{"product_id":"black-magic-bmd-cineursashmssd2","title":"Black Magic BMD-CINEURSASHMSSD2","description":"\u003cstrong\u003eOverview\u003c\/strong\u003e\u003cdiv\u003e\n\u003ch1\u003eBlackmagic \u003cbr\u003eURSA Mini Pro 12K\u003c\/h1\u003e \u003c\/div\u003e\u003cdiv\u003e\u003ch2\u003eIntroducing the World’s Most Advanced Digital Film Camera!\u003c\/h2\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003eBlackmagic URSA Mini Pro 12K is a revolution in digital film with a 12,288 x 6480 12K Super 35 sensor and 14 stops of dynamic range, built into the award winning URSA Mini body. The combination of 80 megapixels per frame, new color science and the flexibility of Blackmagic RAW makes working with 12K a reality. Oversampling from 12K gives you \u003cspan\u003ethe best\u003c\/span\u003e 8K and 4K images with the subtle skin tones and extraordinary detail of high end still cameras. You can shoot at 60 fps in 12K, \u003cspan\u003e120 fps\u003c\/span\u003e in 8K and up to 240 fps in 4K \u003cspan\u003eSuper 16.\u003c\/span\u003e URSA Mini Pro 12K features an interchangeable PL mount, as well as built in ND filters, dual CFast and UHS-II SD card recorders, a SuperSpeed USB-C expansion port and more. DaVinci Resolve Studio is included \u003cspan\u003efor creative\u003c\/span\u003e control through post from editing to color, \u003cspan\u003eVFX and more!\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e \u003cdiv\u003e\u003ch2\u003eDigital Film, Extreme Resolution\u003c\/h2\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003eURSA Mini Pro 12K’s extreme resolution goes well beyond traditional motion picture film! You get the benefits of shooting with film including incredible detail, wide dynamic range and rich, deep color. Perfect for feature films, episodic television and immersive, large format IMAX. The incredible definition around objects makes it ideal for working with green screen and VFX including compositing live action and CGI. Super sampling at 12K means you not only get better color and resolution at 8K, but also a smoothness that comes from making aliasing invisible. This new generation of digital film technology ushers in an analog style purity and subtlety to deliver a better than film experience.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003ch2\u003eCinematic Super 35 12K Sensor\u003c\/h2\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003eThe Blackmagic URSA Mini Pro 12K features a revolutionary new sensor with a native resolution of 12,288 x 6480, which is an incredible 80 megapixels per frame! The Super 35 sensor has a superb 14 stops \u003cspan\u003eof dynamic\u003c\/span\u003e range and a native ISO of 800. The new 12K sensor has equal amounts of red, green and blue pixels and is optimized for images at multiple resolutions. You can shoot 12K at 60 fps or use in-sensor scaling to allow 8K or 4K RAW at up to 120 fps without cropping or changing your field of view. URSA Mini Pro’s interchangeable lens mount lets you choose from the widest range of vintage and modern cinema lenses, so you can capture every ounce of \u003cspan\u003echaracter and detail\u003c\/span\u003e from your favorite optics.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003ch2\u003eShoot in 12K, Edit on a Laptop\u003c\/h2\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003eThe URSA Mini Pro 12K sensor and Blackmagic RAW were designed together to make 12 bit RAW workflows in 12K effortless. As an incredibly efficient next generation codec Blackmagic RAW lets you shoot 12K and edit on a laptop, a capability that simply isn’t possible with other codecs. \u003cspan\u003eThe massive\u003c\/span\u003e resolution of the sensor means you can reframe shots in post for delivery in 8K and 4K. It’s like a multi camera shoot with only one camera. And it’s perfect for great looking vertical and square video, too. The advanced design of the sensor and Blackmagic RAW means that you can work in any resolution in post production instantly, without rendering, \u003cspan\u003ewhile retaining\u003c\/span\u003e the full sensor’s color accuracy.