{"product_id":"black-magic-bmd-cinstudmft-h-sc","title":"Black Magic BMD-CINSTUDMFT\/H\/SC","description":"\u003cstrong\u003eOverview\u003c\/strong\u003e\u003cdiv\u003e\n\u003ch1\u003eBlackmagic \u003cbr\u003eStudio Camera\u003c\/h1\u003e \u003c\/div\u003e\u003cdiv\u003e \u003ch3\u003eThe ultimate self contained live production camera!\u003c\/h3\u003e\n\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003eIntroducing the world’s most advanced self contained studio camera! Blackmagic Studio Cameras have the same features as large studio cameras, miniaturized into a single compact and portable design. Plus with digital film camera dynamic range and color science, the cameras can handle extremely difficult lighting conditions while producing cinematic looking images. The sensor features an ISO up to 25,600 so you can create amazing images even in dimly lit venues. It even works under moonlight! Advanced features include talkback, tally, camera control, built in color corrector, Blackmagic RAW recording to USB disks, live streaming and more! You can even add a focus and zoom demand for lens control!\u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e \u003cdiv\u003e \u003ca\u003eFront\u003c\/a\u003e \u003ca\u003eBack\u003c\/a\u003e \u003c\/div\u003e\n\u003cdiv\u003e \u003ch3\u003eBlackmagic Studio Camera 4K Plus G2\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eThe perfect mini studio camera features a cinematic 4K sensor up to 25,600 ISO, MFT lens mount, 12G-SDI and HDMI, 3.5mm talkback, 7\" LCD with sunshade, color corrector and recording to USB disks.\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003ch3\u003eBlackmagic Studio Camera 4K Pro G2\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eDesigned for professional SDI switchers, you get the features of the Studio Camera Plus, as well as 12G‑SDI, XLR audio, bright HDR LCD, 5-pin XLR talkback, 10G Ethernet IP link and HD live streaming.\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003ch3\u003eBlackmagic Studio Camera 6K Pro\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eDesigned as the most advanced ultra portable studio camera, this model has the features of the Studio Camera 4K Pro G2 model plus a larger 6K sensor, EF lens mount and remote controllable ND filters.\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ch2\u003eDesigned for Live Production\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eWhile Blackmagic Studio Camera is designed for live production, it’s not limited to use with a live switcher! That’s because it records Blackmagic RAW to USB disks, so it can be used in any situation where you use a tripod! The large 7\" viewfinder makes it perfect for work such as chat shows, television production, broadcast news, sports, education, conference presentations and even weddings! The large bright display with side handles, touch screen and physical controls makes it easy to track shots while being comfortable to use for long periods of time. Because it’s so lightweight, it’s perfect when you're constantly changing locations and doing different kinds of work.\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ch2\u003eRevolutionary Studio Camera Design\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eLarge broadcasters use expensive studio cameras that are extremely large, so they’re not very portable. The distinctive Blackmagic Studio Camera has all the benefits of a large studio camera because it’s a combination of camera and viewfinder all in a single compact design. It features a lightweight carbon fiber reinforced polycarbonate body with innovative technology in a miniaturized design. The camera is designed for live production so it’s easy to track and frame shots with its large 7\" viewfinder. The touchscreen has menus for camera settings, and there's knobs for brightness, contrast and focus peaking. Plus a tripod mount with mounting plate is included for fast setup!\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ch2\u003eExceptional Low Light Performance\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eIn advanced cameras, ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO the more gain can be added so it’s possible to shoot in natural light, or even at night! The Blackmagic Studio Camera features gain from -12dB (100 ISO) up to +36dB (25,600 ISO) so it's optimized to reduce grain and noise in images, while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set from the camera, or remotely from a switcher using the SDI or Ethernet remote camera control.