{"product_id":"aja-og-colorbox-r0","title":"AJA OG-COLORBOX-R0","description":"\u003cp\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eOG-ColorBox from AJA is a high performance color management openGear card specifically designed to meet the color conversion and color correction needs of broadcast, live events, and on-set applications. Supporting HDR, SDR, and Wide Color Gamut (WCG) signals, it utilizes 12G-SDI for single wire 4K\/UltraHD up to 4:2:2 10-bit 60p or 4:4:4 12-bit 30p, with a unique color processing pipeline, and down-conversion. The OG-ColorBox’s ultra-low latency, less than ½ of a video line, makes it ideal for color managed workflows for live productions.\u003c\/p\u003e\n\u003cp\u003eBuilt around a 33-point 3D LUT processor with tetrahedral interpolation, the AJA Color Pipeline provides additional 4x 1D LUTs and 2x 3x3 matrices that are each individually configurable or can be converted to Proc Amps or RGB Color Correctors. All of the color processing options can be easily managed via the web user interface, which can be accessed directly from a wired Ethernet connection.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eOG-ColorBox also includes processing pipelines from NBCU LUTs and ACES. Additionally, OG-ColorBox offers licensable upgrade options for advanced color managed workflows, including the Colorfront Engine, BBC HLG LUTs, and ORION-CONVERT. ORION-CONVERT’s unique real time floating point math approach to color transformations produces higher precision results to get “access to the colors between the colors.” This enables pixel perfect color transforms and round-tripping where maintaining color fidelity is paramount.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe ACES Pipeline includes support for ACES Metadata File (AMF). Internal AMF processing is built on the OpenColorIO (OCIO) from the Academy Software Foundation and supports configurable input and output transforms. The OG-ColorBox is an officially ACES logoed device ensuring end-to-end ACES compliance.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eOG-ColorBox can overlay information onto the image, including helpful user definable text fields, user loaded images such as graphic elements and frame lines, and more.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eOG-ColorBox also offers a sophisticated 4K test pattern generator and frame store, bringing useful tools to your workflow, including capturing up to a 4K image as a 16-bit .tiff file for the highest quality reference stills. These captures can be saved locally on OG-ColorBox or onto third party connected computers, which can simultaneously be running applications like Pomfort’s Livegrade Pro\/Studio, Assimilate Live Looks, and QTAKE Video Assist software.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cdiv id=\"feature_block_content_10504\" class=\"feature-content\"\u003e\n\u003cul dir=\"ltr\"\u003e\n\u003cli\u003eopenGear compatible card\u003c\/li\u003e\n\u003cli\u003e12-bit 4:4:4 12G-SDI I\/O for up to 4K\/UltraHD HDR\/WCG 30p\u003c\/li\u003e\n\u003cli\u003e10-bit 4:2:2 12G-SDI I\/O for up to 4K\/UltraHD HDR\/WCG 60p\u003c\/li\u003e\n\u003cli\u003e12-bit 4:4:4 HDMI 2.0 output for up to 4K\/UltraHD HDR\/WCG 30p\u003c\/li\u003e\n\u003cli\u003e10-bit 4:2:2 HDMI 2.0 output for up to 4K\/UltraHD HDR\/WCG 60p\u003c\/li\u003e\n\u003cli\u003eUltra-low latency, less than ½ a video line\u003c\/li\u003e\n\u003cli\u003eExtensive AJA Color Pipeline built around the 33pt. 3D LUT processor with tetrahedral interpolation\n\u003cul\u003e\n\u003cli\u003e7x nodes plus Overlay\n\u003cul\u003e\n\u003cli\u003e1x 3D LUT processor, user configurable as 3D LUT or Dynamic\u003c\/li\u003e\n\u003cli\u003e4x 1D LUT processors, user configurable as 1D LUT, Dynamic, or Color Corrector\u003c\/li\u003e\n\u003cli\u003e2x 3x3 Matrix processors, user configurable as 3x3 Matrix, Dynamic, or ProcAmp\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSupports industry standard file types, no conversion to proprietary format required\u003c\/li\u003e\n\u003cli\u003eConfigurable Color Space, Range, and Transfer Characteristic\u003c\/li\u003e\n\u003cli\u003eFull frame LUT processing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSix Color Processing Pipelines\n\u003cul\u003e\n\u003cli\u003eAJA Color\u003c\/li\u003e\n\u003cli\u003eColorfront (Licensable option)\u003c\/li\u003e\n\u003cli\u003eORION-CONVERT (Licensable option)\u003c\/li\u003e\n\u003cli\u003eBBC HLG LUT (Licensable option)\u003c\/li\u003e\n\u003cli\u003eNBCU LUTs\u003c\/li\u003e\n\u003cli\u003eACES\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDown-convert 4K to 2K or UltraHD to HD via SDI and\/or HDMI outputs\u003c\/li\u003e\n\u003cli\u003e4K\/2K Crop for HDMI output\u003c\/li\u003e\n\u003cli\u003eVideo Preview in web user interface for confidence monitoring\u003c\/li\u003e\n\u003cli\u003eBuilt-in Frame Store\n\u003cul\u003e\n\u003cli\u003eUp to 4K\/UltraHD frame capture and recall \u003c\/li\u003e\n\u003cli\u003eCapture pre or post processed images\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eTest Pattern up to 4K\/UltraHD, 14 test patterns built-in\u003c\/li\u003e\n\u003cli\u003eOverlay information on output\n\u003cul\u003e\n\u003cli\u003eUser Text\u003c\/li\u003e\n\u003cli\u003eUser Overlay\u003c\/li\u003e\n\u003cli\u003eInput and Output signal information\u003c\/li\u003e\n\u003cli\u003ePipeline Configuration\u003c\/li\u003e\n\u003cli\u003eOverlay can be captured with image for future reference\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eOnboard library for file management\n\u003cul\u003e\n\u003cli\u003e16x 1D LUTs\u003c\/li\u003e\n\u003cli\u003e16x 3D LUTs\u003c\/li\u003e\n\u003cli\u003e16x 3x3 Matrices\u003c\/li\u003e\n\u003cli\u003e16x Images\u003c\/li\u003e\n\u003cli\u003e16x Overlays\u003c\/li\u003e\n\u003cli\u003e16x AMFs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003ePreset Management, 10 per Pipeline plus Startup Preset\u003c\/li\u003e\n\u003cli\u003eHDR signaling metadata management\u003c\/li\u003e\n\u003cli\u003eANC metadata pass-through\u003c\/li\u003e\n\u003cli\u003eEmbedded audio pass-through, SDI 16-ch, and HDMI 8-ch\u003c\/li\u003e\n\u003cli\u003eSupport for ARRI Alexa 35's Wireless Video