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003ch2\u003eBlackmagic RAW Fueled Image Capture\u003c\/h2\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003eOnly Blackmagic RAW makes cinema quality 12‑bit, 80 megapixel images at up to 60 frames a reality! Constant quality Q0 and Q5 options and new Q1 and Q3 lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bitrate encoding options 5:1, 8:1, 12:1 and the new 18:1 are designed to give you the best possible images with predictable and consistent file size. You can record RAW to two cards simultaneously so you can shoot 12K or 8K to either CFast or UHS‑II cards, even at high frame rates! Blackmagic RAW stores camera metadata, lens data, white balance, digital slate information and custom LUTs to ensure consistency of image on set and through post production.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003ch2\u003eVirtual Cinema Production\u003c\/h2\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003eWhen shooting in virtual production environments, the high frequencies of the LED matrix in video walls can cause problems for ultra sharp modern lenses and high resolution sensors, creating interference patterns. Using an optical low pass filter minimizes that interference, which results in a reduction of moire and aliasing. URSA Mini Pro 12K OLPF adds a high performance, optical low pass filter that is precisely matched to the 12K sensor. The OLPF also incorporates updated IR filtering that improves far red color response which, when combined with Blackmagic RAW processing for the URSA Mini Pro 12K OLPF, preserves color and critical image detail for new levels of image fidelity.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003ch2\u003eOptimized for Fast Flexible Post Production\u003c\/h2\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003eShooting RAW in 12K preserves the deepest control of detail, exposure and color during post. Oversampling means you get extremely sharp 8K without harsh edges. Best of all, Blackmagic RAW is designed to accelerate 12K for post production, making it as easy to work with as standard HD or Ultra HD files. It is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. So you can always work with your camera RAW files without having to make proxies. Blackmagic RAW 12K images provide unprecedented resolution and quality for color, keying, compositing, reframing, stabilization and tracking in 4K or 8K.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\n\u003ch2\u003eGeneration\u003c\/h2\u003e \u003ch2\u003eColor Science\u003c\/h2\u003e\n\u003c\/div\u003e\u003cdiv\u003e\u003ch2\u003eGeneration 5 Color Science\u003c\/h2\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003eBlackmagic Generation 5 Color Science features a new film curve designed to make full use of the massive amount of color data from the new URSA Mini Pro 12K sensor. This delivers even better color response for more pleasing skin tones, and better rendering of highly saturated colors such as neon signs and car tail lights in high contrast scenes. Generation 5 Color Science informs complex Blackmagic RAW image processing, with color and dynamic range data from the sensor preserved via metadata for use in post production. Compatible with all previously shot Blackmagic RAW files, Generation 5 Color Science lets you take advantage of the new film curve even with your existing work!