\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003cdiv\u003e \u003csvg\u003e \u003csvg\u003e\u003ctext\u003e10\u003c\/text\u003e\u003ctext\u003e5\u003c\/text\u003e\u003ctext\u003e0\u003c\/text\u003e\u003ctext\u003e-5\u003c\/text\u003e\u003ctext\u003e-10\u003c\/text\u003e\u003c\/svg\u003e \u003csvg\u003e\u003c\/svg\u003e \u003csvg\u003e\u003ctext\u003eSTOPS\u003c\/text\u003e\u003ctext\u003eISO\u003c\/text\u003e\u003c\/svg\u003e \u003c\/svg\u003e \u003c\/div\u003e\n\u003cdiv\u003e \u003cimg\u003e \u003cimg\u003e \u003cimg\u003e \u003cimg\u003e \u003cdiv\u003e\n\u003cspan\u003e Dual Native \u003c\/span\u003e \u003cdiv\u003e \u003ca\u003e 0dB\/ISO 400 \u003c\/a\u003e \u003ca\u003e 18dB\/ISO 3200 \u003c\/a\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e Stops Above \u003c\/span\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e Stops Below \u003c\/span\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e Dual Native \u003c\/span\u003e \u003cdiv\u003e \u003ca\u003e 0dB\/ISO 400 \u003c\/a\u003e \u003ca\u003e 18dB\/ISO 3200 \u003c\/a\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e Stops Above \u003c\/span\u003e \u003cspan\u003e Stops Below \u003c\/span\u003e \u003c\/div\u003e\n\u003cdiv\u003e \u003ca\u003e 4K Models \u003c\/a\u003e \u003ca\u003e 6K Model \u003c\/a\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003ch2\u003eGet Cinematic Images in Live Production!\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eAmazing sensors combined with Blackmagic generation 5 color science give you the same imaging technology used in digital film cameras. That means you can now use cinematic images for live production! Plus, when combined with the built in DaVinci Resolve primary color corrector you get much better images than simple broadcast cameras. The color corrector can even be controlled from the switcher. With 13 stops of dynamic range, the camera has darker blacks and brighter whites, perfect for color correction. Great for both HD and Ultra HD production, the 4K models feature a resolution of 3840 x 2160 and the 6K model has a resolution of 6144 x 3456. Plus, all models support 23.98 to 60 fps.\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ch2\u003eAffordable Photographic Lenses!\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eWith the popular EF or MFT lens mounts, Blackmagic Studio Cameras are compatible with a wide range of affordable photographic lenses. Photographic lenses are incredible quality because they're designed for use in high resolution photography. Plus, the active lens mount lets you adjust the lens remotely! To eliminate the need to reach around to adjust the lens manually, the optional focus and zoom demands let you adjust the lens from the tripod handles just like a large studio camera! This means you avoid camera shake when adjusting the lens so you can track shots and operate the camera without taking your hands off the tripod! It gives you the same feel as an expensive B4 broadcast lens!\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ch2\u003eFrame Shots with Large 7\" Viewfinder\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eThe large 7\" high resolution screen will totally transform how you work with the camera because it's big enough to make framing shots much easier. The Pro models features an HDR display with extremely high brightness, perfect outdoors in sunlight! On screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides and more. You can even apply 3D LUTs for monitoring shots with the desired color and look. The touchscreen also has menus and you can load and customize presets for different jobs. The included sun shade can be folded to protect the screen for transport plus it's compatible with sun shades from the Blackmagic Studio Viewfinder!\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ch2\u003ePhysical and Touchscreen Controls\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eBlackmagic Studio Cameras feature physical buttons and knobs as well as controls on the touchscreen. Knobs on the right side of the camera allow adjusting of the brightness, contrast and focus peaking. The focus peaking knob is incredibly useful as it lets you fine tune the detail highlight so you can get perfect focus as you zoom. The 3 function buttons on the left can have functions assigned to them, such as zebra, false color, focus peaking, LUTs and more! Plus you can change the function assigned to each button in the menus. The touchscreen also includes a heads up display with the most important shooting information, as well as menus for all camera settings, LUTs and custom presets.\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ch2\u003eBuilt-in Tally for On Air Status\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eBlackmagic Studio Cameras feature a very large tally light that illuminates red for on air, green for preview and orange for ISO recording. The tally light also includes clip on transparent camera numbers, so it's easy for talent to see camera numbers from up to 20 feet away! The Blackmagic Studio Cameras support the SDI tally standard used on all ATEM live production switchers and the HDMI tally used on ATEM Mini switchers. This means that a director can cut between cameras and the tally information will be sent back to the cameras via the SDI program return feed, lighting up the tally light on the camera whenever it's on air. SDI tally eliminates complex wiring so job setup is faster.