multitude of ways. From having full control over a vocal mic + an acoustic guitar to capturing a guitar\/bass DI and mic’d amplifier simultaneously, the 5017 gives the power to the artist.\u003c\/p\u003e\n\u003cp\u003eAdd an optical compressor and our Silk harmonics circuit to the equation and the versatility of the 5017 is undeniable.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe BLEND \u0026amp; VARI-PHASE Controls\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePerhaps the most powerful features on the 5017 are the ‘BLEND’ and ‘VARI-PHASE’ controls. These controls work in tandem to dial in the ideal blend of a DI and Mic of the same source. Adjusting the ‘VARI-PHASE’ control once both preamps are set ensure no strange phase cancellation is working against you while blending 2 versions of the same source together.\u003c\/p\u003e\n\u003cp\u003eThese controls can also be used to create a quick mix of a vocal and guitar without a mixing console, which is handy in either a live performance or live recording situation. And since the Mic Input also accepts line level sources, these features can be used to ‘re-amp’ sources that have already been recorded with the stellar instrument input. So many possibilities in such a compact box!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTWO CHANNEL OPERATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith two transformer coupled outputs, the 5017 has separate line outputs for the DI\/Blend and Mic signals when the blend control is set to fully DI. The mic output is always independent.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSILK\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePushing the Silk button engages the Silk circuit, which enhances the source’s harmonic content in a manner very reminiscent of many of Rupert’s class-A vintage designs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMIC GAIN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA 12-way precision rotary switch covering Line (0) and Mic from 0 to 66 dB in 6 dB steps.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eINST GAIN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eContinuous gain control from 0dB to 30dB.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHRU \u0026amp; INST 1\/4” PHONE JACK\u003c\/strong\u003eS\u003c\/p\u003e\n\u003cp\u003eBalanced or unbalanced Hi-Z input for instruments, with a THRU output to send signal to an amplifier.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e+48V PHANTOM POWER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eProvides 48V phantom power to microphones. Controlled by a switch on the back of the unit.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHIGH PASS FILTER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe high pass filter is a valuable aid in any signal chain, but particularly so in a microphone preamplifier. Signals below 80Hz can be attenuated at a rate of 12db \/ octave, getting rid of building rumble, motor hum, etc.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePOLARITY\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePush button inverts the polarity of the mic input signal path. The symbol “Ø” is often used to denote opposite polarity.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVARI-PHASE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen engaged, the VARI-PHASE control rotates the phase incrementally, allowing two signals with the same source to be phase aligned. This control is most apparent when the signals being combined are at roughly equal levels, and is generally used when blending an instrument’s direct signal with its amplified signal, as captured by a microphone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE COMPRESSOR\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBased around a new LDR (light dependent resister) design, the 5017’s opto-coupler compressor has been simplified to a single threshold control with auto make up gain. By default, the compressor is set to a fixed 2:1 ratio with fixed attack and release. To set the compressor, simply dial the threshold control down until the desired amount of compression is achieved. An LED light indicates when the compressor is active.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eINDICATORS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIndicators on the 5017 denote signal presence and clipping on both DI and mic signals, as well as compressor activation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eINTERNAL JUMPERS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTwo internal jumpers in the 5017 can be set to change the compressor from the mic channel to the DI \/ blend channel, and to change the compressor time constant from standard to fast.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFREQUENCY RESPONSE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMain Output, no load.\u003c\/li\u003e\n\u003cli\u003e-0.2 dB @ 10 Hz\u003c\/li\u003e\n\u003cli\u003e-3 dB @ 160 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNOISE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMeasured at Main Output, unweighted, 22 Hz - 22 kHz. Terminated 150 Ohm.\u003c\/li\u003e\n\u003cli\u003eWith gain at unity better than -100 dBu\u003c\/li\u003e\n\u003cli\u003eWith gain at 66 dB better than -62 dBu\u003c\/li\u003e\n\u003cli\u003eEquivalent Input Noise better than -128 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNOISE FACTOR\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1.5 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHIGH PASS FILTER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e80 Hz, 12 dB\/Octave Bessel\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMAXIMUM OUTPUT LEVEL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMaximum output from 20 Hz to 40 kHz is +23 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTOTAL HARMONIC DISTORTION AND NOISE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e@ 1 kHz, +20 dBu output: Main Output: Better than 0.001%\u003c\/li\u003e\n\u003cli\u003e@ 20 Hz, +20 dBu output: Main Output: Better than 0.002%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSILK ENGAGED\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBetter than 0.2% Second harmonic\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCOMPRESSOR\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHRESHOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eContinuously Variable from -20 dBu to +10 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRATIO\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFixed at 2:1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eATTACK \u0026amp; RELEASE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFAST MODE: Attack 40ms , Release 40ms\u003c\/li\u003e\n\u003cli\u003eSLOW MODE: Attack 100ms , Release 350ms\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePHANTOM POWER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e+48 Volts DC +\/- 1%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePOWER REQUIREMENTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e12VDC is optimal voltage, but 9-15VDC is acceptable\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCURRENT CONSUMPTION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e@ 9VDC Current is 1.3 A typical: Power = 11.7W\u003c\/li\u003e\n\u003cli\u003e@ 12VDC Current is 1.0 A typical: Power = 12.0 watts\u003c\/li\u003e\n\u003cli\u003e@ 15VDC Current is 800 mA typical: Power = 12.0 watts\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDIMENSIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e7.5″ (deep) x 6.5″ (wide) x 2″ (high)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":43895125147691,"sku":"RND-5017","price":1234.47,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/5017-front_1__19218.1750798501.1280.1280.jpg?v=1775701428"},{"product_id":"rupert-neve-designs-5025","title":"Rupert Neve Designs 5025","description":"\u003cp\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTwo channels of the finest microphone preamplification in the world.\u003c\/strong\u003e\u003c\/p\u003e \u003cbr\u003e\n\u003cp\u003eOur best-selling Shelford Channel is the definitive evolution of the original technologies in Rupert’s classic modules like the 1073, 1064 \u0026amp; 2254, thoughtfully advanced and refined for the 21st century studio.\u003c\/p\u003e\n\u003cp\u003eOriginally released as a limited edition and back by popular demand, we are now offering the Dual Shelford Mic Pre: a two-channel version of our flagship preamplifier that has become an indispensable tool for countless engineers and musicians. The Dual Shelford offers the sonic excellence of two Rupert Neve Designs Shelford mic preamps in a single rack space with an internal power supply; simply put, these are two channels of the finest microphone preamplification in the world.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eThe Transformer Gain Mic Pre\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLike Rupert’s designs from his time in Little Shelford, the Dual Shelford Pre uses a custom step-up transformer on the microphone input that provides the first 15 dB of gain. This specially-designed transformer, along with its careful integration with the surrounding class-A circuitry, is critical to the amplifier’s bold, mid-focused magic that can be heard on thousands of classic recordings.\u003c\/p\u003e\n\u003cp\u003eWhile the majority of the harmonic richness found in Rupert’s designs is a product of the output transformer and surrounding class-A amplifiers, this step-up input transformer also imparts a unique musical enhancement of its own. The technical reasons for this are primarily a result of the reactive impedance characteristic of the input transformer and how that interacts with the connected microphone, resulting in subtle, non-linear harmonic enhancement of the lows and an unmistakable sweetness in the high frequencies.\u003c\/p\u003e\n\u003cp\u003eWhile creating the input stage for the Shelford Channel and Dual Shelford Pre, the goal was not merely to recreate the classic designs, but to advance them: combining the unmistakable sound of the vintage technology with wide-bandwidth frequency response, consistently excellent amplifier performance at any gain setting, and extremely low noise operation.\u003c\/p\u003e\n\u003cp\u003eTo achieve this, the custom transformer designs were carefully optimized and complete MuMetal shielding of the input transformer was implemented. The resulting preamplifier is flat from below 10Hz to above 60kHz, resulting in the purest possible tone and the very highest levels of versatility.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThe Dual Output Level Transformers\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eComplementing the Silk circuit are the custom-designed output transformers, which use Rupert Neve Designs’ distinctive dual output topology. These offer both Main (+26 dBu) and -6dB (+20 dBu) outputs, allowing the engineer to drive the preamps fully into classic transformer saturation without clipping converters and other devices later in the chain.\u003c\/p\u003e\n\u003cp\u003eThe main outputs are designed to capture a more pristine sound at high levels, avoiding any nonlinear coloration of the output stage. The -6dB outputs allow an engineer to fully drive the Shelford – adding dynamic tone with these same nonlinear “colorations” – without clipping most professional interfaces. On drums, vocals, guitars and other instruments, these outputs let you easily hit the transformer’s “sweet spot” of nonlinear harmonic content, bringing a recorded performance to life in a way that other preamps simply cannot match.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMic Gain\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThis 12-way precision rotary switch controls gain from 0 to 66 dB in 6 dB steps.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTrim\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThis rotary switch provides further continuous gain adjustment over a range of +\/– 6 dB.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e48V\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThis push button switch engages phantom power on the microphone input.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePolarity\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThis push button switch inverts the polarity of the signal path. It illuminates when engaged. (The symbol “Ø” is often used to denote opposite polarity.)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHPF \/ HPF FREQ\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe HPF switch engages a 12dB per octave high pass filter. The HPF FREQ potentiometer is variable from 20Hz to 250Hz, and can be used to filter out unwanted low frequencies, or in conjunction with the EQ to help shape source material. Note that engaging the HPF to S\/C switch moves the HPF from the primary signal path to the compressor side-chain signal path.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSilk \/ Texture\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003ePushing the Silk button cycles the Silk modes from Red to Blue to OFF. Silk reduces the negative feedback on the output transformer, adding harmonic content as the texture is increased. Red Silk accentuates the musical harmonic saturation from the mid and high frequencies, while Blue Silk accentuates harmonics from the low and low-mid frequencies. By manipulating the Texture control, the amount of Silk can be changed from essentially absent, to roughly 4-5% THD (mostly second order) depending on how hard the output transformer is being driven.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eVU Meters\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe VU Meters are calibrated to display average (RMS) output levels.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePeak LED\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eRed indicates near clipping of the output stage.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDual Tap Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eIn addition to the MAIN full-headroom output, the -6dB output creates a rich harmonic character while reducing the risk of clipping the next device in the chain.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eGnd Lift\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThis switch separates the direct connection from audio signal ground to chassis earth.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eUniversal IEC Power Input\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eWorks worldwide, accepting voltages from 100-240VAC.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eAll specifications are typical\u003cbr\u003eZSOURCE = 150 Ω Balanced, 30 ft. XLR cable on specified output\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eINPUT IMPEDANCE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2.2 kΩ\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMAXIMUM INPUT LEVEL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e@ 1 kHz: +24.9 dBu\u003c\/li\u003e\n\u003cli\u003e@ 1 kHz (Main Out): +26.7 dBu\u003c\/li\u003e\n\u003cli\u003e@ 1 kHz (-6dB Out): +20.7 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFREQUENCY RESPONSE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e20 Hz to 20 kHz: +\/-0.25 dB\u003c\/li\u003e\n\u003cli\u003e10 Hz to 62 kHz: +\/- 0.5 dB\u003c\/li\u003e\n\u003cli\u003e5 Hz: \u0026lt;\u0026lt; -3 dB\u003c\/li\u003e\n\u003cli\u003e70 kHz: -3 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTHD+N% (BW 10Hz - 90kHz)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e0dBu Input, 1 kHz: \u0026lt; 0.0025%\u003c\/li\u003e\n\u003cli\u003e+20dBu Input, 1 kHz: \u0026lt; 0.008%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNOISE AT MAIN OUTPUT (BW 22Hz - 22kHz)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e0dB Gain: -102 dBu\u003c\/li\u003e\n\u003cli\u003e+30dB Gain: -94 dBu\u003c\/li\u003e\n\u003cli\u003e+66dB Gain: -61 dBu\u003c\/li\u003e\n\u003cli\u003eEIN (+66dB Gain): -127 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNOISE AT -6dB OUTPUT (BW 22Hz - 22kHz)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e0dB Gain: -107 dBu\u003c\/li\u003e\n\u003cli\u003e+30dB Gain: -100 dBu\u003c\/li\u003e\n\u003cli\u003e+66dB Gain: -67 dBu\u003c\/li\u003e\n\u003cli\u003eEIN (+66dB Gain): -133 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePRODUCT DIMENSIONS (W x D x H)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e19” (48.3 cm) x 9.2” (23.4 cm) x 1.75” (4.4 cm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSHIPPING DIMENSIONS (W x D x H)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e24” (61 cm) x 13” (33 cm) x 4” (10.2 cm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSHIPPING WEIGHT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e11 lbs. (5 kg)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":43895125213227,"sku":"RND-5025","price":3293.29,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/5025-front__19707.1750785051.1280.1280.jpg?v=1775701428"},{"product_id":"rupert-neve-designs-5034","title":"Rupert Neve Designs 5034","description":"\u003cp\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eA powerful modern channel strip with an instantly recognizable sound.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe Newton Channel is a powerful modern channel strip born from a legendary sonic lineage. Its intuitive design provides classic sound on demand, with all the instantly-recognizable character, musical tone-shaping abilities, and proven reliability that define a Rupert Neve Designs product. The Newton is equally well-suited for a project studio, large-scale commercial facility or live sound rig – giving more engineers, producers, and artists a chance to join the RND family than ever before.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThe Input Stage and Mic Preamp\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe Newton’s microphone preamplifier contains all the tone and musicality expected from a Rupert Neve Designs piece. This preamp makes it incredibly easy to quickly dial in a tight, clean and detailed sound; and with a robust 72dB of gain including 6dB of fine trim control, the Newton is ideally suited for a wide variety of sources.\u003c\/p\u003e\n\u003cp\u003eWhile the input stage is tailored to be an ideal match for standard microphone source impedance, it is equally happy being driven by line levels – so a pair of Newtons can also be put to use as a high-end mixing tool for any studio. The Newton also includes our distinctive variable high-pass filter with a comprehensive frequency range adjustment and independent bypass switch, allowing the engineer to quickly eliminate unwanted noise, rumble or other low frequency build-up in the source signal.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThe Equalizer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe EQ section in the Newton is optimized for speed \u0026amp; flexibility with a simplified set of controls. The low and high frequency shelf bands are controllable with accurate 31-detent potentiometers that provide up to 12dB of gain boost\/cut, providing the ability to dial in either subtle or extreme settings as desired.\u003c\/p\u003e\n\u003cp\u003eThe parametric mid-band of the Newton EQ section includes another 31-detent potentiometer and a wide range of mid frequencies to boost or cut, switchable from 220Hz to 7kHz. This makes the MF band particularly flexible, allowing for taming low-mid muddiness, boosting mid frequency presence, or removing any harshness in the upper midrange. The carefully-chosen fixed Q setting maintains a healthy balance of musicality and precision – just wide enough for brush-stroke equalization without adversely affecting neighboring frequencies.\u003c\/p\u003e\n\u003cp\u003eAs with every section of the Newton Channel, the EQ has an independent bypass button for double- checking settings every step of the way.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThe Compressor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe Newton Channel also contains the latest iteration of Rupert Neve Designs’ ultra-smooth VCA compressor, with +20dB of make-up gain and ample control for any amount of needed compression while maintaining an effortless sound.\u003c\/p\u003e\n\u003cp\u003eAlso included is a helpful ‘pre EQ\/post EQ’ push button to place the compressor either before or after the EQ section, plus an independent bypass button.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCustom Transformer Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Newton Channel has a custom transformer output stage with a balanced MAIN standard line level output. Additionally, a separate -6dBu XLR output can compensate for high levels of input and Silk harmonic saturation, enabling engineers to fully drive the Newton to achieve more transformer harmonics without clipping the next device in the chain. Both outputs are active and can be used concurrently.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFRONT PANEL FEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMic Gain\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e12-position rotary switch that controls the microphone preamp gain in 6dB steps. For line level input signals, set the Mic Gain to the “0dB” position.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e48V\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003ePush-button switch that illuminates RED when +48V Phantom Power is engaged.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eØ (Polarity)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003ePush-button switch that illuminates AMBER when engaged and inverts the phase of the preamp signal.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTRIM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e31-detent potentiometer that allows the user to adjust the preamp gain within a range of +\/- 6dB.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHPF\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003ePush-button switch that illuminates GREEN when the high pass filter is engaged.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFREQ\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e31-detent potentiometer that allows the user to adjust the cutoff frequency of the Sallen-Key high pass filter within a range of 20Hz to 250Hz.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eEQ IN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003ePush-button switch that illuminates GREEN when the EQ section is engaged.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eLF\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e31-detent potentiometer that controls the amount of boost or cut for the low frequency shelf within a range of +\/- 12dB.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e60\/150\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003ePush-button switch that selects between the two available low frequency shelf frequencies: 60Hz (OUT) and 150Hz (IN).\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMID FREQ\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e31-detent potentiometer that controls the frequency of the midband peaking EQ within a range of 220Hz to 7kHz.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMID\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e31-detent potentiometer that controls the amount of boost or cut for the MID FREQ peaking EQ within a range of +\/- 12dB.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e8K\/16K\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003ePush-button switch that selects between the two available high frequency shelf frequencies: 8kHz (OUT) and 16kHz (IN).\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHF\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e31-detent potentiometer that controls the amount of boost or cut for the high frequency shelf within a range of +\/- 12dB.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCOMP IN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003ePush-button switch that illuminates GREEN when the compressor section is engaged.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTHRESHOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e31-detent potentiometer that controls the compressor threshold range from +20dBu to -30dBu. When the input signal rises above the set threshold level, compression begins with a soft-knee at a 2:1 ratio.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRELEASE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e31-detent potentiometer that controls the compressor release time. The overall timing range available is 50mS (FAST) to 500mS (SLOW). Note: Attack time is fixed at 20mS.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eGAIN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e31-detent potentiometer that controls the compressor make-up gain within a range of -6dB to +20dB.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePRE EQ\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003ePush-button switch that routes the compressor section ahead of the EQ section when engaged.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSILK\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eIlluminated push-button switch that toggles through the three available SILK modes: OFF, RED, and BLUE.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTEXTURE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e31-detent potentiometer that controls the amount of SILK harmonics added within the transformer output stage when SILK is engaged.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eGR and OUT Metering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e8-segment LED meters that indicate compressor gain reduction (dB) and output level (dBu).\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePOWER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eLED that illuminates GREEN when the Newton Channel is powered ON.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eREAR PANEL FEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePOWER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eIEC AC power inlet with integrated power switch. 100-240VAC at 50\/60Hz. 35 Watts maximum AC power consumption.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eGROUND LIFT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eSlide switch that lifts XLR Pin 1 from chassis ground on the MAIN OUT as well as the -6dB OUT to help isolate from ground interference.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e-6dB OUT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eBalanced XLR output utilizing a lower level, secondary output on the custom Rupert Neve Designs transformer.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMAIN OUT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eBalanced XLR output utilizing a custom Rupert Neve Designs transformer.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eLINK\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e1\/4” TRS jack that allows two Newton Channel compressors to be linked together for stereo compressor operation. *Only intended for use with other Newton Channel LINK jacks.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eINPUT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eBalanced XLR-1\/4” TRS combo jack input that can be used for MIC or LINE level signals.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eNote: All measurements typical; all measurements recorded using 25ft. XLR output cables\u003c\/p\u003e\n\u003cp\u003eInput Impedance: 8900 Ohms\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eInput to Line Output (No Features Engaged, Un-weighted)\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eMaximum Input Level: +23.6dBu\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNoise (Un-weighted)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLine Out (Unity Gain): -102dBu\u003c\/li\u003e\n\u003cli\u003e-6dB Line Out (Unity Gain): -107dBu\u003c\/li\u003e\n\u003cli\u003eLine Out (+30dB Gain): -95dBu\u003c\/li\u003e\n\u003cli\u003eEquivalent Input Noise @ +30dB Gain (EIN): -125dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMaximum Output Level @ 1kHz: +23.6dBu\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u0026lt;10Hz to 30kHz: +\/- 0.1dB \u003c\/li\u003e\n\u003cli\u003e\u0026lt;5Hz to 70kHz: +\/- 0.25dB \u003c\/li\u003e\n\u003cli\u003e\u0026lt;5Hz to 140kHz: -3dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTHD+N, BW (\u0026lt;10Hz to 22kHz)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e0dBu at 1 kHz: 0.0013% \u003c\/li\u003e\n\u003cli\u003e+20dBu at 1 kHz: 0.0007%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eInput to Line Output (Equalizer Engaged)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNoise (BW \u0026lt;10Hz to 22kHz): -90dBu \u003c\/li\u003e\n\u003cli\u003eTHD+N @ 0dBu (EQ Flat): 0.003%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eInput to Line Output (Compressor Engaged)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNoise @ 0dB Make-Up Gain (BW \u0026lt;10Hz to 22kHz): -91dBu \u003c\/li\u003e\n\u003cli\u003eTHD+N @ 0dBu (EQ Flat): 0.005%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCompressor Section\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAttack Time: 20mS (fixed)\u003c\/li\u003e\n\u003cli\u003eRelease Time: Variable; 50mS (Fast) to 500mS (Slow)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePRODUCT DIMENSIONS (W x D x H)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e19” (48.3 cm) x 8.125” (20.63 cm) x 1.75” (4.5 cm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSHIPPING DIMENSIONS (L x W x H)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e24” (61 cm) x 13” (33 cm) x 4” (10.2 cm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSHIPPING WEIGHT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e9 lbs. (4.1 kg)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":43895125671979,"sku":"RND-5034","price":1646.24,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/newton-channel-front-v2__61127.1750787914.1280.1280.jpg?v=1775701429"},{"product_id":"rupert-neve-designs-5035","title":"Rupert Neve Designs 5035","description":"\u003cp\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA Whole New Vintage.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Shelford Channel is built around Rupert Neve’s first new transformer-gain, class-A microphone preamplifier in over 40 years, a “best-of-the-classics” inductor EQ section, a tone-packed diode bridge compressor, the power of variable Silk saturation, a new custom transformer output stage, and twice the operating voltage of vintage designs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Input Stage and Transformer Gain Mic Pre\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLike Rupert’s designs from his time in Little Shelford , the Shelford Channel’s preamplifier uses a directly-coupled transformer input with gain provided by the custom transformer itself – a first in over 40 years for Rupert Neve. This new custom-designed input transformer, along with its careful integration with the surrounding class-A circuitry, is critical to the Channel’s bold and instantly recognizable character.\u003c\/p\u003e\n\u003cp\u003eConveniently, the Direct Input uses the same topology as the best-selling RNDI Active Transformer Direct Interface, providing astonishing clarity for high-Z instrument signals, with unparalleled low-frequency response and an incredibly smooth high end.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Custom Transformer Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Shelford Channel has a custom transformer output stage with a balanced standard LINE level output. Additionally, a separate -6dBu XLR output can compensate for high levels of input and Silk harmonic saturation, enabling engineers to fully drive the Shelford to achieve more transformer harmonics without clipping the next device in the chain. Both outputs are active and can be used concurrently.\u003c\/p\u003e\n\u003cp\u003eThe LINE output is designed capture a more pristine sound at high levels, avoiding non-linear coloration of the output stage and taking full advantage of the Shelford’s higher voltage design. The -6dB out however is optimized to allow an engineer to drive the full voltage range of the Channel – adding dynamic tone with these same non-linear “colorations” – without clipping most professional interfaces. On drums, vocals, guitars and other instruments, this output lets you easily hit the transformer’s “sweet-spot” of non-linear harmonic content, which can bring a recorded performance to life in a way that other effects can’t.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe “Best-Of” EQ\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Shelford Channel’s 3-band, custom-tapped inductor EQ was inspired by our favorite elements of Rupert’s vintage EQ designs. The low frequency band is designed to produce a creamy, resonant bass response similar to a vintage 1064 – but unlike the vintage modules, the LF band on the Shelford Channel can be used as either a shelf or a peak filter, adding punch, dimension, and control to your low end.\u003c\/p\u003e\n\u003cp\u003eThe midrange band is based on that of the 1073, ideal for sweetening vocals and instruments while bringing them forward in a mix, and its proportional “Q” response makes it well-suited for minimizing problematic frequencies. The high frequency band is a hybrid vintage \/ modern design, blending inductor circuitry with capacitor-based topologies to achieve vintage tones with enhanced control, with the shelf \/ peak corner switchable between 8K or 16K.