\u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e \u003ca\u003eDownload RAW Clip 1\u003c\/a\u003e \u003c\/div\u003e\u003cdiv\u003e \u003ca\u003eDownload RAW Clip 2\u003c\/a\u003e \u003c\/div\u003e\u003cdiv\u003e \u003ca\u003eDownload RAW Clip 3\u003c\/a\u003e \u003c\/div\u003e\u003cdiv\u003e\u003ch2\u003eFull Resolution at Higher Frame Rates\u003c\/h2\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003eURSA Mini Pro 12K is multiple cameras in one, shooting standard resolutions and frame rates in 4K, 8K and even insanely detailed 12K! With a massive 80 megapixels per frame at 60 fps in RAW you can capture perfect stills and motion shots in a single camera at the same time! You can shoot up to 60 fps in 12K 12,288 x 6480 17:9! For higher frame rates, you can shoot 120 fps at 8192 x 4320, 160 fps at 8192 x 3408 and even window the sensor to Super 16 to capture 4K at an incredible 240 fps at 4096 x 2160 DCI! URSA Mini Pro 12K has flexible frame rate and resolution options, and captures with improved motion rendering which means that you get smoother edges in 8K and 4K even at lower frame rates.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e \u003cimg\u003e\u003cp\u003eUP TO 60 FPS\u003c\/p\u003e\n\u003c\/div\u003e\u003cdiv\u003e \u003cimg\u003e\u003cp\u003eUP TO 120 FPS\u003c\/p\u003e\n\u003c\/div\u003e\u003cdiv\u003e \u003cimg\u003e\u003cp\u003eUP TO 240 FPS\u003c\/p\u003e\n\u003c\/div\u003e\u003cdiv\u003e\u003ch2\u003eHigh Band Width Recording\u003c\/h2\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003eURSA Mini Pro is the ultimate high bandwidth recorder with 3 options for recording 12K, which contains almost 10 times the resolution of Ultra HD. You get dual built in CFast and UHS‑II SD card recorders, and a SuperSpeed USB‑C expansion port \u003cspan\u003efor recording\u003c\/span\u003e to fast SATA and NVMe drives. With \"Record \u003cspan\u003eRAW on 2 Cards\"\u003c\/span\u003e turned on, URSA Mini Pro 12K can record simultaneously across two cards up to an incredible 900MB\/s \u003cspan\u003eto 2 CFast\u003c\/span\u003e cards, or an impressive 500MB\/s to 2 UHS‑II SD cards. The SuperSpeed USB‑C expansion port on the rear \u003cspan\u003ecan record\u003c\/span\u003e to USB‑C flash storage up to 900MB\/s as a third recording option so you won’t be short of choices for \u003cspan\u003ecapturing stunning\u003c\/span\u003e 12K up to 60 fps or 8K up to 120 fps!\u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e \u003ch4\u003eFull 12K Sensor 12,288 x 6480 @ 24fps\u003c\/h4\u003e\n\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003eActual rates are dependent on the image being captured. 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Includes features such as 3 x ND filters, Blackmagic RAW, USB-C external disk recording and more!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003ch3\u003eBlackmagic \u003cspan\u003eURSA Mini Pro 12K\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003eFeaturing a revolutionary 12K Super 35mm 80 megapixel sensor with generation 5 color science and 14 stops of dynamic range, URSA Mini Pro 12K is designed for high end feature film production.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003ch3\u003eBlackmagic URSA Mini Pro OLPF\u003c\/h3\u003e\n\u003cp\u003eURSA Mini Pro 12K with OLPF has better detail handling for high end feature film. It includes a 12K Super 35mm 80MP sensor, wide dynamic range, G5 color science, revolutionary RGBW color and in-sensor scaling.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ch2\u003eEasy to Use Blackmagic OS\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eWith advanced Blackmagic OS, you get an intuitive and \u003cspan\u003euser friendly\u003c\/span\u003e camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus \u003cspan\u003ethe camera\u003c\/span\u003e powers on virtually instantly. \u003cspan\u003eURSA \u003cspan\u003eMini Pro\u003c\/span\u003e\u003c\/span\u003e features the same controls \u003cspan\u003eand menus\u003c\/span\u003e as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap \u003cspan\u003eand swipe\u003c\/span\u003e gestures \u003cspan\u003eto adjust\u003c\/span\u003e settings, add metadata and view recording