\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ch2\u003eCommunicate with the Director via Talkback\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eUnlike consumer cameras, Blackmagic Studio Cameras have SDI connections that include talkback so the switcher operator can communicate with cameras during live events. That means the director can talk to the camera operators to guide shot selection, eliminating the problem where all cameras could have the same shot at the same time! All models support 3.5mm headsets that are designed for smartphones, while the Pro models support standard 5 pin XLR broadcast headsets. Talkback uses audio channels 15 and 16 in the SDI connection between the camera and the switcher, and in the program return from the switcher to the camera. This means any embedded SDI audio device can work with talkback!\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ch2\u003ePowerful Broadcast Connections\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eBlackmagic Studio cameras have lots of connections for connecting to both consumer and broadcast equipment. All models feature HDMI and 12G‑SDI with talkback, tally, camera control and record trigger, perfect for ATEM Mini or ATEM SDI switchers! You also get headphone and mic connections, and 2 USB‑C expansion ports. The advanced Blackmagic Studio Camera Pro models are designed for broadcast workflows so have 10GBASE‑T Ethernet and balanced XLR audio inputs. The 10G Ethernet allows all video, tally, talkback and camera power via a single connection so setup is much faster! That's just like a SMPTE fiber workflow, but using standard Category 6A copper Ethernet cable so it's much lower cost.\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003ch4\u003e\n\u003cspan\u003e1. \u003c\/span\u003eRemote ND Filters\u003c\/h4\u003e\n\u003cp\u003eCan be set to 0, 2, 4 or 6 stops locally or remotely from a switcher!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003ch4\u003e\n\u003cspan\u003e2. \u003c\/span\u003eHDMI Out\u003c\/h4\u003e\n\u003cp\u003eCamera video output works in HD or Ultra HD.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003ch4\u003e\n\u003cspan\u003e3. \u003c\/span\u003e12G-SDI Out\u003c\/h4\u003e\n\u003cp\u003eCamera video audio and talkback in HD or Ultra HD.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003ch4\u003e\n\u003cspan\u003e4. \u003c\/span\u003e12G-SDI In\u003c\/h4\u003e\n\u003cp\u003eProgram return video input, plus camera control.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003ch4\u003e\n\u003cspan\u003e5. \u003c\/span\u003e10G Ethernet\u003c\/h4\u003e\n\u003cp\u003eConnect and power camera with a single cable.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003ch4\u003e\n\u003cspan\u003e6. \u003c\/span\u003e12V DC\u003c\/h4\u003e\n\u003cp\u003ePower camera using a regular DC power adapter.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003ch4\u003e\n\u003cspan\u003e7. \u003c\/span\u003eBroadcast Power\u003c\/h4\u003e\n\u003cp\u003ePower using a broadcast power supply or battery.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003ch4\u003e\n\u003cspan\u003e1.\u003c\/span\u003e USB-C Expansion\u003c\/h4\u003e\n\u003cp\u003eUSB-C ports for recording to disks or focus and zoom demands.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003ch4\u003e\n\u003cspan\u003e2.\u003c\/span\u003e XLR Audio In\u003c\/h4\u003e\n\u003cp\u003eLow noise audio inputs with phantom power.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003ch4\u003e\n\u003cspan\u003e3.\u003c\/span\u003e Talkback\u003c\/h4\u003e\n\u003cp\u003eConnect broadcast style 5 pin talkback headsets.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003ch4\u003e\n\u003cspan\u003e4.\u003c\/span\u003e Headphone\u003c\/h4\u003e\n\u003cp\u003eHeadphone socket supports consumer headphones.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003ch4\u003e\n\u003cspan\u003e5.\u003c\/span\u003e External Mic\u003c\/h4\u003e\n\u003cp\u003eConnect video camera style microphones.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c!----\u003e\u003cem\u003eBlackmagic Studio Camera 6K Pro\u003c\/em\u003e --\u0026gt; \u003c\/div\u003e \u003cdiv class=\"hide-xs show-md col-md-8\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ch2\u003eFour Ways to Connect\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eBlackmagic Studio Cameras can be connected in lots of different ways! All models feature HDMI so are perfect for HDMI switchers such as ATEM Mini. The HDMI supports video, tally, control and record trigger for a broadcast style workflow using a single HDMI cable. They also have 12G‑SDI so you can connect to SDI based switchers such as the ATEM Constellation. There's a 12G‑SDI connection for camera video, and one for program return. The program return also includes tally, talkback and remote camera control. Blackmagic Studio Camera Pro models can also use 10G Ethernet to get camera video, program return, tally, talkback, camera control and even power using a regular Cat6A Ethernet cable!\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003ch3\u003eConnect via HDMI\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eUsing the HDMI output, you can connect to switchers such as ATEM Mini! Plus the HDMI connection supports sending tally, color corrector control and record trigger back to the camera from the switcher.