Optimized LogC4 (WVO)\u003c\/li\u003e\n\u003cli\u003eExtensive API for third party control integrations\u003c\/li\u003e\n\u003cli\u003eEmbedded web server for remote control\u003c\/li\u003e\n\u003cli\u003eIP configuration and monitoring through Ross DashBoard software\u003c\/li\u003e\n\u003cli\u003ePower: 19 watts\u003c\/li\u003e\n\u003cli\u003eHot-swappable\u003c\/li\u003e\n\u003cli\u003eRear I\/O card included\u003c\/li\u003e\n\u003cli\u003eTwo slots required for each card\u003c\/li\u003e\n\u003cli\u003eCompatible with OG-X-FR and OG-3-FR openGear frames\u003c\/li\u003e\n\u003cli\u003eRedundant power supply option available on openGear frames\u003c\/li\u003e\n\u003cli\u003eFive year warranty\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHardware\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"product-feature col-xs-12 col-md-6\" data-id=\"10513\"\u003e\n\u003cp id=\"feature_block_title_10513\" class=\"feature-title\"\u003e\u003cstrong\u003eHardware Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv id=\"feature_block_content_10513\" class=\"feature-content\"\u003e\n\u003cp dir=\"ltr\"\u003eOG-ColorBox features robust design, with the backplane offering:\u003c\/p\u003e\n\u003cul dir=\"ltr\"\u003e\n\u003cli\u003e12G-SDI Input\u003c\/li\u003e\n\u003cli\u003e12G-SDI loop through output\u003c\/li\u003e\n\u003cli\u003e12G-SDI Output\u003c\/li\u003e\n\u003cli\u003eHDMI 2.0 Output\u003c\/li\u003e\n\u003cli\u003eEthernet port\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"product-feature col-xs-12 col-md-6\" data-id=\"10516\"\u003e\n\u003cp id=\"feature_block_title_10516\" class=\"feature-title\"\u003e\u003cstrong\u003eHDMI Cable Retention\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv id=\"feature_block_content_10516\" class=\"feature-content\"\u003e\n\u003cp\u003eHDMI cables do not natively have a retention mechanism. This is why OG-ColorBox comes with a unique HDMI cable bracket that can be mounted to the rear card and offers a means to secure the HDMI cable. This helps to ensure connected cables remain installed, even after transportation.\u003c\/p\u003e\n\u003cdiv class=\"col-xs-12 col-md-6\"\u003e\n\u003cp id=\"feature_block_title_10519\" class=\"feature-title\"\u003e\u003cstrong\u003eIntegration Across Broad Applications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv id=\"feature_block_content_10519\" class=\"feature-content\"\u003e\n\u003cp\u003eOG-ColorBox offers key applications for modern workflows, including:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e4K\/UltraHD SDR and HDR pipelines for live television and concert production. OB trucks and other live event infrastructure can easily use OG-ColorBox color correct signals and convert SDR signals to HDR and HDR to other delivery formats. The licensable Colorfront, ORION-CONVERT, and BBC HLG LUTs options, as well as the free built-in AJA Color, NBCU LUTs, and ACES pipelines, provide all the necessary tools to manage HDR workflows and conversions. For hardware based control, SKAARHOJ and CyanView have integrated native control of OG-ColorBox into their control panels.\u003c\/li\u003e\n\u003cli\u003eOn-set look management and color grading for DITs or anyone in charge of ensuring that the content captured on-set will meet the needs of the Cinematographer, Director, colorist, costume and lighting designers, and editors on the production. A DIT can easily manage workflows to load multiple looks, make adjustments as needed, and save reference images (up to 4K) for dailies, postproduction, and later use. Pomfort Livegrade Pro and Studio, Assimilate Live Looks and Live Assist, and QTAKE Video Assist software integrate easily, offering native control of OG-ColorBox in real time. The unique full frame processing capability of OG-ColorBox eliminates partial frame LUT processing.\u003c\/li\u003e\n\u003cli\u003eWherever the highest quality display monitor calibration is required for a production studio, rental house, on-set, live, or postproduction facility, OG-ColorBox can help. OG-ColorBox features an extensive API that allows third parties, like Light Illusion ColourSpace and Portrait Displays Calman, to control the OG-ColorBox Frame Store and its ability to output 12-bit RGB test patches for high quality monitor calibration applications.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHigh Density Delivered\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUp to ten OG-ColorBoxes can be used in a 2RU openGear frame, supplying the highest density and lowest latency color accurate control for your OB truck or production facility with the security of redundant power supplies and hot-swap support.\u003c\/p\u003e\n\u003cdiv class=\"col-xs-12 col-md-6\"\u003e\n\u003cp id=\"feature_block_title_10525\" class=\"feature-title\"\u003e\u003cstrong\u003eImage Processing Pipelines\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv id=\"feature_block_content_10525\" class=\"feature-content\"\u003e\n\u003cp dir=\"ltr\"\u003eOG-ColorBox comes with a range of Pipelines to choose from. Select any particular Pipeline for your production needs. Some Pipelines are designed specifically for live broadcast, live event, or on-set needs. Others, like the AJA Color Pipeline, offer greater flexibility for more control over each step of a transform for any application. Pipelines like Colorfront, ORION-CONVERT, or BBC HLG LUTs will display a watermark over the image until a license is applied, offering you the ability to “try before you buy” the optional license. OG-ColorBox offers unique image processing capabilities with an unrivaled array of options for a device of its type with full 12-bit 4:4:4 up to 4K 30p and 10-bit 4:2:2 up to 4K 60p, plus down-conversion. A bypass node is integrated into each processing pipeline for both 12G-SDI and HDMI 2.0 outputs, allowing quick comparisons between the input and output signals.