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Diode Bridge Compressor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLike the Inductor EQ and Transformer Gain microphone preamp, the Diode Bridge Compressor in the Shelford Channel is based on the same topologies found in Rupert’s vintage designs – but refined \u0026amp; adapted for the modern engineer.\u003c\/p\u003e\n\u003cp\u003eWhat is diode bridge compression? Where the VCA compressor found in the Master Buss Processor provides unmatched clarity, the weighty, harmonically rich tonality of diode bridge compression can be essential in pushing key sources like vocals, electric guitars, bass and drums to the forefront of a mix.\u003c\/p\u003e\n\u003cp\u003eBy understanding the limitations of vintage units like the legendary 2254, painstaking effort was taken to reproduce the unique tone of these classics while improving the noise floor \u0026amp; accuracy, expanding inflexible time constants, adding full wave sidechain detection for improved dynamic response, and widening the range of threshold and ratio controls.\u003c\/p\u003e\n\u003cp\u003eDelivering the powerful sound of these iconic designs with enhanced flexibility for the modern age, the Shelford’s diode bridge compressor is a dynamic tool equipped to make a statement on virtually any mix or track.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFront Panel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHRU\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePassive loop 1\/4” output of the DI input signal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1\/4” jack for direct injection (DI) or instrument inputs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMIC\/DI\/LINE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePush-button switch that selects the Mic\/DI input or line input.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGND LIFT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePush-button switch that separates the DI audio signal ground from chassis ground.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIGNAL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLED that illuminates GREEN when signal is present and RED when near clip point.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMIC GAIN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e12-position rotary switch that controls the microphone preamp gain in 6dB steps.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRIM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e31-detent potentiometer that allows the user to adjust the preamp gain within a range of +\/- 6dB.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e48V\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePush-button switch that illuminates RED when +48V Phantom Power is engaged.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eØ (Polarity)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePush-button switch that illuminates AMBER when engaged and inverts the phase of the input signal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHPF\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePush-button switch that illuminates GREEN when the variable high pass filter is engaged.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFREQ\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e31-detent potentiometer that allows the user to adjust the cutoff frequency of the variable high pass filter within a range of 20Hz to 250Hz.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEQ IN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePush-button switch that illuminates GREEN when the inductor EQ section is engaged.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLF\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e31-detent potentiometer that controls the amount of boost or cut for the low frequency band within a range of +\/- 15dB.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLOW FREQ\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4-position rotary switch that selects the corner (shelf) or center (peak) frequency of the low frequency band.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLF PEAK\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePush-button switch that toggles between shelf mode (out) or peak mode (in) of the low frequency band.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMID HI Q\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePush-button switch that reduces the Q width of the mid frequency band when pressed in.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMID\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e31-detent potentiometer that controls the amount of boost or cut for the mid frequency band within a range of +\/- 15dB.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMID FREQ\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e6-position rotary switch that selects the center (peak) frequency of the mid frequency band.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e8K\/16K\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePush-button switch that selects between the two available high frequency shelf\/peak frequencies: 8kHz (OUT) and 16kHz (IN).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHF\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e31-detent potentiometer that controls the amount of boost or cut for the high frequency band within a range of +\/- 15dB.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOMP IN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePush-button switch that illuminates GREEN when the diode bridge compressor section is engaged.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHRESHOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e31-detent potentiometer that controls the compressor threshold range from +20dBu to -25dBu.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRATIO\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e6-position rotary switch that adjusts the compressor ratio from 1.5:1 to 8:1.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eS\/C INSERT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePush-button switch that engages the side-chain insert SEND \u0026amp; RETURN jacks on the rear panel for external side-chain processing (ex: EQ).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHPF TO S\/C\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePush-button switch that illuminates GREEN when the compressor side-chain high pass filter is engaged.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGAIN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e31-detent potentiometer that controls the compressor make-up gain within a range of -6dB to +20dB.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTIMING\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e6-position rotary switch that adjusts the compressor attack and release times. NOTE: Please refer to the Specifications section below for specific attack and release time settings.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLINK\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePush-button switch that engages stereo compressor link mode.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePRE EQ\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePush-button switch that routes the compressor section ahead of the EQ section when engaged.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFAST\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIlluminated push-button switch that speeds up all compressor time constants by 30%.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBLEND %\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e31-detent potentiometer that controls the wet\/dry mix of the compressed signal (wet) to the input signal (dry).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVU SELECT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePush-button switch that toggles between metering the compressor output level (OUTPUT) and gain reduction REDUCTION).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSILK IN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIlluminated push-button switch that toggles through the three available SILK modes: OFF, RED, and BLUE. RED enhances harmonic content in high mid and high frequencies. BLUE enhances harmonic content in low and low mid frequencies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTEXTURE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e31-detent potentiometer that controls the amount of SILK harmonics added within the transformer output stage when SILK is engaged.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePEAK\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePEAK LED warns when signal levels are peaking 3dB below clip point.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRear Panel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePOWER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIEC AC power inlet with integrated power switch. 100-240VAC at 50\/60Hz. 35 Watts maximum AC power con- sumption.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGROUND LIFT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSlide switch that lifts XLR Pin 1 from chassis ground on the MAIN OUT and the -6dB OUT to help isolate from ground interference.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLINE OUT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBalanced XLR output utilizing a custom Rupert Neve Designs transformer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e-6dB OUT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBalanced XLR output utilizing a lower level, secondary output on the custom Rupert Neve Designs transformer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE CHAIN SEND\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCompressor side-chain insert SEND 1\/4” TS jack for connecting to the input of an external processor (ex: EQ).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE CHAIN RETURN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCompressor side-chain insert RETURN 1\/4” TS jack for connecting to the output of an external processor (ex: EQ).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLINK\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1\/4” TS jacks that allow for two Shelford Channel compressors to be linked together for stereo compressor operation. ONLY INTENDED FOR USE WITH OTHER SHELFORD CHANNEL LINK JACKS.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLINE IN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBalanced XLR input that can be utilized for LINE level signals.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMIC IN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBalanced XLR input that can be utilized for MIC level signals.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMIC PREAMP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eINPUT IMPEDANCE: 2200 Ohm\u003c\/li\u003e\n\u003cli\u003eMAXIMUM INPUT LEVEL\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e+21.5 dBu from 150Hz to 22kHz\u003c\/li\u003e\n\u003cli\u003e+8 dBu 20Hz to 22kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003eNOISE\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eUn-weighted, 22Hz - 22kHz, source impedance 150 Ohm balanced.\u003c\/li\u003e\n\u003cli\u003eLine Out (Unity Gain) -100.9 dBu\u003c\/li\u003e\n\u003cli\u003e-6dB Out (Unity Gain) -106.6 dBu\u003c\/li\u003e\n\u003cli\u003eLine Out (+30dB Gain) -91.37 dBu\u003c\/li\u003e\n\u003cli\u003eLine Out (+66dB Gain) -64.1 dBu\u003c\/li\u003e\n\u003cli\u003eEquivalent Input Noise -121.37 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003eFREQUENCY RESPONSE: 17Hz to 45kHz: +\/-0.25 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDIRECT INPUT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMAXIMUM INPUT LEVEL: +8 dBu from 20 Hz to 120 kHz\u003c\/li\u003e\n\u003cli\u003eNOISE (LINE OUT): -100 dBu (22Hz to 22kHz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLINE INPUT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMAXIMUM INPUT LEVEL: +30.5 dBu from 20Hz to 30kHz\u003c\/li\u003e\n\u003cli\u003eTOTAL HARMONIC DISTORTION AND NOISE\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e@ 1 kHz, +20 dBu output level, no load: Better than 0.002%\u003c\/li\u003e\n\u003cli\u003e@ 20 Hz, +20 dBu output level, no load: 0.05% Typical (2nd and 3rd harmonic)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003eNOISE (MAIN OUTPUT)\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eUn-weighted, 22Hz - 22kHz, source impedance 40 Ohm balanced, no load.\u003c\/li\u003e\n\u003cli\u003e-101.1 dBu\u003c\/li\u003e\n\u003cli\u003eFREQUENCY RESPONSE\u003c\/li\u003e\n\u003cli\u003e\u0026lt;10 Hz to 110 kHz: +\/- 0.25 dB\u003c\/li\u003e\n\u003cli\u003e120 kHz: +\/- 0.32 dB\u003c\/li\u003e\n\u003cli\u003eMAXIMUM OUTPUT LEVEL\u003c\/li\u003e\n\u003cli\u003e16Hz to 20kHz: +26 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTOTAL HARMONIC DISTORTION AND NOISE WITH SILK ENGAGED\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSILK RED\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eMIN TEXTURE @ 100 Hz, +20 dBu input level, no load: 0.0131%, mostly 3rd harmonic (typical)\u003c\/li\u003e\n\u003cli\u003eMAX TEXTURE @ 100 Hz, +20 dBu input level, no load: 1.66%, mostly 2rd harmonic (typical)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003eSILK BLUE\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eMIN TEXTURE @ 100Hz, +20 dBu input level, no load: 0.0079%, mostly 3rd harmonic (typical)\u003c\/li\u003e\n\u003cli\u003eMAX TEXTURE @ 100Hz, +20 dBu input level, no load: 0.941%, mostly 2rd harmonic (typical)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHIGH PASS FILTER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eContinuously variable swept frequency from 20 Hz to 250 Hz.\u003c\/li\u003e\n\u003cli\u003eSlope: 12 dB\/Octave\u003c\/li\u003e\n\u003cli\u003eEQ NOISE: Un-weighted, 22 Hz-22 kHz: -92 dBu\u003c\/li\u003e\n\u003cli\u003eSIGNAL PRESENT: Illuminates GREEN when input stage signal level reaches -20 dBu\u003c\/li\u003e\n\u003cli\u003eOVERLOAD INDICATOR: Illuminates RED when input stage signal level reaches -23 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDIODE BRIDGE COMPRESSOR SECTION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCOMPRESSOR NOISE (BW 22 Hz – 22 kHz)\u003c\/li\u003e\n\u003cli\u003e0dB Makeup Gain: -84.5 dBu\u003c\/li\u003e\n\u003cli\u003e+20dB Makeup Gain: -64.2 dBu\u003c\/li\u003e\n\u003cli\u003eCOMPRESSOR TIMING CONSTANT MEASUREMENTS\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eNote: TIMING measurements represent the full range between 1.5:1 and 8:1 ratio and FAST mode\u003c\/li\u003e\n\u003cli\u003eFAST – Attack 250 μS - 2 mS \/\/ Release 100 mS - 200 mS typical\u003c\/li\u003e\n\u003cli\u003eMED (MEDIUM) – Attack 3 mS - 18 mS \/\/ Release 350 mS - 700 mS typical\u003c\/li\u003e\n\u003cli\u003eMS (MEDIUM SLOW) – Attack 5 mS - 40 mS \/\/ Release 600 mS - 1 S typical\u003c\/li\u003e\n\u003cli\u003eSLOW – Attack 10 mS - 80 mS \/\/ Release 800 mS - 1.5 S typical\u003c\/li\u003e\n\u003cli\u003eAUTO – Attack 5m S - 40m S \/\/ Release T1 400-900 mS, T2 1-2 S typical\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003ePRODUCT DIMENSIONS: 19” (48.3 cm) x 10.5” (26.7 cm) x 1.75” (4.5 cm)\u003c\/li\u003e\n\u003cli\u003eSHIPPING DIMENSIONS: 24” (61 cm) x 13” (33 cm) x 4” (10.2 cm)\u003c\/li\u003e\n\u003cli\u003eSHIPPING WEIGHT: 12.25 lbs. (5.5 kg)\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":43895125737515,"sku":"RND-5035","price":3293.29,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/shelford-channel-front-v2__72072.1750780333.1280.1280.jpg?v=1775701429"},{"product_id":"rupert-neve-designs-5045","title":"Rupert Neve Designs 5045","description":"\u003cp\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThe world’s most natural feedback reduction.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe 5045 Primary Source Enhancer is exceptionally useful at reducing feedback without negatively impacting the sonic integrity of the source signal, effectively increasing the level a microphone can be raised before feedback occurs in a live sound environment by up to 20dB. With controls that are very simply laid out and generally require minimal adjustment, the 5045 is an invaluable tool for churches, stadiums, performance halls, or any venue where feedback is problematic.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e100% Analog Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe 5045 shares some traits with conventional “noise gates”, but operates on a different principle. One common aspect is that both reduce the gain during the absence of signal – or more specifically, both begin to attenuate when the level of a signal falls below a certain user-defined threshold. The 5045 senses when someone is speaking or singing into the mic and allows the signal to pass through, and senses when the person has stopped talking or singing and reduces the gain appropriately, thus reducing the system’s tendency to feed back.\u003c\/p\u003e\n\u003cp\u003eImportantly, the 5045 does not utilize filtering or digital processing to achieve its significant benefits. Built around Rupert Neve Designs’ custom input and output transformers, its all-analog circuitry provides superb control and sonic performance without compromising the integrity of the source material. This makes the 5045 the most intuitive, natural-sounding and effective method of feedback reduction available on the market.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSimple, Intuitive Controls\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eWith a minimal control set, the 5045’s ease of use makes it ideal even for circumstances where a full-time or experienced engineer is not readily available, and allows for rapid adjustments on-the-fly even during performances.\u003c\/p\u003e\n\u003cp\u003eThe 5045 is an absolutely indispensable addition to any setup where feedback or reverberation are problematic, and is used every night on the biggest stages all across the world.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePOWER STATUS LED\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eLED indicates power status.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePROCESS ENGAGE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eIlluminated push-button that engages the Primary Source Enhancer’s effect.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTIME CONSTANT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eDesigned to help prevent choppiness in some situations and stop feedback in other situations, by setting how quickly the attenuation occurs in the quiet sections between words or sentences. “A” is the fastest and “F” is the slowest. “A” will quickly soften the level which can be advantageous when the singer is consistent and feedback howl is challenging. “F” is the safest in terms of slowly fading down, but might be a bit slow fading up again, and might be a bit slow for controlling some pesky feedback situations. “C” and “D” are moderate settings that should fit many situations and generally fade down slow enough so that the ends of words are not affected, yet fast enough to control feedback. Choose the most appropriate time constant that doesn’t soften the beginnings and endings of phrases, yet still diminishes the feedback and “boominess” of the signal.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRMS \/ PEAK\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eIlluminated push-button that selects between RMS and Peak detection modes. When illuminated, the 5045 is in PEAK mode – useful for detecting faster transient peaks, and for creative dynamic envelope shaping. When not illuminated, the 5045 is in RMS mode, which utilizes a slower, more averaged response characteristic in the sidechain.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTHRESHOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eSets the dBu level at which the Primary Source Enhancer engages.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePROCESS ACTIVE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThis LED indicates when the 5045 is actively affecting signal – a.k.a. when the input signal has overcome the enhancement threshold. Since this LED should generally be illuminated when the desired source is present (a vocalist singing, for example) it is extremely helpful in setting up the 5045 for use.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDEPTH\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe “DEPTH” knob sets how much attenuation is applied after the signal falls below where the “THRESHOLD” is set. “0” implies zero attenuation and the 5045 won’t be doing anything. “-10 dB” is moderate attenuation and reasonably safe from accidentally chopping off a word or part of a word. “-20 dB” attenuates deeper but might be a bit choppy. \u003c\/p\u003e\u003cp\u003eSetting the “DEPTH” control so that it does not chop off bits of quietly spoken words while fighting a difficult feedback problem is the goal, especially with singers that sing quietly one moment and loudly the next while demanding loud monitors.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMaximum Input and Output Level\u003c\/strong\u003e: +25 dBu\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTotal Harmonic Distortion and Noise\u003c\/strong\u003e: Better than 0.002%\u003cbr\u003e1 kHz, +20 dBu Output Level, no load\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNoise (Measured at Main Output, un-weighted, 22 Hz - 22 kHz, 50 ohm balanced source)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePrimary Source Enhancer Bypassed: Better than -100 dBu\u003c\/li\u003e\n\u003cli\u003ePrimary Source Enhancer Engaged Better than -95 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e150 kHz: -3 dB\u003c\/li\u003e\n\u003cli\u003e20 Hz: -3 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThreshold\u003c\/strong\u003e: Continuously variable from -20 dBu to +10 dBu\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDepth\u003c\/strong\u003e: Continuously variable from 0 dB to -20 dB\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTime Constants\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRMS Mode\u003cbr\u003eAttack AND Release \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMode A 50 mS\u003c\/li\u003e\n\u003cli\u003eMode B 100 mS\u003c\/li\u003e\n\u003cli\u003eMode C 200 mS\u003c\/li\u003e\n\u003cli\u003eMode D 750 mS\u003c\/li\u003e\n\u003cli\u003eMode E 1.5 S\u003c\/li\u003e\n\u003cli\u003eMode F 3 S\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePeak Mode\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAttack (fixed) 20 mS\u003cbr\u003eRelease\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMode A 20 mS\u003c\/li\u003e\n\u003cli\u003eMode B 200 mS\u003c\/li\u003e\n\u003cli\u003eMode C 1 S\u003c\/li\u003e\n\u003cli\u003eMode D 2 S\u003c\/li\u003e\n\u003cli\u003eMode E 5 S\u003c\/li\u003e\n\u003cli\u003eMode F 30 S\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePower Requirements (12V DC)\u003c\/strong\u003e: 1 Amp\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eShipping Dimensions\u003c\/strong\u003e: 26“ (66.04 cm) x 15” (38.1 cm) x 5” (12.7 cm)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eShipping Weight\u003c\/strong\u003e: 11 lbs, 5\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":43895125835819,"sku":"RND-5045","price":1893.29,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/5045-front__71831.1750791570.1280.1280.jpg?v=1775701426"},{"product_id":"rupert-neve-designs-5057","title":"Rupert Neve Designs 5057","description":"\u003cp\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAll the tone, power, and depth of a Rupert Neve console in a single rack space.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFirmly rooted in six decades of console design experience, the 5057 Orbit gives your mixes the legendary tonality, power, and wide-open soundstage that only Rupert Neve’s class-A analog summing can provide. Coupled with Rupert’s famous custom audio transformers and Silk Red \u0026amp; Blue circuitry for variable harmonic saturation, the Orbit launches sterile in-the-box mixes to new heights of tone, depth and clarity – without compromising the recallable convenience and repeatability of your DAW-based workflow.\u003c\/p\u003e\n\u003cp\u003eWhen you push a mix bus and output transformers towards saturation, the non-linear, musical harmonics that occur are what truly glue a recording together and bring it to life.\u003c\/p\u003e\n\u003cp\u003eRather than using an external summing solution that offers little more than an ultra-clean representation of the in-the-box experience, the Orbit provides the extraordinary richness, harmonic complexity and depth that only a Rupert Neve console can bring to your mixes.\u003c\/p\u003e\n\u003cp\u003eThe Orbit utilizes a highly custom output transformer configuration originally developed for the acclaimed Shelford Channel, which provides both a Main Output and a -6dB Output – the latter of which enables you to fully drive the Orbit to achieve more transformer harmonics without clipping the next device in the chain. This unique transformer drive is a hallmark of the sound of Rupert Neve throughout the years – and the sound of countless classic hit records.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eClassic Sounds on Demand\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEvery mix demands its own treatment. In addition to the choice of outputs, the continuously variable Texture control with Silk Red and Silk Blue modes gives you complete control over the harmonic density and tonality of your mix – or lets you keep it utterly pristine and uncolored.\u003c\/p\u003e\n\u003cp\u003eThe Silk Red mode accentuates transformer saturation in the high and high-mid frequencies to amplify the vibrant midrange harmonics associated with Rupert’s vintage equipment, while Silk Blue accentuates saturation of the lows and low-mids to add thickness and weight to any source – especially useful for “thin-sounding” mixes. Unlike EQ, these Silk \u0026amp; Texture controls saturate the output transformers, and add highly musical harmonics to the source material according to the amount of Texture applied.\u003c\/p\u003e\n\u003cp\u003eDrive the mix bus hard, choose your Silk flavor, and crank the Texture knob for a rich, saturated, vintage vibe – or disengage Silk entirely for clear, wide-open sonic beauty. The choice is yours.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuild your Dream\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhile the Orbit is an extremely effective tool on its own, multiple units can be combined through the Bus Link for a higher channel count. The 5057 Orbit can also be used as a building block in an expandable summing system utilizing the 5059 Satellite for flexible summing \u0026amp; routing, and the 5060 Centerpiece for additional mixing and monitoring features.\u003c\/p\u003e\n\u003cp\u003eThese units create the core of a world-class analog modular console system rivaling any traditional large-scale studio setup.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDAW Based Recall without Compromise\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFrequent recalls can be a challenge for modern mix engineers. The Orbit’s elegant simplicity and fixed level accuracy provides rapid, repeatable DAW-based recall from mix to mix, while adding the rich, unrivaled sound quality of Mr. Neve’s class-A transformer-coupled mix bus.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChannel Separation and Accuracy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith precisely fixed channel levels and accurate mix bus attenuation via high-quality stepped switching, the Orbit’s purist signal path has vanishingly low crosstalk, and channels matched to within +\/-0.1dB. This provides your mixes with the widest and most accurate stereo image, the greatest depth, and the most direct signal path, allowing you to hear every single detail of your mixes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMONO\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePush-button switches that allow the user to MONO sum the first eight input channels, in pairs. Each channel is unity gain from input to output.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSILK\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIlluminated push-button switch that toggles between the transformer saturation modes: OFF, RED, BLUE.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTEXTURE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e31-detent potentiometer that controls the amount of transformer saturation when SILK is engaged.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIGNAL LEDS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLEDs that illuminate GREEN to indicate signal is present (-20dBu) and subsequently illuminate RED (+24dBu) when the signal is 2dB below clip point.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRIM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e12-position rotary switch that controls the attenuation level of the Main Output and -6dB Output within a tolerance of +\/- 0.1dB.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePOWER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePower status indication LED.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e16 Channel +\/- 21V Class-A mix bus for massive headroom\u003c\/p\u003e\n\u003cp\u003eSilk Red \u0026amp; Blue modes with Texture control to precisely dial in the desired amount of classic tone\u003c\/p\u003e\n\u003cp\u003eCustom Rupert Neve Designs output transformers create rich harmonic character without clipping the next device in the chain\u003c\/p\u003e\n\u003cp\u003eMono switches enable you to precisely center any mono mix elements like vocals, kick, snare and bass\u003c\/p\u003e\n\u003cp\u003eExceptional linearity and accuracy, better than +\/-0.1dB per channel\u003c\/p\u003e\n\u003cp\u003eUltra-low crosstalk for wide open stereo imaging and sonic depth\u003c\/p\u003e\n\u003cp\u003eExpandable for higher channel count via bus link to other 5057 units\u003c\/p\u003e\n\u003cp\u003eRepeatable, rapid DAW-based recall while adding the rich, unrivaled sound quality of Rupert Neve Designs\u003c\/p\u003e\n\u003cp\u003eRobust and compact 1U chassis design with DB25 inputs and XLR outputs\u003c\/p\u003e\n\u003cp\u003eCombine with other Rupert Neve Designs summing products to create a world-class modular mix system\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eINPUT IMPEDANCE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e16K Ohm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFREQUENCY RESPONSE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e10 Hz to 50 kHz: +\/- 0.1 dB\u003c\/li\u003e\n\u003cli\u003e150 kHz: -3 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNOISE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFrom 22 Hz - 22 kHz.\u003c\/li\u003e\n\u003cli\u003e-90 dBu typical\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMAXIMUM INPUT LEVEL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e@ 1 kHz: +26 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMAXIMUM OUTPUT LEVEL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e@ 1 kHz: +26 dBu\u003c\/li\u003e\n\u003cli\u003eTHD+N%\u003c\/li\u003e\n\u003cli\u003eFrom 22 Hz - 22 kHz.\u003c\/li\u003e\n\u003cli\u003e0 dBu @ 1 kHz: 0.003%\u003c\/li\u003e\n\u003cli\u003e+20 dBu @ 1 kHz: 0.0006%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCROSSTALK\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 kHz: -103 dBu\u003c\/li\u003e\n\u003cli\u003e10 kHz: -93 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePRODUCT DIMENSIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e19” W (48.3 cm) x 9” D (22.9 cm) x 1.75” H (4.4 cm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSHIPPING DIMENSIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e24” L (61 cm) x 13” W (33 cm) x 4” H (10.2 cm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSHIPPING WEIGHT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e10 lbs (4.5 kg)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":43895125934123,"sku":"RND-5057","price":1646.24,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/5057-front__82576.1750791940.1280.1280.jpg?v=1775701429"},{"product_id":"rupert-neve-designs-5059-s","title":"Rupert Neve Designs 5059-S","description":"\u003cp\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFlexible, feature-rich analog summing with classic Rupert Neve console sound.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBuilt around many of the topologies and custom transformers made famous with the 5088 large-format console, the 5059 is a 16 x 2+2 summing mixer designed to deliver the ultimate ‘out-of-the-box’ sonics and control in a 2U, rack-mountable chassis.\u003c\/p\u003e\n\u003cp\u003eThe 5059 features 16 channels with individual level, pan, inserts, stereo-2 sends, and master texture controls, providing easy integration with outboard equipment, complete control for two separate stem mixes, and the ability to dial in both flavors of our renowned SILK circuit simultaneously. With the same sonic heritage as classic mixing consoles used to create countless hit records, the 5059 Satellite imbues your tracks with the legendary warmth and presence of a Rupert Neve design.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Signature of Excellence\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe most important element of the 5059 is its legendary sound, the keys to which are the +\/-24V class-A topologies and custom transformers, carefully refined over several decades to provide exceptional sonic performance and to greatly minimize crossover distortion.