status. \u003cspan\u003eYou also\u003c\/span\u003e get full control over advanced camera features such \u003cspan\u003eas on\u003c\/span\u003e screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003ca\u003eLearn more about Blackmagic OS\u003c\/a\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003ch2\u003eRevolutionary Lightweight, Portable Design\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eURSA Mini Pro is designed to include everything you need in a portable camera \u003cspan\u003eso you\u003c\/span\u003e can take it anywhere! The evenly weighted camera body is made from lightweight, robust magnesium alloy. \u003cspan\u003eButtons, switches\u003c\/span\u003e and dials are laid out \u003cspan\u003ein a logical\u003c\/span\u003e order that makes them easy \u003cspan\u003eto find by feel\u003c\/span\u003e while using the viewfinder. \u003cspan\u003eAn external backlit\u003c\/span\u003e LCD status display lets \u003cspan\u003eyou view\u003c\/span\u003e critical information. Plus there’s \u003cspan\u003ea 4\" fold\u003c\/span\u003e out touchscreen for reviewing shots and accessing the menu settings. You get connections such as 12G‑SDI in and out, USB‑C, 48 volt phantom power XLR audio, timecode and reference in. \u003cspan\u003eThe optional\u003c\/span\u003e Blackmagic Shoulder Mount Kit lets you go \u003cspan\u003efrom tripod to\u003c\/span\u003e handheld in seconds!\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ch2\u003eInterchangeable Lens Mounts\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eDifferent projects require different lenses which is why URSA Mini Pro features an interchangeable lens mount. You can quickly switch between PL, EF and F mount lenses on the URSA Mini Pro 12K, as well as B4 lenses on the URSA Mini Pro 4.6K G2. That means you can work with high quality large PL cinema lenses, EF or F mount photographic lenses, and even B4 broadcast lenses, making URSA Mini Pro compatible with the widest possible range of professional lenses. Additional PL, \u003cspan\u003eEF, \u003cspan\u003eF and\u003c\/span\u003e\u003c\/span\u003e B4 lens mounts can be purchased separately. With URSA Mini Pro, you get a single camera that works with virtually all professional lenses so you have the freedom to choose the \u003cspan\u003elens you\u003c\/span\u003e need for any kind of work!\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003cimg\u003e\u003cp\u003eFull Frame PL\u003cbr\u003e Cine Primes\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003cimg\u003e\u003cp\u003eFull Frame PL\u003cbr\u003e Cine Zooms\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003cimg\u003e\u003cp\u003eSuper 35 PL\u003cbr\u003e Cine Primes\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003cimg\u003e\u003cp\u003eSuper 35 PL\u003cbr\u003e Cine Zooms\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003cimg\u003e\u003cp\u003ePL\u003cbr\u003e Anamorphic\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003cimg\u003e\u003cp\u003eServo\u003cbr\u003e Assist\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003cimg\u003e\u003cp\u003eVintage\u003cbr\u003e PL Cine\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003cimg\u003e\u003cp\u003eSuper 16\u003cbr\u003e PL\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003cimg\u003e\u003cp\u003eFull Frame\u003cbr\u003e EF\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003cimg\u003e\u003cp\u003eFull Frame\u003cbr\u003e F Mount\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003cimg\u003e\u003cdiv\u003e\u003ch2\u003eBuilt in Precision ND Filters\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eURSA Mini Pro features high quality ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colorimetry and color science of the camera, the 2, \u003cspan\u003e4 and\u003c\/span\u003e 6 stop filters provide you with additional latitude even under harsh lighting. The IR filters have been designed to filter both optical wavelengths and IR wavelengths evenly to eliminate IR contamination of the images from which many ND filters can suffer. URSA Mini Pro ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned. Filter settings can even be displayed as either an ND number, stop reduction or fraction on the LCD!