\u003c\/p\u003e\n\u003cp\u003eThere are six image processing Pipelines available:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAJA Color\u003c\/li\u003e\n\u003cli\u003eColorfront (requires License to remove watermark)\u003c\/li\u003e\n\u003cli\u003eORION-CONVERT (requires License to remove watermark)\u003c\/li\u003e\n\u003cli\u003eBBC HLG LUTs (requires License to remove watermark)\u003c\/li\u003e\n\u003cli\u003eNBCU LUTs\u003c\/li\u003e\n\u003cli\u003eACES\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"col-xs-12 col-md-6\"\u003e\n\u003cp id=\"feature_block_title_10528\" class=\"feature-title\"\u003e\u003cstrong\u003ePowerful AJA Color Pipeline (ACP)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv id=\"feature_block_content_10528\" class=\"feature-content\"\u003e\n\u003cp\u003eAJA Color Pipeline provides users with the most advanced color management tools available in the openGear form factor. With seven nodes of real time processing plus Overlay, the pipeline offers capabilities only seen in software based color correction applications. These nodes give you full control over colorspace, video level, and dynamic range conversion to get the most out of your color managed workflow. Dynamic nodes are controllable by 3rd party applications.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e7x processing nodes plus Overlay\u003c\/li\u003e\n\u003cli\u003ePipeline processes in 12-bit RGB\u003c\/li\u003e\n\u003cli\u003e1x 3D LUT, user configurable as 3D LUT or Dynamic\n\u003cul\u003e\n\u003cli\u003e33pt. 3D LUT processor with tetrahedral interpolation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e4x 1D LUT, user configurable as 1D LUT, Dynamic, or Color Corrector\n\u003cul\u003e\n\u003cli\u003eSupports 10 or 12-bit 1D LUTs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e2x 3x3 Matrices, user configurable as 3x3 Matrix, Dynamic, or Proc Amp\u003c\/li\u003e\n\u003cli\u003eSupports industry standard file types, no conversion to proprietary format required\u003c\/li\u003e\n\u003cli\u003eConfigurable Color Space, Range, and Transfer Characteristic\u003c\/li\u003e\n\u003cli\u003eFull frame LUT processing\u003c\/li\u003e\n\u003cli\u003eFull bypass node for 12G-SDI and HDMI 2.0\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSet-ups can be easily replicated utilizing OG-ColorBox preset import and export capabilities.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e33pt 3D LUT Processor with Tetrahedral Interpolation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis primary 33pt 3D LUT uses tetrahedral interpolation for the highest accuracy color conversion. 3D LUTs provide full volumetric non-linear color adjustment, and a 33pt 3D LUT is a requirement for HDR workflows. Very useful for calibration purposes as the controls can respond to all possible calibration errors. Similarly, high end movie and television productions depend on 3D LUT processing for look generation, distribution, and management. When set to Dynamic, the 3D LUT is fully controllable through 3rd party software like Pomfort’s Livegrade, Assimilate’s Live Looks, and QTAKE Video Assist. The 3D LUT processor supports a wide range of 3D LUT file types and can even process .CLF and .CTF files as 3D LUTs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1D LUTs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFlexibility is key in production and post, with four 1D LUTs, it is easy to manage your color processing pipeline to get the best possible image. 1D LUTs are commonly used as “shaper LUTs” wrapping around the 3D LUT. The front shaper 1D LUT allows you to map perceptually significant values, typically the darker part of the color space, to use more of the 3D LUT transform data set, resulting in a more effective use of the 3D LUT to produce a better image. The backside shaper 1D LUT is usually the inverse of the front, mapping pixel values into the original dynamic range. 1D LUTs can also be effectively used as log-to-linear and linear-to-log transforms. In the AJA Color Pipeline, 1D LUTs can even be set up as RGB Color Correctors for color correcting a source before 3D LUT processing, this is a common workflow in live production applications.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e3x3 Matrices\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOG-ColorBox’s two 3x3 Matrices provide the operator a means to perform different color processing tasks outside of an LUT using their own 3x3 matrix files. 3x3 Matrices are commonly used for color space conversion, for example, between RGB and XYZ or YUV, BT.709 and BT.2020, or other color spaces with different primaries. A 3x3 Matrix can be used to color balance a signal if the white balance is off. They can also be used for look creation, such as film emulation. In the AJA Color Pipeline, 3x3 Matrices can even be set up as Proc Amps for adjusting a signal’s Gain, Black level, Hue, and Saturation before 3D LUT processing, this is a common workflow in live production applications.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eACES Support\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Academy Color Encoding System (ACES) is an industry standard for managing color throughout the life cycle of a motion picture or television production. From capture through editing, VFX, mastering, public presentation, archiving, and future remastering, ACES ensures a consistent color experience that preserves the creative vision.\u003c\/p\u003e\n\u003cp\u003eOG-ColorBox’s ACES color processing pipeline supports ACES workflows natively and can load and recall 16 AMF (ACES Metadata File) files onboard.\u003c\/p\u003e\n\u003cp\u003eAdditionally, ACES has given AJA and Pomfort the first joint product certification status for AJA’s OG-ColorBox and Pomfort’s Livegrade for their support of ACES based workflows. The AJA OG-ColorBox carries the official ACES Logo, ensuring end-to-end ACES compatibility.\u003c\/p\u003e\n\u003cdiv class=\"col-xs-12 col-md-6\"\u003e\n\u003cp id=\"feature_block_title_10543\" class=\"feature-title\"\u003e\u003cstrong\u003eACES Pipeline with AMF Support\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv id=\"feature_block_content_10543\" class=\"feature-content\"\u003e\n\u003cp dir=\"ltr\"\u003eThe Academy Color Encoding Systems, or ACES, has a long track record of creating a holistic approach to color management. Since its inception, ACES has worked with artists and vendors to build a system of color management that is comprehensive yet easy to use. Now, the AJA OG-ColorBox makes it even easier with our newest color pipeline, the ACES pipeline, which carries the official ACES Logo, ensuring end-to-end ACES compatibility.