\u003c\/p\u003e\n\u003cp\u003eWhen combined with Mr. Rupert Neve’s transformer design and implementation, the 5059 achieves a remarkable purity, while also conveying the signature warmth and larger-than-life sound reminiscent of Rupert’s classic designs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaking Connections\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOne drawback to mixing “in the box” is the inability to use high quality analog outboard equipment. Channel inserts are provided in the 5059 to streamline interconnections with analog outboard equipment and to allow for further expansions of the 5059’s capabilities.\u003c\/p\u003e\n\u003cp\u003eBy connecting a second 5059 to the insert outputs of a 5059, the dual stereo outputs can be used as a way to add 4 auxes to each of the 16 channels. And when used with other products from Rupert Neve Designs’ summing family, the 5059 becomes an integral part of a complete modular system for world-class analog mixing and monitoring.\u003c\/p\u003e\n\u003cp\u003eThe 5059 also offers a fantastic solution for keyboard or individual instrument mixing, with its 16 pannable inputs, inserts and returns for effects and pedals, and up to 10dB of gain. It also allows for recording a stacked mix of sounds while simultaneously recording each of them individually via the “always on” insert sends.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSilk + Texture = Classic Sounds on Demand\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEvery mix demands its own treatment. In addition to the choice of outputs, the continuously variable Texture control with Silk Red and Silk Blue modes gives you complete control over the harmonic density and tonality of your mix – or lets you keep it utterly pristine and uncolored.\u003c\/p\u003e\n\u003cp\u003eThe Silk Red mode accentuates transformer saturation in the high and high-mid frequencies to amplify the vibrant midrange harmonics associated with Rupert’s vintage equipment, while Silk Blue accentuates saturation of the lows and low-mids to add thickness and weight to any source – especially useful for “thin-sounding” mixes. Unlike EQ, these Silk \u0026amp; Texture controls saturate the output transformers, and add highly musical harmonics to the source material according to the amount of Texture applied.\u003c\/p\u003e\n\u003cp\u003eDrive the mix bus hard, choose your Silk flavor, and crank the Texture knob for a rich, saturated, vintage vibe – or disengage Silk entirely for clear, wide-open sonic beauty. The choice is yours.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSilk \/ Texture\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eContinuously variable Texture control for Silk modes allows the engineer to fine tune the harmonic ratio and tonality of both stereo outputs. The SILK push button cycles between Red, Blue, and bypass.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNew Class-A Topologies\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith exceedingly low crossover distortion and unmatched purity, the 5059 sets the standard for rack-mountable summing mixers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCustom Transformers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBeyond providing galvanic isolation, the custom transformers in the 5059 are a key ingredient to its larger than life sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo 2 Send\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSends the channel’s signal to the Stereo 2 bus which allows for two stems to be mixed and processed simultaneously.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChannel Level\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIndividual continuously variable level controls are provided for each channel from -∞ to +10dB.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChannel Pan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIndividual center-detent pan controls are provided on each channel of the 5059 with a 3dB pan law.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChannel Insert\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEngages the Insert Return inputs on the rear panel. (Insert sends are always active.)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaster Output Level\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLevel controls are provided for each of the stereo outputs -∞ to 0dB.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFREQUENCY RESPONSE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e100K Ohm Load.\u003c\/li\u003e\n\u003cli\u003e+\/- 0.1 dB from 20 Hz to 20 kHz\u003c\/li\u003e\n\u003cli\u003e-3 dB @ 3.5 Hz \/ 185 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNOISE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIEC-A-weighted.\u003c\/li\u003e\n\u003cli\u003eBus Outputs: -106 dBV\u003c\/li\u003e\n\u003cli\u003eSingle Channel assigned @ -∞: -104 dBV\u003c\/li\u003e\n\u003cli\u003eSingle Channel assigned @ Unity: 103 dBV\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNOISE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUn-weighted, 22 Hz - 22 kHz.\u003c\/li\u003e\n\u003cli\u003eSingle Channel assigned @ +10 dB - 100 dBV\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eBUS OUTPUTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSingle Channel assigned @ -∞: -101 dBV\u003c\/li\u003e\n\u003cli\u003eSingle Channel assigned @ Unity: -100 dBV\u003c\/li\u003e\n\u003cli\u003eSingle Channel assigned @ +10 dB -97 dBV\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSIGNAL TO NOISE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e+20 dBu output un-weighted, 22 Hz - 22kHz: 116 dB\u003c\/li\u003e\n\u003cli\u003e+20 dBu output, IEC A weighted: 119 dB\u003c\/li\u003e\n\u003cli\u003e+4 dBu output unweighted, 22 Hz - 22 kHz: 100 dB\u003c\/li\u003e\n\u003cli\u003e+4 dBu output, IEC A weighted: 103dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOUTPUT LEVEL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSumming Buses to XLR outputs, Maximum Output Level, 20 Hz to 40 kHz: +26 dBu\u003c\/li\u003e\n\u003cli\u003eSingle Channel to Bus, Maximum Output Level, 20 Hz to 40 kHz: +24.5 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTOTAL HARMONIC DISTORTION AND NOISE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 kHz @ +20 dBu output: Better than 0.003%\u003c\/li\u003e\n\u003cli\u003e20 Hz @ +20 dBu output: Better than 0.005%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTOTAL HARMONIC DISTORTION, SILK ENGAGED\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eBLUE SILK\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e100 Hz @ +20 dBu output, texture control 12 o’clock: 0.2% typical\u003c\/li\u003e\n\u003cli\u003e100 Hz @ +20 dBu output, texture control fully CW: 0.65% typical\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eRED SILK\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e100 Hz @ +20 dBu output, texture control 12 o’clock: 0.1% typical\u003c\/li\u003e\n\u003cli\u003e100 Hz @ +20 dBu output, texture control fully CW: 0.35% typical\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSLEW RATE: \u003c\/strong\u003e4V\/uS\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCROSSTALK\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFrom Bus 1 to Bus 2.\u003c\/li\u003e\n\u003cli\u003e1 kHz: Better than -90 dB\u003c\/li\u003e\n\u003cli\u003e10 kHz: Better than -70 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePOWER CONSUMPTION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAC Mains, 100VAC to 240VAC, 50\/60 Hz: 45 Watts\u003c\/li\u003e\n\u003cli\u003eFuses – not user accessible, internal on power supplies\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDIMENSIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e3.5”H (2U), 19”W, 8”D\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWEIGHT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e23lbs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSHIPPING DIMENSIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e22” x 17” x 8”\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSHIPPING WEIGHT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e25 lbs\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":43895125999659,"sku":"RND-5059-S","price":3293.29,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/5059-front__67267.1750793337.1280.1280.jpg?v=1775701430"},{"product_id":"rupert-neve-designs-5060-s","title":"Rupert Neve Designs 5060-S","description":"\u003cp\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe class-A analog heart of your 21st-century studio.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSized for your desktop, the 5060 puts the tonality and center section features of Rupert’s flagship 5088 console at your fingertips, cementing outboard together with serious custom transformers, flexible monitoring, DAW transport controls, and the raw power of a Rupert Neve-designed 24×2 mix-bus.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDefine Your Tone.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith custom transformers, a class-A mix bus and variable Silk Red \u0026amp; Blue, the 5060 can provide a wide range of tonal flavors. Drive the mix bus hard and crank the Texture knob for a rich, saturated, vintage vibe – or disengage Silk entirely for clear, wide-open sonic beauty.\u003c\/p\u003e\n\u003cp\u003eThe Silk circuit reduces the negative feedback on the output transformer, adding harmonic content as the Texture is increased. Silk Red mode adds a sparkle \u0026amp; sheen to your mixes by accentuating the saturation in the high mids and highs, while Silk Blue amplifies saturation in the lows and low mids to add unparalelled weight \u0026amp; punch.\u003c\/p\u003e\n\u003cp\u003eWith Silk engaged, the 5060’s distortion characteristics and harmonic content are very reminiscent of many of Rupert’s class-A vintage designs – but here, these characteristics are fully variable. These controls add an unparalleled range of tonal options to the 5060, and open up a whole new world of sonic exploration.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDefine Your Workflow.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith a modular, hybrid analog\/digital mix system built around the 5060, you can outfit your studio with exactly what you need – and nothing that you don’t.\u003c\/p\u003e\n\u003cp\u003eUtilizing modern DAW control technologies, the 5060 seamlessly integrates stem outputs from the DAW with the rest of your control room, sums the final mix, and provides 2-track outputs, source selection, and up to three speaker feed outputs from the monitor section.\u003c\/p\u003e\n\u003cp\u003eUsed in conjunction with Rupert Neve Designs’ other summing products and outboard equipment, the 5060 Centerpiece forms the core of a scalable analog system. In this arrangement, additional summing mixers provide expandable channel counts and aux routing capabilities, Shelford modules provide preamplification, EQ, and dynamics, and the Centerpiece unites it all. The 5060 brings your dreams of a seamless hybrid workflow to reality.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe New Analog Standard.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhile digital technologies come and go, the modular, class-A analog designs Rupert created decades ago have been proven to stand the test of time. Instead of merely cloning these “classics”, Rupert’s team of engineers have crafted new designs – built on the same key principles – that take sonic performance, flexibility, and ergonomics to new heights.\u003c\/p\u003e\n\u003cp\u003eThese designs embody the high voltage, class-A, discrete and transformer-coupled architectures found in the 5088 console, which represent a culmination of Rupert’s vast analog circuitry knowledge. With the 5060 Centerpiece, the primary aim is to deliver the extraordinary quality of the 5088 in a compact, modular framework.\u003c\/p\u003e\n\u003cp\u003eWith exceptional fidelity, an abundance of interconnectivity and the tonal versatility of Silk, the 5060 is the ideal core of the sound-conscious modern studio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo Input Channels 1-8\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA professional grade 100mm fader determines the level of stereo input channels 1-8, with up to +10dB of additional line gain. Channels 1-8 can be either stereo or center-panned mono (via switches on the rear panel), and have both mute switches and inserts. The insert send of channels 1-2, and 3-4 has optional talkback assignment for use when feeding channels 1-8 through the 5060 to multichannel cue systems. The insert sends on channels 1-8 may also be used as a pre-fader send to a multi-track recorder.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo Inputs Channels 9-24\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEight active stereo inputs with rotary faders for stem and aux inputs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo Bus Master\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA 100mm stereo fader provides level control for the master stereo bus, outputting to both the stereo bus monitor signal and the stereo master output. For adding compression and EQ to the mix bus, there is also a transformer-coupled insert engaged by the Insert switch.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTexture \u0026amp; Silk Red \/ Blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eContinuously variable Texture controls with Silk Red and Silk Blue modes allow the engineer to fine-tune the harmonic ratio and tonality of the 5060’s outputs – or to leave each mix pristine and uncolored. The Silk Red mode accentuates the transformer saturation in the highs and high-mid frequencies to add a “sparkle” to the mix, while Silk Blue accentuates the saturation of the lows and low-mid frequencies to add thickness and density – especially useful for dry, somewhat anemic mixes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTalkback\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe included talkback mic is activated by depressing the Talkback switch. The Talkback has level control, a direct out, and assignment to insert sends 1-2 \u0026amp; 3-4. When the talkback switch is depressed, the speaker output levels are lowered according to the setting of the Dim control. A talkback remote may also be plugged into the ¼” talkback remote input on the back of the 5060.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTransport Controls\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eStandard transport functions in DAWs including play, stop, record, fast-forward, rewind, loop, shuttle \/ jog and marker drop are controlled through MIDI or USB interconnection.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMonitor Source\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSelects the monitor source from between the stereo bus and three external monitor inputs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMonitor Select\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSelects which speaker output is active. By holding the Mon 3 button, the Mon 3 outs will “latch” on, allowing both Mon 1 \u0026amp; 2 to be used with subwoofers or speakers in the cutting room.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeadphone Amplifier\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA class-A reference-grade headphone amplifier with headphone level control. The headphone signal follows the selection of the monitor select.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMonitor Level\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA precision 21-step attenuator provides highly accurate left\/right stereo tracking, perfect repeatability, and determines the level of the monitor output.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeters\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVU meters display the RMS signal level of the selected monitor source, and the peak indicator illuminates red when the peak threshold has been exceeded.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDim\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEngaged when either the Dim or Talkback switch is depressed, Dim reduces the monitor volume between -6dB and -30dB.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMAX INPUT LEVEL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eChannels 1 - 8, fader at 0dB: greater than +26 dBu\u003c\/li\u003e\n\u003cli\u003eChannels 9 - 24, level trim at 0dB: greater than +22 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSTEREO OUTPUTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUnless otherwise specified, frequency is 1 kHz.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eMAX OUTPUT LEVEL\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eAny combination of inputs: greater than +27 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eTHD+N\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eChannels 1 - 8, fader at unity, BW \u0026lt;10 Hz – 80 kHz\u003c\/li\u003e\n\u003cli\u003e+20 dBu, 20 Hz: 0.03%\u003c\/li\u003e\n\u003cli\u003e+20 dBu, 2 kHz: 0.003%\u003c\/li\u003e\n\u003cli\u003e+20 dBu, 20 kHz: 0.02%\u003c\/li\u003e\n\u003cli\u003eChannels 9 - 24, trim at unity, BW \u0026lt;10 Hz - 80 kHz\u003c\/li\u003e\n\u003cli\u003e+20 dBu, 20 Hz: 0.03%\u003c\/li\u003e\n\u003cli\u003e+20 dBu, 2 kHz: 0.004%\u003c\/li\u003e\n\u003cli\u003e+20 dBu, 20 kHz: 0.02%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eNOISE (BW 22 Hz - 22 kHz)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eChannels 1 - 24 at unity: Better than -90 dBV\u003c\/li\u003e\n\u003cli\u003eChannels 9 - 24 at unity, 1-8 muted: Better than -100 dBV\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eX-TALK\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eChannel to Channel: better than 60 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eCMRR\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e1 kHz input to channel 1, 0 dBu fader at unity: -70 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eFREQUENCY RESPONSE\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e10 Hz to 120 kHz: +\/- 0.25 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eIMD\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e+4 dBu, CCIF\/DFD: Better than 0.0008%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSILK BLUE \/ SILK RED (Texture control at maximum)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eDISTORTION\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e+20 dBu in, 20 Hz: Up to 5%\u003c\/li\u003e\n\u003cli\u003e+20 dBu in, 200 Hz: Up to 0.2%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMONITOR OUTPUTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eMAX OUTPUT LEVEL\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e1 kHz: +25 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eTHD+N\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e+20 dBu, 20 Hz: Better than 0.03%\u003c\/li\u003e\n\u003cli\u003e+20 dBu, 2 kHz: Better than 0.02%\u003c\/li\u003e\n\u003cli\u003e+20 dBu, 20 kHz: Better than 0.02%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eMINIMUM LOAD\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eMonitor and Line Outputs: 3K Ohms\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHEADPHONE OUT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eMAX OUTPUT LEVEL\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eGreater than +20 dBu, unloaded\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eTHD+N\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e2 kHz into 68 Ohms, 16 dBu output: Better than 0.02%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eNOISE\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eFrom 22 Hz – 22 kHz: Better than -85 dBV\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eMINIMUM LOAD (headphone out)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e16 Ohms recommended\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePEAK LEDs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEngage Threshold: +22 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePOWER CONSUMPTION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAC Mains, 100VAC to 240VAC, 50\/60Hz: 110 Watts Max\u003c\/li\u003e\n\u003cli\u003eFuses: not user accessible, internal on power supplies\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDIMENSIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e18.5″ W x 12.5″ D x 5.75″ high in the back (3.5″ in the front)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWEIGHT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e22lbs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOPERATING TEMPERATURE RANGE\u003c\/strong\u003e: 0 to 35 degrees C\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSTORAGE TEMPERATURE RANGE\u003c\/strong\u003e: -10 to 50 degrees C\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOPERATING HUMIDITY RANGE\u003c\/strong\u003e: 10% to 95% Non-Condensing\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":43895126097963,"sku":"RND-5060-S","price":9881.53,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/5060-front-top__23934.1750794511.1280.1280.jpg?v=1775701431"},{"product_id":"rupert-neve-designs-5100-p","title":"Rupert Neve Designs 5100-P","description":"\u003cp\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe unit provides a power output of 15 VDC, and features an auto-switching 100 - 230 VAC power input.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":43895126196267,"sku":"RND-5100-P","price":69.71,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/rupert_neve_designs_portico_5100_power_supply_portico_5100_external_power_1495457433_1037563__84696.1750801741.1280.1280.jpg?v=1775701431"},{"product_id":"rupert-neve-designs-511","title":"Rupert Neve Designs 511","description":"\u003cp\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClassic sound for your 500 rack.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith a big, bold preamp, a swept high-pass filter and the powerful saturation control of variable Silk, the 511 combines legendary Rupert Neve tone with 500 Series value.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is Silk?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOne of the key features of the 511 is the Silk \/ Texture control. The Silk circuit was initially developed for the original Portico series mic preamplifiers, and was only a single switch – on or off – that added a specified amount of musical, pleasing harmonic saturation to the unit’s output stage.\u003c\/p\u003e\n\u003cp\u003eTaking this concept one step further, the Texture knob is designed to adjust the actual amount of harmonic content from the source material.\u003c\/p\u003e\n\u003cp\u003eSo how does it work? By reducing negative feedback across the output transformer and adjusting this feedback’s frequency response, the Silk \/ Texture circuit provides the sweet, musical saturation found in Rupert’s legendary vintage designs – but with complete \u0026amp; precise control over the amount of classic tone you want.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGAIN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA 12-way precision rotary switch controls gain from 0 to 66 dB in 6 dB steps. When the Gain switch is set to Unity (0 dB), the 511 can handle a balanced input signal of more than +20 dBu without an input attenuator pad – this is a unique feature that allows the 511’s Silk circuit and other features to be applied to line-level sources.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRIM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eContinuously variable +\/-6 dB control to fine-tune level.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e+48V\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEngages phantom power on the microphone input, as supplied by the 500 series rack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLEVEL METER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAn eight-segment LED bar-graph meter displays output level (pre-Silk). The color range proceeds from green for lower level signals, yellow for intermediate signals, and red for high levels. When the 511 is clipped, the highest red LED will hold longer depending on how far above the clip threshold the signal was.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePOLARITY\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePush button inverts the polarity of the signal path, and illuminates when engaged. The symbol “Ø” is often used to denote opposite polarity.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHIGH PASS FILTER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe high pass filter is continuously variable from 20-250Hz and engaged by the HPF switch, which illuminates when engaged. It is a valuable aid in any signal chain, but particularly so in a microphone preamplifier. Signals below the selected frequency are attenuated at a rate of 12db \/ octave, getting rid of proximity effect, building rumble, air handling, motor hum, etc.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSILK \/ TEXTURE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePushing the Silk button engages the Silk Red circuit, which enhances harmonic content generated by the highs and high mids of your source. This adds a sparkly sheen to the top end, and is often ideal for sources including vocals, strings, pianos, and other acoustic instruments. With Silk \/ Texture engaged, the distortion characteristic and harmonic content of the unit are very reminiscent of many of Rupert’s class-A vintage designs. By manipulating the Texture control, the amount of Silk can be changed from essentially absent, to well beyond the amount of coloration found in vintage units.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNOISE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMeasured at Main Output, un-weighted, 22 Hz - 22 kHz, source impedance 150 Ohm balanced. Noise specifications may vary depending on which 500 series chassis is being used, and \/ or interference from stray magnetic fields.\u003cbr\u003eUnity Gain: Better than -103 dBV\u003cbr\u003eGain @ +66 dB: Better than -60 dBV\u003cbr\u003eEquivalent Input Noise: -125 dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFREQUENCY RESPONSE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMain output, no load.\u003c\/li\u003e\n\u003cli\u003e+\/- 0.1 dBu from 10 Hz to 31.5 kHz\u003c\/li\u003e\n\u003cli\u003e-2.6 dB @ 120 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMAXIMUM OUTPUT LEVEL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e+23 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTOTAL HARMONIC DISTORTION AND NOISE, NO SILK\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e@ 1 kHz, +20 dBu output level, no load: Better than 0.0025%\u003c\/li\u003e\n\u003cli\u003e@ 20 Hz, +20 dBu output level, no load: 0.025% Typical (2nd and 3rd harmonic)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTOTAL HARMONIC DISTORTION AND NOISE WITH SILK ENGAGED\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e@ 100 Hz, +20 dBu input level, no load.\u003c\/li\u003e\n\u003cli\u003eTEXTURE @ min: 0.015%, mostly 3rd harmonic typical\u003c\/li\u003e\n\u003cli\u003eTEXTURE @ max: 2%, mostly 2rd harmonic typical\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eGAIN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUnity up to +66 dB in 6 dB steps.\u003c\/li\u003e\n\u003cli\u003eTrim continuously adjustable from -6 dB to +6 dB.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePHANTOM POWER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSupplied by the 500 series rack power supply. Switch selectable on faceplate.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHIGH PASS FILTER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eContinuously variable swept frequency from 20 Hz to 250 Hz.\u003c\/li\u003e\n\u003cli\u003eSlope: 12 dB\/Octave\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePOWER REQUIREMENTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e@ +\/-16VDC, 100mA\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":43895126261803,"sku":"RND-511","price":699.18,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/511-white-square_Front_1__44705.1750799740.1280.1280.jpg?v=1775701432"},{"product_id":"rupert-neve-designs-517","title":"Rupert Neve Designs 517","description":"\u003cp\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClassic tone \u0026amp; control for your mic AND instrument.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe 517 includes a world-class mic preamp, one-knob compressor, an Instrument input with dedicated gain control and Vari-phase, Silk saturation and blend controls for INST\/MIC – all in a single 500 series module.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGAIN\u003c\/strong\u003e\u003cbr\u003eA 12-way precision rotary switch covering from Line (0) and Mic from 0 to 66 dB in 6 dB steps.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e+48V\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEngages phantom power on the microphone input, as supplied by the 500 series rack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePOLARITY\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePush button inverts the polarity of the signal path. The symbol “Ø” is often used to denote opposite polarity.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOMPRESSOR\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBased around a new LDR (light dependent resister) design, the 517’s opto-coupler compressor has been simplified to a single threshold control with auto make up gain. By default, the compressor is set to a fixed 2:1 ratio with fixed attack and release. To set the compressor, simply dial the threshold control down until the desired amount of compression is achieved. An LED light indicates when the compressor is active.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBLEND\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe 517 can be used to combine and compress the Mic input and the Instrument input. For example, the Instrument input could be used for an acoustic guitar’s pickup output while the Mic input is being used for either a guitar amp speaker or a vocal. The blend knob can then control the tonal balance between the two sources.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSILK\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIlluminated push-button that engages the Silk circuit, which enhances the source’s harmonic content by utilizing the custom Rupert Neve Designs output transformer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVARI-PHASE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe VARI-PHASE control rotates the phase incrementally, allowing two signals with the same source to be phase aligned. This control is most apparent when the signals being combined are at roughly equal levels, and is generally used when blending an instrument’s direct signal with its amplified signal, as captured by a microphone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eINSTRUMENT GAIN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFront panel TRS Input and passive through for hi-z sources. Continuous gain control from 0dB to 30dB.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHRU \u0026amp; INST 1\/4” JACKS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThese 2 jacks can be used for a direct instrument input and a passive THRU output. This instrument has a dedicated gain control and can be blended with Mic Input signal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeacifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFREQUENCY RESPONSE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMic Pre, Main Output, no load\u003c\/strong\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e-0.1 dB @ 10 Hz \u003c\/li\u003e\n\u003cli\u003e-1 dB @ 120 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDI Input, Main Output, no load\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e-0.1 dB @ 10 Hz \u003c\/li\u003e\n\u003cli\u003e-1 dB @ 120 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNOISE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMeasured at Main Output, unweighted, 22Hz - 22kHz, Terminated 150 Ohm. Noise specifications may vary depending on which 500\u003c\/li\u003e\n\u003cli\u003eseries chassis is being used, and \/ or interference from stray magnetic fields.\u003c\/li\u003e\n\u003cli\u003eWith gain at unity: better than -100 dBu\u003c\/li\u003e\n\u003cli\u003eWith gain at 66 dB: better than -60.5 dBu\u003c\/li\u003e\n\u003cli\u003eEquivalent Input Noise: better than -125 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWith Gain @ Unity: Typically better than -100 dBu\u003c\/li\u003e\n\u003cli\u003eWith Gain @ +30 dB: Typically better than -75 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHIGH PASS FILTER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFrequency: 80 Hz\u003c\/li\u003e\n\u003cli\u003eSlope: 12 dB\/Octave Bessel\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMicrophone Input Impedance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e10,000 Ohm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eInstrument Input Impedance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1.6 Meg Ohm (3.3 Meg Ohm balanced)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMaximum Output Level\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMaximum output from 20 Hz to 40 kHz is +23 dBu.