\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003ch3\u003eConnect via SDI\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eUse the SDI output and the SDI program return for 2 way talkback between the camera and any SDI ATEM switcher. Tally and control is also sent to the camera via the SDI program return.\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003ch3\u003eConnect via Ethernet\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eThe 10G Ethernet connection allows all signals and camera power using a single Cat 6A copper Ethernet cable! That includes the camera video, program return, tally, talkback, camera control and more!\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003ch3\u003eConnect via USB Disk\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eYou can even shoot without a switcher as the large screen makes the camera fantastic for shooting while recording to Blackmagic RAW on a USB flash disk. The big screen makes framing shots very easy!\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ch2\u003eGet Low Cost Camera Control via SDI\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eAll Blackmagic Design ATEM switchers can control cameras via a protocol embedded into the camera's SDI video connections. Setup is easy because all ATEM switchers broadcast control commands from the switcher’s SDI program output to the camera via the SDI program input. The switcher can perform color correction, tally and lens control and these are sent to all cameras. All you need to do is select the correct camera number and it all works. Even ATEM Mini switchers can control Blackmagic Studio Cameras because the HDMI output to the switcher has return data communication that can send control information back to the camera. All this means the camera operator is free to focus on framing shots.\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ch2\u003eLow Cost SMPTE Fiber Style Workflow\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eThe Blackmagic Studio Camera 4K Pro G2 and 6K Pro models support connecting cameras via a single Ethernet cable. It’s so simple, just plug in and you're ready! Traditional broadcast studio cameras use SMPTE fiber to communicate and power cameras, however SMPTE fiber is very expensive. Blackmagic Studio Camera Pro models have 10G Ethernet as an alternative to SMPTE fiber so it's much lower cost. The Ethernet includes all camera video, program return feeds, tally, talkback, camera control and also power. The Blackmagic Studio Converter handles all video conversions at the switcher end plus adds power to the Ethernet cable. That means you don't need to connect power to the camera!\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ch2\u003eLive Streaming for Global Remote Cameras\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eNow you can place cameras remotely, anywhere in the world as the Blackmagic Studio Camera 4K Pro G2 and 6K Pro models have built in live streaming! This means you can place a camera in a remote location and it can generate a H.264 HD live stream that is sent over the internet back to the studio. Simply connect the camera to the internet using the built in Ethernet connection, or you can connect a 4G or 5G phone to the USB-C port to stream via remote data! The live stream is received in the studio by an ATEM Streaming Bridge where it's converted back to video for connection to a switcher. The ATEM Streaming Bridge can even send tally, talkback and camera control back to the camera!\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ch2\u003eUSB Expansion Port for Accessories\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eThe Blackmagic Studio Camera features a high speed USB-C expansion port that allows you to record to external disks, control the camera via a network or connect to a wide range of accessories. Plug in an external USB flash disk and the camera can record high quality 12-bit Blackmagic RAW files for later editing and color correction. That means you can just move the disk to a computer to work, and you don't need to waste time copying files. Or add a USB-C to Ethernet adapter to control your camera over a network via easy to use REST APIs. You can even copy files off the camera via the network! Plus plug in optional focus and zoom demands to allow full lens control, just like a large studio camera.\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ch2\u003eIncredible Blackmagic RAW Quality\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Some file formats such as H.264 are highly compressed, so add noise and artifacts, causing sensor detail to be lost forever. Blackmagic RAW eliminates this problem so you get stunning images with incredible detail and rich color throughout the whole post production pipeline. Blackmagic RAW also saves camera settings as metadata so you can change ISO, white balance and exposure later in DaVinci Resolve. Plus the files are small and fast, so editing responsiveness is incredible. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance!\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ch2\u003eIncludes \u003cspan\u003eBuilt-in Microphones\u003c\/span\u003e\n\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eBlackmagic Studio Cameras include built in microphones so you get sound included in the design making setup much faster. Plus the built in microphones are shock and wind resistant, so you get great sound even in tough conditions! With each microphone placed at the edges of the screen, you get the advantage of the studio camera design for better stereo separation than what is possible on a regular video camera. There’s also a 3.5mm audio input for connecting video camera microphones as well as a 3.5mm headphone jack. On the Blackmagic Studio Camera Pro model you get professional XLR audio inputs and a built in speaker for listening to the program return audio.\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ch2\u003eWorld's Best Camera Audio\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eBecause the most common location to place microphones is near to cameras, the Pro models include the best audio ever designed into a studio camera! The professional 2 channel balanced XLR inputs support +24 dBu line level and have an ultra low noise microphone preamplifier with P48 phantom power alongside an equivalent input noise (E.I.N.) of -131 dBV(A). That's followed by two 117 dB high dynamic range analog to digital converters, so you get the high end audio demanded by broadcasters and audio engineers. This means any microphone plugged into the XLR inputs will have a higher level of noise than the camera's audio!\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ch2\u003eMonitor Program Video\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eThe Blackmagic Studio Camera lets you view program video from the switcher at the press of a button! Simply press the camera’s PGM button and the viewfinder will switch from the camera display to the program return feed from the switcher. Plus the built in speaker lets you monitor the switcher audio. Program return is a fantastic feature as sometimes on large live shows, camera operators can be left waiting a long time for their camera to be used, so program return lets them watch the show while they wait. This means even if the camera operator is a large distance away from the switcher, they can still keep up with what’s happening and remain alert.\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ch2\u003eBuilt In ND Filters\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eBlackmagic Studio Camera 6K Pro features high quality, remote controllable ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colorimetry and color science of the camera, the 2, 4 and 6 stop filters give you additional latitude even under harsh lighting. The filters are designed to filter both optical and IR wavelengths evenly, eliminating IR contamination of the images. The ND filters can be electronically controlled by the function buttons on the back of the camera, using buttons on the demand and remotely. Because they can be controlled remotely by the camera control operator, the camera operator is free to focus on getting the perfect shot!\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ch2\u003ePowered by Blackmagic OS\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eWith the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eBlackmagic Design Film\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eKodak D55\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eBlackmagic Design Extended Video\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eFuji D65\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ch2\u003eSupports 3D LUTs for Film Looks!\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eWhen Blackmagic RAW files use logarithmic film gamma to preserve the camera dynamic range, 3D LUTs can be used to convert the images on the viewfinder display from looking flat and washed out. 3D LUTs solve this problem because they convert the image just before it's displayed on the LCD. This allows the film gamma images being recorded to be converted to nicer looking images on the LCD. 3D LUTs are also saved into the Blackmagic RAW files so they can be used in later post production, but they are never burned into the Blackmagic RAW image data, so you always have the option to disable them. This means the 3D LUT is transported in the Blackmagic RAW file, but only used when you enable it.\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ch2\u003eLocalized in 13 Popular Languages\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eThe Blackmagic Studio Cameras are designed to be used worldwide so they support 13 popular languages! When setting up your camera, you can choose to work in English, German, French, Spanish, Polish, Portuguese, Italian, Russian, Turkish, Ukrainian, Chinese, Japanese or Korean. It’s easy to switch to another language simply by going into the menu settings. When switching between languages, all the on screen overlays, heads up display, and setup menus will be displayed in the selected language and you can change languages any time you like!