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe OG-ColorBox ACES pipeline uses the ACES Metadata File (AMF). \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eDefinition of AMF from ACES: “AMF is the configuration file that allows a precise setup for an ACES pipeline. Besides this basic goal, AMF is also the tool of choice to transmit and exchange configuration parameters in order to ensure consistency within a workflow and across the entire ecosystem of tools that are used within that workflow.”\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eAMF workflows support an exchange of information that should allow for better interoperability of color throughout the filmmaking process. An AMF includes information needed for an ACES pipeline like the input transform, look transform, and output transform (for example, camera log \u0026gt; ACES where the look is applied \u0026gt; display output) into a single XML file that can then be easily distributed to others working on the project from on-set to post to final grade.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBuilt on OpenColorIO (OCIO)\u003c\/li\u003e\n\u003cli\u003eConfigurable ACES Input and Output Transforms\u003c\/li\u003e\n\u003cli\u003eFull bypass node for 12G-SDI and HDMI 2.0\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"col-xs-12 col-md-6\"\u003e\n\u003cp id=\"feature_block_title_10546\" class=\"feature-title\"\u003e\u003cstrong\u003eNBCU LUTs Pipeline\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv id=\"feature_block_content_10546\" class=\"feature-content\"\u003e\n\u003cp dir=\"ltr\"\u003eNBCU LUTs, developed by NBCUniversal Media, LLC in collaboration with Cromorama, enable a workflow for single-master live production of simultaneous HDR and SDR content. Designed for television broadcasters, NBCU LUTs include SDR, HLG, and PQ LUTs that maximize the dynamic range and color volume in HDR without compromising core SDR broadcasts.\u003c\/p\u003e\n\u003cul dir=\"ltr\"\u003e\n\u003cli\u003eImperceptible round-tripping of SDR BT.709 \u003c\/li\u003e\n\u003cli\u003eConversions designed with a knee that is natural with latitude for live video shading\u003c\/li\u003e\n\u003cli\u003eScene Light and Display Light conversions\u003c\/li\u003e\n\u003cli\u003eSDR, HLG, and PQ conversions\u003c\/li\u003e\n\u003cli\u003eUtilizes 33 point Tetrahedral 3D LUT Interpolation\u003c\/li\u003e\n\u003cli\u003eProc Amp and Color Corrector\u003c\/li\u003e\n\u003cli\u003eFull bypass node for 12G-SDI and HDMI 2.0\u003c\/li\u003e\n\u003cli\u003eSupport for ITU BT.2408, Operational Practices in HDR Television Production\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003eNBCU LUT Conversions\u003c\/p\u003e\n\u003cul dir=\"ltr\"\u003e\n\u003cli\u003e1-NBCU_SDR2HLG_DL_v1.1, SDR UpMap to HLG using Display Light\u003c\/li\u003e\n\u003cli\u003e2-NBCU_SDR2HLG_SL_v1, SDR to HLG using Scene Light\u003c\/li\u003e\n\u003cli\u003e3-NBCU_HLG2SDR_DL_v1.1, HLG to SDR using Display Light\u003c\/li\u003e\n\u003cli\u003e4-NBCU_SDR2PQ_DL_v1, SDR UpMap to PQ using Display Light\u003c\/li\u003e\n\u003cli\u003e5-NBCU_PQ2SDR_DL_v1, PQ to SDR using Display Light\u003c\/li\u003e\n\u003cli\u003e7-NBCU_HLG10002PQ_v1, HLG 1000 Nits to PQ\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSet-ups can be easily replicated utilizing OG-ColorBox preset import and export capabilities.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e4K\/UltraHD Down-conversion and 4K\/2K Crop\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNew down-conversion feature for SDI and HDMI outputs with independent conversions per output available for all pipelines. With this feature, you can now down-convert either or both the SDI and HDMI outputs to a lower resolution. Full 4K \u0026gt; 2K or UltraHD \u0026gt; HD (1920x1080). For example, using a high resolution camera with a 4K or UltraHD baseband output and on-set monitoring needs to be in HD.\u003c\/p\u003e\n\u003cp\u003eThere is also a new 4K\/2K Crop for the HDMI output for HDMI monitors that don’t support full 4K or 2K resolutions. By offering the crop function, OG-ColorBox can center crop the image and provide an unscaled image on the HDMI output that is compatible with a wider range of UltraHD and HD displays.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e4K\/UltraHD Frame Capture and Recall\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUnique to a device in its class, OG-ColorBox has incredible frame capture and recall up to 4K\/UltraHD 16-bit .tiff files, allowing you to capture pre or post processed reference images. Multiple use cases are possible, from VFX composite checks to look comparisons between takes to ensure consistency and general reference image capture, recall, and import\/export to validate the color processing pipeline. Frames can be stored locally on OG-ColorBox for easy access or saved directly to a computer running 3rd party software like Livegrade and Assimilate. Capture or recall up to 16 full resolution images locally with an option to include the Overlay if needed. If the resolution of the image doesn’t match your target format, OG-ColorBox can even scale it to fit.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTest Pattern Generator\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOG-ColorBox can also output standard test patterns without the need for an active input. OG-ColorBox test patterns can be used in any number of scenarios where a test signal is needed rather than a source signal. The test patterns are configurable to output a wide range of video formats and frame rates, including up to 4K\/UltraHD.