\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ch2\u003eUSB-C for Direct Recording to External Disks\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eBlackmagic URSA Mini Pro features an innovative high speed USB-C Expansion Port. The 4.6K G2 model features USB‑C 3.1 Gen 1 which operates at up to 5 Gb\/s, while the \u003cspan\u003enew 12K\u003c\/span\u003e model has a USB‑C 3.1 Gen 2 for a blistering 10 Gb\/s. You can connect and power external flash disks and SSDs or on URSA Mini Pro 12K you can connect the new URSA Mini Recorder for recording to fast NVMe SSD drives for longer recording times. NVMe SSD drives are ideal for shooting 12K in the highest constant quality 12‑bit Blackmagic RAW in the Q0 setting or for high frame rates. When shooting is complete you can simply move the external disk to your computer and start editing from the same disk, eliminating file copying!\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ch2\u003eHigh Resolution Monitoring and Camera Control\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eThe built in 4 inch fold out touchscreen on URSA Mini Pro is a bright, high resolution color display with a wide viewing angle that makes it perfect for monitoring and reviewing shots on set! The screen can also show you a \"heads up display\" overlay with critical information such as format, frame rate, iris, timecode, shutter angle, white balance, ISO and more. Plus you get a histogram, card recording status indicators and audio meters! You can show or hide the heads up display by simply swiping \u003cspan\u003eup or\u003c\/span\u003e down. The fold out touchscreen also lets you use the incredible Blackmagic operating software so you get super \u003cspan\u003efast access\u003c\/span\u003e to every camera function, digital slate for metadata management and more!\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ch2\u003eDigital Slate for Fast Metadata Entry\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eURSA Mini Pro features a digital slate so you can quickly add metadata to any shot! Simply swipe left or right on the built \u003cspan\u003ein touchscreen\u003c\/span\u003e to bring up the digital slate. If you start and \u003cspan\u003estop recording\u003c\/span\u003e the slate can automatically increment the take numbers so you don’t have to enter them manually for each shot! You can also set your reel numbers to increment automatically each time you format a card. Lens metadata is automatically populated \u003cspan\u003eor it can\u003c\/span\u003e be entered manually, along with production specific information, technical information and more! All of the metadata is saved with the files for use \u003cspan\u003ein post\u003c\/span\u003e production when editing and color correcting with software such as DaVinci Resolve!\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ch2\u003eFull Size, Durable Connections that Work with Standard Cables\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eURSA Mini Pro features multiple connections such as 12G‑SDI out, LANC, balanced XLR audio with 48 volt phantom power, timecode in, reference input and a headphone connection. There’s also a 4 pin XLR DC output for powering accessories such as a viewfinder, and an HD‑SDI output for monitoring. \u003cspan\u003eThat means\u003c\/span\u003e you can connect an SDI display for on set \u003cspan\u003emonitoring of\u003c\/span\u003e images, with or without overlays that show critical information and camera status. There is also a 12 pin Hi‑rose connector for controlling servo zoom lenses. URSA Mini Pro 4.6K G2 and URSA Mini Pro 12K both include a USB‑C expansion port for recording to external disks, which on the \u003cspan\u003e12K model\u003c\/span\u003e is conveniently located on the rear of the camera\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e \u003cspan\u003e1.