\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ch2\u003ePowers From DC or 10G Ethernet\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eBlackmagic Studio Cameras have lots of different power options! All models have a common 12V DC locking power connector so the cable won't be accidentally pulled out. Plus, the camera includes a power supply with 5 different AC socket adapters for different countries. However if you're using a single Ethernet cable to connect to the Blackmagic Studio Camera Pro models, then the whole camera and its accessories can be powered from the Ethernet connection. The Blackmagic Studio Converter has a large power supply that adds PoE power to the Ethernet cable so you don't need any power connection to the camera. That’s a great solution when there's no power available where the cameras are placed!\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ch2\u003eOptional Accessories\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ch2\u003eFocus and Zoom Demands\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eThe optional zoom and focus demands can be added to turn affordable photography lenses into amazing broadcast lenses! The focus and zoom demands have USB-C connections so they work with all Blackmagic Studio Camera models. Each zoom and focus demand has 2 USB-C ports, so you can daisy chain them then connect to the camera with a single USB connection. The design has an incredibly precise feel and so you get very fine lens control, and you can frame and adjust the lens without taking your hands off the tripod handles. The buttons can be customized so you can assign different camera functions to them! Plus, hardware is included for mounting the focus and zoom demand onto tripod handles.\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ch2\u003eBlackmagic Studio Converter\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cp\u003eWith 10G Ethernet on the Pro models, you can connect all signals to the camera with the one Ethernet IP link connection. That means the camera feed, return program feed, timecode, reference, tally, talkback and control are all sent down the single cable. That's the same benefits of SMPTE fiber, but the standard 10G copper Ethernet cable is much lower cost. The Blackmagic Studio Converter allows breakout of all the video, audio and talkback connections at the studio end. It also includes a massive power supply that powers the camera down the Ethernet cable, so you don't need a power source near the camera. Plus you can fit 2 per rack unit using a Blackmagic Universal Rack Shelf!\u003c\/p\u003e\u003c\/div\u003e\n\u003cdiv\u003eCamera Feed\u003c\/div\u003e\n\u003cdiv\u003eReturn Program Feed\u003c\/div\u003e\n\u003cdiv\u003eCamera Control\u003c\/div\u003e\n\u003cdiv\u003eTally\u003c\/div\u003e\n\u003cdiv\u003eTalkback\u003c\/div\u003e\n\u003cdiv\u003eReference\u003c\/div\u003e\n\u003cdiv\u003eTimecode\u003c\/div\u003e\n\u003cdiv\u003ePower\u003c\/div\u003e\n\u003cdiv\u003e \u003ch4\u003e\n\u003cspan\u003e1.\u003c\/span\u003e Speaker with ON\/OFF\u003c\/h4\u003e\n\u003cp\u003ePress the button to monitor audio via built in speaker.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003ch4\u003e\n\u003cspan\u003e2.\u003c\/span\u003e Menu Buttons\u003c\/h4\u003e\n\u003cp\u003eChoose a source to monitor on the LCD and set menu options.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003ch4\u003e\n\u003cspan\u003e3.\u003c\/span\u003e LCD Display\u003c\/h4\u003e\n\u003cp\u003eShows video, on-air status, video format, Ethernet status, audio meters and menus.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003ch4\u003e\n\u003cspan\u003e4.\u003c\/span\u003e Headphones\u003c\/h4\u003e\n\u003cp\u003e1\/4\" audio jack for monitoring audio with headphones.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003ch4\u003e\n\u003cspan\u003e5.\u003c\/span\u003e Front USB-C\u003c\/h4\u003e\n\u003cp\u003eUSB for updating the \u003cspan\u003einternal software.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003ch4\u003e\n\u003cspan\u003e6.\u003c\/span\u003e Call Button\u003c\/h4\u003e\n\u003cp\u003eAlerts the camera operator or talent by flashing the camera tally.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003ch4\u003e\n\u003cspan\u003e7.\u003c\/span\u003e Search Dial\u003c\/h4\u003e\n\u003cp\u003eCompact search dial for scrolling through menus.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003ch4\u003e\n\u003cspan\u003e1.\u003c\/span\u003e Talkback\u003c\/h4\u003e\n\u003cp\u003eConnect to talkback \u003cspan\u003esystems such\u003c\/span\u003e as \u003cspan\u003eClearCom or RTS.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003ch4\u003e\n\u003cspan\u003e2.\u003c\/span\u003e Timecode In and Out\u003c\/h4\u003e\n\u003cp\u003eTimecode generator connections for timecode syncing cameras.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003ch4\u003e\n\u003cspan\u003e3.\u003c\/span\u003e Analog Tally and Audio In\u003c\/h4\u003e\n\u003cp\u003eIndustry standard tally \u003cspan\u003eand analog\u003c\/span\u003e audio input.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003ch4\u003e\n\u003cspan\u003e4.