{"product_id":"aja-ki-pro-ult-12g","title":"AJA KI-PRO-ULT-12G","description":"\u003cp\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKi Pro Ultra 12G is a multi-channel Apple ProRes® recorder offering up to 4-Channels of simultaneous HD recording, or in Single-Channel mode, a 4K\/UltraHD\/2K\/HD Apple ProRes or Avid DNxHR® recorder and player. Avid DNxHD® MXF is also supported up to HD formats in Single-Channel mode.\u003c\/p\u003e\n\u003cp\u003eKi Pro Ultra 12G offers 12G-SDI single cable simplicity for large rasters up to full 4K, (the 4x 3G-SDI inputs\/outputs can be used for Quad Link operations as required) and HDMI 2.0 digital video connectivity with HDR support for both recording and playback.\u003c\/p\u003e\n\u003cp\u003eA wealth of analog and digital audio connectivity answers any project’s demand for efficient, powerful and flexible workflows. For distance and remote needs, 12G and 3G Fiber SFP+ options are available. Ki Pro Ultra 12G also offers the ability to record genlock free sources with frame sync support on inputs.\u003c\/p\u003e\n\u003cp\u003eDesigned to be either portable or rackmountable with half rack wide, 2RU high dimensions, Ki Pro Ultra 12G is well suited for use in any environment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e4K\/UltraHD\/2K\/HD Recorder and Player\u003c\/li\u003e\n\u003cli\u003eSupports single-channel 4K\/UltraHD\/HD recording to ProRes or DNx files\u003c\/li\u003e\n\u003cli\u003eSupports multi-channel HD recording to ProRes\u003c\/li\u003e\n\u003cli\u003eRecords and plays back up to Apple ProRes 4444 XQ or Avid DNxHR HQX\u003c\/li\u003e\n\u003cli\u003eGenlock-free multi-channel HD recording up to 1080 60p\u003c\/li\u003e\n\u003cli\u003eSingle channel recording up to 4K 60p\u003c\/li\u003e\n\u003cli\u003eHDR recording and playback\u003c\/li\u003e\n\u003cli\u003e1x 12G-SDI I\/O\u003c\/li\u003e\n\u003cli\u003e3x 3G-SDI I\/O (4x when also using the 12G-SDI capable port)\u003c\/li\u003e\n\u003cli\u003eHDMI 2.0 I\/O\u003c\/li\u003e\n\u003cli\u003eSFP fiber cage I\/O (fiber modules not included)\u003c\/li\u003e\n\u003cli\u003e2x PAK media bays with Ki Protect\u003c\/li\u003e\n\u003cli\u003eAnalog audio I\/O (DB-25 loom connectivity)\u003c\/li\u003e\n\u003cli\u003eAES\/EBU digital audio I\/O (DB-25 loom connectivity)\u003c\/li\u003e\n\u003cli\u003eMulti-channel embedded SDI and HDMI audio\u003c\/li\u003e\n\u003cli\u003eREF, LTC, RP-188 and RS-422 support\u003c\/li\u003e\n\u003cli\u003eREST interface\u003c\/li\u003e\n\u003cli\u003eSupport for 8K VPID multi-unit playback\u003c\/li\u003e\n\u003cli\u003eFront panel button controls with integrated HD resolution screen\u003c\/li\u003e\n\u003cli\u003eEasy to use web UI, configure and control from standard web browsers\u003c\/li\u003e\n\u003cli\u003eCompact 2RU, half-rack width design\u003c\/li\u003e\n\u003cli\u003eThree year warranty\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eProfessional Connectivity\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe video and audio connections on the rear panel of the Ki Pro Ultra 12G offer next generation connectivity with single channel 12G-SDI I\/O over either BNC or optional FIber and three additional 3G-SDI ports for multi-channel HD or quad-link capture needs. HDMI 2.0 I\/O offers single cable simplicity all the way up to 4K. AES and analog XLR balanced audio, LTC, RS-422 and LAN round out the package.