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eGAIN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMic Pre: Unity to +66 dB in 6 dB steps \u003c\/li\u003e\n\u003cli\u003eDI: Unity to +30 dB continuous\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTotal Harmonic Distortion and Noise\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e@ 1 kHz, +20 dBu output: Main Output: Better than 0.001% \u003cbr\u003e@ 20 Hz, +20 dBu output: Main Output: Better than 0.002% \u003cbr\u003eSilk Engaged: Better than 0.2% Second harmonic\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVARI-PHASE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e@ 100 Hz: 2.9 degrees to 57.4 degrees \u003c\/li\u003e\n\u003cli\u003e@ 1 kHz: 33.5 degrees to 156 degrees \u003c\/li\u003e\n\u003cli\u003e@ 10 kHz: 149 degrees to -175 degrees\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePHANTOM POWER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e+48 Volts DC +\/- 1% (provided by 500 Series Rack)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePOWER REQUIREMENTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSupplied by 500 series rack with 110-125 mA @ +\/- 16V\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCOMPRESSOR\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHRESHOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eContinuously Variable from -20 dBu to +10 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRATIO\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFixed at 2:1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eATTACK \u0026amp; RELEASE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFast Mode: Attack 5ms, Release 50ms\u003c\/li\u003e\n\u003cli\u003eSlow Mode: Attack 250ms, Release 500ms\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTOTAL HARMONIC DISTORTION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMeasured @ Main Output.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMIC PREAMP AND DI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e@ 1 kHz, +20 dBu output: Better than 0.002%\u003c\/li\u003e\n\u003cli\u003e@ 20 Hz-20 kHz, +4 dBu output: Better than 0.02%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSILK\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e@ 20 Hz, +4 dBu output: Better than 0.5%\u003c\/li\u003e\n\u003cli\u003e@ 50 Hz, +4 dBu output: Better than 0.1% \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":43895126327339,"sku":"RND-517","price":822.71,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/rnd-517-front_1__15808.1750800967.1280.1280.jpg?v=1775701432"},{"product_id":"rupert-neve-designs-5211s","title":"Rupert Neve Designs 5211S","description":"\u003cp\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSimple and elegant, the 5211 is the natural evolution of what is arguably the most famous gear in audio recording history: Rupert Neve’s microphone preamps.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eWith two channels of the classic tone you know and love, 72dB of gain, sweepable high-pass filters for precise control, and the power of Mr. Rupert Neve’s dual-tap transformers with variable Silk saturation, the 5211 delivers a versatile, flattering, and uncompromising front end for any signal path. In short, it’s everything a mic preamp should be.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhat is Silk?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eOne of the key features of the 5211 is the Silk \/ Texture control. The Silk circuit was initially developed for the original Portico series mic preamplifiers, and was only a single switch – on or off – that added a specified amount of musical, pleasing harmonic saturation to the unit’s output stage.\u003c\/p\u003e\n\u003cp\u003eTaking this concept one step further, the Texture knob is designed to adjust the actual amount of harmonic content from the source material.\u003c\/p\u003e\n\u003cp\u003eSo how does it work? By reducing negative feedback across the output transformer and adjusting this feedback’s frequency response, the Silk \/ Texture circuit provides the sweet, musical saturation found in Rupert’s legendary vintage designs – but with complete \u0026amp; precise control over the amount of classic tone you want. And when the level is driven to the edge of its headroom, the Silk effect is multiplied.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCustom Transformer Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe 5211 has a custom transformer output stage with a balanced main standard line level output. Additionally, a separate -6dBu XLR output can compensate for high levels of input and Silk harmonic saturation, enabling engineers to fully drive the 5211 to achieve more transformer harmonics without clipping the next device in the chain. Both outputs are active and can be used concurrently.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"row sqs-row\"\u003e\n\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cdiv id=\"block-6039e22d8d95692ce39d556e\" class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" data-border-radii='{\"topLeft\":{\"unit\":\"px\",\"value\":0.0},\"topRight\":{\"unit\":\"px\",\"value\":0.0},\"bottomLeft\":{\"unit\":\"px\",\"value\":0.0},\"bottomRight\":{\"unit\":\"px\",\"value\":0.0}}'\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv class=\"sqs-html-content\"\u003e\n\u003cp class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003eMIC GAIN\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003eA 12-way precision rotary switch controls gain from 0 to 66 dB in 6 dB steps.\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003eTRIM\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003eContinuously variable +\/-6 dB level control.\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003eSILK \/ TEXTURE\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003ePushing the Silk button engages the Red Silk circuit, which reduces the negative feedback on the output transformer, adding harmonic content as the texture is increased. Red Silk accentuates the saturation in the mid and high frequencies, similar to that of the Red Silk mode on the Shelford Channel. By manipulating the Texture control, the amount of Silk can be changed from essentially absent, to roughly 10 times the amount of coloration \/ distortion found in Silk from the original Portico Series. With Silk \/ Texture engaged, the distortion characteristic and harmonic content of the unit are very reminiscent of many of Rupert’s vintage class-A designs.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1614406154181_6685\" class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" data-border-radii='{\"topLeft\":{\"unit\":\"px\",\"value\":0.0},\"topRight\":{\"unit\":\"px\",\"value\":0.0},\"bottomLeft\":{\"unit\":\"px\",\"value\":0.0},\"bottomRight\":{\"unit\":\"px\",\"value\":0.0}}'\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv class=\"sqs-html-content\"\u003e\n\u003cp class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003eLevel Meter\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003eAn eight-segment LED bar-graph meter displays output level (pre-Silk) from -10 dBu to +22 dBu.\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003ePolarity\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003eReverses the polarity of the input signal.\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003eHigh Pass Filter\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003eContinuously variable from 20Hz to 250 Hz, and engaged with the HPF button.\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003ePhantom Power\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003eProvides 48V phantom power to microphones.\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003eMAIN OUT\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003eBalanced XLR output utilizing a custom Rupert Neve Designs transformer.\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003e-6dB Output\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003eBalanced XLR output utilizing a lower level, secondary output on the custom Rupert Neve Designs transformer.\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"col sqs-col-7 span-7\"\u003e\n\u003cdiv id=\"block-87e57b6a2484dc17f567\" class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" data-border-radii='{\"topLeft\":{\"unit\":\"px\",\"value\":0.0},\"topRight\":{\"unit\":\"px\",\"value\":0.0},\"bottomLeft\":{\"unit\":\"px\",\"value\":0.0},\"bottomRight\":{\"unit\":\"px\",\"value\":0.0}}'\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv class=\"sqs-html-content\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eMAXIMUM INPUT LEVEL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e@ 1 kHz: +26 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNOISE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUn-weighted, 22 Hz - 22 kHz, 150 Ohm input termination\u003c\/li\u003e\n\u003cli\u003eLine Out (Unity Gain): -104 dBV, -101.9 dBu\u003c\/li\u003e\n\u003cli\u003e-6 dB Line Out (Unity Gain): -109 dBV, -107 dBu\u003c\/li\u003e\n\u003cli\u003eLine Out (+30 dB Gain): -98 dBV, -96 dBu\u003c\/li\u003e\n\u003cli\u003eLine Out (+66 dB Gain): -66 dBV, -64 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eEQUIVALENT INPUT NOISE (EIN)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e-128 dBV, -126 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFREQUENCY RESPONSE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e-0.2 dB at 10Hz, -2.9 dB at 120kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMAXIMUM OUTPUT LEVEL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 kHz: +26.5 dBu\u003c\/li\u003e\n\u003cli\u003e20 Hz to 30kHz +26 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTOTAL HARMONIC DISTORTION AND NOISE (WITHOUT SILK)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 kHz, +20 dBu O\/P level, no load 0.0015%, typical\u003c\/li\u003e\n\u003cli\u003e20 Hz, +20 dBu O\/P level, no load less than 0.02%, typical\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTOTAL HARMONIC DISTORTION AND NOISE (WITH SILK ENGAGED)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTEXTURE @ min, 100 Hz, +20 dBu O\/P level, no load: 0.03%, mostly 3rd harmonic\u003c\/li\u003e\n\u003cli\u003eTEXTURE @ max, 100 Hz, +20 dBu O\/P level, no load: 1.5%, mostly 2nd harmonic\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePOWER CONSUMPTION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e35 W (Max)'\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePRODUCT DIMENSIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e19” W x 1.75” H x 7 ⅝” D\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSHIPPING WEIGHT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e11 lbs. (5 kg)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSHIPPING DIMENSIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e23” W x 15” D x 7” H (58.4cm W x 38.1cm D x 17.8cm H)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":43895126392875,"sku":"RND-5211S","price":1646.24,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/5211-front__10356.1750788938.1280.1280.jpg?v=1775701432"},{"product_id":"rupert-neve-designs-5254","title":"Rupert Neve Designs 5254","description":"\u003cp\u003e\u003cstrong\u003ePunch, color, weight, and tone. Two channels of iconic diode bridge compression – straight from the Shelford Channel.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eSince the early 1970s, Rupert Neve’s vintage 2254 and 33609 diode bridge compressors have been revered for the punch \u0026amp; thickness they bring to drums, instruments, and the mix bus. Originally developed for the acclaimed Shelford Channel, the Shelford Diode Bridge Compressor captures the soul of these coveted compressors while providing a host of modern updates, including advanced timing control, significantly lower noise, fully stepped controls throughout, higher voltage power rails, and internal parallel processing capabilities.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhat is diode bridge compression?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eWhere the VCA compressor found in the Master Buss Processor provides unmatched clarity, the weighty, harmonically rich tonality of diode bridge compression can be essential in pushing key sources like vocals, electric guitars, bass and drums to the forefront of a mix.\u003c\/p\u003e\n\u003cp\u003eBy understanding the limitations of vintage units like the legendary 2254 \u0026amp; 33609, painstaking effort was taken to reproduce the unique tone of these classics while improving the noise floor \u0026amp; accuracy, expanding inflexible time constants, adding full wave sidechain detection for improved dynamic response, and widening the range of threshold and ratio controls.\u003c\/p\u003e\n\u003cp\u003eDelivering the powerful sound of these iconic designs with enhanced flexibility for the modern age, the Shelford Diode Bridge Compressor is a dynamic tool equipped to make a bold statement on virtually any mix or track.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eClassic Diode Bridge Tone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eCapture the punchy, larger-than-life tone used on countless hit records for the last 50 years.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAdvanced Timing Controls\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eCustom-shape your compression envelope with the unified timing control, which enables a much wider range of responses than vintage units or clones.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCustom Transformers and Class-A Line Amplifiers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eVintage warmth meets the improved headroom and precision of Rupert Neve’s updated transformer-coupled line stages.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e31-Position Detented Controls\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eAccurately recall and match your settings with precision and speed.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBuilt-In Parallel Compression\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eInternal blend control enables you to subtly dial in more dramatic compression settings for color as desired.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFull-Wave Sidechain Detection\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eEnhanced from the vintage units’ half-wave design, the updated sidechain detector provides substantially more accuracy.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStereo Linking\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eRun your compressors in either dual mono or stereo configurations.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eInternal Universal Power Supply\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eEIC connection for world-wide AC power from 90-240V embedded in the 1U rack-mountable chassis.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eXLR LINE INPUT TO XLR LINE OUTPUT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCompressor Bypassed.\u003c\/li\u003e\n\u003cli\u003ezSource = 40 Ohm Balanced\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eINPUT IMPEDANCE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e10K Ohm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eOUTPUT IMPEDANCE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e40 Ohm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMAXIMUM INPUT LEVEL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e+4 dBu Selected: +26.7 dBu typical\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMAXIMUM OUTPUT LEVEL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e+26.7 dBu typical\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNOISE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e10 Hz - 120 kHz: -104 dBu typical\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFREQUENCY REPONSE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e10 Hz to 120 kHz: +\/- 0.25 dB typical\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTHD+N\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFrom 22 Hz - 22kHz BW.\u003c\/li\u003e\n\u003cli\u003e@ 1 kHz @ Maximum Level: 0.0008% typical\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCOMPRESSOR NOISE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFrom 22 Hz - 22kHz BW.\u003c\/li\u003e\n\u003cli\u003ezSource = 40 Ohms Balanced\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNOISE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e@ 0 dB Make-up gain: -84.5 dBu typical\u003c\/li\u003e\n\u003cli\u003e@ +20 dB Make-up gain: -64.5 dBu typical\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCOMPRESSOR TIMING CONSTANT MEASUREMENTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNote: TIMING measurements represent the full range between 1.5:1 and 8:1 ratio and FAST mode\u003c\/li\u003e\n\u003cli\u003eFAST – Attack 250 μS - 2 mS \/\/ Release 100 mS - 200 mS typical\u003c\/li\u003e\n\u003cli\u003eMF (MEDIUM FAST) – Attack 1 mS - 5 mS \/\/ Release 100 mS - 200 mS typical\u003c\/li\u003e\n\u003cli\u003eMED (MEDIUM) – Attack 3 mS - 18 mS \/\/ Release 350 mS - 700 mS typical\u003c\/li\u003e\n\u003cli\u003eMS (MEDIUM SLOW) – Attack 5 mS - 40 mS \/\/ Release 600 mS - 1 S typical\u003c\/li\u003e\n\u003cli\u003eSLOW – Attack 10 mS - 80 mS \/\/ Release 800 mS - 1.5 S typical\u003c\/li\u003e\n\u003cli\u003eAUTO – Attack 5m S - 40m S \/\/ Release T1 400-900 mS, T2 1-2 S typical\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePRODUCT DIMENSIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e19” (48.3 cm) x 9” (22.9 cm) x 1.75” (4.4 cm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSHIPPING DIMENSIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e24” (61 cm) x 13” (33 cm) x 4” (10.2 cm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSHIPPING WEIGHT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e10 lbs. (4.5 kg)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":43895126458411,"sku":"RND-5254","price":2469.76,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/Shelford-5254-front-2024__83987.1750789937.1280.1280.jpg?v=1775701433"},{"product_id":"rupert-neve-designs-535","title":"Rupert Neve Designs 535","description":"\u003cp\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePunchy, thick, and versatile.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOriginally developed for the dynamics circuit of the acclaimed Shelford Channel, the 535 Diode Bridge Compressor captures the soul of Rupert Neve’s original 2254 compressor while providing modern updates including advanced timing control, significantly lower noise, fully stepped controls throughout, and internal parallel processing capabilities.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is diode bridge compression?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhere the VCA compressor found in the Master Buss Processor provides unmatched clarity, the weighty, harmonically rich tonality of diode bridge compression can be essential in pushing key sources like vocals, electric guitars, bass and drums to the forefront of a mix.\u003c\/p\u003e\n\u003cp\u003eBy understanding the limitations of vintage units like the legendary 2254, painstaking effort was taken to reproduce the unique tone of these classics while improving the noise floor \u0026amp; accuracy, expanding inflexible time constants, adding full wave sidechain detection for improved dynamic response, and widening the range of threshold and ratio controls.\u003c\/p\u003e\n\u003cp\u003eDelivering the powerful sound of these iconic designs with enhanced flexibility for the modern age, the 535 Diode Bridge Compressor is a dynamic tool equipped to make a bold statement on virtually any mix or track.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHRESHOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA 31-position detented pot that sets the level at which compression begins, from -25dB to +20dB. Turning this control counter-clockwise will increase the amount of compression; turning it clockwise will decrease the amount of compression.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRATIO\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe RATIO control has six selectable positions on a rotary switch, allowing the user to set the slope of the compressor curve with pre-selected ratios of 1.5:1 through 8:1 for levels above the determined THRESHOLD. This range of compression ratios allows the user to compress as moderately or heavily as desired.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTIMING\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe unified TIMING control is a six-position rotary switch that sets the compressor attack and release times. The timing can be further modified by the FAST button.\u003c\/p\u003e\n\u003cp\u003eFAST (TC1) – Fast Attack (750 μs), Fast Release (130 ms)\u003cbr\u003eMF (TC2) – Medium Attack (2.25 ms), Fast Release (130 ms)\u003cbr\u003eMED (TC3) – Medium Attack (2.25 ms), Medium Release (400 ms)\u003cbr\u003eMS (TC4) – Medium Attack (4 ms), Slow Release (725 ms)\u003cbr\u003eSLOW (TC5) – Slow Attack (10 ms), Slow Release (800 mS - 1 S)\u003cbr\u003eAUTO (TC6) – Medium Attack (5 ms), Dual Release (T1 500 ms, T2 1s)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFAST\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe FAST switch speeds up all compressor time constants by 30%, effectively doubling the number of TIMING presets available to the user.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBLEND\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe BLEND control has 31 detents and allows the user to mix the uncompressed (dry) signal with compressed (wet) signal. Turning the control towards 0% will shift the mix to fully uncompressed dry signal, whereas turning the control towards 100% will shift the mix to the fully compressed signal. This feature allows for parallel compression, enabling a wide range of compression subtlety.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGAIN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe GAIN control has 31 detents and allows the user to add make-up gain to the compressed signal in order to bring its level back up to unity with the uncompressed input signal. It is much easier to evaluate the tonal effect of the compressor (via the COMP IN switch) when the compressed output level is matched to the uncompressed input level, thereby eliminating potentially misleading level differences.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOMP IN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe COMP IN switch engages the compression circuit. By disengaging the COMP IN switch, the compressor is bypassed and the user can quickly compare the compressed sound to the dry input signal for an objective evaluation of the compressor’s sonic effect on the audio signal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLINK\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe LINK switch allows the compressor to be linked to another 535 compressor module via a side chain control voltage. In link mode, the compressor generating the greater side chain voltage (resulting in higher amounts of compression) will control the compression of both audio signal paths to maintain proper stereo center image while compressing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE CHAIN HPF\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe S\/C HPF switch allows the user to insert a 12dB\/octave 150Hz high-pass filter in the compressor side chain. When this filter is engaged, the compressor will be considerably less responsive to information below 150Hz. For example: if used on a drum kit, the low end of the kick drum would have less proportional effect on the compression than a snare drum or cymbals, since a significant portion of the kick drum’s dynamic energy is focused below 150Hz.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLEVEL \u0026amp; GAIN REDUCTION METERING\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThese two LED meters provide highly accurate representations of both the output level of the compressor and the amount of gain reduction being applied to the input signal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMAXIMUM INPUT LEVEL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e+23.5 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMAXIMUM OUTPUT LEVEL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e+23.5 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eINPUT IMPEDANCE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e10K Ohm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOUTPUT IMPEDANCE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e40 Ohm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTHD+N\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e@ 1 kHz @ Maximum Output Level, 22 Hz - 22 kHz BW.\u003c\/li\u003e\n\u003cli\u003e0.001%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNOISE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e22 Hz - 22 kHz BW, 40 Ohm balanced source. Noise specifications may vary depending on which 500 series chassis is being used, and \/ or interference from stray magnetic fields.\u003c\/li\u003e\n\u003cli\u003e-101 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFREQUENCY RESPONSE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e10 Hz - 120 kHz, 30ft output XLR Cable.\u003c\/li\u003e\n\u003cli\u003e+\/- 0.1 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCOMPRESSOR TIMING CONSTANT MEASUREMENTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNote: TIMING measurements represent the full range between 1.5:1 and 8:1 ratio and FAST mode\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFAST\u003c\/strong\u003e – Attack 250 μS - 2 mS \/\/ Release 100 mS - 200 mS typical\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMF (MEDIUM FAST)\u003c\/strong\u003e – Attack 1 mS - 5 mS \/\/ Release 100 mS - 200 mS typical\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMED (MEDIUM)\u003c\/strong\u003e – Attack 3 mS - 18 mS \/\/ Release 350 mS - 700 mS typical\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMS (MEDIUM SLOW)\u003c\/strong\u003e – Attack 5 mS - 40 mS \/\/ Release 600 mS - 1 S typical\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSLOW – Attack 10 mS\u003c\/strong\u003e - 80 mS \/\/ Release 800 mS - 1.5 S typical\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAUTO\u003c\/strong\u003e – Attack 5m S - 40m S \/\/ Release T1 400-900 mS, T2 1-2 S typical\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePOWER CONSUMPTION (+\/-16VDC)\u003c\/strong\u003e: 100 mA\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSHIPPING DIMENSIONS:\u003c\/strong\u003e 7.75“ (19.7 cm) x 10” (25.4 cm) x 3” (7.62 cm)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSHIPPING WEIGHT:\u003c\/strong\u003e 3 lbs (1.4 kg)\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":43895126491179,"sku":"RND-535","price":822.71,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/535-white-main_1__55273.1750801815.1280.1280.jpg?v=1775701433"},{"product_id":"rupert-neve-designs-542","title":"Rupert Neve Designs 542","description":"\u003cp\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe ultimate “color box”.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe 542 delivers a wide variety of elusive analog tones by incorporating a carefully crafted tape emulation circuit, complete with a soft-clipper that can tame the harshest sources, our unique Silk circuit with variable Texture control, and a Blend control to finalize exacting amounts of saturation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTransformers Imitating Tape\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOur analog ‘tape effect’ emulation circuit drives a custom interstage transformer that mimics a “record head”, which is coupled to a ‘replay’ amplifier with the appropriate EQ curve applied. Harmonic saturation increases as more gain is applied to the “record head”, and a soft clip circuit engages at higher levels, gently taming peak transients. The sound can be further modified with selectable 15 \/ 30 IPS modes and a pre\/post-tape emulation blend control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is Silk?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOur exclusive Silk circuitry provides additional control over harmonic density and tonality. The Silk Red mode accentuates transformer saturation in the high and high-mid frequencies to heighten the frequency range associated with Rupert’s vintage equipment, while Silk Blue accentuates saturation of the lows and low-mids to add thickness and weight to any source. Unlike traditional EQ, these Silk \u0026amp; Texture controls saturate the custom output transformer of the 542, adding rich, musical harmonics according to the amount of Texture applied.\u003c\/p\u003e\n\u003cp\u003eDrive the 542 hard, choose your Silk flavor, and crank the Texture knob for a rich, saturated, vintage vibe – or disengage Silk entirely for a more purist, hi-fi tape effect. The choice is yours.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTAPE EFFECT IN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIlluminated push-button switch that engages our ‘tape’ emulation circuit, which includes controls for saturation, blend and 15 \/ 30 IPS filter curves.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRIM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eProvides +\/– 12dB adjustment of level on incoming signal levels, prior to the tape circuit.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSATURATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eContinuously variable control of the level being sent to the ‘tape effect’ circuit. Increasing Saturation levels drives the ‘record’ gain while simultaneously reducing the ‘replay’ gain so the overall output signal level remains consistent. The output signal level will decrease slightly as the MAX setting is approached due to the extreme saturation and soft clipping.\u003c\/p\u003e\n\u003cp\u003eSaturation also controls a low frequency compensation circuit that boosts low frequencies a little more at lower saturation levels and tapers off at higher levels. This function can be useful searching for a balance between a cleaner, boosted low end (low saturation) and a denser, more saturated low end (high saturation).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e15\/30 IPS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePush-button switch that toggles between 2 different frequency responses commonly found at 15 or 30 IPS tape machine speeds. The 15 IPS mode has a significant “head bump” in the low frequencies centered around 60Hz and a more pronounced roll off in the high frequencies. The 30 IPS mode is generally a flatter response altogether with a “head bump” around 120Hz.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBLEND\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eContinuously variable control of the mix of pre and post tape effect signals. This allows for precise control over the amount of saturation, tone and soft clipping produced. As the signal gets more saturated, reducing the blend can be an effective way to impart the sound of ‘tape’ while maintaining detail and transparency. NOTE: The blend control does not affect the amount of Silk Texture applied.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSOFT CLIP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe soft clip circuit engages when the drive meter hits 5 (first yellow LED) and becomes more apparent at higher levels. The soft clip can be used to tame sharp transient material like drums and can be further controlled by using the blend control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSILK \/ TEXTURE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIlluminated push-button switch that toggles through the three available SILK modes: OFF, RED, and BLUE. RED enhances harmonic content in high mid and high frequencies. BLUE enhances harmonic content in low and low mid frequencies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLEVEL \/ DRIVE METERS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTwo eight segment LED meters are included for indicating output level and drive amount. The level meter displays the output level of the 542 before the Silk circuit, and the drive meter displays the level sent to the “record head” when the tape effect is engaged. The soft clip circuit is present at drive levels above 5.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTAPE EFFECT DISENGAGED:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTOTAL HARMONIC DISTORTION AND NOISE (NO SILK)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e@ 1 kHz, +20 dBu output level: Better than 0.0025%\u003c\/li\u003e\n\u003cli\u003e@ 20 Hz, +20 dBu output level: 0.07% Typical (2nd and 3rd order harmonics)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNOISE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMeasured at Main Output, un-weighted, 20 Hz - 22 kHz, Input Terminated 40 Ohm. Noise specifications may vary\u003c\/li\u003e\n\u003cli\u003edepending on which 500 series chassis is being used, and \/ or interference from stray magnetic fields.