\u003c\/span\u003e Camera Outputs\u003c\/h4\u003e\n\u003cp\u003eMain camera 12G-SDI camera feed supports \u003cspan\u003eHD and Ultra HD.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003ch4\u003e\n\u003cspan\u003e5.\u003c\/span\u003e Camera Ethernet\u003c\/h4\u003e\n\u003cp\u003e10G Ethernet to camera \u003cspan\u003ewith 90W\u003c\/span\u003e of PoE remote \u003cspan\u003ecamera power.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003ch4\u003e\n\u003cspan\u003e6.\u003c\/span\u003e AC Power\u003c\/h4\u003e\n\u003cp\u003eHigh capacity power \u003cspan\u003esupply supports\u003c\/span\u003e power \u003cspan\u003eto connected camera.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003ch4\u003e\n\u003cspan\u003e7.\u003c\/span\u003e Ethernet\u003c\/h4\u003e\n\u003cp\u003eConnects to local \u003cspan\u003enetwork for\u003c\/span\u003e updates \u003cspan\u003eand settings.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003ch4\u003e\n\u003cspan\u003e8.\u003c\/span\u003e Reference In and Out\u003c\/h4\u003e\n\u003cp\u003eBuilt in sync generator connections for \u003cspan\u003ereferencing cameras.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003ch4\u003e\n\u003cspan\u003e9.\u003c\/span\u003e 3G SDI Monitor Out\u003c\/h4\u003e\n\u003cp\u003eDedicated 3G-SDI monitoring output \u003cspan\u003ewith graphic overlays.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003ch4\u003e\n\u003cspan\u003e10.\u003c\/span\u003e Return Inputs\u003c\/h4\u003e\n\u003cp\u003eProgram return feeds, one for the camera LCD and one for the camera HDMI output.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eNext Page\u003c\/p\u003e \u003ch2\u003eModels\u003c\/h2\u003e\n\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003cdiv\u003e \u003cdiv\u003e \u003ch3\u003eDescription\u003c\/h3\u003e \u003cp\u003eWith 10G Ethernet on Blackmagic Studio Converter and Blackmagic Studio Camera Pro, you can connect all camera signals using one Ethernet IP link connection. That means the camera feed, return program feed, timecode, reference, tally, talkback and control are all sent down the single cable. That's the same benefits of SMPTE fiber, but the standard 10G copper Ethernet cable is much lower cost. The Blackmagic Studio Converter allows breakout of all the video, audio and talkback connections at the studio end. It also includes a massive power supply that powers the camera down the Ethernet cable, so you don't even need a power source near the camera!\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e  \u003csection\u003e \u003ch3\u003eConnections\u003c\/h3\u003e \u003cdiv\u003e \u003carticle\u003e \u003ch4\u003eSDI Video Inputs\u003c\/h4\u003e \u003cp\u003e2\u003c\/p\u003e \u003c\/article\u003e \u003carticle\u003e \u003ch4\u003eSDI Video Outputs\u003c\/h4\u003e \u003cp\u003e2\u003c\/p\u003e \u003c\/article\u003e \u003carticle\u003e \u003ch4\u003eSDI Monitor Outputs\u003c\/h4\u003e \u003cp\u003e1\u003c\/p\u003e \u003c\/article\u003e \u003carticle\u003e \u003ch4\u003eSDI Rates\u003c\/h4\u003e \u003cp\u003e1.5G, 3G, 6G, 12G.\u003c\/p\u003e \u003c\/article\u003e \u003carticle\u003e \u003ch4\u003eBuilt in Speaker\u003c\/h4\u003e \u003cp\u003eMono\u003c\/p\u003e \u003c\/article\u003e \u003carticle\u003e \u003ch4\u003eAnalog Audio Inputs\u003c\/h4\u003e \u003cp\u003e2 channel analog Program audio in supported via 9‑pin connector.\u003c\/p\u003e \u003c\/article\u003e \u003carticle\u003e \u003ch4\u003eAnalog Audio Outputs\u003c\/h4\u003e \u003cp\u003e1 x 6.35 mm headphone jack.\u003c\/p\u003e \u003c\/article\u003e \u003carticle\u003e \u003ch4\u003eSDI Audio Input\u003c\/h4\u003e \u003cp\u003eReturn 1 with 2 channels of Program audio embedded \u003cspan\u003ein 1.5G\/3G\/6G\/12G-SDI.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e4 talkback channels \u003cspan\u003eon 13, 14, 15 and 16.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003eReturn 2 with 2 channels of audio embedded in 1.5G\/3G\/6G\/12G-SDI.\u003c\/p\u003e \u003c\/article\u003e \u003carticle\u003e \u003ch4\u003eSDI Audio Output\u003c\/h4\u003e \u003cp\u003e2 channels of Program audio embedded \u003cspan\u003ein 1.5G\/3G\/6G\/12G-SDI.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e4 talkback channels \u003cspan\u003eon 13, 14, 15 and 16.\u003c\/span\u003e\u003c\/p\u003e \u003c\/article\u003e \u003carticle\u003e \u003ch4\u003eTimecode Connections\u003c\/h4\u003e \u003cp\u003e1 x BNC In, 1 x BNC Out.\u003c\/p\u003e \u003c\/article\u003e \u003carticle\u003e \u003ch4\u003eReference Connections\u003c\/h4\u003e \u003cp\u003e1 x BNC In, 1 x BNC Out.\u003c\/p\u003e \u003cp\u003eTri-Sync or Black Burst.\u003c\/p\u003e \u003c\/article\u003e \u003carticle\u003e \u003ch4\u003eTalkback Audio\u003c\/h4\u003e \u003cp\u003eSDI channels 13 and 14 for Engineering talkback.\u003c\/p\u003e \u003cp\u003eSDI channels 15 and 16 for Production talkback.\u003c\/p\u003e \u003cp\u003eRJ-45 Talkback connector for analog external talkback systems.\u003c\/p\u003e \u003c\/article\u003e \u003carticle\u003e \u003ch4\u003eScreen\u003c\/h4\u003e \u003cp\u003e2.2 inch LCD\u003c\/p\u003e \u003c\/article\u003e \u003carticle\u003e \u003ch4\u003eEthernet\u003c\/h4\u003e \u003cp\u003e1 x 10Gb\/s PoE RJ‑45 Camera connector for SMPTE Fibre style workflow over Cat 6A network cable.