\u003c\/p\u003e\n\u003cp\u003eSFP+ cages offer the ability to install optional HD-BNC or Fiber SFPs for long cable run needs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProRes® 422 and 444 Recording\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKi Pro Ultra 12G records 4K\/UltraHD\/2K\/HD to six quality levels of Apple ProRes® including Apple ProRes 4444 XQ. This lets you choose the balance of image fidelity and file size that’s right for each individual production as well as having the flexibility to record directly to native file formats that are understood by most major editing systems.\u003c\/p\u003e\n\u003cp\u003eNext generation UltraHD 60p and 4K 60p recording is attainable all the way up to Apple ProRes HQ when using AJA PAK 2000, PAK 1000, PAK 512 and PAK 256 SSD media.\u003c\/p\u003e\n\u003cp\u003eBy utilizing Apple ProRes, your project will have the best image quality available, with manageable and affordable file sizes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenlock-Free Multi-Channel HD Recording\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRecord 1, 2, 3 or 4-Channels of beautiful HD up to 1080p 50\/60 in Apple ProRes simultaneously with Ki Pro Ultra 12G – without the need to genlock the sources.\u003c\/p\u003e\n\u003cp\u003eSimplify your multi-camera productions by running up to four cameras per Ki Pro Ultra 12G and save power, space, time and effort on set, in the studio and when setting up OB trucks. Ki Pro Ultra 12G even allows independent profile support per channel in Multi-Channel mode; for example, select high resolution Apple ProRes HQ for high quality finishing and use a second input to record Apple ProRes (Proxy) for an efficient editing pipeline.\u003c\/p\u003e\n\u003cp\u003eStarting with input 1, add channels as needed in order when utilizing like raster size and frame rate, and record your HD Apple ProRes files on the same AJA PAK media*. Ki Pro Ultra 12G even allows rollover to a second PAK for hours of uninterrupted multi-channel recording. Internal frame synchronizers eliminate the need for sources to be genlocked, which can be especially useful when setting up live events.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAvid DNxHR MXF Recording\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKi Pro Ultra 12G also allows users to record 4K and UltraHD rasters with Avid codecs within an MXF wrapper, supporting Avid editors and native MXF workflows with more flexible options.\u003cbr\u003eKi Pro Ultra 12GSD offers Avid DNxHR codecs in an MXF wrapper for the following formats:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDNxHR HQX\u003c\/li\u003e\n\u003cli\u003eDNxHR SQ\u003c\/li\u003e\n\u003cli\u003eDNxHR LB\n\u003cul\u003e\n\u003cli\u003e(4K) 4096 x 2160p 23.98, 24, 25, 29.97\u003c\/li\u003e\n\u003cli\u003e(UltraHD) 3840 x 2160p 23.98, 24, 25, 29.97\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAvid DNxHD MXF Recording\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKi Pro Ultra 12G offers native Avid MXF support for HD workflows. Record and playback DNxHD files with an OP1a profile within an MXF container for DNxHD HQX (220x), DNxHD SQ (145) and DNxHD LB (36) codecs.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThis provides a native MXF workflow for Avid pipelines, free of transcoding.\u003c\/li\u003e\n\u003cli\u003eDNxHD HQX (220x)*\u003c\/li\u003e\n\u003cli\u003eDNxHD SQ (145)*\u003c\/li\u003e\n\u003cli\u003eDNxHD LB (36)**\n\u003cul\u003e\n\u003cli\u003e(HD) 1080p 23.98, 24, 25, 29.97, 50, 59.94\u003c\/li\u003e\n\u003cli\u003e(HD) 1080i 25, 29.97\u003c\/li\u003e\n\u003cli\u003e(HD) 1080PsF 23.98, 24, 25, 29.97\u003c\/li\u003e\n\u003cli\u003e(HD) 720p 50, 59.94\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e*Avid DNxHD only supported for 1080 and 720 resolutions\u003cbr\u003e**Avid DNxHD 36 only supported for 1080p\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e4K, 12-bit Full Raster Workflows for Professionals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNext generation 4K\/UltraHD 50\/60p recording and playback are attainable all the way up to Apple ProRes XQ when using AJA PAK Media with Ki Pro Ultra 12G.