\u003c\/span\u003e \u003cspan\u003eStereo XLR \u003cbr\u003ewith Phantom Power\u003c\/span\u003e \u003c\/span\u003e \u003cspan\u003e \u003cspan\u003e2.\u003c\/span\u003e \u003cspan\u003e3.5mm \u003cbr\u003eHeadphone\u003c\/span\u003e \u003c\/span\u003e \u003cspan\u003e \u003cspan\u003e3.\u003c\/span\u003e \u003cspan\u003e12G-SDI Out\u003c\/span\u003e \u003c\/span\u003e \u003cspan\u003e \u003cspan\u003e4.\u003c\/span\u003e \u003cspan\u003e3G-SDI Out\u003c\/span\u003e \u003c\/span\u003e \u003cspan\u003e \u003cspan\u003e5.\u003c\/span\u003e \u003cspan\u003e12G-SD In\u003c\/span\u003e \u003c\/span\u003e \u003cspan\u003e \u003cspan\u003e6.\u003c\/span\u003e \u003cspan\u003eReference In \/ \u003cbr\u003eTimecode In\u003c\/span\u003e \u003c\/span\u003e \u003cspan\u003e \u003cspan\u003e7.\u003c\/span\u003e \u003cspan\u003eAccessory \u003cbr\u003e12V Power\u003c\/span\u003e \u003c\/span\u003e \u003cspan\u003e \u003cspan\u003e8.\u003c\/span\u003e \u003cspan\u003e12V Main \u003cbr\u003ePower\u003c\/span\u003e \u003c\/span\u003e \u003cspan\u003e \u003cspan\u003e9.\u003c\/span\u003e \u003cspan\u003eUSB-C\u003c\/span\u003e \u003c\/span\u003e \u003cspan\u003e \u003cspan\u003e10.\u003c\/span\u003e \u003cspan\u003eBroadcast Lens \u003cbr\u003eControl Connector\u003c\/span\u003e \u003c\/span\u003e \u003cspan\u003e \u003cspan\u003e11.\u003c\/span\u003e \u003cspan\u003eLANC\u003c\/span\u003e \u003c\/span\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003ch2\u003eWireless Bluetooth Camera Control\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eIf you're positioning the camera on the end \u003cspan\u003eof a jib\u003c\/span\u003e or gimbal, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or trigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless!\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003ca\u003e \u003cimg\u003e \u003c\/a\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003ch2\u003eIncludes DaVinci Resolve Studio\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eURSA Mini Pro includes a full version of DaVinci Resolve Studio. You get the world’s most advanced solution that combines professional editing, color correction, audio post and visual effects all in one software \u003cspan\u003etool! DaVinci\u003c\/span\u003e Resolve is used to finish more Hollywood feature films than any other solution, so you'll get the best possible post production tools to edit native video from your camera and retain every bit of quality. Whether you’re working on major Hollywood feature films, episodic television, music videos, commercials or even the latest YouTube shoot, DaVinci Resolve Studio gives you a completely lossless workflow for native editing, color correction, effects, audio and delivery.\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ch2\u003eOptional Shoulder Mount Kit\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eURSA Mini Pro cameras include multiple ¼ inch mount points \u003cspan\u003eon the\u003c\/span\u003e bottom so \u003cspan\u003eyou can attach\u003c\/span\u003e them directly to any tripod. When you need to quickly move from tripod to handheld and back, you can use the optional Blackmagic URSA Mini Shoulder \u003cspan\u003eKit. This\u003c\/span\u003e kit includes the shoulder pad with \u003cspan\u003ebuilt in rosettes,\u003c\/span\u003e rail mounts and integrated quick lock release attachment points for instantly latching onto the quick release \u003cspan\u003eplate without\u003c\/span\u003e removing the shoulder pad. You also get a top handle for carrying the camera and attaching accessories such as \u003cspan\u003ethe Blackmagic\u003c\/span\u003e \u003cspan\u003eURSA Viewfinder,\u003c\/span\u003e a support arm for Blackmagic Video Assist and more!