\u003c\/p\u003e \u003cp\u003e1 x 1Gb\/s for external control and software updates.\u003c\/p\u003e \u003c\/article\u003e \u003carticle\u003e \u003ch4\u003eComputer Interface\u003c\/h4\u003e \u003cp\u003e1 x USB-C.\u003c\/p\u003e \u003c\/article\u003e \u003c\/div\u003e \u003cimg\u003e \u003c\/section\u003e \u003csection\u003e \u003ch3\u003eStandards\u003c\/h3\u003e \u003cdiv\u003e \u003carticle\u003e \u003ch4\u003eHD Video Standards\u003c\/h4\u003e \u003cp\u003e 1080p23.98, 1080p24, 1080p25, 1080p29.97, \u003cbr\u003e 1080p30, 1080p50, 1080p59.94, 1080p60, \u003cbr\u003e 1080i50, 1080i59.94, 1080i60 \u003cbr\u003e \u003c\/p\u003e \u003c\/article\u003e \u003carticle\u003e \u003ch4\u003eUltra HD Video Standards\u003c\/h4\u003e \u003cp\u003e 2160p23.98, 2160p24, 2160p25, 2160p29.97, \u003cbr\u003e 2160p30, 2160p50, 2160p59.94, 2160p60 \u003cbr\u003e \u003c\/p\u003e \u003c\/article\u003e \u003carticle\u003e \u003ch4\u003eSDI Compliance\u003c\/h4\u003e \u003cp\u003eSMPTE 292M, SMPTE 424M, SMPTE 425M level A and B, SMPTE 2081‑1, SMPTE 2081‑10, SMPTE 2082‑1 and SMPTE 2082‑10.\u003c\/p\u003e \u003c\/article\u003e \u003carticle\u003e \u003ch4\u003eAudio Sampling\u003c\/h4\u003e \u003cp\u003eTelevision standard sample rate of 48kHz and 24‑bit.\u003c\/p\u003e \u003c\/article\u003e \u003carticle\u003e \u003ch4\u003eVideo Sampling\u003c\/h4\u003e \u003cp\u003e4:2:2\u003c\/p\u003e \u003c\/article\u003e \u003carticle\u003e \u003ch4\u003eColor Precision\u003c\/h4\u003e \u003cp\u003e10-bit\u003c\/p\u003e \u003c\/article\u003e \u003carticle\u003e \u003ch4\u003eColor Space\u003c\/h4\u003e \u003cp\u003eREC 709, REC 2020.\u003c\/p\u003e \u003c\/article\u003e \u003carticle\u003e \u003ch4\u003eMultiple Rate Support\u003c\/h4\u003e \u003cp\u003eSDI switches between HD, 3G-SDI, 6G-SDI and 12G-SDI.\u003c\/p\u003e \u003c\/article\u003e \u003c\/div\u003e \u003c\/section\u003e \u003csection\u003e \u003ch3\u003eControl\u003c\/h3\u003e \u003cdiv\u003e \u003carticle\u003e \u003ch4\u003eBuilt in Control Panel\u003c\/h4\u003e \u003cp\u003e7 buttons with spin knob control and 2.2 inch color display for device control and menu settings.\u003c\/p\u003e \u003c\/article\u003e \u003carticle\u003e \u003ch4\u003eExternal Control\u003c\/h4\u003e \u003cp\u003eRJ-45 1Gb\/s Ethernet.\u003c\/p\u003e \u003c\/article\u003e \u003c\/div\u003e \u003c\/section\u003e \u003csection\u003e \u003ch3\u003eSoftware\u003c\/h3\u003e \u003cdiv\u003e \u003carticle\u003e \u003ch4\u003eSoftware Included\u003c\/h4\u003e \u003cp\u003eCamera Utility for firmware update.\u003c\/p\u003e \u003c\/article\u003e \u003c\/div\u003e \u003c\/section\u003e \u003csection\u003e \u003ch3\u003eOperating Systems\u003c\/h3\u003e \u003cdiv\u003e \u003carticle\u003e \u003cimg\u003e\u003cp\u003eMac 13.0 Ventura, \u003cbr\u003eMac 14.0 Sonoma or later.\u003c\/p\u003e \u003c\/article\u003e \u003carticle\u003e \u003cimg\u003e\u003cp\u003eWindows 10 and 11.\u003c\/p\u003e \u003c\/article\u003e \u003c\/div\u003e \u003c\/section\u003e \u003csection\u003e \u003ch3\u003ePower Requirements\u003c\/h3\u003e \u003cdiv\u003e \u003carticle\u003e \u003ch4\u003ePower Supply\u003c\/h4\u003e \u003cp\u003e100 - 240V AC input.\u003c\/p\u003e \u003c\/article\u003e \u003carticle\u003e \u003ch4\u003ePower Supply\u003c\/h4\u003e \u003cp\u003e1 x Internal 100 - 240V AC 50\/60Hz.\u003c\/p\u003e \u003c\/article\u003e \u003carticle\u003e \u003ch4\u003ePower Usage\u003c\/h4\u003e \u003cp\u003e40 W max plus camera power usage.\u003c\/p\u003e \u003c\/article\u003e \u003c\/div\u003e \u003c\/section\u003e \u003csection\u003e \u003ch3\u003eOptional Accessories\u003c\/h3\u003e \u003cdiv\u003e \u003carticle\u003e \u003cp\u003eBlackmagic Universal Rack Shelf\u003c\/p\u003e \u003cp\u003eBlackmagic Studio Camera 6K Pro\u003c\/p\u003e \u003cp\u003eBlackmagic Studio Camera 4K Pro G2\u003c\/p\u003e \u003cp\u003eBlackmagic Studio Camera 4K Pro\u003c\/p\u003e \u003c\/article\u003e \u003c\/div\u003e \u003c\/section\u003e \u003csection\u003e \u003ch3\u003ePhysical Specifications\u003c\/h3\u003e \u003cimg\u003e \u003c\/section\u003e \u003csection\u003e \u003ch3\u003eEnvironmental Specifications\u003c\/h3\u003e \u003cdiv\u003e \u003carticle\u003e \u003ch4\u003eOperating Temperature\u003c\/h4\u003e \u003cp\u003e0° to 40° C (32° to 104° F)\u003c\/p\u003e \u003c\/article\u003e \u003carticle\u003e \u003ch4\u003eStorage Temperature\u003c\/h4\u003e \u003cp\u003e-20° to 45° C (-4° to 113° F)\u003c\/p\u003e \u003c\/article\u003e \u003carticle\u003e \u003ch4\u003eRelative Humidity\u003c\/h4\u003e \u003cp\u003e0% to 90% non-condensing\u003c\/p\u003e \u003c\/article\u003e \u003c\/div\u003e \u003c\/section\u003e \u003csection\u003e \u003ch3\u003eWhat's Included\u003c\/h3\u003e \u003cdiv\u003e \u003carticle\u003e \u003cp\u003eBlackmagic Studio Converter\u003c\/p\u003e \u003c\/article\u003e \u003c\/div\u003e \u003c\/section\u003e \u003csection\u003e \u003ch3\u003eWarranty\u003c\/h3\u003e \u003cdiv\u003e \u003carticle\u003e \u003cp\u003e1 Year Limited Manufacturer’s Warranty.\u003c\/p\u003e 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