\u003c\/p\u003e\n\u003cp\u003e4K\/UltraHD is supported through 12G-SDI, 4x 3G-SDI, HDMI 2.0 or optional fiber inputs and outputs. Ki Pro Ultra 12G not only supports true 4K at 4096 x 2160p for digital cinema and high quality UltraHD for broadcast production, it also offers the color depth to match including HDR support.\u003c\/p\u003e\n\u003cp\u003eAny shoot or project benefits from the fabulously rich colors and smooth gradations across the luminance and chroma range that 12-bit makes possible with full 4:4:4 support including Apple ProRes 4444 XQ up to 2K 50\/60p.\u003c\/p\u003e\n\u003cp\u003eVFX work benefits from Ki Pro Ultra 12G’s 12-bit support to captured Apple ProRes 444 files, resulting in clean green screen plates for easy and detailed post-production manipulation. With full HDMI 2.0, you can monitor it all from 4:2:2 YCbCr to full 4:4:4 RGB in 12-bit.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEdit Ready, Synched Files for Edit\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMulti-Channel recording with Ki Pro Ultra 12G provides individual, discrete recordings for each input that are timecode accurate and ready to be imported directly into a multi-channel editing sequence. No additional conversion or software is required, just drag and drop the files directly from the PAK Media into your edit. The clip naming convention is yours to customize to suit your needs, but each multi-channel file is always appended with _1, _2, _3 or _4 matching the input, making it very easy to track assets in post.\u003c\/p\u003e\n\u003cp\u003eMulti-Channel independent file naming support also allows an independent additional name to be added to each recorded file for further identifying specific information for the project's needs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVideo Formats\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSingle Channel Mode:\n\u003cul\u003e\n\u003cli\u003e(4K) 4096 x 2160p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60\u003c\/li\u003e\n\u003cli\u003e(4K) 4096 x 2160PsF 23.98, 24, 25, 29.97*\u003c\/li\u003e\n\u003cli\u003e(UltraHD) 3840 x 2160p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60\u003c\/li\u003e\n\u003cli\u003e(UltraHD) 3840 x 2160PsF 23.98, 24, 25, 29.97*\u003c\/li\u003e\n\u003cli\u003e(2K) 2048 x 1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60\u003c\/li\u003e\n\u003cli\u003e(HD) 1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60\u003c\/li\u003e\n\u003cli\u003e(HD) 1080i 25, 29.97, 30\u003c\/li\u003e\n\u003cli\u003e(HD) 1080PsF 23.98, 24, 25**, 29.97**\u003c\/li\u003e\n\u003cli\u003e(HD) 720p 50, 59.94, 60\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eMulti-Channel Mode:\n\u003cul\u003e\n\u003cli\u003e(HD) 1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60\u003c\/li\u003e\n\u003cli\u003e(HD) 1080i 25, 29.97, 30\u003c\/li\u003e\n\u003cli\u003e(HD) 1080PsF 23.98, 24, 25**, 29.97**\u003c\/li\u003e\n\u003cli\u003e(HD) 720p 50, 59.94, 60\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e*Only 4x 1.5G-SDI, 10-bit 4:2:2 YCbCr, Square Division\u003cbr\u003e**25 and 29.97 requires Record Type\u0026gt;PsF selection\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCodec Support\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSingle Channel Mode:\n\u003cul\u003e\n\u003cli\u003eApple