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRGB Color Correction and Proc Amp\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn AJA Color Pipeline, the 1D LUTs can be configured as RGB Color Correctors and the 3x3 matrices as Proc Amps. This allows for source color correction and image control prior to or after performing a 3D LUT transform, ensuring the best possible conversion. BBC HLG LUTs and NBCU LUTs pipelines also offer an RGB Color Corrector and Proc Amp prior to 3D LUT processing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdvanced Overlay and ANC Metadata Management\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOG-ColorBox offers several important features, from overlaying selected metadata and user data on the video for live use, capturing or embedding in the .tiff file for later use, or just passing ANC metadata to the next SDI device or application using the OG-ColorBox API via Ethernet. By storing the ANC data, one can quickly come back to and recall the exact camera settings, pipeline configuration, etc., that created an image. OG-ColorBox also offers a customizable user text field that is great for overlaying any information on an image needing to be conveyed to an observer, such as camera or lens information, if the camera can’t provide it.\u003c\/p\u003e\n\u003cp\u003eWhen setting up a shot, many factors need to be considered when framing it. The camera manufacturer, the sensor size, the lens, and the target aspect ratio all play a role. The ability to see frame lines on-set gives the production the best chance at capturing the shot composition correctly for the project from the get-go. OG-ColorBox also offers a User Overlay, providing the ability to import and overlay custom images onto the output. Those images could be frame lines or any other image, such as a mask to dim camera status overlays, logos, etc., imported as .png files to the Overlay library and recalled along with or without the already available overlay information.\u003c\/p\u003e\n\u003cp\u003eUser Text and User Overlay can also be stored on the captured image as part of the Overlay. Additional Overlay accessible data includes Input and Output VPID, Timecode presence, Closed Captioning presence, and Pipeline Configuration. Output HDMI infoframe status is also available in the UI.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Largest Onboard Libraries Available\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOG-ColorBox offers the largest library capacity of any equivalent device in its class, providing a wealth of creative choices on-set or anywhere in the production pipeline. Set up an easy to access bank of options for any shoot, then recall the same settings just as easily in post. Sixteen onboard memory slots are available for each category of supported files: 1D LUTs, 3D LUTs, 3x3 Matrices, Images, Overlays, and AMFs.\u003c\/p\u003e\n\u003cp\u003eTen pipeline presets can be stored per pipeline, and all can be imported and exported to\/from OG-ColorBox. Pipeline Presets store all settings needed to replicate a configured transform. Included is also a Startup Preset setting that allows an operator to select a specific preset to be loaded upon power up, guaranteeing a known startup state. The Pipeline Presets for AJA Color Pipeline stores all files loaded into the pipeline, active or not, for easy setup and transfer between OG-ColorBox devices.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eARRI LogC4 Wireless WVO Support\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe ARRI ALEXA 35 camera captures 17 stops of dynamic range, 2.5 stops more than previous ARRI digital cameras. This expanded dynamic range is great for cinematographers. However, it cannot be contained in the LogC3; therefore, a new encoding had to be created, LogC4. LogC4 encodes the signal differently and appears as a very low contrast signal that some wireless transmitters and receivers aren’t able to properly process and results in banding artifacts.\u003c\/p\u003e\n\u003cp\u003eWireless Video Optimized LogC4 (WVO LogC4) is an intermediate encoding for ALEXA 35 SDI outputs that is designed to improve monitoring image quality when transmitting LogC4 over wireless video transmitters. The WVO encoding is an option built into the ALEXA 35. A matching ARRI WVO decoding LUT must be used after signal reception to reconstitute regular LogC4.\u003c\/p\u003e\n\u003cp\u003eThat’s where OG-ColorBox comes in. The matching ARRI WVO decoding LUT is built into the 1D LUT options in the AJA Color, Colorfront, and ACES pipelines. By having this built into the OG-ColorBox, we are making LogC4 easier to deploy with existing equipment, saving both time and money.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUltraHD Live Production Workflow HDR Conversion and Management\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn this live television OB truck production workflow, we see several 12G-SDI outputs from a variety of UltraHD camera systems, including SDR BT.709 action cameras and a Log cinema camera, that are input into the OG-ColorBoxes via 12G-SDI in. Color management and conversion are provided by the OG-ColorBox openGear cards, in this case converting each input to an HLG BT.2020 output suiting the needs of the live production single master HDR workflow. OG-ColorBoxes on the output of the switcher convert HLG to different deliverable formats, including SDR and PQ.  As sources are added, more OG-ColorBox units can be easily included to accommodate a production as it scales.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eopenGear Compatibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe openGear standard ensures that AJA cards will be compatible with other openGear products from certified openGear partners. With a growing list of products, openGear is the standard for professional rackframe solutions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFlexible I\/O\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe modular rear panel allows custom I\/O connections per card (included with individual cards).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFailsafe\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe optional redundant power supply provides a secondary power source in the event of a primary power failure.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEthernet Access\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA standard Ethernet connection allows the frame to be accessed via the Ross DashBoard software application for overall frame communication. Optional per-card Ethernet access can be installed in the frame for advanced communication with compatible openGear cards.