\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ch2\u003eHigh Resolution Viewfinder for Accurate Focus\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eThe optional Blackmagic URSA Viewfinder \u003cspan\u003eis designed\u003c\/span\u003e to be \u003cspan\u003ethe perfect\u003c\/span\u003e match for \u003cspan\u003eURSA Mini\u003c\/span\u003e Pro. You get a high resolution 1920 x 1080 color OLED display with precision glass optics, adjustable diopter and built in digital focus chart so you get perfect focus every time. As well as a clean feed of \u003cspan\u003ethe image\u003c\/span\u003e you can also view critical status information such as frame guides and more. You can easily access the fully assignable function buttons on top of the viewfinder for zooming, turning on overlays, focus peaking control and more. To preserve OLED screen life, there’s a built in sensor so the OLED only turns on when you’re looking through the viewfinder. There’s even a built in tally light!\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003cimg\u003e\u003cp\u003eOLED \u003cbr\u003eDisplay\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003cimg\u003e\u003cp\u003eFull HD\u003cbr\u003e 1920x1080\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003cimg\u003e\u003cp\u003eGlass \u003cbr\u003eOptics\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ch2\u003eBlackmagic URSA Mini Recorder\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eThe new Blackmagic URSA Mini Recorder \u003cspan\u003elets you record\u003c\/span\u003e 12‑bit Blackmagic RAW \u003cspan\u003efiles onto\u003c\/span\u003e fast 2.5 inch SSDs, including the \u003cspan\u003elatest U.2 NVMe\u003c\/span\u003e Enterprise SSDs. SSDs such as the latest 7mm U.2 NVMe disks are super fast, delivering data transfer speeds of up to 900 MB\/s! This blazing fast performance allows you longer recording times for full resolution 4K, 8K and 12K 12‑bit Blackmagic RAW files in the highest quality Q0 encoding. The unique design of the Blackmagic URSA Mini Recorder means it attaches directly to \u003cspan\u003ethe back\u003c\/span\u003e of your URSA Mini Pro 12K between the camera and the battery. It’s controlled via \u003cspan\u003ethe USB‑C\u003c\/span\u003e so you don’t have to worry \u003cspan\u003eabout manually\u003c\/span\u003e starting or stopping the SSD recorder.\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ch2\u003eCompatible with Industry Standard Batteries and Power\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eURSA Mini Pro includes a 4‑pin XLR industry standard power connector that works with 12V to 18V external power supplies. That means it’s easy to use the camera with all of your existing power supplies and batteries! URSA Mini Pro cameras use the same battery power connector and mounting points on the rear \u003cspan\u003eof the\u003c\/span\u003e camera so you can use a wide range of battery plates from manufacturers such as IDX, Blueshape, Anton Bauer and more. You can also add the optional Blackmagic URSA VLock Battery Plate or Blackmagic URSA Gold Battery Plate for using popular V‑Mount and Gold Mount batteries.\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eNext Page\u003c\/p\u003e \u003ch2\u003eWorkflow\u003c\/h2\u003e\n\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003cdiv\u003e \u003cdiv\u003e \u003ch3\u003eDescription\u003c\/h3\u003e \u003cp\u003eBlackmagic URSA Mini Recorder lets you record Blackmagic RAW files onto 2.5 inch NVMe based 7mm U.2 SSD’s or standard 2.5 inch SSD Media with your URSA Mini Pro 12K! That means you can use commonly available and inexpensive high capacity solid state media! The NVMe based SSD media can record full resolution 12K, 8K and 4K 12‑bit RAW files plus it comes in much larger sizes so you can record longer without having to change disks!