ProRes 4444 XQ, up to 2K\/60 fps\u003c\/li\u003e\n\u003cli\u003eApple ProRes 4444, up to 30 fps\u003c\/li\u003e\n\u003cli\u003eApple ProRes 422 (HQ)\u003c\/li\u003e\n\u003cli\u003eApple ProRes 422\u003c\/li\u003e\n\u003cli\u003eApple ProRes 422 (LT)\u003c\/li\u003e\n\u003cli\u003eApple ProRes 422 (Proxy)\u003c\/li\u003e\n\u003cli\u003eAvid DNxHD HQX (220x)*\u003c\/li\u003e\n\u003cli\u003eAvid DNxHD SQ (145)*\u003c\/li\u003e\n\u003cli\u003eAvid DNxHD LB (36)**\u003c\/li\u003e\n\u003cli\u003eAvid DNxHR HQX up to 4K\/29.97 fps\u003c\/li\u003e\n\u003cli\u003eAvid DNxHR SQ up to 4K\/29.97 fps\u003c\/li\u003e\n\u003cli\u003eAvid DNxHR LB up to 4K\/29.97 fps\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eMulti-Channel Mode:\n\u003cul\u003e\n\u003cli\u003eApple ProRes 4444, up to 30 fps\u003c\/li\u003e\n\u003cli\u003eApple ProRes 422 (HQ)\u003c\/li\u003e\n\u003cli\u003eApple ProRes 422\u003c\/li\u003e\n\u003cli\u003eApple ProRes 422 (LT)\u003c\/li\u003e\n\u003cli\u003eApple ProRes 422 (Proxy)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e*Avid DNxHD only supported for 1080 and 720 resolutions\u003cbr\u003e**Avid DNxHD 36 only supported for 1080p\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCodec Container\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eApple ProRes .MOV\u003c\/li\u003e\n\u003cli\u003eAVID DNX .MXF or .MOV\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRemovable Storage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2x slots, AJA SSD media PAK2000, PAK1000, PAK512, PAK256\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFile System Support\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHFS+, exFAT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eVideo Input Digital\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1x 12G-SDI, SMPTE-292\/372\/424\/2081\/2082\u003c\/li\u003e\n\u003cli\u003e3x 3G-SDI, SMPTE-292\/372\/424\u003c\/li\u003e\n\u003cli\u003e1x Fiber or HD-BNC 12G-SDI, SMPTE-297 (optional SFP modules)\u003c\/li\u003e\n\u003cli\u003e3x Fiber or HD-BNC, 3G-SDI, SMPTE-297 (optional SFP modules)\u003c\/li\u003e\n\u003cli\u003e4K\/UltraHD 4:2:2 10bit \u0026amp; 4:4:4 10bit (BNC or Fiber)\u003c\/li\u003e\n\u003cli\u003e2K 4:2:2 10bit \u0026amp; 4:4:4 10\/12bit (BNC or Fiber)\u003c\/li\u003e\n\u003cli\u003eDual Link 4:2:2 10bit \u0026amp; 4:4:4 10\/12bit (BNC or Fiber)\u003c\/li\u003e\n\u003cli\u003eSingle Link 4:2:2 10bit \u0026amp; 4:4:4 10\/12bit (BNC or Fiber)\u003c\/li\u003e\n\u003cli\u003e1x HDMI standard type A connector\u003c\/li\u003e\n\u003cli\u003eHDMI v2.0\n\u003cul\u003e\n\u003cli\u003e4:4:4 RGB 8\/10\/12-bit (deep color)\u003c\/li\u003e\n\u003cli\u003e4:2:2 YCbCr 8\/10\/12-bit\u003c\/li\u003e\n\u003cli\u003e4:2:0 YCbCr 8-bit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eVideo Output Digital\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1x 12G-SDI, SMPTE-292\/372\/424\/2081\/2082\u003c\/li\u003e\n\u003cli\u003e3x 3G-SDI, SMPTE-292\/372\/424\u003c\/li\u003e\n\u003cli\u003e1x Fiber or HD-BNC 12G-SDI, SMPTE-297 (optional SFP modules)\u003c\/li\u003e\n\u003cli\u003e3x Fiber or HD-BNC, 3G-SDI, SMPTE-297 (optional SFP modules)\u003c\/li\u003e\n\u003cli\u003e4K\/UltraHD 4:2:2 10bit \u0026amp; 4:4:4 10bit (12G BNC or Fiber)\u003c\/li\u003e\n\u003cli\u003e4K\/UltraHD 4:2:2 10bit \u0026amp; 4:4:4 10bit (Quad link BNC)\u003c\/li\u003e\n\u003cli\u003e2K 4:2:2 10bit \u0026amp; 4:4:4 10\/12bit (BNC or Fiber)\u003c\/li\u003e\n\u003cli\u003eDual Link 4:2:2 10bit \u0026amp; 4:4:4 10\/12bit (BNC or Fiber)\u003c\/li\u003e\n\u003cli\u003eSingle Link 4:2:2 10bit \u0026amp; 4:4:4 10\/12bit (BNC or Fiber)\u003c\/li\u003e\n\u003cli\u003e1x