\u003c\/li\u003e\n\u003cli\u003eUnity Gain: Better than -100 dBV\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFREQUENCY RESPONSE\u003c\/strong\u003e (Main Output, no load)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e5 Hz to 60 kHz: +\/- 0.25 dB\u003c\/li\u003e\n\u003cli\u003e120 kHz: -2 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTAPE EFFECT ENGAGED:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTOTAL HARMONIC DISTORTION AND NOISE (NO SILK)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e15 IPS, Input @ 0 dB, Saturation @ MIN:\u003c\/li\u003e\n\u003cli\u003e0.4% @ 3kHz typical\u003c\/li\u003e\n\u003cli\u003e1% @ 175 Hz typical\u003c\/li\u003e\n\u003cli\u003e15 IPS, Input @ 0 dB, Saturation @ MAX:\u003c\/li\u003e\n\u003cli\u003e1% @ 6kHz typical\u003c\/li\u003e\n\u003cli\u003e0.3% @ 1 kHz to 3% @ 50 Hz typical\u003c\/li\u003e\n\u003cli\u003e30 IPS, Input @ 0 dB, Saturation @ MIN:1 % @ 1 kHz typical\u003c\/li\u003e\n\u003cli\u003e0.6% @ 400 Hz to 5% @ 20 Hz typical\u003c\/li\u003e\n\u003cli\u003e30 IPS, Input @ 0 dB, Saturation @ MAX:\u003c\/li\u003e\n\u003cli\u003e1.5% @ 20 kHz to 0.4% @ 1 kHz typical\u003c\/li\u003e\n\u003cli\u003e2% @ 50 Hz typical\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFREQUENCY RESPONSE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e15 IPS, Input @ 0 dB, Saturation @ MIN:\u003c\/li\u003e\n\u003cli\u003e-3 dBu @ 28 kHz\u003c\/li\u003e\n\u003cli\u003e0 dBu @ 10 Hz\u003c\/li\u003e\n\u003cli\u003e+5 dBu Peak @ 60 Hz\u003c\/li\u003e\n\u003cli\u003e15 IPS, Input @ 0 dB, Saturation @ MAX:\u003c\/li\u003e\n\u003cli\u003e-3 dBu @ 20 kHz\u003c\/li\u003e\n\u003cli\u003e-3 dBu @ 12.5 Hz\u003c\/li\u003e\n\u003cli\u003e+2.4 dBu Peak @ 60 Hz\u003c\/li\u003e\n\u003cli\u003e30 IPS, Input @ 0 dB, Saturation @ MIN:\u003c\/li\u003e\n\u003cli\u003e-3 dBu @ 120 kHz\u003c\/li\u003e\n\u003cli\u003e-3 dBu @ 10 Hz\u003c\/li\u003e\n\u003cli\u003e+3.15 dBu Peak @ 125 Hz\u003c\/li\u003e\n\u003cli\u003e30 IPS, Input @ 0 dB, Saturation @ MAX:\u003c\/li\u003e\n\u003cli\u003e-3 dBu @ 100 kHz\u003c\/li\u003e\n\u003cli\u003e-3 dBu @ 12.5 Hz\u003c\/li\u003e\n\u003cli\u003e+1.3 dBu Peak @ 110 Hz \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNOISE\u003c\/strong\u003e (Measured at main output, un-weighted, 20 Hz - 22 kHz, 40 ohm balanced source)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSaturation @ MIN: Better than -100 dBu\u003c\/li\u003e\n\u003cli\u003eSaturation @ MAX: Better than -100 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePower Consumption (+\/- 16 VDC):\u003c\/strong\u003e 110-125 mA\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShipping Dimensions:\u003c\/strong\u003e 7.75“ (19.7 cm) x 10” (25.4 cm) x 3” (7.62 cm)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShipping Weight:\u003c\/strong\u003e 3 lbs, 1.4 kg\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":43895126556715,"sku":"RND-542","price":822.71,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/542-white-main__30042.1750802952.1280.1280.jpg?v=1775701433"},{"product_id":"rupert-neve-designs-543","title":"Rupert Neve Designs 543","description":"\u003cp\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClean, precise, powerful level control.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhether you’re tracking, mixing or mastering, the 543 delivers unobtrusive, musical dynamic control and high-ratio limiting with massive flexibility, transparency and precision.\u003c\/p\u003e\n\u003cp\u003eThe 543 features a fully controllable compressor-limiter with feed-forward \/ feedback modes, Peak \/ RMS detection and a built-in side chain high pass filter. With an unrivaled heritage and a tremendous feature set, the 543 provides an astonishing degree of flexibility and precision.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is VCA compression?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEvery compressor has a gain control element in its circuit, and this is generally what determines the “sound” of the compressor. Some compressors use tubes, some use FETs, some use light-dependent resistors, some use a diode bridge – but in the 543, a VCA (Voltage Controlled Amplifier \/ Attenuator) is used to control the signal’s gain.\u003c\/p\u003e\n\u003cp\u003eIn contrast to a diode bridge design like our 535 compressor, which adds a thick, very colorful tonality to the source, the 543 makes use of a very accurate, low noise, low distortion VCA. This provides an immense amount of dynamic control and subtle warmth, without necessarily leaving a heavy sonic imprint on your tracks or mixes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeed-Forward or Feed-Back?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis switch changes the point in the signal path where the VCA control voltage is picked off: either before the VCA (feed-forward) or after the VCA (feed-back).\u003c\/p\u003e\n\u003cp\u003eIn most of Mr. Neve’s earliest designs, feed-back detection was intrinsic to the musical dynamic response. However, the very nature of a feedback compressor limits the attack time of the compression circuit, as the control voltage has already passed through the VCA itself. To offer faster, more technically accurate response times, feed-forward detection was also implemented in the 543: with the FF \/ FB switch, both classic and modern VCA responses are available.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRMS or Peak?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAnother highly useful features of the 543 is the Peak \/ RMS mode, which allows the VCA to respond to both RMS (Root Mean Square) and peak levels. RMS circuits are considered to better mimic the way the ears perceive apparent loudness, while peak circuits tend to directly respond to the waveform voltage, which may be more of a concern for prevention of clipping and maximizing levels.\u003c\/p\u003e\n\u003cp\u003eIn the case of this particular circuit, peak mode actually uses a combination of both methods to get the best of both worlds, and avoids the drawbacks of each method on its own.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHRESHOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eControls when the compressor begins to react from -30 dB to +20 dB. When set to +20 dB minimal to no compression is applied and and more gain reduction as the knob is rotated towards -30 dB.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRATIO\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eControls the “slope” of the compression from 1.1:1 (minimal) to 40:1 (Limit). In general, low ratio settings apply more subtle compression while high ratio settings can be more effective at preventing unwanted clipping.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOMP IN\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003eIlluminated push-button switch that engages the compressor.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eF\/F + F\/B\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003ePush-button switch that toggles between two different compressor modes, FEED FORWARD and FEED BACK. The F\/B mode (button in) tends to sound smoother and more natural. The F\/F mode can be more useful for shaping the envelope of the sound and introducing more ‘pumping’, if desired.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMAKE-UP GAIN\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003eContinuously variable control for the make-up gain of the compressor within a range of -6 dB to +20 dB.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eATTACK\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eControls how quickly the compressor reacts and starts attenuating. Continuously variable within a range of 20mS to 75mS.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRELEASE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eControls how quickly the compressor stops applying gain reduction. Continuously variable within a range of 100mS to 2.5 Seconds.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRMS\/PEAK\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePush-button switch that toggles between the compressor responding to the RMS level of the audio or responding to the PEAK level. RMS (root mean squared) more accurately mimics the way the ears perceive apparent loudness, while PEAK directly responds to the waveform voltage, which may be more useful to prevent clipping and maximize levels.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eS\/C HPF\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePush-button switch that engages the high pass filter (fixed at 250Hz) for the side chain of the compressor. Please note that the high pass filter is not applied to the main audio output, this only adjusts the frequency range of the signal being compressed..\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLINK\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSwitch that engages the stereo compressor link mode, linking the gain reduction circuits to work in tandem.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGAIN RANGE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eContinuously variable from -6 dB to +20 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTHRESHOLD RANGE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eContinuously variable from -30 dB to +20 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRATIO RANGE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eContinuously variable from 1.1:1 to Limit (40:1)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eATTACK RANGE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eContinuously variable from 20mS to 75mS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRELEASE RANGE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eContinuously variable from 100mS to 2.5 Seconds\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTOTAL HARMONIC DISTORTION AND NOISE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e@ 1 kHz, 0 dBu output level, no load.\u003c\/li\u003e\n\u003cli\u003eMain Output, compressor bypassed: Better than 0.002%\u003c\/li\u003e\n\u003cli\u003e@ 20 dBu better than 0.0015%\u003c\/li\u003e\n\u003cli\u003eMain output, compressor engaged: Better than 0.075%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNOISE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMeasured at Main Output, un-weighted, 22 Hz - 22 kHz, Terminated 50 Ohm. Noise specifications may vary\u003c\/li\u003e\n\u003cli\u003edepending on which 500 series chassis is being used, and \/ or interference from stray magnetic fields.\u003c\/li\u003e\n\u003cli\u003eWith Gain at Unity, Compressor disengaged: Better than -98 dBu\u003c\/li\u003e\n\u003cli\u003eWith Gain at Unity, Compressor engaged: Better than -93 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFREQUENCY RESPONSE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMain Output, Unity Gain: @ 150 kHz -3 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMETERS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFor monitoring OUTPUT LEVEL and GAIN REDUCTION\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLINE INPUT IMPEDANCE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e10,000 Ohms\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMAXIMUM OUTPUT LEVEL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e21 dBu from 20 Hz to 40 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePOWER REQUIREMENTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e500 series rack with 110-125 mA @ +\/- 16V\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":43895126622251,"sku":"RND-543","price":822.71,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/543-white-main__1__28757.1750785169.1280.1280.jpg?v=1775701434"},{"product_id":"rupert-neve-designs-545","title":"Rupert Neve Designs 545","description":"\u003cp\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe world’s most natural feedback reduction.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBased around the circuitry in the acclaimed Portico 5045 – which has benefited countless tours, arenas, houses of worship and broadcast stages worldwide – the 545 is exceptionally useful at reducing feedback without negatively impacting the sonic integrity of the source.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe 545 effectively increases the level of a live microphone signal by up to 20dB before feedback occurs. It’s as simple as that.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003e100% Analog Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe 545 shares some traits with conventional “noise gates”, but operates on a different principle. One common aspect is that both reduce the gain during the absence of signal – or more specifically, both begin to attenuate when the level of a signal falls below a certain user-defined threshold. The 545 senses when someone is speaking or singing into the mic and allows the signal to pass through, and senses when the person has stopped talking or singing and reduces the gain appropriately, thus reducing the system’s tendency to feed back.\u003c\/p\u003e\n\u003cp\u003eImportantly, the 545 does not utilize filtering or digital processing to achieve its significant benefits. Built around Rupert Neve Designs’ custom input and output transformers, its all-analog circuitry provides superb control and sonic performance without compromising the integrity of the source material. This makes the 545 the most intuitive, natural-sounding and effective method of feedback reduction available on the market.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSimple, Intuitive Controls\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith a minimal control set, the 545’s ease of use makes it ideal even for circumstances where a full-time or experienced engineer is not readily available, and allows for rapid adjustments on-the-fly even during performances.\u003c\/p\u003e\n\u003cp\u003eThe 545 is an absolutely indispensable addition to any setup where feedback or reverberation are problematic, and it (and the 5045, its 2-channel brother) are used every night on the biggest stages all across the world.\u003c\/p\u003e\n\u003cp\u003eFeatures\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePOWER STATUS LED\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLED indicates power status.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePROCESS ENGAGE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIlluminated push-button that engages the Primary Source Enhancer’s effect.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePROCESS ACTIVE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis LED indicates when the 545 is actively affecting signal – a.k.a. when the input signal has overcome the enhancement threshold. Since this LED should generally be illuminated when the desired source is present (a vocalist singing, for example) it is extremely helpful in setting up the 545 for use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHRESHOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSets the dBu level at which the Primary Source Enhancer engages.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDEPTH\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe DEPTH knob controls the maximum amount of effect from the 545 – or in other words, how much attenuation is applied after the input signal falls below the set THRESHOLD. By rotating the DEPTH control clockwise from 0dB towards -20dB, the 545 will attenuate the input signal more dramatically, letting the user find the perfect balance between audibility of the Primary Source Enhancement effect and feedback reduction.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFAST\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe FAST control is an illuminated push-button that selects between two available time constants, tuning the 545’s response by determining how quickly the attenuation occurs in the quiet sections between words or phrases. Without this button pressed, the 545 achieves a slower attack and release that is useful as a starting point for most sources. Pressing the FAST push-button engages the faster attack and release time constant, useful on more dynamic sources or passages where faster transient detection is necessary.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePEAK\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIlluminated push-button that selects between RMS and Peak detection modes. When illuminated, the 545 is in PEAK mode – useful for detecting faster transient peaks, and for creative dynamic envelope shaping. When not illuminated, the 545 is in RMS mode, which utilizes a slower, more averaged response characteristic in the sidechain.\u003c\/p\u003e\n\u003cp\u003eSpecifications\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMAXIMUM INPUT AND OUTPUT LEVEL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e+24 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTOTAL HARMONIC DISTORTION AND NOISE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 kHz, +20 dBu Output Level, no load: Better than 0.001%\u003c\/li\u003e\n\u003cli\u003e20 Hz, +20 dBu Output Level, no load: 0.1% typical (2nd and 3rd Harmonic)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNOISE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUn-weighted, 22 Hz - 22 kHz, 40 Ohm balanced source. Noise specifications may vary depending on which 500\u003c\/li\u003e\n\u003cli\u003eseries chassis is being used, and \/ or interference from stray magnetic fields.\u003c\/li\u003e\n\u003cli\u003ePrimary Source Enhancer Bypassed: Better than -100 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFREQUENCY RESPONSE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e30 ft. Cable on Main Output.\u003c\/li\u003e\n\u003cli\u003e30 Hz to 58 kHz: +\/- 0.25 dB\u003c\/li\u003e\n\u003cli\u003e18.5 Hz: -3 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTHRESHOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eContinuously variable from -18 dBu to +12 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDEPTH\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eContinuously variable from 0 dB to -20 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTIME CONSTANTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRMS MODE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAttack \u0026amp; Release, Slow (FAST push-button OUT): 100 mS\u003c\/li\u003e\n\u003cli\u003eAttack \u0026amp; Release, Fast (FAST push-button IN): 200 mS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePEAK MODE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAttack (fixed): 20 mS\u003c\/li\u003e\n\u003cli\u003eRelease, Slow (FAST push-button OUT): 1 S\u003c\/li\u003e\n\u003cli\u003eRelease, Fast (FAST push-button IN): 200 mS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePOWER CONSUMPTION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e+\/-16 VDC @ 80 mA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSHIPPING DIMENSIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e7.75“ (19.7 cm) x 10” (25.4 cm) x 3” (7.62 cm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSHIPPING WEIGHT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2 lbs, 0.9 kg\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":43895126687787,"sku":"RND-545","price":740.35,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/545-white-square_1__60602.1750803836.1280.1280.jpg?v=1775701434"},{"product_id":"rupert-neve-designs-551","title":"Rupert Neve Designs 551","description":"\u003cp\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe vintage EQ tones you know \u0026amp; love.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe 551 is the only equalizer for the 500 Series actually designed by Rupert Neve. Featuring 3 bands of EQ inspired by Mr. Neve’s most prized vintage designs, along with custom-wound inductors, transformers and class-A gain blocks, the 551 brings the thick, powerful lows and sweet highs of Rupert’s classics to the 500-Series format.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe “Best-Of” EQ\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe 551’s 3-band, custom-tapped inductor EQ was inspired by our favorite elements of Rupert’s vintage EQ designs. The low frequency band is designed to produce a creamy, resonant bass response similar to a vintage 1064 – but unlike the vintage modules, the LF band on the 551 can be used as either a shelf or a peak filter, adding punch, dimension, and control to your low end.\u003c\/p\u003e\n\u003cp\u003eThe midrange band is based on that of the 1073, ideal for sweetening vocals and instruments while bringing them forward in a mix, and its proportional “Q” response makes it well-suited for minimizing problematic frequencies. The high frequency band is a hybrid vintage \/ modern design, blending inductor circuitry with capacitor-based topologies to achieve vintage tones with enhanced control. The High Pass filter is a 12dB\/octave design with a fixed 80Hz frequency, and can be used in tandem with the low frequency EQ to add low-end presence without clouding the source material.\u003c\/p\u003e\n\u003cp\u003eAs with Rupert’s most prized classic designs, each EQ section uses low-feedback, class-A discrete electronics to prevent low-level artifacts and harshness from detracting from the tonal shaping. However, this new circuit is a decidedly modern design with updated techniques and components that were simply not available 50 years ago, and is definitely not a “clone”.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat Are Inductors?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInductors are wires wound around a coil that provide a form of frequency-dependant resistance. When they saturate, they bring out beautifully musical harmonics that give your tracks the smooth, polished sound that has made Rupert’s consoles and equipment so desirable for over fifty years. This is what makes them different from capacitor-based EQ designs, which do a great job at surgical equalization. But inductors provide the tone.\u003c\/p\u003e\n\u003cp\u003eWhile it is certainly possible to create a functioning EQ using off-the-shelf inductors, we choose to use our own custom inductors for the 551. This attention to detail in controlling variables such as the winding and core materials in relation to the surrounding circuitry allows the 551 to capture the vitality and personality of Rupert’s classic designs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEQ IN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEngages all bands of the equalizer except the high-pass filter.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e8K \/ 16K + HF LEVEL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith the switch out, the center or corner frequency of the high band is 8 kHz. With the button pressed, the center or corner frequency changes to 16 kHz. Between this switch and the HI PEAK switch, you have 4 different EQ curves to finesse the high frequency content. The HF knob adjusts up to 15 dB of boost or cut at the selected high frequency.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHI PEAK\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen the button is out, the high frequency band operates in shelf mode, boosting or cutting above the corner frequency at approximately 6 dB\/octave. Below the corner frequency the amount of boost or cut gradually diminishes. With the HI PEAK button pressed, the high frequency band changes to peak mode with a bell shaped boost or cut curve. The peak mode utilizes an inductor and capacitor circuit to create the bell-shaped curve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMID FREQ + MID LEVEL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe MID FREQ rotary switch has 6 positions to select the center frequency of the mid band EQ stage. This circuit utilizes an inductor and capacitors to shape the EQ curve, in the same way as Rupert Neve’s console designs of the 70’s. The frequencies chosen are 200 Hz, 350 Hz, 700 Hz, 1.5kHz, 3 kHz and 6 kHz. 200 Hz is especially useful for cuts on individual tracks within a dense mix. The MID knob adjusts up to 15 dB of boost or cut at the selected mid frequency.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMID HI Q\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe resonance (or Q) of the mid band at maximum boost is typically 2 when the button is out. When the MID HI Q is pressed at maximum boost, the Q narrows to approximately 3.5. The Q widens nicely with less boost or cut, as is typical for passive EQ circuits.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHPF\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEngages an 12dB per octave High Pass Filter with an 80Hz corner frequency.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLOW FREQ + LF LEVEL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe LOW FREQ rotary switch has 4 positions for selecting one of four corner or center frequencies for the low band EQ section. The frequencies are 35 Hz, 60 Hz, 100 Hz and 220 Hz. The LF knob adjusts up to 15 dB of boost or cut at the selected low frequency. Cut can be used as a variable (and perhaps more gentle) alternative to using the HPF.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLO PEAK\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen the button is out, the low frequency band operates in shelf mode, boosting or cutting below the corner frequency. Above the corner frequency the amount of boost or cut gradually diminishes at approximately 6 dB\/octave. With the LO PEAK button pressed the low frequency band changes to peak mode with a bell shaped boost or cut curve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEQUALIZER BYPASSED\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eNOISE\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eMeasured at Main Output, un-weighted, 22Hz-22kHz, source impedance 40 Ohm balanced. Noise specifications may vary depending on which 500 series chassis is being used, and \/ or interference from stray magnetic fields.\u003cbr\u003eBetter than -102 dBV\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eFREQUENCY RESPONSE\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eMain output, no load: +\/- 0.1 dBu from 20 Hz to 31.5 kHz, -1 dB @ 120 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMAXIMUM OUTPUT LEVEL: \u003c\/strong\u003e23.25 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTOTAL HARMONIC DISTORTION AND NOISE\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e@ 1 kHz, +20 dBu output level, no load: Better than 0.0025%\u003c\/li\u003e\n\u003cli\u003e@ 20 Hz, +20 dBu output level, no load: 0.13% Typical (2nd and 3rd harmonic)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eHIGH PASS FILTER\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e-2.7 dB @ 80 Hz\u003c\/li\u003e\n\u003cli\u003eSlope: 12 dB\/Octave\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eEQUALIZER ENGAGED\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eNOISE\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eMeasured at Main Output, un-weighted, 22 Hz - 22 kHz, source impedance 40 Ohm balanced.\u003c\/li\u003e\n\u003cli\u003eBetter than -94 dBV\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eFREQUENCY RESPONSE\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eMain output, no load: +\/- 0.25 dBu from 20 Hz to 45 kHz, -2 dB @ 120 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMAXIMUM OUTPUT LEVEL: \u003c\/strong\u003e23 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTOTAL HARMONIC DISTORTION AND NOISE\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e@ 1 kHz, +20 dBu output level, no load: Better than 0.009%\u003c\/li\u003e\n\u003cli\u003e@ 20 Hz, +20 dBu output level, no load: 0.13% Typical (2nd and 3rd harmonic)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePOWER REQUIREMENTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e120mA on +16VDC\u003c\/li\u003e\n\u003cli\u003e110ma on -16VDC\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":43895126753323,"sku":"RND-551","price":822.71,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/551-white-main__87055.1750786982.1280.1280.jpg?v=1775701435"},{"product_id":"rupert-neve-designs-kit-5060-rm","title":"Rupert Neve Designs KIT-5060 RM","description":"\u003cp\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhether it is for mounting in a vertical rack or an inclined rack in an office, the 5060 rack kit is what you will need to properly mount your central 5060 piece from Rupert Neve Designs.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":43895126786091,"sku":"RND-KIT-5060 RM","price":87.35,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/1734278936652rnd-5060rack-rupert-neve-designs-rackmount__02376.1750803619.1280.1280.jpg?v=1775701435"},{"product_id":"rupert-neve-designs-mbc","title":"Rupert Neve Designs MBC","description":"\u003cp\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe ultimate tool for creating digital signals with the tone, transparency, and power expected from Rupert Neve Designs.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhether you’re tracking, printing mixes, mastering, or feeding a large PA, the Master Bus Converter is a revelation in quality and functionality of A-D conversion technology. The analog drive circuitry allows the MBC’s converter to be fed by either a class-A transformerless path for maximum transparency, or by custom interstage audio transformers with variable Silk for a wide variety of tonal enhancements. Coupled with an astonishingly musical limiter, the MBC is always the best choice to capture your analog signals with breathtakingly three-dimensional accuracy.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA Long Time Coming\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith over seven decades of analog circuit design experience, Mr. Rupert Neve had never considered a converter worthy of his hallmark until the release of the RMP-D8 Dante-connected microphone preamplifier in 2018.\u003c\/p\u003e\n\u003cp\u003eWhile the RMP was primarily designed as a mic preamp, its adoption by engineers at the highest levels of recording, mastering, and touring as their preferred converter led to the development of the MBC, creating a new standard for PCM conversion quality.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual Path Analog Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAs the last link in the analog chain before digitization, converter drive circuitry is critical in determining the imprinted digital sound quality. From the ground up, the MBC was designed for reference performance regardless of genre or desired sonic character, and the key to this lies in the quality and adaptability of the analog drive circuitry.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhen maximum transparency and fidelity is desired, the transformerless path provides extraordinary detail and clarity.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhile many transformerless circuits suffer from thin tonal balance and a lack of punch, the MBC’s Class-A circuitry was painstakingly designed to deliver a beautiful sense of clarity, with vibrant detail at both high and low frequencies. As an additional tonal palette to capture your tracks, the transformerless path is an essential complement to the weighty, classic sound of the transformer path.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFor a bolder, more powerful imprint, a custom-designed inter-stage transformer with Rupert’s acclaimed Silk circuitry can be inserted to recreate the classic tonality of his vintage designs.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUniquely, unlike our audio transformers intended for line-level output, this new transformer is designed to achieve output transformer harmonic content characteristics at a level appropriate for input to the converter itself.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWith the addition of variable Red and Blue Silk, the engineer is able to precisely dial in the desired amount of harmonic content.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Red mode highlights harmonics in the mid and high frequencies, and the Blue mode accentuates harmonics in the low-end. From a subtle transformer tonality without Silk, to significantly more color than vintage modules with the Silk \/ Texture circuit fully pushed, the selectable transformer path fills your tracks with enhanced dimensionality and power.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompound Active Release Analog Limiter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe challenge here was to design a limiter that could act as both a musical sculpting tool exceeding the quality of available plug-in limiters, while also being able to act as a transparent safety limiter for tracking or live performance \u0026amp; broadcast.\u003c\/p\u003e\n\u003cp\u003eTo further adapt the sound of the limiter, we’ve added a number of controls to fine-tune its response: The built-in sweepable side chain high-pass filter minimizes the limiter’s reaction to low frequencies to let your bass come through full-force, the class-A line amp stage adds up to 20dB of ultra-clean gain, and the MBC can even be used as a dual mono design (rather than stereo linked) for high-fidelity instrument tracking purposes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastering-Grade Conversion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe MBC’s 24-bit\/192kHz converters were developed after years of careful listening, and represent a further advancement of the design within the RMP-D8. The precision­ controlled internal clock’s minimal jitter and phase noise allow the converters to capture the complete performance of your music with a great degree of accuracy – simply put, the MBC creates an uncanny digital representation of your analog signals.\u003c\/p\u003e\n\u003cp\u003eTo connect into your interface or digital console, the MBC is equipped with AES, S\/PDIF and TOSLINK outputs capable of simultaneous output to multiple destinations. The word clock output allows the MBC to act as high-end master clock for your entire setup, and the word clock input allows external sync to a separate master clock if desired. Finally, to seamlessly integrate the MBC into a multichannel conversion environment, four standard levels from -14dBFS to -20dBFS can be selected to accurately match your other converters. These Reference Level calibration standards are implemented with a superb degree of accuracy via high-precision resistors and relay-controlled stepped attenuation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUltra-Precise Metering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLastly, a pair of 22-segment meters provide extremely precise level metering of the input to the converter stage, utilizing a new design that represents the highest resolution LED metering in a Rupert Neve Designs product to date. For monitoring of the limiter’s gain reduction, there are 8-segment gain reduction meters designed to display transient reductions with a superb degree of accuracy. The level meters can be further customized with a 1-second or 3-second peak hold option.