\u003c\/p\u003e  \u003c\/div\u003e \u003c\/div\u003e  \u003csection\u003e \u003ch3\u003eConnections\u003c\/h3\u003e \u003cdiv\u003e \u003carticle\u003e \u003ch4\u003eComputer Interface\u003c\/h4\u003e \u003cp\u003e1 x USB Type-C 3.1 Gen 2 with locking screw \u003cspan\u003efor bidirectional\u003c\/span\u003e data link with URSA Mini Pro 12K \u003cspan\u003eand software updates.\u003c\/span\u003e\u003c\/p\u003e \u003c\/article\u003e \u003c\/div\u003e \u003c\/section\u003e \u003csection\u003e \u003ch3\u003eMedia\u003c\/h3\u003e \u003cdiv\u003e \u003carticle\u003e \u003ch4\u003eMedia\u003c\/h4\u003e \u003cp\u003e1 x 2.5 inch SSD for 4K, 8K and 12K recording.\u003c\/p\u003e \u003c\/article\u003e \u003c\/div\u003e \u003c\/section\u003e \u003csection\u003e \u003ch3\u003eSupported Codecs\u003c\/h3\u003e \u003cdiv\u003e \u003carticle\u003e \u003cp\u003e Blackmagic RAW Constant Bitrate 5:1,\u003cbr\u003eBlackmagic RAW Constant Bitrate 8:1,\u003cbr\u003eBlackmagic RAW Constant Bitrate 12:1,\u003cbr\u003eBlackmagic RAW Constant Bitrate 18:1,\u003cbr\u003eBlackmagic RAW Constant Quality Q0,\u003cbr\u003eBlackmagic RAW Constant Quality Q1,\u003cbr\u003eBlackmagic RAW Constant Quality Q3,\u003cbr\u003eBlackmagic RAW Constant Quality Q5.\u003cbr\u003e \u003c\/p\u003e \u003c\/article\u003e \u003c\/div\u003e \u003c\/section\u003e \u003csection\u003e \u003ch3\u003eOperating Systems\u003c\/h3\u003e \u003cdiv\u003e \u003carticle\u003e \u003cimg\u003e\u003cp\u003eMac 13.0 Ventura, \u003cbr\u003eMac 14.0 Sonoma or later.\u003c\/p\u003e \u003c\/article\u003e \u003carticle\u003e \u003cimg\u003e\u003cp\u003eWindows 10 and 11.\u003c\/p\u003e \u003c\/article\u003e \u003c\/div\u003e \u003c\/section\u003e \u003csection\u003e \u003ch3\u003ePower Requirements\u003c\/h3\u003e \u003cdiv\u003e \u003carticle\u003e \u003ch4\u003ePower Connection\u003c\/h4\u003e \u003cp\u003e12-pin Molex connector with passthrough to battery plate.\u003c\/p\u003e \u003c\/article\u003e \u003c\/div\u003e \u003c\/section\u003e \u003csection\u003e \u003ch3\u003eEMC Certifications\u003c\/h3\u003e \u003cdiv\u003e \u003carticle\u003e \u003cp\u003eFCC, CE and KCC.\u003c\/p\u003e \u003c\/article\u003e \u003c\/div\u003e \u003c\/section\u003e \u003csection\u003e \u003ch3\u003ePhysical Specifications\u003c\/h3\u003e \u003cimg\u003e \u003c\/section\u003e \u003csection\u003e \u003ch3\u003eEnvironmental Specifications\u003c\/h3\u003e \u003cdiv\u003e \u003carticle\u003e \u003ch4\u003eOperating Temperature\u003c\/h4\u003e \u003cp\u003e0° to 40° C (32° to 104° F)\u003c\/p\u003e \u003c\/article\u003e \u003carticle\u003e \u003ch4\u003eStorage Temperature\u003c\/h4\u003e \u003cp\u003e-20° to 45° C (-4° to 113° F)\u003c\/p\u003e \u003c\/article\u003e \u003carticle\u003e \u003ch4\u003eRelative Humidity\u003c\/h4\u003e \u003cp\u003e0% to 90% non-condensing\u003c\/p\u003e \u003c\/article\u003e \u003c\/div\u003e \u003c\/section\u003e \u003csection\u003e \u003ch3\u003eWhat's Included\u003c\/h3\u003e \u003cdiv\u003e \u003carticle\u003e \u003cp\u003eBlackmagic URSA Mini Recorder\u003c\/p\u003e \u003cp\u003eURSA Mini SSD Recorder Mount Plate with mounting screws\u003c\/p\u003e \u003cp\u003eUSB Type-C SuperSpeed+ Cable with locking screw connectors\u003c\/p\u003e \u003c\/article\u003e \u003c\/div\u003e \u003c\/section\u003e \u003csection\u003e \u003ch3\u003eWarranty\u003c\/h3\u003e \u003cdiv\u003e \u003carticle\u003e \u003cp\u003e1 Year Limited Manufacturer’s Warranty.\u003c\/p\u003e \u003c\/article\u003e \u003c\/div\u003e \u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":43887059140651,"sku":"BMD-CINEURSASHMSSD2","price":445.18,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/BMD-CINEURSASHMSSD2-1__95663.1732019813.1280.1280.jpg?v=1775673760","url":"https:\/\/www.empirepro.com\/products\/black-magic-bmd-cineursashmssd2","provider":"Empire Pro","version":"1.0","type":"link"}