HDMI standard type A connector\u003c\/li\u003e\n\u003cli\u003eHDMI v2.0\n\u003cul\u003e\n\u003cli\u003e4:4:4 RGB 8\/10\/12-bit (deep color)\u003c\/li\u003e\n\u003cli\u003e4:2:2 YCbCr 8\/10\/12-bit\u003c\/li\u003e\n\u003cli\u003e4:2:0 YCbCr 8-bit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAudio Input Digital\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e16-channel, 24-bit SDI\/Fiber embedded audio, 48 kHz sample rate, synchronous\u003c\/li\u003e\n\u003cli\u003e8-channel, 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous\u003c\/li\u003e\n\u003cli\u003e8-channel, AES\/EBU via (1x DB-25 TASCAM pinout)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAudio Input Analog\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e8-channel, mappable, 24-bit A\/D analog audio, 48 kHz sample rate (1x DB-25 TASCAM Pinout)\u003c\/li\u003e\n\u003cli\u003e+24 dBu full scale digital\u003c\/li\u003e\n\u003cli\u003e+\/- 0.2 dB 20 Hz to 20 kHz frequency response\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAudio Output Digital\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e16-channel, 24-bit SDI\/Fiber embedded audio, 48 kHz sample rate, synchronous\u003c\/li\u003e\n\u003cli\u003e8-channel, 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous\u003c\/li\u003e\n\u003cli\u003e8-channel, AES\/EBU via (1x DB-25 TASCAM pinout)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAudio Output Analog\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStereo unbalanced headphone jack (1x 3.5mm jack) with volume control\u003c\/li\u003e\n\u003cli\u003e8-channel, 24-bit D\/A analog audio, 48 kHz sample rate (1x DB-25 TASCAM pinout)\u003c\/li\u003e\n\u003cli\u003e2-channel unbalanced 2x RCA connectors\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRecording Mode\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMulti-channel HD Apple ProRes recording (PAK2000, PAK1000, PAK512 (R1\/X2 and above), PAK256 (R1\/X2 and above))\u003c\/li\u003e\n\u003cli\u003eSingle channel 4K\/UltraHD\/2K\/HD recording\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePlayback Mode\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOne channel of 4K\/UltraHD\/2K\/HD at a time\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTimecode\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSDI RP188\/SMPTE 12M via SDI BNC\u003c\/li\u003e\n\u003cli\u003eLTC input (1x BNC)\u003c\/li\u003e\n\u003cli\u003eLTC output (1x BNC)\u003c\/li\u003e\n\u003cli\u003eTC Super Out\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eReference Input\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eExternal, 2x BNC\u003c\/li\u003e\n\u003cli\u003eLooping, nonterminating\u003c\/li\u003e\n\u003cli\u003eInput reference formats:\n\u003cul\u003e\n\u003cli\u003e(HD) Tri-level sync\n\u003cul\u003e\n\u003cli\u003e720p 59.94\u003c\/li\u003e\n\u003cli\u003e720p 50\u003c\/li\u003e\n\u003cli\u003e1080i 59.94\u003c\/li\u003e\n\u003cli\u003e1080i 50\u003c\/li\u003e\n\u003cli\u003e1080p 23.98\u003c\/li\u003e\n\u003cli\u003e1080PsF 23.98\u003c\/li\u003e\n\u003cli\u003e1080p 24\u003c\/li\u003e\n\u003cli\u003e1080PsF 24\u003c\/li\u003e\n\u003cli\u003e1080p 25\u003c\/li\u003e\n\u003cli\u003e1080PsF 25\u003c\/li\u003e\n\u003cli\u003e1080p 29.97\u003c\/li\u003e\n\u003cli\u003e1080PsF 29.97\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e(SD) Analog composite\n\u003cul\u003e\n\u003cli\u003e525i 59.94\u003c\/li\u003e\n\u003cli\u003e625i 50\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNetwork Interface\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1x LAN connector (RJ-45 connector, 