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSELECTABLE ANALOG DRIVE PATHS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe very best of class-A transformer-less and custom transformer-coupled designs at the touch of a button.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRANSFORMER PATH WITH SILK \/ TEXTURE\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003eAdd weight and punch with a dedicated custom inter-stage transformer before the converter. Silk \/ Texture allows you to dial in the harmonic content and drive saturation of this signal path.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCLASS-A TRANSFORMER-LESS PATH\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMaximizes clarity and transparency of the input signal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOMPOUND ACTIVE RELEASE LIMITER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUltra-fast response, useful both for musical sculpting and transparent level control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE CHAIN HPF\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTighten the response of your limiting with a 12dB \/ Octave SC HPF sweepable from 20Hz to 250Hz.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e24-BIT \/ 192kHz REFERENCE CONVERSION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUnparalleled analog capture with precision clocking using top-of-the-line chips.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMULTISTANDARD CONNECTIVITY\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eConnect to any of your digital devices with AES, S\/PDIF and TOSLINK all simultaneously available.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePRECISION CLOCKING\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMaximum accuracy with minimal jitter and phase noise, able to operate as a master clock or sync from another master.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"col sqs-col-7 span-7\"\u003e\n\u003cdiv id=\"block-c19698060bc50414bdf9\" class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" data-border-radii='{\"topLeft\":{\"unit\":\"px\",\"value\":0.0},\"topRight\":{\"unit\":\"px\",\"value\":0.0},\"bottomLeft\":{\"unit\":\"px\",\"value\":0.0},\"bottomRight\":{\"unit\":\"px\",\"value\":0.0}}'\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv class=\"sqs-html-content\"\u003e\n\u003cp class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003eXLR LINE INPUT TO AES3 DIGITAL OUTPUT\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003eLimiter Bypassed\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003ezSource = 40 Ohm Balanced\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003e\u003cem\u003eINPUT IMPEDANCE\u003c\/em\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e9.9K Ohm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003e\u003cem\u003eCOMMON MODE REJECTION\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e@ 1 kHz 105 dB typical\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003e\u003cem\u003eLATENCY SPECIFICATION\u003cbr\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e(@ 1 kHz, Balanced Analog Input to AES3 Balanced Out)\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e44.1 kHz = 0.95 mS\u003c\/li\u003e\n\u003cli class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e48 kHz = 0.88 mS\u003c\/li\u003e\n\u003cli class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e88.2 kHz = 0.48 mS\u003c\/li\u003e\n\u003cli class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e96 kHz = 0.43 mS\u003c\/li\u003e\n\u003cli class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e176.4 kHz = 0.22 mS\u003c\/li\u003e\n\u003cli class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e192 kHz = 0.19 mS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003eTRANSFORMER-LESS PATH\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFREQUENCY RESPONSE \u003c\/strong\u003e\u003cem\u003e(20 Hz to 70 kHz)\u003c\/em\u003e\u003cbr\u003e+\/- 0.025 dB typical\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD+N \u003c\/strong\u003e\u003cem\u003e(10 Hz - 22 kHz BW)\u003c\/em\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003e@ 1 kHz @ -2 dBFS: \u003c\/em\u003e0.0009% typical\u003c\/li\u003e\n\u003cli class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e\n\u003cstrong\u003eNOISE \u003c\/strong\u003e\u003cem\u003e(10 Hz - 22 kHz BW)\u003c\/em\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003e10 Hz - 22 kHz BW.\u003c\/em\u003e\u003cbr\u003e-108 dBFS typical\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003eTRANSFORMER PATH\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFREQUENCY RESPONSE \u003c\/strong\u003e\u003cem\u003e(20 Hz to 70 kHz)\u003c\/em\u003e\u003cbr\u003e+\/- 0.1 dB typical\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD+N \u003c\/strong\u003e(10 Hz - 22 kHz BW)\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003e@ 1 kHz @ -2 dBFS: \u003c\/em\u003e0.002% typical\u003c\/li\u003e\n\u003cli class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e\n\u003cstrong\u003eNOISE \u003c\/strong\u003e(10 Hz - 22 kHz BW)\u003cbr\u003e-114 dBFS typical\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003eLIMITER SPECIFICATIONS\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003eTransformer-less Path Selected, zSource = 40 Ohm Balanced\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFREQUENCY RESPONSE \u003c\/strong\u003e(20 Hz to 70 kHz)\u003cbr\u003e+\/- 0.1 dB typical\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNOISE \u003c\/strong\u003e(10 Hz - 22 kHz BW)\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e@ 0 dB Make-Up Gain\u003cem\u003e: \u003c\/em\u003e-107 dBFS typical\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e@ +20 dB Make-Up Gain\u003cem\u003e: \u003c\/em\u003e-97 dBFS typical\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003eSHIPPING WEIGHT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e10 lbs. (4.5 kg)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003eSHIPPING DIMENSIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e24” (61 cm) x 13” (33 cm) x 4” (10.2 cm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003ePRODUCT DIMENSIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"sqsrte-small\" style=\"white-space: pre-wrap;\"\u003e19” (48.3 cm) x 9” (22.9 cm) x 1.65” (4.2 cm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":43895126884395,"sku":"RND-MBC","price":3293.29,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/mbc-front__23815.1750798327.1280.1280.jpg?v=1775701435"},{"product_id":"rupert-neve-designs-mbt","title":"Rupert Neve Designs MBT","description":"\u003cp\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTransform your tone.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor over six decades, audio transformers have been the bedrock of Mr. Rupert Neve’s audio circuit design philosophy – and Rupert Neve Designs’ bespoke transformers are an integral part of virtually every RND product.\u003c\/p\u003e\n\u003cp\u003ePacked with these transformers, the MBT provides an incredible array of flavorful options designed to sweeten, enhance, drive, widen, and utterly transform source material, making it the ultimate tool for musical coloration.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCreate Tonal Magic with the Shelf EQ\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eWith 3 octave ranges, gentle slopes and minimal phase shifts, the all-new 2-band Shelf EQ section was created with an emphasis on simplicity and elegance. This smooth \u0026amp; musical EQ is excellent at providing just the right amount of tonal enhancement – especially when it is interacting with the other sections of the MBT.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBreathe In New Life with the Color Comp\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith an all-new optical compressor design, the Color Comp excels at accentuating the non-linear distortion and “colorful” characteristics of the Opto cell to bring source material a new sense of life and depth.\u003c\/p\u003e\n\u003cp\u003eThe Color Comp includes two selectable ratios, a sweepable high pass side-chain filter, variable threshold and release, 20dB of Class-A makeup gain, and a Blend control for parallel processing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFind New Dimension with Width\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Width section is designed to increase the perceived stereo spread without losing low-end focus.\u003c\/p\u003e\n\u003cp\u003eWhile inspired by the Stereo Field Editor (SFE) “WIDTH” controls found on our award-winning Master Buss Processor, the MBT’s Width section has several key differences:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe Width control on the MBT is additive only, with a greater range for more extreme operation.\u003c\/li\u003e\n\u003cli\u003eThere is a variable high-pass filter (50Hz to 800Hz) to adjust the Width content, so that low frequencies remain more centered in the mix as the mids and highs are spread out to create more space.\u003c\/li\u003e\n\u003cli\u003eAdditionally, there is subtle high frequency tapering of the Width content to avoid overemphasizing harsher HF tones.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFRONT PANEL FEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eINPUT LEVEL: LED indication that illuminates GREEN when the input signal reaches -20dBu and illuminates RED to show when the input signal reaches +23dBu. This indication is post input trim control.\u003c\/p\u003e\n\u003cp\u003eINPUT TRIM: 31-detent potentiometer that controls the input level within a range of +\/- 12dB.\u003c\/p\u003e\n\u003cp\u003eHPF FREQ: 31-detent potentiometer that controls the HPF frequency within a range of 15Hz to 100Hz.\u003c\/p\u003e\n\u003cp\u003eHPF IN: Push-button switch that illuminates GREEN when the 6dB\/octave HPF is engaged.\u003c\/p\u003e\n\u003cp\u003eLF: 31-detent potentiometer that controls the Low Frequency Shelf gain within a range of +\/- 9dB.\u003c\/p\u003e\n\u003cp\u003eLF FREQ: 31-detent potentiometer that controls the Low Frequency Shelf corner frequency within a range of 30Hz to 240Hz.\u003c\/p\u003e\n\u003cp\u003eHF: 31-detent potentiometer that controls the High Frequency Shelf gain within a range of +\/- 9dB.\u003c\/p\u003e\n\u003cp\u003eHF FREQ: 31-detent potentiometer that controls the High Frequency Shelf corner frequency within a range of 3kHz to 24kHz.\u003c\/p\u003e\n\u003cp\u003eEQ IN: Push-button switch that illuminates GREEN when the equalizer section is engaged.\u003c\/p\u003e\n\u003cp\u003eTHRESHOLD: 31-detent potentiometer that controls the compressor threshold within a range of +24dBu to 0dBu.\u003c\/p\u003e\n\u003cp\u003eS\/C HPF: 31-detent potentiometer that controls the corner frequency of the side-chain high-pass filter within a range of 20Hz to 350Hz.\u003c\/p\u003e\n\u003cp\u003eCOMP IN: Push-button switch that illuminates GREEN when the compressor section is engaged.\u003c\/p\u003e\n\u003cp\u003eGAIN REDUCTION: LED that illuminates GREEN when gain reduction is occuring. The LED indicates compression for left and right channels.\u003c\/p\u003e\n\u003cp\u003eRELEASE: 31-detent potentiometer that controls the Release time of the compressor within a range of 100mS to 1.5S.\u003c\/p\u003e\n\u003cp\u003eRATIO: Opaque push-button switch that toggles between a LO (OUT) 2:1 ratio and a HI (IN) 5:1 compressor ratio curve.\u003c\/p\u003e\n\u003cp\u003eBLEND: 31-detent potentiometer that controls the amount of dry (0%) vs. wet (100%) compressed signal in the audio path.\u003c\/p\u003e\n\u003cp\u003eGAIN: 31-detent potentiometer that controls the amount of compressor make-up gain within a range of 0dB to +20dB.\u003c\/p\u003e\n\u003cp\u003eWIDTH IN: Push-button switch that illuminates GREEN when the WIDTH section is engaged.\u003c\/p\u003e\n\u003cp\u003eWIDTH HPF: 31-detent potentiometer that controls the corner frequency of the width processing HPF within a range of 50Hz to 800Hz.\u003c\/p\u003e\n\u003cp\u003eWIDTH: 31-detent potentiometer that controls the amount of Width stereo field processing within a range of MIN to MAX.\u003c\/p\u003e\n\u003cp\u003eSILK IN: Push-button switch that illuminates PURPLE when the SUPER SILK section is engaged.\u003c\/p\u003e\n\u003cp\u003eBLUE: 31-detent potentiometer that controls the amount of low frequency SILK pre-emphasis.\u003c\/p\u003e\n\u003cp\u003eDRIVE: LED that illuminates RED when the signal level reaches the optimal range for transformer harmonics. The LED indicates drive level for left and right channels.\u003c\/p\u003e\n\u003cp\u003eRED: 31-detent potentiometer that controls the amount of high frequency SILK pre-emphasis.\u003c\/p\u003e\n\u003cp\u003eHARMONICS: 31-detent potentiometer that controls the amount of transformer harmonics added to the audio path.\u003c\/p\u003e\n\u003cp\u003eZENER DRIVE: Push-button switch that illuminates AMBER when the soft clip circuitry is engaged.\u003c\/p\u003e\n\u003cp\u003eBYPASS ALL: Push-button switch that illuminates RED when the master bypass is engaged. This master bypass is a true hard- wire bypass that ensures the MBT will pass audio in the event that power is lost.\u003c\/p\u003e\n\u003cp\u003eOUTPUT TRIM: 31-detent potentiometer that controls the amount of output trim within a range of +\/- 12dB.\u003c\/p\u003e\n\u003cp\u003eOUTPUT METERS: Stereo 16-segment LED meters that indicate output level in dBu.\u003c\/p\u003e\n\u003cp\u003ePOWER: LED that illuminates GREEN when POWER is ON.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREAR PANEL FEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePOWER: IEC standard 3 pin grounded switched AC power inlet with an input range of 100-240 VAC. 70 Watts maximum AC power consumption.\u003c\/p\u003e\n\u003cp\u003eGND LIFT: Slide switch that lifts XLR Output Pin 1 from chassis ground to minimize ground loops.\u003c\/p\u003e\n\u003cp\u003eOUTPUT: Balanced XLR outputs with custom Rupert Neve Designs transformers capable of handling up to +25.5 dBu at 1kHz.\u003c\/p\u003e\n\u003cp\u003eINPUT: Balanced XLR combo jack inputs capable of handling up to +25.5 dBu at 1kHz.\u003c\/p\u003e\n\u003cp\u003eSpecifications\u003c\/p\u003e\n\u003cdiv class=\"col sqs-col-7 span-7\"\u003e\n\u003cdiv id=\"block-515eb73a47f54ce2f489\" class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" data-border-radii='{\"topLeft\":{\"unit\":\"px\",\"value\":0.0},\"topRight\":{\"unit\":\"px\",\"value\":0.0},\"bottomLeft\":{\"unit\":\"px\",\"value\":0.0},\"bottomRight\":{\"unit\":\"px\",\"value\":0.0}}'\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv class=\"sqs-html-content\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eNote: All measurements typical; All measurements recorded using 25ft. XLR output cables with Balanced ZSOURCE = 40 ohm\u003c\/p\u003e\n\u003cp\u003eInput Impedance: 10 kilohm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNo Features Engaged\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNoise (22 Hz - 22kHz): Better than -95 dBu\u003c\/p\u003e\n\u003cp\u003eTHD+N (0 dBu @ 1kHz): Better than 0.004%\u003c\/p\u003e\n\u003cp\u003eTHD+N (+20 dBu @ 1 kHz): Better than 0.002%\u003c\/p\u003e\n\u003cp\u003eMaximum Input Level: +25.5 dBu\u003c\/p\u003e\n\u003cp\u003eCrosstalk @ 1 kHz: Better than -95 dB\u003cbr\u003eFrequency Response:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u0026lt;5 Hz - 30 kHz: +\/- 0.1 dB\u003c\/li\u003e\n\u003cli\u003e\u0026lt;5 Hz - 60 kHz: +\/- 0.25 dB\u003c\/li\u003e\n\u003cli\u003e\u0026lt;5 Hz - 180 kHz: -3 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHPF Engaged\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNoise (22 Hz - 22 kHz): Better than -95 dBu\u003c\/li\u003e\n\u003cli\u003eTHD+N (+20 dBu @ 1 kHz): Better than 0.002%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eEqualizer Engaged\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNoise (22 Hz - 22 kHz): Better than -93dBu\u003c\/li\u003e\n\u003cli\u003eTHD+N (+20 dBu @ 1 kHz): Better than 0.002%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCompressor Engaged\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNoise (22 Hz - 22 kHz): Better than -92dBu\u003c\/li\u003e\n\u003cli\u003eTHD+N (+20 dBu @ 1 kHz): Better than 0.002%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWidth Engaged\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNoise (22 Hz - 22 kHz): Better than -88dBu\u003c\/li\u003e\n\u003cli\u003eTHD+N (+20 dBu @ 1 kHz): Better than 0.002%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSILK Engaged\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNoise (22 Hz - 22 kHz): Better than -95dBu\u003c\/li\u003e\n\u003cli\u003eTHD+N (+20 dBu @ 1 kHz): Better than 0.003%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWEIGHTS \u0026amp; DIMENSIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eProduct Dimensions (W x D x H): 19” (48.3 cm) x 10.125” (25.7 cm) x 3.5” (8.9 cm)\u003c\/li\u003e\n\u003cli\u003eShipping Dimensions (L x W x H): 22” (55.9 cm) x 18” (45.7 cm) x 8.7” (22.1 cm)\u003c\/li\u003e\n\u003cli\u003eShipping Weight: 17 lbs. (7.7 kg)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":43895127048235,"sku":"RND-MBT","price":3293.29,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/mbt-front__47314.1750797098.1280.1280.jpg?v=1775701427"},{"product_id":"rupert-neve-designs-p2mb","title":"Rupert Neve Designs P2MB","description":"\u003cp\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThe ultimate dynamics, tone, and stereo field control for your 2-buss.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eBased around the high voltage, discrete and class-A signal paths made famous in the 5088 Mixer, the Portico II Master Buss Processor is a creative tool that redefines the boundaries and limitations of traditional 2-channel compression and limiting. Though originally developed for mastering applications, the MBP quickly became a favorite of mix engineers, tracking engineers, and even FOH engineers. From mixing bass-heavy EDM to a delicate master of a chamber ensemble, it has something to offer everyone – no matter the use or genre.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eClassic Design, Evolved\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eWith input and output transformers designed and implemented by Mr. Rupert Neve, the high-voltage 72V topology found in the Master Buss Processor will integrate flawlessly with virtually any system. Additionally, the MBP incorporates mastering-grade detented pots throughout to fine-tune its revolutionary dynamics, tone, and stereo field controls. This new topology is a significant evolution of Mr Rupert Neve’s classic designs with appreciable benefits to headroom, dynamic range, distortion, noise, slew rate, bandwidth, and accuracy while still providing the sweet, musical performance that has been a part of countless recordings.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThe Compressor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe MBP’s two compressor sections allow virtually limitless possibilities in dynamics for either dual mono or stereo sources, with controls for ratio, threshold, attack, release, blend, side chain HPF, limit and make up gain. When engaged, the compressor section can be used in both feed-forward and feed-back modes to provide a transparent \u003c\/p\u003e\u003cp\u003e“modern” response (feed-forward), or a smoother, more musical “vintage” response (feed-back). Peak mode alters the compressor’s attack to react to peak transients with a roughly .1ms response time. When the Peak switch is disengaged, the compressor responds to the RMS signal in conjunction with the attack and release settings.\u003c\/p\u003e\n\u003cp\u003eSC HPF inserts a high pass filter at 125 Hz into the side chain to deal with intense low frequencies that may skew the response of the VCA with certain songs and instruments. And lastly, Blend creates a parallel mix between the compressed and dry signals. By mixing the compressed and dry signals, it is possible to increase the volume of quieter elements in the source material (for instance, delicate snare brushing on a track with much louder hits), while maintaining a natural dynamic feel for the louder elements.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThe Limiter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe MBP also features an extremely versatile, transparent and musical limiter. At first glance, one might scoff at the single knob operation – however, this limiter is extremely intelligent, knowing how to appropriately respond to the various signals presented to it. Our new Adaptive Release Technology is behind this revolutionary performance. Using a blend of release time constants, this limiter will simultaneously respond quickly to transient material (such as the “snap” of a snare drum) and slowly to more sluggish signals (such as a bass guitar). This configuration allows the limiter to grab a transient and let go just an instant later, while also dealing with more constant signals in a slower, more musical way.\u003c\/p\u003e\n\u003cp\u003eIn this manner, the MBP’s limiter can provide a much more aggressive amount of limiting than typically possible, while maintaining the essential character of the music and remaining free of the modulation distortion usually found in a fast-acting limiter. Additionally, the limiters share the same discrete, class-A gain module and VCA with the \u003c\/p\u003e\u003cp\u003ecompressors, so using the Limiter does not introduce more stages that the music would have to pass through.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThe Stereo Field Editor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe stereo field editor on the MBP takes traditional M-S techniques to new heights with width, depth and corresponding bandpass filters.\u003c\/p\u003e\n\u003cp\u003eThe width control enables the user to increase or decrease the width of a stereo image (wide\/mono) and adjust the amount of ambience inherent in the recording. As the width control is rotated toward wide, the amount of difference material is boosted, often resulting in more ambient material, and accentuated stereo reverbs. Conversely, the stereo field is contracted when rotated to mono, and, if the left and right channels are highly coherent (i.e. both channels include closely similar material that is in phase), this mono content is enhanced. The depth control adjusts the spatial positioning of elements in the sound stage. Center-panned elements like solo instrument or vocal can be brought forward in a mix, in relation to supporting instruments. In many cases, these same elements may be virtually eliminated without adversely affecting the music bed. Used in conjunction, the depth and width controls effectively alter the perceived room ambience and dimension.\u003c\/p\u003e\n\u003cp\u003eTo fine tune the SFE, there are individual filters that select what frequency information is reintroduced from the width and depth circuits, thus tailoring each effect to a specific bandwidth. And by engaging the SFE TO COMP button, Mid and Side signals can each be routed to the MBP’s two compressors, allowing the unit to operate in full M-S mode \u003c\/p\u003e\u003cp\u003e(as opposed to standard L-R operation).\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThreshold\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThis 31-detent potentiometer adjusts the level at which the compressor begins to attenuate the signal and is fully variable within a signal level range of +20dBu to -30 dBu. If the compressor input signal level exceeds the set threshold level, compression will occur.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRatio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThis 31-detent potentiometer adjusts the compressor slope between 1:1 to 40:1.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBlend\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThis 31-detent potentiometer adjusts the mix ratio of uncompressed (dry) signal with the compressed (wet) signal. When Blend is fully counter-clockwise (CCW), only the uncompressed signal is audible. When Blend is fully clockwise (CW), only the compressed signal is audible. Setting Blend anywhere between 0% and 100% achieves parallel compression.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eComp In\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThis illuminated push-button switch engages the compressor-limiter section on its respective channel. Engaging or disengaging the “Comp In” button never affects SILK status and will not affect SFE status unless SFE to COMP is engaged.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBypass All\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThis illuminated push-button switch toggles the PIIMB’s hard-wire bypass on both channels.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFF\/FB\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThis illuminated push-button switch toggles between two different compression modes: Feed Forward and Feed Back. The distinction between these two types of compression is that the side-chain detector of a feed-forward compressor is fed from the compressor input, before the gain control element, while the side-chain detector of a feed-back compressor is fed from the compressor output, after the gain control element.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eGain\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThis 31-detent potentiometer provides two different functions. When used with the compressor, the Gain control acts as standard Make-Up Gain, allowing the user to add gain to the compressed signal to match the bypassed signal level. When used in the context of the PIIMB limiter, the Gain control allows the user to set the desired “ceiling” of their mix (in dBu) with the “Limit” potentiometer. Once the Limit potentiometer is set to the desired maximum level, the user can increase the Gain until the average mix level hits the desired loudness. The Gain control will drive the level of the mix up to the set Limiter threshold, but will not exceed it.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAttack\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThis 31-detent potentiometer sets how quickly the compressor will attenuate to the input signal once it exceeds the set threshold. When set to its fastest setting (20 ms), the compressor can attenuate the leading edge of a transient, like the initial strike of a drum stick on a snare drum. By compressing the inital strike, the overall compression result will increase the emphasis of the snare’s decay or resonance. When set to slower attack settings, the compressor will ignore most of the initial transient and attenuate the drum’s decay instead, thereby increasing the emphasis of the drum stick hitting the snare drum.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRelease\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThis 31-detent potentiometer adjusts how fast the compressor will return to unity gain after the signal level crosses below the threshold. Generally, slower release times will minimize compression artifacts, especially when combined with slower attack times. Faster release times can be utilized to maximize apparent loudness.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eS\/C 125 Hz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThis illuminated push-button switch engages a 125Hz 12dB\/octave Sallen Key High Pass Filter into the compressor side-chain. Removing low frequency information from the compressor side-chain detector can help to minimize compressor pumping and over-compression of the rhythmic dynamic information that tends to reside in the lower \u003c\/p\u003e\u003cp\u003efrequency range: kick drums, bass guitar, etc. This usually results in a smoother compression characteristic.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRMS \/ PEAK\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThis illuminated push-button switch modifies the compressor side-chain detection. The default detection response is RMS (Root Mean Square) averaged, which better mimics the way our ears perceive loudness. PEAK mode detection responds more directly to the incoming compressor audio signal, which can be used to prevent clipping and maximize overall loudness.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eLink\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe link control sums the side-chain information from both compressor-limiter channels, enabling Channel A’s controls as MASTER. While linked, both channels are directly controlled by Channel A’s controls.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eLimit\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThis 31-detent potentiometer controls the threshold of the soft-clip limiter section. The limiter is disengaged until the user rotates the Limit potentiometer past the 3rd detent (+24dBu) from the fully clock-wise (OFF) position. As the user rotates the threshold control counter clock-wise, the limiter’s release time gradually increases. This creates a smoother dynamic response as the amount of limiting increases. The limiter side-chain features a compound timing network that allows the limiter to respond equally well to quick transient material as it does to less dynamic program material. The limiter can be utilized as a maximizer by setting the Limit potentiometer to the desired maximum level in dBu, then increasing the amount of Gain until the desired program loudness is achieved.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDepth (engaged \/ disengaged with the ‘Depth In’ switch)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThis 31-detent potentiometer adjusts the overall level of the center (mid) information within the SFE’s M-S encoding. The MIN (fully CCW) position will de-emphasize the center information within the stereo image, whereas the MAX (fully CW) position will emphasize the center information. If the Depth control is at the 12 o’clock “0” position, no Depth pro- cessing will be audible.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWidth (engaged \/ disengaged with the ‘Width In’ switch)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThis 31-detent potentiometer adjusts the overall level of the side information within the SFE’s M-S encoding. The MIN (fully CCW) position will de-emphasize the side information within the stereo image, wheras the MAX (fully CW) posi- tion will emphasize the side information. If the Width control is at the 12 o’clock “0” position, no Width processing will be audible.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDepth EQ\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThis illuminated push-button switch engages the 4-position rotary switch that allows the user to select between four different EQ settings for Depth processing: Low Frequency (LF), Low Mid (LM), High Mid (HM), and High Frequency (HF).\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWidth EQ\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThis illuminated push-button switch engages the 4-position rotary switch that allows the user to select between four different EQ settings for Width processing: Low Frequency (LF), Low Mid (LM), High Mid (HM), and High Frequency (HF).\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSFE to Comp\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThis illuminated push-button switch routes the Depth and Width information to Channel A and Channel B compressor paths, respectively, allowing the user to manipulate the dynamic content of the Mid and Side information. When engaged, the width and depth controls allow the user to blend the amount of compressed Mid and Side information that is mixed back into the audio path. While SFE to Comp is engaged, the stereo compressor is only available for SFE dynamic processing and is not operational within the main audio path.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSilk\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThis illuminated push-button switch toggles through the available SILK transformer harmonic saturation modes: OFF, RED, and BLUE. Red Silk has a high frequency emphasis associated with the transformer harmonics, while Blue Silk has a low frequency emphasis associated with the transformer harmonics.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTexture\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThis 31-detent potentiometer allows the user to adjust the amount of Silk transformer saturation added to the signal path when Silk Red or Blue modes are engaged.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eGain Reduction Meter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThis 16 segment LED bar-graph meter indicates compressor-limiter gain reduction, indicated in dB. After 4 dB of attenuation, the LEDs turn to amber and after 8 dB, the LEDs turn red.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eOutput Meter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThis 16-segment LED bar-graph meter indicates output level, indicated in dBu. The top-most red LED is calibrated to illuminate at +25dBu, corresponding to the maximum output level of the Master Buss Processor.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSide Chain Send\/Return\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eExternal compressor side chain send and return on 2 x TRS jacks. The send is always active and normalled to the return. NOTE: If the send and return are connected to a patchbay, the send should be normalled or connected to the return by default, as the compressor will not trigger if the return has no signal.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eInternal Universal Power Supply\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eEIC connection for world-wide AC power from 100-240V embedded in the 2U rack-mountable chassis.