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cstrong\u003eHDR\/WCG Real Time Processor\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eHDR Conversions\n\u003cul\u003e\n\u003cli\u003eHDR to HDR\u003c\/li\u003e\n\u003cli\u003eHDR to SDR\u003c\/li\u003e\n\u003cli\u003eSDR to HDR\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eColorimetry\n\u003cul\u003e\n\u003cli\u003eBT.709 and BT.2020\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cstrong\u003eVideo Formats\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e(4K) 4096x2160p\u003c\/li\u003e\n\u003cli\u003e(UltraHD) 3840x2160p\u003c\/li\u003e\n\u003cli\u003e(2K) 2048x1080p\u003c\/li\u003e\n\u003cli\u003e(HD) 1920x1080p\u003c\/li\u003e\n\u003cli\u003e(HD) 1920x1080i\u003c\/li\u003e\n\u003cli\u003e(HD) 1280x720p\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cstrong\u003eColor Processing Pipeline\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eProcesses in 12-bit RGB\u003c\/li\u003e\n\u003cli\u003e6x pipelines; AJA Color, Colorfront, ORION-CONVERT, BBC HLG LUTs, NBCU LUTs, ACES\u003c\/li\u003e\n\u003cli\u003e7x processing nodes plus Overlay in AJA Color; 4x 1D LUTs, 2x 3x3 Matrices, 1x 3D LUT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cstrong\u003eAJA Color Pipeline (ACP)\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e7x nodes in order of processing:\n\u003cul\u003e\n\u003cli\u003e1D LUT, 3x3 Matrix, 1D LUT, 3D LUT, 1D LUT, 3x3 Matrix, 1D LUT, Overlay\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e3D LUT configurable as LUT or Dynamic\n\u003cul\u003e\n\u003cli\u003eSupports custom 33-point .CUBE, .SPI3D, and .3DL format 3D LUTs*, .CLF and .CTF\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e1D LUTs configurable as LUT, Dynamic, or Color Corrector\n\u003cul\u003e\n\u003cli\u003eSupports custom 10 and 12-bit .CUBE and .SPI1D format 1D LUTs\u003c\/li\u003e\n\u003cli\u003e3x3 Matrices configurable as Matrix, Dynamic, or Proc Amp\n\u003cul\u003e\n\u003cli\u003eSupports custom .SPIMTX format matrices\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eTetrahedral 3D LUT interpolation \u003c\/li\u003e\n\u003cli\u003eConfigurable Color Space, Range, and Transfer Characteristic \u003c\/li\u003e\n\u003cli\u003eARRI Alexa 35’s Wireless Video Optimized LogC4 (WVO) Decoder\u003c\/li\u003e\n\u003cli\u003eNonvolatile storage of 16x 3D LUTs, 16x 1D LUTs, and 16x 3x3 Matrices\u003c\/li\u003e\n\u003cli\u003eOverlay\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e*Various 3D LUT sizes are supported but will be converted to 33-point for processing\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstrong\u003eDynamic LUT Processing\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eSupports third party apps for automatic loading and display of 3D LUTs\u003c\/li\u003e\n\u003cli\u003eReflects dynamic changes in real time from source software\u003c\/li\u003e\n\u003cli\u003eFull frame LUT processing\u003c\/li\u003e\n\u003cli\u003eSupported by\n\u003cul\u003e\n\u003cli\u003ePomfort Livegrade Pro and Studio\u003c\/li\u003e\n\u003cli\u003eAssimilate Live Looks and Live Assist\u003c\/li\u003e\n\u003cli\u003eQTAKE Video Assist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cstrong\u003eColorfront Pipeline\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eProcessing Based on Human Perception Model\u003c\/li\u003e\n\u003cli\u003ePerceptually optimized color volume remapping\u003c\/li\u003e\n\u003cli\u003ePreserves the original creative intent\u003c\/li\u003e\n\u003cli\u003eTV Mode for applications such as television broadcast\u003c\/li\u003e\n\u003cli\u003eLive Mode for applications such as broadcast, OTT, A\/V\u003c\/li\u003e\n\u003cli\u003eSDR to Dolby Vision Preview Mode for applications such as broadcast and postproduction\u003c\/li\u003e\n\u003cli\u003eInput Video Dynamic Range\/Color Gamut (varies by mode)\n\u003cul\u003e\n\u003cli\u003eSDR BT.709 100 Nits\u003c\/li\u003e\n\u003cli\u003eSDR Extended BT.709\u003c\/li\u003e\n\u003cli\u003ePQ BT.2020 1000 Nits\u003c\/li\u003e\n\u003cli\u003ePQ P3D65 1000 Nits \u003c\/li\u003e\n\u003cli\u003eHybrid Log Gamma BT.2100\u003c\/li\u003e\n\u003cli\u003eHLG Extended BT.709\u003c\/li\u003e\n\u003cli\u003eHLG Extended BT.2100\u003c\/li\u003e\n\u003cli\u003eSony S-Log3 S-Gamut3\u003c\/li\u003e\n\u003cli\u003eSony S-Log3 S-Gamut3 Cine\u003c\/li\u003e\n\u003cli\u003eSony S-Log3 BT.2020\u003c\/li\u003e\n\u003cli\u003eARRI Log C Wide Gamut \u003c\/li\u003e\n\u003cli\u003eARRI LogC4 Wide Gamut 4\u003c\/li\u003e\n\u003cli\u003eARRI LogC4 Wide Gamut 4 WVO\u003c\/li\u003e\n\u003cli\u003ePanasonic V-log \u003c\/li\u003e\n\u003cli\u003eRED Log3G10 Wide Gamut\u003c\/li\u003e\n\u003cli\u003eCanon Log 2\u003c\/li\u003e\n\u003cli\u003eCanon Log 3\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eOutput Video Dynamic Range\/Color Gamut (varies by mode)\n\u003cul\u003e\n\u003cli\u003eSDR BT.709 100 Nits\u003c\/li\u003e\n\u003cli\u003eSDR Extended BT.709\u003c\/li\u003e\n\u003cli\u003ePQ BT.2020 1000 Nits\u003c\/li\u003e\n\u003cli\u003ePQ BT.2020 ConstrainP3\u003c\/li\u003e\n\u003cli\u003ePQ P3D65 1000 Nits\u003c\/li\u003e\n\u003cli\u003eHybrid Log Gamma BT.2100\u003c\/li\u003e\n\u003cli\u003eHLG Extended BT.709\u003c\/li\u003e\n\u003cli\u003eHLG Extended BT.2100\u003c\/li\u003e\n\u003cli\u003eSony S-Log3 S-Gamut3\u003c\/li\u003e\n\u003cli\u003eSony S-Log3 BT.2020\u003c\/li\u003e\n\u003cli\u003eARRI Log C Wide Gamut\u003c\/li\u003e\n\u003cli\u003eARRI LogC4 Wide Gamut 4\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eTV Mode controls\n\u003cul\u003e\n\u003cli\u003eHighlight management: Brightness, Highlight, Super Highlight\u003c\/li\u003e\n\u003cli\u003eColorfulness control for managing the Hunt Effect\u003c\/li\u003e\n\u003cli\u003eColor Correction: Lift, Gamma, Gain, Saturation\u003c\/li\u003e\n\u003cli\u003eCamera Correction: Exposure, Color Temp, Tint\u003c\/li\u003e\n\u003cli\u003eRoundtrip control ensures technical match\u003c\/li\u003e\n\u003cli\u003eClamp to Legal\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eLive Mode controls\n\u003cul\u003e\n\u003cli\u003eSDR Preview\u003c\/li\u003e\n\u003cli\u003eHDR Amount\u003c\/li\u003e\n\u003cli\u003eAmbient Light Compensation control\u003c\/li\u003e\n\u003cli\u003eHDR Log