10\/100\/1000)\u003c\/li\u003e\n\u003cli\u003eEmbedded web server for remote control\u003c\/li\u003e\n\u003cli\u003eConfiguration and Transport Control via Web Interface\u003c\/li\u003e\n\u003cli\u003eVideo Confidence Monitor via Web Interface\u003c\/li\u003e\n\u003cli\u003eClip upload\/download via Web Interface in DATA-LAN mode\u003c\/li\u003e\n\u003cli\u003eRemote control via REST\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMachine Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRS-422, 1x DB-9 female connector, Sony 9-pin protocol\u003c\/li\u003e\n\u003cli\u003e9-pin D-connector pinout is as follows:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ctable border=\"b\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e1\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eGND\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e2\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eTX-\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e3\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eRX+\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e4\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eGND\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e5\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eNo Connection    \u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e6\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eGND\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e7\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eTX+\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e8\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eRX-\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e9\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eGND\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eShell   \u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eGND\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003eUser Interface\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRotary selector knob\u003c\/li\u003e\n\u003cli\u003eDedicated, backlit transport controls and menu buttons\u003c\/li\u003e\n\u003cli\u003eLarge 1280x720 TFT LCD display with Video Monitor and Menu\/Status Overlays\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eClosed Captioning Support\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCEA-708, CEA-608\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSize (w x d x h)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e8.64\" x 10.59\" x 3.31\" (219.46 x 268.9 x 84.08 mm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e5.6 lbs (2.6 kg)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDual, redundant, 5.4A max, 35W-60W typical-65W Max\n\u003cul\u003e\n\u003cli\u003e100-240 VAC 50\/60 Hz (adapter)\u003c\/li\u003e\n\u003cli\u003e12-18Vdc 4-pin XLR (chassis)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eEnvironment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSafe Operating Temperature: 0 to 40 C (32 to 104 F)\u003c\/li\u003e\n\u003cli\u003eSafe Storage Temperature (Power OFF): -40 to 60 C (-40 to 140 F)\u003c\/li\u003e\n\u003cli\u003eOperating Relative Humidity: 10-90% noncondensing\u003c\/li\u003e\n\u003cli\u003eOperating Altitude: \u0026lt;3,000 meters (\u0026lt;10,000 feet)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AJA","offers":[{"title":"Default Title","offer_id":43886784380971,"sku":"AJA-KI-PRO-ULT-12G","price":4702.94,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/1592840740_IMG_1377769__30588.1771335089.1280.1280.jpg?v=1775701620","url":"https:\/\/www.empirepro.com\/products\/aja-ki-pro-ult-12g","provider":"Empire Pro","version":"1.0","type":"link"}