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"row sqs-row\"\u003e\n\u003cdiv class=\"col sqs-col-7 span-7\"\u003e\n\u003cdiv id=\"block-e2e0490742ba00d8f316\" class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" data-border-radii='{\"topLeft\":{\"unit\":\"px\",\"value\":0.0},\"topRight\":{\"unit\":\"px\",\"value\":0.0},\"bottomLeft\":{\"unit\":\"px\",\"value\":0.0},\"bottomRight\":{\"unit\":\"px\",\"value\":0.0}}'\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv class=\"sqs-html-content\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row sqs-row\"\u003e\n\u003cdiv class=\"col sqs-col-7 span-7\"\u003e\n\u003cdiv id=\"block-e2e0490742ba00d8f316\" class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" data-border-radii='{\"topLeft\":{\"unit\":\"px\",\"value\":0.0},\"topRight\":{\"unit\":\"px\",\"value\":0.0},\"bottomLeft\":{\"unit\":\"px\",\"value\":0.0},\"bottomRight\":{\"unit\":\"px\",\"value\":0.0}}'\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv class=\"sqs-html-content\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstrong\u003eFrequency Response (Compressor and SFE Bypassed, Unloaded)\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003cdiv class=\"row sqs-row\"\u003e\n\u003cdiv class=\"col sqs-col-12 span-12\"\u003e\n\u003cdiv id=\"block-b760400ddb7f53263ac0\" class=\"sqs-block website-component-block sqs-block-website-component spacer-block sqs-block-spacer sized vsize-1\" data-aspect-ratio=\"4.630969609261939\" data-block-css='[\"https:\/\/definitions.sqspcdn.com\/website-component-definition\/static-assets\/website.components.spacer\/5467e640-df76-4727-a981-a1b0f7e00c0a_41\/website.components.spacer.styles.css\"]' data-block-scripts='[\"https:\/\/definitions.sqspcdn.com\/website-component-definition\/static-assets\/website.components.spacer\/5467e640-df76-4727-a981-a1b0f7e00c0a_41\/website.components.spacer.visitor.js\"]' data-block-type=\"1337\" data-definition-name=\"website.components.spacer\"\u003e\n\u003cdiv id=\"yui_3_17_2_1_1750794206501_513\" class=\"sqs-block-content sqs-intrinsic\" style=\"padding-bottom: 4.63097%;\"\u003e\n\u003cul\u003e\n\u003cli\u003e5 Hz to 100 kHz: +\/- 0.5dB typical\u003c\/li\u003e\n\u003cli\u003e120 kHz: -3dB typical\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaximum Output Level (Compressor and SFE Bypassed, Unloaded)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e20 Hz to 40 kHz: +25 dBu typical\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTotal Harmonic Distortion and Noise\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 kHz, +20 dBu: Less than 0.003% typical\u003c\/li\u003e\n\u003cli\u003e20Hz, +20 dBu: Less than 0.10% typical\u003c\/li\u003e\n\u003cli\u003e20 kHz, +20 dBu output: Less than 0.010% typical\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOMPRESSOR\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThreshold: -30 dBu to +20 dBu\u003c\/li\u003e\n\u003cli\u003eRatio: 1.1:1 to 40:1\u003c\/li\u003e\n\u003cli\u003eBlend: 0% to 100% Compressor\u003c\/li\u003e\n\u003cli\u003eGain: 0 dB to +20 dB\u003c\/li\u003e\n\u003cli\u003eAttack: 20 mS to 80 mS\u003c\/li\u003e\n\u003cli\u003eRelease: 100 mS to 3.0 S\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAC Power Consumption\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e85 Watts Max\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFuse\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e5 x 20mm Bussman type GDA 2.5A, Fast Acting, Ceramic\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct Dimensions (H x W x D)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e3.5” (8.9 cm), 19” (48.3 cm), 12” (30.5 cm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShipping Dimensions (H x W x D)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e5” (12.7 cm), 23” (58.5 cm), 12” (31 cm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShipping Weight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e20 lbs (9.1 kg)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":43895127113771,"sku":"RND-P2MB","price":4363.88,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/mbp-front__93305.1750795423.1280.1280.jpg?v=1775701427"},{"product_id":"rupert-neve-designs-r10","title":"Rupert Neve Designs R10","description":"\u003cp\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNot all racks are created equal.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith abundant power and unrivaled build quality, the R10 delivers peace of mind for engineers who demand a higher degree of confidence in their 500 series racks.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower You Can Trust\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePower-wise, the R10 has more than 150% the required current for a 10-space chassis to prevent the power rails from failing under a higher-than-expected load. To help monitor and troubleshoot problematic modules, the R10 is equipped with LED current metering to show how much power is being used. The internal power supply itself has been carefully designed and double-shielded to avoid significant magnetic induction in any of the channel positions. With such attention to providing and monitoring power, the R10 helps your modules realize their fullest potential.\u003c\/p\u003e\n\u003cp\u003eTo ensure many years of use, the chassis is made of solid steel with sliding nuts to accommodate various manufacturers’ 500 Series modules. And of course, all connectors and fittings are of the very highest quality.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA New Level of Confidence in the 500 Series\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBecause the R10 is built to official 500 Series specifications (surprisingly, not all racks are!) it will work flawlessly with any properly-designed 500 series module you wish to include in it. To help accommodate modules that are slightly out of spec, the R10 has variable-position screw holes to help make the installation process as smooth as possible.\u003c\/p\u003e\n\u003cp\u003eThe 500 series VCA buss link function can also be enabled in pairs on the R10 using the link jumpers on Channels 1-2, 3-4, 5-6, 7-8 or 9-10. Enabling link allows compatible compressor modules like the 535 or 543 to share VCA control when their links are enabled. Matching blank panels are also available to cover any empty slots.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTEN CARD SLOTS WITH SERIOUS POWER\u003c\/strong\u003e\u003cbr\u003eEach card slot is designed to fit a standard 500 series module. Even with modules that overdraw the 500 Series specification, the R10 has more than enough reserve power to maintain proper voltage.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLINK JUMPER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are three link jumpers, which can be individually set to allow VCA linking on Channels 1-2, 3-4, 5-6, 7-8 and 9-10. The link function is typically used to link the gain reduction of two compressors (such as our 543 or 535 modules).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCURRENT METER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAn LED meter monitors the R10 current usage to ensure that you never run short on power. This meter can also be useful for troubleshooting a module that is severely overdrawing its allotment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eROBUST +48V PHANTOM SUPPLY\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eProvide rock-solid phantom power to your microphones with the R10’s 48V buss.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCHANNEL INPUTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEach channel features a balanced XLR and TRS input, which are wired in parallel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCHANNEL OUTPUTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEach channel features a balanced XLR \u0026amp; TRS output.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUNIVERSAL VOLTAGE IEC INPUT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe IEC power input accepts 100-240VAC, 50\/60Hz input.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eROAD READY FRAME\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA solid steel enclosure with ultra-strong rack ears gives you the confidence you need to take your 500 Series gear out on the road.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDC VOLTAGE TO UNITS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e+\/-16VDC and +48VDC for phantom power\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMAX CURRENT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2650mA total (2400mA modules and 250mA for phantom power)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePOWER REQUIREMENTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e100-240VAC, 50\/60Hz, 50 Watts\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWEIGHT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e14lbs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDIMENSIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e19” long x 7.5”deep x 5.25” high\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":43895127179307,"sku":"RND-R10","price":881.47,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/r10-loaded-straight__48864.1750790642.1280.1280.jpg?v=1775701436"},{"product_id":"rupert-neve-designs-r6","title":"Rupert Neve Designs R6","description":"\u003cp\u003e\u003cstrong\u003eOverview \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNot all racks are created equal\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith abundant power and versatile connections, the R6 delivers peace of mind for engineers who demand a higher degree of confidence in their 500 series racks.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower You Can Trust\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePower-wise, the R6 has more than 150% the required current for a 6-space chassis to prevent the power rails from failing under a higher-than-expected load. To help monitor and troubleshoot problematic modules, the R6 is equipped with LED current metering to show how much power is being used. The internal power supply itself has been carefully designed and double-shielded to avoid significant magnetic induction in any of the channel positions. With such attention to providing and monitoring power, the R6 helps your modules realize their fullest potential.\u003c\/p\u003e\n\u003cp\u003eTo ensure many years of use, the chassis is made of solid steel with bumpers to support the unit in both horizontal and vertical configurations, and features a collapsable handle for portability. And of course, all connectors and fittings are of the very highest quality.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConnect Like Never Before\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith a plethora of connections available, the R6 backpanel is practically a patchbay on its own. The R6 features 8 channels of balanced I\/O options including DB-25, XLR and TRS that may be used interchangeably. This versatility is especially handy when you are taking the R6 with you to another environment where you are unsure of the cables available, or if you need to convert DB-25, XLR or TRS connections to another format using the THRU functionality on channels 7-8.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIX CARD SLOTS WITH SERIOUS POWER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEach card slot is designed to fit a standard 500 series module. Even with modules that overdraw the 500 Series specification, the R6 has enough reserve power to maintain proper voltage.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLINK JUMPER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are three link jumpers, which can be individually set to allow linking on Channels 1-2, 3-4, and 5-6. The link function is typically used to link the gain reduction of two compressors (such as our 543 or 535 modules).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCURRENT METER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAn LED meter monitors the R6 current usage to ensure that you never run short on power. This meter can also be useful for troubleshooting a module that is severely overdrawing its allotment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBULLETPROOF +48V PHANTOM SUPPLY\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eProvide rock-solid phantom power to your microphones with the R6’s robust 48V buss.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMASSIVE CONNECTIVITY\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInterchangeable XLR, TRS, and DB-25 I\/O connections are provided to ensure that you can connect wherever you go.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCHANNEL 7-8 THRU I\/O\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe channel 7-8 thru connections can be used as a way to quickly and easily convert your signal from or to DB-25, XLR, and TRS connectors.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eROAD-READY FRAME\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA solid steel enclosure, two sets of rugged rubber feet for horizontal and vertical mounting and a collapsible handle make the R6 completely portable and ready for the road.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUNIVERSAL VOLTAGE IEC INPUT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe IEC power input accepts 100-240VAC, 50\/60Hz input with a 50 Watt draw.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDC VOLTAGE TO UNITS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e+\/-16VDC and +48VDC for phantom power\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMAX CURRENT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1000mA for modules, 150mA for 48V phantom power\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePOWER REQUIREMENTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e100-240VAC, 50\/60Hz, 50 Watts\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWEIGHT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e9.5lbs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDIMENSIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e13” long x 7.5”wide x 5.5” high \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":43895127212075,"sku":"RND-R6","price":616.76,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/r6-straight-loaded-reflect__30616.1750788838.1280.1280.jpg?v=1775701436"},{"product_id":"rupert-neve-designs-r6-rack-kit","title":"Rupert Neve Designs R6 RACK KIT","description":"\u003cp\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRack ears for mounting a R6 500 series power supply in a 19\" rack (3U).\u003c\/li\u003e\n\u003cli\u003eCompatible only with R6 units with serial number 250 or higher.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":43895127277611,"sku":"RND-R6 RACK KIT","price":87.35,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/1734481230203rnd-r6rackkit-rupert-neve-designs-rackmount__68935.1750802355.1280.1280.jpg?v=1775701436"},{"product_id":"rupert-neve-designs-rmp-d8","title":"Rupert Neve Designs RMP-D8","description":"\u003cp\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe massive weight \u0026amp; tone of classic Rupert Neve Designs studio microphone preamps: now available on your network.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor many years, the world’s leading live sound engineers have chosen Rupert Neve Designs as some of the only analog equipment to accompany their digital touring rigs. With mastering-grade 24-bit 192kHz converters and full Dante integration, the RMP-D8 finally offers the live sound world something that studios have always coveted: the sound of Rupert Neve Designs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLegendary Rupert Neve Tone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe heart of the RMP-D8 lies in the modular mic preamp cards featuring Mr. Rupert Neve’s custom transformer designs. Unlike other integrated Dante mic preamp designs that rely primarily on a single IC for gain \u0026amp; tone, the RMP-D8 has eight fully-realized class-A microphone preamplifiers feeding eight custom audio transformers, maintaining the high standards of Rupert Neve Designs’ standalone preamplifiers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastering-Grade Conversion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhere converters are often an afterthought on combination devices, the 24-bit\/192kHz converters in the RMP-D8 are a product of years of careful listening.\u003c\/p\u003e\n\u003cp\u003eThe precision­ controlled internal clocking and enhanced jitter reduction enable capture of the full breadth of performance from the mic preamplifiers or the line inputs; with the RMP-D8, there is no weak link in the audio path.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe New Dante Standard\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDante audio networking uses standard IP networks to transmit high-quality, uncompressed audio with near-zero latency. It’s the most flexible, reliable, and easy-to-manage audio networking solution available, and provides the lowest cost of ownership by dramatically reducing cabling and labor costs. Dante is the audio networking choice of nearly all professional audio manufacturers, making it the industry standard for digital audio networking.\u003c\/p\u003e\n\u003cp\u003eThe RMP-D8 is also fully DDM (Dante Domain Manager) Ready.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIGNAL CHAIN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e8 mic \/ line inputs with 48V phantom power, polarity reverse, input pad \u0026amp; high-pass filter controls.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGAIN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1dB-stepped class-A mic preamplifiers with 60dB gain and remote control capability.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCUSTOM TRANSFOMERS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEvery channel runs through custom Rupert Neve Designs transformers for the larger-than-life tone of Rupert’s classic modules.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCONVERSION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e24-bit \/ 192kHz Mastering-Grade Converters with precision-controlled internal clocking and enhanced jitter reduction.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePOWER SUPPLY\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUltra-reliable, redundant power supplies capable of operating anywhere in the world.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNETWORK\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDante integration with secondary redundant RJ45 network port for reliability.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOUTPUTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4 dual-channel AES outputs on XLR connectors with gain-compensated secondary output.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDISPLAY\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLarge OLED display with full local control; accurate and easy-to-read meters.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAPPS AND COMPUTER INTEGRATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCompatible with Dante Virtual Sound Card and Dante Via for direct computer integration.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eROBUST DESIGN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eReinforced steel chassis for enhanced RF shielding and rugged touring use in challenging environments.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"col sqs-col-7 span-7\"\u003e\n\u003cdiv id=\"block-64d63bfc94e0a2c951b9\" class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" data-border-radii='{\"topLeft\":{\"unit\":\"px\",\"value\":0.0},\"topRight\":{\"unit\":\"px\",\"value\":0.0},\"bottomLeft\":{\"unit\":\"px\",\"value\":0.0},\"bottomRight\":{\"unit\":\"px\",\"value\":0.0}}'\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv class=\"sqs-html-content\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eNOISE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e150 Ohm Balanced Source, AES Output, 22 Hz to 22 kHz, un-weighted, +60 dB Gain.\u003cbr\u003e-91 dBFS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eUNITY GAIN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e-110 dBFS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFREQUENCY RESPONSE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e0 dBu, Unity Gain, 96 kHz\u003c\/li\u003e\n\u003cli\u003e30 Hz to 45 kHz +\/- 0.2 dB\u003c\/li\u003e\n\u003cli\u003e10 Hz -3 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eINPUT IMPEDANCE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e5.5K Ohm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eGAIN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e0 to 60 dB in 1 dB steps\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHIGH PASS FILTER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e-3 dB @ 80 Hz, 12 dB\/Octave Slope\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePAD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e-10 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSIGNAL TO NOISE RATIO\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e84.4 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDYNAMIC RANGE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e110 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMAXIMUM INPUT LEVEL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e+25.5 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eUNIT DIMENSIONS \u0026amp; WEIGHT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2RU: 19” (W) x 3.5” (H) x 12.25” (D)\u003c\/li\u003e\n\u003cli\u003e48.25 cm (W) x 8.9 cm (H) x 31.1 cm (D)\u003c\/li\u003e\n\u003cli\u003e13.5 lbs. (6.1 kg)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eUNIT WEIGHT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSHIPPING DIMENSIONS \u0026amp; WEIGHT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e22” (W) x 18” (D) x 9” (H)\u003c\/li\u003e\n\u003cli\u003e55.9 cm (W) x 45.7 cm (D) x 22.9 cm (H)\u003c\/li\u003e\n\u003cli\u003e17.6 lbs. (8 kg)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSHIPPING WEIGHT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e17.6 lbs. (8 kg)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePOWER CORD TYPE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIEC Standard 3 Pin 18AWG Latching Type\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":43895127343147,"sku":"RND-RMP-D8","price":4940.35,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/rmp-d8-front-white__82691.1750799404.1280.1280.jpg?v=1775701437"},{"product_id":"rupert-neve-designs-rndi","title":"Rupert Neve Designs RNDI","description":"\u003cp\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStunning tone \u0026amp; clarity for all of your instruments.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe RNDI contains a custom Rupert Neve-designed output transformer and class-A, discrete FET input stage. This carefully designed combination is the key to the RNDI’s unparalleled performance, delivering a powerful and vibrant direct sound that captures the full harmonic depth of basses, guitars, acoustic instruments, and even pre-recorded material.\u003c\/p\u003e\n\u003cp\u003eWith portable, powerful, larger-than-life tone for a variety of instrument and amplifier signals, the RNDI is truly the first stand-alone DI worthy of the Rupert Neve name.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSignature Sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe RNDI’s signature sound is the result of a new Rupert Neve-designed output transformer and a class-A, discrete FET input stage. The carefully orchestrated union of these two elements is key to the RNDI’s accuracy, tone and response.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE TRANSFORMER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe custom output transformer provides exceptional isolation while introducing musical harmonics and dimension to the sound. The low impedance, transformer-balanced output excels at driving long cable runs, and performance is immensely consistent regardless of the connected equipment. This is very important for both live and studio environments where the audio signal may travel over 100ft before hitting an amplifier.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE CLASS-A, DISCRETE FET INPUT STAGE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe class-A, discrete FET input stage in the RNDI is powered by 48V phantom, providing a high impedance input of 2.2M Ohms that ensures consistent performance with a wide variety of instruments. The class-A design introduces no crossover distortion to the signal, which can add upper-order odd harmonics that are musically dissonant in nature. With the RNDI, the majority of harmonic content is a pleasing combination of 2nd order (octave) and 3rd order (fifth above octave). These musically relevant harmonics, present in subtle amounts, enhance the richness of the original signal and provide a distinctly musical response. And the discrete nature of the RNDI design means there are no ICs or digital components that can have negative effects on the tone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMassive Headroom + Speaker Mode\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn Instrument Mode, the RNDI’s uniquely high input headroom of +20.5 dBu is capable of handling not only instruments, but a wide variety of sources, such as synths, keyboards, drum machines and even pre-recorded material. This allows the RNDI-M to inject that coveted Rupert Neve Designs tone into a wide variety of sources.\u003c\/p\u003e\n\u003cp\u003eIn speaker mode, the RNDI can handle the screaming output of a 1000-watt solid-state power amplifier (92 Vrms or 266Vp-p) to capture the full tone of the instrument, preamplifier, EQ, inserts, and the amplifier’s output stages before it hits the speaker cabinet. This technique allows the engineer to avoid any bleed in a live environment and any unwanted tone added by the speaker cabinet or microphone. Also, speaker mode can be especially useful when feeding the RNDI line-level sources since it increases the input headroom even further…\u003c\/p\u003e\n\u003cp\u003eWhen used with modern amp \/ speaker emulation plug-ins or hardware (like a Kemper® or Fractal® unit), this technique allows the engineer to take advantage of both the flexibility of digital modeling and the superior non-linear response of an actual analog amplifier.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCONTROLS \u0026amp; I\/O\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e¼” INPUT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHi-Z unbalanced input:\u003cbr\u003e2.2M Ohms (Instrument)\u003cbr\u003e200 kOhms (Speaker)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e¼” THRU\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eParallel ¼” port used to send signal to an amp (instrument mode) or speaker (speaker mode).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSPEAKER \/ INSTRUMENT INPUT LEVEL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSelects Speaker or Instrument level. \u003cbr\u003eMax input: +20.5dBu Instrument, +41dBu Speaker\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e48V POWER LED\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIndicates that +48V phantom power is present from the connected mic preamp (required to power the RNDI).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGROUND LIFT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIsolates the XLR Pin 1 from the circuit ground.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOUTPUT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTransformer-balanced XLR output. Impedance less than 40 Ohms. Phantom power to the RNDI is supplied through this connection.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGroundbreaking Direct Tone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen class-A, discrete amplifiers meet Rupert’s custom transformers, good things happen to your tone. The RNDI is imbued with the unique components and design knowledge that makes it worthy of the Rupert Neve name.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHuge Headroom\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe high input headroom of +20.5 dBu (typical) is capable of handling a wide range of sources – and in speaker mode, the RNDI can handle the full output of a 1000-watt power amplifier (92 Vrms or 266Vp-p).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRugged Solid Steel Frame\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe rugged steel chassis features an industrial-grade powder coating, and is built to withstand the severe stresses of life on the road.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUse a Variety of Sources\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe RNDI has immensely consistent performance across a wide variety of sources due to its 2.2M Ohm discrete FET input stage and high headroom. The RNDI can be used with confidence on guitars, synths, basses, acoustic instruments, keyboards \u0026amp; drum machines. And in speaker mode the input headroom increases even further, providing an easy way to inject the pleasing harmonic content of the RNDI into literally any source.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrive Longer Lines\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe low impedance transformer-coupled output – below 40 ohms – is capable of driving long lines while maintaining exceptional high frequency performance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1\/4″ THRU Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn instrument mode the THRU output can feed the amplifier input for reinforcement. In speaker mode, the THRU is used to feed the amplified signal to the speaker.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGround Lift\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA ground lift switch is provided on the back to help fix any problematic grounding.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhantom Powered\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe RNDI is powered by standard 48V phantom power. Power is indicated by a blue LED on the front panel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecification\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNote: All specifications are typical.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNOISE\u003c\/strong\u003e (22 Hz - 22 kHz, Un-weighted)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBetter than -110 dBV\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eINPUT IMPEDANCE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInstrument Mode: 2.2 Megohm\u003c\/li\u003e\n\u003cli\u003eSpeaker Mode: 200 Kilohm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOUTPUT IMPEDANCE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLess than 40 Ohm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFREQUENCY RESPONSE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e+\/- 0.25 dB from 28 Hz – 60 kHz\u003c\/li\u003e\n\u003cli\u003e+\/- 1 dB from 14 Hz – 90 kHz\u003c\/li\u003e\n\u003cli\u003e-3 dBu below 5 Hz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMAXIMUM INPUT LEVEL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInstrument Mode: +20.5 dBu (8.2 Volts RMS) Typical\u003c\/li\u003e\n\u003cli\u003eSpeaker Mode: +41 dBu (87 Volts RMS) Typical\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMAXIMUM OUTPUT LEVEL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e+11.5 dBu Typical\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTOTAL HARMONIC DISTORTION + NOISE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e@ 1 kHz, +20 dBu input level: 0.25% Typical (2nd and 3rd Harmonic)\u003c\/li\u003e\n\u003cli\u003e@ 1 kHz, -20 dBu input level: 0.015% Typical (2nd and 3rd Harmonic)\u003c\/li\u003e\n\u003cli\u003e@ 20 Hz, -20 dBu input level: 0.75% Typical (2nd and 3rd Harmonic)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePOWER REQUIREMENTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e4.5mA Per Channel @ +48VDC\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWEIGHTS \u0026amp; DIMENSIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eProduct Dimensions ( D x W x H): 6.25” (15.88 cm) x 4” (10.16 cm) x 1.5” (3.81 cm)\u003c\/li\u003e\n\u003cli\u003eShipping Dimensions (L x W x H): 10” (25.4 cm) x 8” (20.32 cm) x 3” (7.62 cm)\u003c\/li\u003e\n\u003cli\u003eShipping Weight: 2 lbs (0.90 kg)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":43895127408683,"sku":"RND-RNDI","price":328.59,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/rndi-front-1__60448.1750792207.1280.1280.jpg?v=1775701437"},{"product_id":"rupert-neve-designs-rndi-8","title":"Rupert Neve Designs RNDI-8","description":"\u003cp\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLegendary tone, unquestionable reliability. Eight channels of the superb-sounding RNDI in one rack space.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith over 25,000 channels shipped since its launch in 2015, the RNDI is firmly established as the direct interface of choice for many of the world’s most discerning musicians and engineers. Its custom transformers and discrete FET input stages deliver a vibrancy and clarity that captures the full harmonic depth of any source, and its unquestionable reliability has led to its adoption by thousands of touring artists.\u003c\/p\u003e\n\u003cp\u003eThe RNDI-8 puts eight channels of this beloved circuit into a single rack space, making it the ideal solution for high-end stage rigs, studios, and synth enthusiasts. With the RNDI-8, stunning direct sound doesn’t require extra work – it’s just there.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTransformer + Discrete FET: The Best of Both Worlds\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe RNDI-8’s signature sound stems from the custom-designed output transformers and the class-A, discrete FET input stages. The carefully designed union of these two elements is key to the RNDI-8’s unique accuracy, tone, and response.