Look\u003c\/li\u003e\n\u003cli\u003eSDR Softness control\u003c\/li\u003e\n\u003cli\u003eColor Correction: Lift, Gamma, Gain, Saturation\u003c\/li\u003e\n\u003cli\u003eCamera Correction: Exposure, Color Temp, Tint\u003c\/li\u003e\n\u003cli\u003ePQ Output Nit level: 48-4000 Nit\u003c\/li\u003e\n\u003cli\u003ePQ Output P3 Colorspace Clamp\u003c\/li\u003e\n\u003cli\u003eITU-R BT.2408 Mode control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSDR to Dolby Vision Preview controls\n\u003cul\u003e\n\u003cli\u003eHighlights: Low, Mid, High\u003c\/li\u003e\n\u003cli\u003eContrast: Low, Mid, High\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eOverlay\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cstrong\u003eORION-CONVERT Pipeline\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eConversion algorithm that uses floating point math\u003c\/li\u003e\n\u003cli\u003ePre and post transform Knee and Amount controls\u003c\/li\u003e\n\u003cli\u003eDisplay-Light and Scene-Light Modes\u003c\/li\u003e\n\u003cli\u003eConfigurable HDR and SDR IRE Reference anchor points\u003c\/li\u003e\n\u003cli\u003eConfigurable HDR Peak Nits sets system gamma for display light conversions\u003c\/li\u003e\n\u003cli\u003eGamma Compensation\u003c\/li\u003e\n\u003cli\u003eConfigurable Output Clamping\u003c\/li\u003e\n\u003cli\u003eInput Video Dynamic Range\/Color Gamut\n\u003cul\u003e\n\u003cli\u003eSDR BT.709\u003c\/li\u003e\n\u003cli\u003ePQ BT.2020\u003c\/li\u003e\n\u003cli\u003eHLG BT.2100\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eOutput Video Dynamic Range\/Color Gamut\n\u003cul\u003e\n\u003cli\u003eSDR BT.709\u003c\/li\u003e\n\u003cli\u003ePQ BT.2020\u003c\/li\u003e\n\u003cli\u003eHLG BT.2100\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eOverlay\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cstrong\u003eBBC HLG LUTs Pipeline\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eMathematical dynamic range mapping per ITU-R BT.2408\n\u003cul\u003e\n\u003cli\u003eSDR\/BT.709 Scene Referred to HLG\/BT.2100 v1.7\u003c\/li\u003e\n\u003cli\u003eSDR\/BT.709 Scene Referred to HLG\/BT.2100 Strict v1.7\u003c\/li\u003e\n\u003cli\u003eSDR\/BT.709 Scene Referred UpMap to HLG\/BT.2100 v1.7\u003c\/li\u003e\n\u003cli\u003eSDR\/BT.709 Scene Referred UpMap to HLG\/BT.2100 Strict v1.7\u003c\/li\u003e\n\u003cli\u003eSDR\/BT.709 Display Referred to HLG\/BT.2100 v.1.7\u003c\/li\u003e\n\u003cli\u003eSDR\/BT.709 Display Referred UpMap to HLG\/BT.2100 v1.7\u003c\/li\u003e\n\u003cli\u003eSDR\/BT.2020 Display Referred to HLG\/BT.2100 v1.7\u003c\/li\u003e\n\u003cli\u003eSDR\/BT.2020 Display Referred UpMap to HLG\/BT.2100 v1.7\u003c\/li\u003e\n\u003cli\u003ePQ 1000 Nits Display Referred to HLG\/BT.2100 v1.7\u003c\/li\u003e\n\u003cli\u003ePQ 4000 Nits Display Referred to HLG\/BT.2100 v1.7\u003c\/li\u003e\n\u003cli\u003eS-Log3\/BT.2020 100% Scene Referred to HLG\/BT.2100 v1.7\u003c\/li\u003e\n\u003cli\u003eS-Log3\/BT.2020 200% Scene Referred(SR-Live) to HLG\/BT.2100 v1.7\u003c\/li\u003e\n\u003cli\u003eHLG\/BT.2100 to SDR\/BT.709 Scene Referred v1.7\u003c\/li\u003e\n\u003cli\u003eHLG\/BT.2100 to SDR\/BT.709 Scene Referred Strict v1.7\u003c\/li\u003e\n\u003cli\u003eHLG\/BT.2100 to SDR\/BT.709 Display Referred Color Appearance Model v1.7\u003c\/li\u003e\n\u003cli\u003eHLG\/BT.2100 to SDR\/BT.709 Display Referred Super White v1.7\u003c\/li\u003e\n\u003cli\u003eHLG\/BT.2100 to PQ 1000 Nits Display Referred v1.7\u003c\/li\u003e\n\u003cli\u003eHLG\/BT.2100 to SDR\/BT.2020 Display Referred Super White v1.7\u003c\/li\u003e\n\u003cli\u003eSDR\/BT.709 Scene Referred UpMap to HLG\/BT.2100 to SDR\/BT.709 Display Referred v1.7\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eRGB Color Corrector and ProcAmp \u003c\/li\u003e\n\u003cli\u003eOverlay\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNBCU LUTs Pipeline\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNBCU LUTs developed by NBCUniversal Media, LLC\n\u003cul\u003e\n\u003cli\u003e1-NBCU_SDR2HLG_DL_v1.1, SDR UpMap to HLG using Display Light v1.1\u003c\/li\u003e\n\u003cli\u003e2-NBCU_SDR2HLG_SL_v1, SDR to HLG using Scene Light v1.0\u003c\/li\u003e\n\u003cli\u003e3-NBCU_HLG2SDR_DL_v1.1, HLG to SDR using Display Light v1.1\u003c\/li\u003e\n\u003cli\u003e4-NBCU_SDR2PQ_DL_v1, SDR UpMap to PQ using Display Light v1.0\u003c\/li\u003e\n\u003cli\u003e5-NBCU_PQ2SDR_DL_v1, PQ to SDR using Display Light v1.0\u003c\/li\u003e\n\u003cli\u003e7-NBCU_HLG10002PQ_v1, HLG 1000 Nits to PQ v1.0\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eRGB Color Corrector and ProcAmp\u003c\/li\u003e\n\u003cli\u003eOverlay\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eACES Pipeline\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eACES Metadata File (AMF) processing\u003c\/li\u003e\n\u003cli\u003eImplementation using ACES v1.3\u003c\/li\u003e\n\u003cli\u003eBuilt using OpenColorIO (OCIO)\u003c\/li\u003e\n\u003cli\u003eARRI Alexa 35’s Wireless Video Optimized LogC4 (WVO) Decoder\u003c\/li\u003e\n\u003cli\u003eNonvolatile storage of 16x AMFs \u003c\/li\u003e\n\u003cli\u003eOverlay\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eVideo Input and Output SDI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1x 12G-SDI Input BNC, SMPTE-292\/424\/2081\/2082\u003c\/li\u003e\n\u003cli\u003e2x 12G-SDI Output BNCs, SMPTE-292\/424\/2081\/2082\u003c\/li\u003e\n\u003cli\u003eYCbCr 4:2:2\/4:4:4\u003c\/li\u003e\n\u003cli\u003eRGB 4:4:4, SMPTE or Full level\u003c\/li\u003e\n\u003cli\u003e10 or 12-bit\u003c\/li\u003e\n\u003cli\u003e1x 12G-SDI\n\u003cul\u003e\n\u003cli\u003e(4K) 4096x2160p 23.98, 24, 25, 29.97, 30, 47.95, 48, 50, 59.94, 60\u003c\/li\u003e\n\u003cli\u003e(UltraHD) 3840x2160p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e1x 6G-SDI \n\u003cul\u003e\n\u003cli\u003e(4K) 4096x2160p 23.98, 24, 25, 29.97, 30\u003c\/li\u003e\n\u003cli\u003e(UltraHD) 3840x2160p 23.98, 24, 25, 29.97, 30\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e1x 3G-SDI (Level A or B Dual Link)\n\u003cul\u003e\n\u003cli\u003e(2K) 2048x1080p 23.98, 24, 25, 47.95, 48, 50\u003c\/li\u003e\n\u003cli\u003e(2K) 2048x1080PsF 23.98, 24, 25\u003c\/li\u003e\n\u003cli\u003e(HD) 1920x1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60\u003c\/li\u003e\n\u003cli\u003e(HD) 