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE EIGHT CUSTOM TRANSFORMERS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe RNDI-8’s custom-wound output transformers provide isolation while adding musical harmonics and dimension to the sound. The low impedance, transformer-balanced outputs excel at driving long cable runs, and the performance is consistent regardless of the connected equipment. This is important for both live and studio environments where the audio signal may travel 100ft or more before hitting an amplifier.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE CLASS-A, DISCRETE FET INPUT AMPLIFIERS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe class-A \u0026amp; discrete FET input stages in the RNDI-8 are powered by 48V phantom and create a high impedance input of 2.2M Ohms, ensuring consistent performance with a wide variety of instruments. The class-A design introduces no crossover distortion to the signal, which can add upper-order odd harmonics that are musically dissonant in nature. With the RNDI-8, the majority of harmonic content is a pleasing combination of 2nd order (octave) and 3rd order (fifth above octave). These musically relevant harmonics, present in subtle amounts, enhance the richness of the original signal and provide a distinctly musical response. Furthermore, the discrete aspect of the RNDI-8’s design means there are no ICs or digital components to potentially cause negative effects on the tone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGiant Headroom, Wide Bandwidth\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe RNDI-8 has a uniquely wide bandwidth with a frequency response stretching from below 5Hz all the way past 90kHz. However, measurements are only part of the equation: couple this extended bandwidth with the output transformer’s harmonic enhancement and a thunderous low-end emerges, adding an unparalleled feeling of depth. All this happens without compromising any of the midrange richness or top-end sparkle of the source.\u003c\/p\u003e\n\u003cp\u003eThe RNDI’s uniquely high input headroom of +20.5 dBu is capable of handling not only instruments, but sources such as synths, keyboards, drum machines and even pre-recorded material. And with the addition of a -10dB pad, that number soars to +30.5dBu – allowing the RNDI-8 to inject that coveted Rupert Neve Designs tone into a wide variety of sources.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eTwo Distinct Ground Lift Options\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMost direct interfaces include a ground lift switch at the output, and the RNDI-8 includes this standard DI ‘lifting’ option via eight individual ‘Pin 1 Isolate’ switches on the rear panel. Engaging this button will usually eliminate common sources of hum in the signal path.\u003c\/p\u003e\n\u003cp\u003eHowever, the RNDI-8 also includes eight ground lift buttons on the front panel which separate each channel’s circuit ground from the chassis ground, providing another helpful option to detect and eliminate unwanted ground hum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFRONT PANEL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHi-Z unbalanced input. ZIN = 2.2MΩ\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTHRU\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eParallel ¼” jack that allows the user to pass the input signal directly to an amplifier.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e48V\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIndicates when +48VDC phantom power is active on the channel.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eGND LIFT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIsolates each channel ground from the chassis ground.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e-10dB PAD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAttenuates the input signal by -10dB (¼” THRU unaffected).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eREAR PANEL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOUTPUT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eXLR DI output utilizing custom Rupert Neve Designs transformer. ZOUT \u0026lt; 40Ω\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePIN 1 ISOLATE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIsolates XLR Pin 1 output from circuit ground.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGroundbreaking Direct Tone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen class-A, discrete input stages meet Rupert’s custom output transformers, magic happens. The RNDI-8 contains the unique components and design knowledge that make it worthy of the Rupert Neve name.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHuge Headroom\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCapable of handling not only instruments, but sources such as synths, keyboards, drum machines and even pre-recorded material. And with the addition of a -10dB pad, the input headroom soars to +30.5dBu – allowing the RNDI-8 to inject that coveted Rupert Neve Designs tone into a wide variety of sources.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRugged Solid Steel Frame\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe rugged steel 1U chassis features an industrial-grade powder coating and is built to withstand the severe stresses of life on the road. The included bolt-on rack ears are reversible for multiple mounting options.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUse With a Variety of Sources\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe RNDI-8 has immensely consistent performance across a wide variety of sources due to its 2.2M Ohm discrete FET input stages and high headroom. The RNDI-8 can be used with confidence on guitars, synths, basses, acoustic instruments, keyboards \u0026amp; drum machines. And with the -10dB PAD the input headroom increases even further, providing an easy way to inject the pleasing harmonic content of the RNDI into literally any source.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrive Longer Lines\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe low impedance transformer-coupled outputs – below 40 ohms – are capable of driving long lines while maintaining exceptional high frequency performance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1\/4′′ THRU Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe THRU outputs can be used to feed amplifier inputs for reinforcement.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGround Lift Options\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePin 1 Isolate switches are provided on the rear panel to help fix any problematic grounding, as well as Ground Lift switches on the front panel to isolate each channel’s circuit ground from chassis ground.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhantom Powered\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEach of the RNDI-8’s eight channels is powered by standard 48V phantom power. Power is indicated by blue LEDs on the front panel, one per channel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNote: All specifications are typical.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNOISE\u003c\/strong\u003e (22 Hz - 22 kHz, Un-weighted)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBetter than -110 dBV\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eINPUT IMPEDANCE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInstrument Input: 2.2 Megohm\u003c\/li\u003e\n\u003cli\u003e-10dB PAD Engaged: 200 Kilohm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOUTPUT IMPEDANCE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLess than 40 Ohm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFREQUENCY RESPONSE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e+\/- 0.25 dB from 28 Hz – 60 kHz\u003c\/li\u003e\n\u003cli\u003e+\/- 1 dB from 14 Hz – 90 kHz\u003c\/li\u003e\n\u003cli\u003e-3 dBu below 5 Hz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMAXIMUM INPUT LEVEL\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInstrument Input: +20.5 dBu (8.2 Volts RMS) Typical \u003c\/li\u003e\n\u003cli\u003e-10 dB PAD Engaged: +30.5 dBu (26 Volts RMS) Typical\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMAXIMUM OUTPUT LEVEL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e+11.5 dBu Typical\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTOTAL HARMONIC DISTORTION + NOISE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e@ 1 kHz, +20 dBu input level: 0.25% Typical (2nd and 3rd Harmonic)\u003c\/li\u003e\n\u003cli\u003e@ 1 kHz, -20 dBu input level: 0.015% Typical (2nd and 3rd Harmonic)\u003c\/li\u003e\n\u003cli\u003e@ 20 Hz, -20 dBu input level: 0.75% Typical (2nd and 3rd Harmonic)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePOWER REQUIREMENTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e4.5mA Per Channel @ +48VDC\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e19” RACK MOUNTIN\u003c\/strong\u003eG OPTION\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1RU reversible bolt-on rack ears (included)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWEIGHTS \u0026amp; DIMENSIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eProduct Dimensions ( D x W x H): 7” (17.78 cm) x 5” (12.7 cm) x 1.75” (4.45 cm)\u003c\/li\u003e\n\u003cli\u003eShipping Dimensions (L x W x H): 10” (25.4 cm) x 8” (20.32 cm) x 3” (7.62 cm)\u003c\/li\u003e\n\u003cli\u003eShipping Weight: 3 lbs (1.36 kg)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":43895127474219,"sku":"RND-RNDI-8","price":1646.24,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/rndi-8-front-1__23655.1750795711.1280.1280.jpg?v=1775701438"},{"product_id":"rupert-neve-designs-rndi-m","title":"Rupert Neve Designs RNDI-M","description":"\u003cp\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompact design – giant tone.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe RNDI-M brings the stunning tone \u0026amp; clarity of its award-winning counterparts to an even more compact and pedalboard-friendly format, with the exact same custom Rupert Neve Designs transformers and discrete FET input stage as the best-selling RNDI, RNDI-S and RNDI-8.\u003c\/p\u003e\n\u003cp\u003eBy streamlining its feature set and housing the electronics in a rugged \u0026amp; more compact chassis, the RNDI-M fits neatly into any space and will allow even more musicians and engineers to tap into the uncompromised sonic power \u0026amp; vibrancy of a Rupert Neve Designs DI.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe RNDI-M provides instrument direct injection for electric guitar \u0026amp; basses, synthesizers, keyboards, piezo pickups, or any other instrument-level source.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe discrete, Class-A circuit topology is built around Mr. Rupert Neve’s custom transformers, resulting in outstanding sonic performance and strikingly natural sound from below 5Hz all the way up to well beyond 90kHz. It can handle input levels up to +20.5dBu, the low impedance, transformer-coupled output stage drives long lines with minimal loss, and the rugged steel chassis is designed for a lifetime of stage and studio use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe RNDI-M’s Origins\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAfter coming into existence during an experimentation with new transformer designs, the RNDI circuitry was fine-tuned over a series of listening tests against the most popular high-end DIs available. It was in these tests where the RNDI always seemed to add another dimension to the sound and bring the instruments to life. The lows felt richer, deeper and fuller, and the highs had outstanding clarity without any added harshness.\u003c\/p\u003e\n\u003cp\u003eMost importantly, the design team noted: “As musicians, the RNDI consistently stood out as the DI we wanted to play through.”\u003c\/p\u003e\n\u003cp\u003eOver 35,000 channels of RNDI have been sold since its debut in 2015, and they are in daily use in studios and on stages with the world’s biggest artists: Billie Eilish, The Rolling Stones, Olivia Rodrigo, Paul Simon, Billy Strings, AC\/DC, Thundercat, Tycho, Halsey, Jack White, Stevie Wonder, and countless others.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSignature Sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe RNDI-M’s signature sound is primarily the product of a custom Rupert Neve Designs transformer and a class-A, discrete FET input stage. The carefully orchestrated union of these two elements is key to the RNDI-M’s unique accuracy, tone, and response.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE CUSTOM TRANSFORMER\u003c\/strong\u003e\u003cbr\u003eThe RNDI-M’s custom-wound output transformer provides exceptional passive isolation while adding musical harmonics and dimension to the sound. The low impedance, transformer-balanced output excels at driving long cable runs, and its performance is consistent regardless of the connected equipment. This is equally important for both live and studio environments where the audio signal may travel almost 100ft before hitting an amplifier.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE CLASS-A, DISCRETE FET AMPLIFIER\u003c\/strong\u003e\u003cbr\u003eThe class-A, discrete FET input stage in the RNDI-M is powered by external +48V phantom with a high impedance input of 2.2 Megaohms that ensures consistent performance with a wide variety of instruments \u0026amp; other sources. The class-A design ensures that zero crossover distortion is added to the signal, which can add upper-order odd harmonics that are musically dissonant in nature. With the RNDI- M, the majority of harmonic content is a pleasing combination of 2nd order (octave) and 3rd order (fifth above octave). These musically relevant harmonics, present in subtle amounts, enhance the richness of the original signal and provide a distinctly musical response. Furthermore, the discrete aspect of the RNDI-M’s design means there are no ICs or digital components that may cause negative effects on the tone\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWide Bandwidth, Giant Headroom\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe RNDI-M is flat within a quarter dB from 28Hz to 60kHz, +\/- 1dB up to 90kHz, with low frequency response all the way down below 5Hz. However, measurements are only part of the equation: combine this extended bandwidth with the output transformer’s harmonic enhancement, and a thunderous low-end emerges that feels an octave deeper than anything else without losing any midrange richness or top-end sparkle.\u003cbr\u003eFor Guitar, Bass, Synth, Keys, and more\u003c\/p\u003e\n\u003cp\u003eThe RNDI-M’s uniquely high input headroom of +20.5 dBu is capable of handling not only instruments, but a wide variety of sources such as synths, keyboards, drum machines and even pre-recorded material. This allows the RNDI-M to inject that coveted Rupert Neve Designs tone into a huge range of sources.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGroundbreaking Direct Tone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen class-A, discrete amplifiers meet Rupert’s custom transformers, amazing things happen. The RNDI-M contains the unique components and design knowledge that makes it worthy of the Rupert Neve name.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHuge Headroom\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMaximum input level is a massive +20.5dBu, making the RNDI-M capable of handling not only instruments but also keyboards, drum machines and even pre-recorded material.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRugged Solid Steel Frame\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe rugged steel chassis is built to withstand the severe stresses of life on the road.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUse a Variety of Sources\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe RNDI-M has immensely consistent performance across a wide variety of sources due to its 2.2M Ohm discrete FET input stage and high headroom. The RNDI-M can be used with confidence on guitars, synths, basses, acoustic instruments, keyboards \u0026amp; drum machines.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrive Longer Lines\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe low impedance transformer coupled output – below 40 ohms – is capable of driving long lines while maintaining exceptional high frequency performance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1\/4″ THRU Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe THRU output can be used to maintain optimal input level to an amplifier with no signal degradation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGround Lift\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA Ground Lift switch is provided on the rear panel to isolate Pin 1 on the XLR balanced output from the circuit ground to help fix any potential grounding issues.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhantom Powered\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe RNDI-M is powered by standard 48V phantom power. Power is indicated by a blue LED on the front panel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNote: All specifications are typical.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNOISE (22 Hz - 22 kHz, Un-weighted)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBetter than -110 dBV\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eINPUT IMPEDANCE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInstrument Input: 2.2 Megohm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOUTPUT IMPEDANCE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLess than 40 Ohms\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMAXIMUM INPUT LEVEL\u003c\/strong\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInstrument Input: +20.5 (8.2 Volts RMS)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMAXIMUM OUTPUT LEVEL \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e+11.5 dBu Typical\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFREQUENCY RESPONSE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e+\/- 0.25 dB from 28 Hz – 60 kHz\u003c\/li\u003e\n\u003cli\u003e+\/- 1 dB from 14 Hz – 90 kHz\u003c\/li\u003e\n\u003cli\u003e-3 dBu below 5 Hz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTOTAL HARMONIC DISTORTION + NOISE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e@ 1 kHz, +20 dBu input level: 0.25% Typical (2nd and 3rd Harmonic)\u003c\/li\u003e\n\u003cli\u003e@ 1 kHz, -20 dBu input level: 0.015% Typical (2nd and 3rd Harmonic)\u003c\/li\u003e\n\u003cli\u003e@ 20 Hz, -20 dBu input level: 0.75% Typical (2nd and 3rd Harmonic)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePOWER REQUIREMENTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e4.5mA @ +48VDC\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWEIGHTS \u0026amp; DIMENSIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eProduct Dimensions (W x D x H): 3.25” (8.25 cm) x 4.75” (12.1 cm) x 1.75” (4.45 cm)\u003c\/li\u003e\n\u003cli\u003eShipping Dimensions (L x W x H): 4.125” (10.5 cm) x 5.125” (13 cm) x 2” (5.1 cm)\u003c\/li\u003e\n\u003cli\u003eShipping Weight: 1.25 lbs. (0.57 kg)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":43895127539755,"sku":"RND-RNDI-M","price":163.88,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/RNDI-M_FRONT__51281.1750800460.1280.1280.jpg?v=1775701438"},{"product_id":"rupert-neve-designs-rndi-s","title":"Rupert Neve Designs RNDI-S","description":"\u003cp\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAn expanded two-channel version of our wildly popular RNDI, providing massive tone \u0026amp; headroom for all of your instruments \u0026amp; stereo sources.\u003c\/p\u003e\n\u003cp\u003eThe RNDI-S contains custom Rupert Neve-designed output transformers and class-A, discrete FET input stages. This carefully designed combination is the key to the unparalleled performance of the RNDI-S, delivering a powerful and vibrant direct sound that captures the full harmonic depth of basses, guitars, acoustic instruments, pre-recorded material and even consumer devices via the 3.5mm stereo input jack.\u003c\/p\u003e\n\u003cp\u003eWith portable, powerful, larger-than-life tone, the RNDI-S is ready to make your stereo or mono direct sources shine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSignature Sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe signature sound of the RNDI-S is the result of new Rupert Neve-designed output transformers and class-A, discrete FET input stages. The carefully orchestrated union of these elements is key to the accuracy, tone and response of the RNDI-S.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE TRANSFORMERS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe custom output transformers provide exceptional isolation while introducing musical harmonics and dimension to the sound. The low impedance, transformer-balanced outputs excel at driving long cable runs, and performance is immensely consistent regardless of the connected equipment. This is very important for both live and studio environments where the audio signal may travel over 100ft before hitting an amplifier.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE CLASS-A, DISCRETE FET AMPLIFIERS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe class-A, discrete FET input stage in the RNDI-S is powered by 48V phantom, providing a high impedance input of 2.2M Ohms that ensures consistent performance with a wide variety of instruments. The class-A design introduces no crossover distortion to the signal, which can add upper-order odd harmonics that are musically dissonant in nature. With the RNDI-S, the majority of harmonic content is a pleasing combination of 2nd order (octave) and 3rd order (fifth above octave). These musically relevant harmonics, present in subtle amounts, enhance the richness of the original signal and provide a distinctly musical response. And the discrete nature of the RNDI-S design means there are no ICs or digital components that can have negative effects on the tone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCONTROLS \u0026amp; I\/O\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2x ¼” INPUTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHi-Z unbalanced inputs with 2.2M Ohms input impedance.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e2x ¼” THRU JACKS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eParallel ¼” jacks used to send signal to an amp or speaker.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e3.5MM INPUT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStereo unbalanced input with 95 kOhm input impedance. Ch 1 = Tip, Ch 2 = Ring.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eINPUT SELECT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSelects ¼” Input or 3.5mm Input.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e48V POWER LEDS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIndicates that +48V phantom power is present for each channel from the connected mic preamp(s). Power must be supplied independently to both channels.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eGROUND LIFT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIsolates the XLR Pin 1 from the circuit ground for each channel.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOUTPUT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTransformer-balanced XLR output. Impedance \u0026lt;40 Ohms. Phantom power to the RNDI-S is supplied through these connections.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCustom Rupert Neve Designs transformers for rich, powerful tone\u003c\/li\u003e\n\u003cli\u003eExceptional performance with any instrument\u003c\/li\u003e\n\u003cli\u003eUnrivaled clarity from discrete FET amplifiers\u003c\/li\u003e\n\u003cli\u003eDrives long lines with minimal loss\u003c\/li\u003e\n\u003cli\u003eRugged steel frame built for life on the road\u003c\/li\u003e\n\u003cli\u003ePowered by dual 48V phantom power\u003c\/li\u003e\n\u003cli\u003eExcellent phase coherence at all frequencies\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNote: All specifications are typical.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNOISE\u003c\/strong\u003e (22 Hz - 22 kHz, Un-weighted)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBetter than -110 dBV\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eINPUT IMPEDANCE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInstrument Input: 2.2 Megohm\u003c\/li\u003e\n\u003cli\u003e3.5mm Input: 95 Kilohm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOUTPUT IMPEDANCE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLess than 40 Ohm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFREQUENCY RESPONSE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e+\/- 0.25 dB from 28 Hz – 60 kHz\u003c\/li\u003e\n\u003cli\u003e+\/- 1 dB from 14 Hz – 90 kHz\u003c\/li\u003e\n\u003cli\u003e-3 dBu below 5 Hz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMAXIMUM INPUT LEVEL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInstrument Input: +20.5 dBu (8.2 Volts RMS) Typical\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMAXIMUM OUTPUT LEVEL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e+11.5 dBu Typical\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTOTAL HARMONIC DISTORTION + NOISE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e@ 1 kHz, +20 dBu input level: 0.25% Typical (2nd and 3rd Harmonic)\u003c\/li\u003e\n\u003cli\u003e@ 1 kHz, -20 dBu input level: 0.015% Typical (2nd and 3rd Harmonic)\u003c\/li\u003e\n\u003cli\u003e@ 20 Hz, -20 dBu input level: 0.75% Typical (2nd and 3rd Harmonic)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePOWER REQUIREMENTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e4.5mA Per Channel @ +48VDC\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMOUNTING OPTIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e19” Rack Shelf Mounting Option\u003c\/li\u003e\n\u003cli\u003e4 hole pattern (bottom of unit) for 6-32 machine screws\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWEIGHTS \u0026amp; DIMENSIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eProduct Dimensions ( D x W x H): 7” (17.78 cm) x 5” (12.7 cm) x 1.75” (4.45 cm)\u003c\/li\u003e\n\u003cli\u003eShipping Dimensions (L x W x H): 10” (25.4 cm) x 8” (20.32 cm) x 3” (7.62 cm)\u003c\/li\u003e\n\u003cli\u003eShipping Weight: 3 lbs (1.36 kg)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":43895127605291,"sku":"RND-RNDI-S","price":493.29,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/rndi-s-front__44227.1750794676.1280.1280.jpg?v=1775701439"},{"product_id":"rupert-neve-designs-rnhp","title":"Rupert Neve Designs RNHP","description":"\u003cp\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGive your headphones the power and clarity they deserve.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhether you’re tracking, mixing, or just listening to music, your headphone amplifier is as important to the final sound quality as your headphones – yet the world is full of headphone amps with compromised sonics, headroom, and power. To address these shortcomings, Rupert and his team at Rupert Neve Designs developed the RNHP.\u003c\/p\u003e\n\u003cp\u003eBased on the headphone output circuit in the 5060 Centerpiece Desktop Mixer, the RNHP is a dedicated 24V reference-quality headphone amplifier with +4dBu balanced line, unbalanced RCA and 3.5mm (1\/8”) inputs – each specifically calibrated for optimum level and impedance – and housed in a rugged, VESA-mountable steel chassis.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDedicated vs Integrated Amplifiers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor much equipment, the headphone output is an afterthought. Most products with integrated headphone amps have large feature sets, small footprints, and relatively low price points. This leads to compromised power and audio quality of the headphone amplifier itself, which can lead to a number of issues in real world usage such as low headroom, unreliable performance, and a lack of focus.\u003c\/p\u003e\n\u003cp\u003eThe RNHP was made to accomplish one simple purpose: making any headphones sound their best. As a dedicated design, the RNHP is tailored to deliver extremely high quality, powerful amplification, with precise calibration for any source input. This exceptional level of quality can be the difference that inspires an artist to give their best performance, lets an engineer make better choices in mic placement, gives a mix engineer reliable translation of EQ and dynamics adjustments, or lets a music listener appreciate the full depth and detail of a recording.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e3 SPECIALLY CALIBRATED INPUTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA: Professional Line Input\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCalibrated +4dBu line input. The combo jack accepts either XLR or TRS inputs from balanced professional devices.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eB: RCA Input\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe unbalanced RCA input is calibrated for -10dBV signals. The RCA jack is commonly used with home stereo devices or Prosumer equipment.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eC: 3.5mm Input\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStereo 3.5mm input specifically calibrated to work with mobile devices like phones, computers and digital cameras.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePrecision Sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWide-open, extremely detailed sound quality allows you to get the most out of your headphones.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDedicated Power\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHigh-power, high-headroom design can effortlessly drive high-impedance (up to 600 Ohm) headphones even during the loudest, most dynamic tracking sessions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReliable Translation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe near-zero output impedance (.01 Ohm at 1kHz), direct-coupled amplifier design provides for excellent translation with any pair of headphones.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePrecision Stereo Potentiometer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe highly damped stereo potentiometer is designed to give you precise level control and maintain perfect left-right balance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVESA Mountable\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe VESA 100 compatible mount enables you to mount the RNHP wherever it needs to be. Common mounts are pole-mount arm for mic stands, pivoting multi-arm desk mount, and wall \/ surface mount for securing upside-down under a table, music stand or other studio furniture.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSteel Clamshell Chassis\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe RNHP’s rugged, solid-steel chassis is built to a high industrial standard with an overhang to protect the connectors and main level control from glancing blows, as well as shock-absorbing rubberized feet.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e24V DC Input\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe RNHP can be powered using either the included 6 watt power supply or a 24V, 0.25A min battery (not sold by RND).\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMAXIMUM INPUT LEVELS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e“A” XLR I\/P: +22.8 dBu @ 1 kHz\u003c\/li\u003e\n\u003cli\u003e \u003c\/li\u003e\n\u003cli\u003e“B” RCA I\/P: +14.7 dBu @ 1 kHz,\u003cbr\u003e“C” 3.5mm I\/P: +3.3 dBu @ 1 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOUTPUT POWER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAs measured with typical headphones, Z=44 Ohm: 3.617 VAC RMS @ 1 kHz = 300mW RMS.\u003c\/li\u003e\n\u003cli\u003e16 Ohm typical Load: 1.933 VAC RMS @ 1 kHz = 230mW RMS\u003c\/li\u003e\n\u003cli\u003e150 Ohm typical Load: 5.108 VAC RMS @ 1 kHz = 175mW RMS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOUTPUT IMPEDANCE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e.08 Ohm @ 1 kHz, 16-150 Ohm load, 0 dBu input\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFREQUENCY RESPONSE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e+\/- .2 dB from 10 Hz to 120 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNOISE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMeasured with typical headphones, Z = 44 Ohm, BW 22 Hz - 22 kHz.\u003c\/li\u003e\n\u003cli\u003e“A” XLR Input: -101.9 dBV,\u003c\/li\u003e\n\u003cli\u003e“B” RCA Input: -100.9 dBV\u003c\/li\u003e\n\u003cli\u003e“C” 3.5mm Input: -88.8 dBV\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDIMENSIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e6.5” wide x 4.6” deep and 1.9” tall\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePOWER SUPPLY REQUIREMENTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e24VDC @ 0.25Amp (6 watt) minimum. Use with supplied power adapter, as this has been carefully selected for best output power and noise performance. May be used with a properly configured 24V battery as well.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":43895127638059,"sku":"RND-RNHP","price":575.65,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/rnhp-front_1__36368.1750796554.1280.1280.jpg?v=1775701439"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/collections\/rupert-neve-designs-logo-vector.svg?v=1776287697","url":"https:\/\/www.empirepro.com\/collections\/rupert-neve-designs.oembed","provider":"Empire Pro","version":"1.0","type":"link"}