1920x1080PsF 23.98, 24, 25, 29.97, 30\u003c\/li\u003e\n\u003cli\u003e(HD) 1920x1080i 50, 59.94, 60\u003c\/li\u003e\n\u003cli\u003e(HD) 1280x720p 50, 59.94, 60\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e1x 1.5G-SDI\n\u003cul\u003e\n\u003cli\u003e(2K) 2048x1080p 23.98, 24, 25, 29.97, 30\u003c\/li\u003e\n\u003cli\u003e(2K) 2048x1080PsF 23.98, 24, 25\u003c\/li\u003e\n\u003cli\u003e(HD) 1920x1080p 23.98, 24, 25, 29.97, 30\u003c\/li\u003e\n\u003cli\u003e(HD) 1920x1080PsF 23.98, 24, 25, 29.97, 30\u003c\/li\u003e\n\u003cli\u003e(HD) 1920x1080i 50, 59.94, 60\u003c\/li\u003e\n\u003cli\u003e(HD) 1280x720p 50, 59.94, 60\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Raster and Frame Rate Dependent, please see OG-ColorBox Video Formats in Documents and Manual\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVideo Output HDMI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1x HDMI Type A connector*, HDMI v2.0b\u003c\/li\u003e\n\u003cli\u003eHDR infoframe generation with pass-through for Colorimetry and Transfer Characteristic\u003c\/li\u003e\n\u003cli\u003eYCbCr 4:2:2\u003c\/li\u003e\n\u003cli\u003eRGB 4:4:4, SMPTE or Full level\u003c\/li\u003e\n\u003cli\u003e8, 10, or 12-bit (HFR 4K\/UltraHD 4:4:4 limited to 8-bit)\u003c\/li\u003e\n\u003cli\u003e4K\/UltraHD\/2K\/HD\u003c\/li\u003e\n\u003cli\u003e4K\/2K Crop to UltraHD or HD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e*\u003c\/strong\u003eIf a connected monitor doesn’t support HDMI protocol, the unit automatically switches to DVI protocol (which does not pass audio)\u003cbr\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Raster and Frame Rate Dependent, please see OG-ColorBox Video Formats in Documents and Manual\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVideo Processing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNominal video delay is less than 0.5 of a video line and less than 4.5 video lines when down-converting\u003c\/li\u003e\n\u003cli\u003eMotion adaptive deinterlacer\u003c\/li\u003e\n\u003cli\u003eProc Amp controls\u003c\/li\u003e\n\u003cli\u003eColor corrector\u003c\/li\u003e\n\u003cli\u003eLegalizer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDown-Conversion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHardware 10-bit\u003c\/li\u003e\n\u003cli\u003eIndependent down-conversion for SDI and HDMI outputs\n\u003cul\u003e\n\u003cli\u003e4K to 2K or UltraHD to HD (1920x1080)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFrame Store\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCapture and Recall up to 4K\/UltraHD 16-bit .TIFF\u003c\/li\u003e\n\u003cli\u003eCapture and Recall .TIFF, .PNG, .JPEG\u003c\/li\u003e\n\u003cli\u003eCapture input or output\u003c\/li\u003e\n\u003cli\u003eNonvolatile storage of 16 images\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTest Pattern Generator\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e10 or 12-bit\u003c\/li\u003e\n\u003cli\u003e14x patterns built-in\u003c\/li\u003e\n\u003cli\u003eSDR and HDR test patterns\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAncillary Data\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAll embedded ANC packets pass-through, including camera ancillary data\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOverlay\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUser Text\u003c\/li\u003e\n\u003cli\u003eInput and Output ancillary information, including VPID\u003c\/li\u003e\n\u003cli\u003eTimecode presence\u003c\/li\u003e\n\u003cli\u003eClosed Captioning presence\u003c\/li\u003e\n\u003cli\u003ePipeline Configuration\u003c\/li\u003e\n\u003cli\u003eUser Overlay, Recall .PNG overlay images up to 4096x2160\u003c\/li\u003e\n\u003cli\u003eNonvolatile storage of 16 overlays\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAudio Input Digital\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSDI embedded audio, 24-bit, 16-channel\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAudio Output Digital\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSDI embedded audio, 24-bit, 16-channel\u003c\/li\u003e\n\u003cli\u003eHDMI embedded audio, 24-bit, 8-channel\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNetwork Interface\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1x RJ-45, 10\/100\/1000 Ethernet\u003c\/li\u003e\n\u003cli\u003eEmbedded web server for remote control\u003c\/li\u003e\n\u003cli\u003eREST Interface\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eUSB Interface\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eopenGear DashBoard network control software via Windows, macOS, or Linux\u003c\/li\u003e\n\u003cli\u003eWeb User Interface\u003c\/li\u003e\n\u003cli\u003eDIP Switches\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePresets\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e10 Pipeline Presets per mode (AJA Color, Colorfront, ORION-CONVERT, BBC HLG LUTs, NBCU LUTs, ACES)\u003c\/li\u003e\n\u003cli\u003eStartup Preset\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSize (w x d x h)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eopenGear standard form factor, front slot, and rear card\u003c\/li\u003e\n\u003cli\u003eTwo slots required for each card\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e0.7 lb (0.3 kg)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eopenGear frame compatible, 19 watts max per card\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eEnvironment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSafe Operating Temperature: 0 to 40 C (32 to 104 F)\u003c\/li\u003e\n\u003cli\u003eSafe Storage Temperature (Power OFF): -40 to 60 C (-40 to 140 F)\u003c\/li\u003e\n\u003cli\u003eOperating Relative Humidity: 10-90% noncondensing\u003c\/li\u003e\n\u003cli\u003eOperating Altitude: \u0026lt;3,000 meters (\u0026lt;10,000 feet)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AJA","offers":[{"title":"Default Title","offer_id":43886786215979,"sku":"AJA-OG-COLORBOX-R0","price":1977.35,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/og-colorbox_1.png_sm__86690.1771347498.1280.1280.png?v=1775701640","url":"https:\/\/www.empirepro.com\/products\/aja-og-colorbox-r0","provider":"Empire Pro","version":"1.0","type":"link"}