{"product_id":"dpa-2011a","title":"DPA 2011A","description":"\u003cp\u003e\u003cstrong\u003e Overview\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e2011A Twin Diaphragm Cardioid Microphone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAll-round workhorse – blends clarity, richness and dynamics\u003c\/li\u003e\n\u003cli\u003eTwin-Diaphragm-Capsule and interference tube technologies\u003c\/li\u003e\n\u003cli\u003eSuperb stage separation and level control\u003c\/li\u003e\n\u003cli\u003eModular flexibility \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAll-round workhorse\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe new DPA 2011A microphone has strong references to the acclaimed close-miking and hi-SPL handling specialist DPA 4011 cardioid microphone – not only by its type number 11, also in its all-round capture abilities.\u003c\/p\u003e\n\u003cp\u003e2011 is primarily optimized for on-stage use and the technology combines the new Twin Diaphragm Capsule and DPA’s strong know-how within interference tube technology.\u003c\/p\u003e\n\u003cp\u003eWhile 4011 has gained worldwide admiration for its total linearity at all sound confrontations, the 2011 is purposely aimed differently; the off-axis response is still linear but in a smaller frequency bandwidth making stage separation and gain-to-feedback higher and mic level easier to control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eModular flexibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2011A is part of the flexible DPA d:dicate Recording Mics series. The 2011A with the MMP-A preamplifier is the audiophile’s choice with low distortion and total accurate and faithful sound, where the 2011C with the MMP-C compact preamplifier offers a subtle character alteration with a bit more “body” to the low end – in addition to its easier-to-position approach.\u003c\/p\u003e\n\u003cp\u003eAt any time and with no tools necessary it is possible to transform the basic 2011 microphone into a new configuration by combining it with another DPA microphone capsule or preamp.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTwin Diaphragm Capsule: cutting edge technology\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe overall distinctive sound image from the DPA miniatures is so well balanced that it meets the high demands of the DPA Reference Standard league.\u003c\/p\u003e\n\u003cp\u003eIn a 2011 capsule two opposite facing miniature capsules are custom re-built into a double diaphragm, one-capsule composition.\u003c\/p\u003e\n\u003cp\u003eThe use and control of interference tubes has become a DPA specialty and the 2011 is no exception; the capsules are loaded to the supreme Reference Standard preamps instead of the tiny miniature FET preamp from the 4060 miniature series, offering even more air and precision.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStage addict\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe 2011 has found its use on numerous stages and recording sessions. Exhibiting a previously unheard blend of clarity, richness and dynamic range, the 2011 performs like a much more exclusive microphone and redefines the term value for money.\u003c\/p\u003e\u003cp class=\"richp\"\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDirectional pattern: Cardioid\u003c\/li\u003e\n\u003cli\u003ePrinciple of operation: Pressure gradient, with interference tube\u003c\/li\u003e\n\u003cli\u003eCartridge type: Pre-polarized condenser, Twin Diaphragm Capsule\u003c\/li\u003e\n\u003cli\u003eFrequency range: 20 Hz to 20 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency range, ± 2 dB, at 30 cm: 50 Hz to 17 kHz with 3 dB soft boost at 12 kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity, nominal, ± 2 dB at 1 kHz: 10 mV\/Pa; -40 dB re. 1 V\/Pa\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, A-weighted: Typ. 20 dB(A) re. 20 µPa (max. 23 dB(A))\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, ITU-R BS.468-4: Typ. 33 dB (max. 36 dB)\u003c\/li\u003e\n\u003cli\u003eS\/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL): Typ. 74 dB(A)\u003c\/li\u003e\n\u003cli\u003eTotal Harmonic Distortion (THD) at 1 kHz: \u0026lt; 1 % up to 137 dB SPL peak\u003c\/li\u003e\n\u003cli\u003eMinimum load impedance: 2 kohm\u003c\/li\u003e\n\u003cli\u003eDynamic range: Typ. 117 dB\u003c\/li\u003e\n\u003cli\u003eMax. SPL, peak before clipping: 153 dBSwitchable attenuator: 0 dB \/ -20 dB\u003c\/li\u003e\n\u003cli\u003eOutput impedance: \u0026lt; 200 ohm\u003c\/li\u003e\n\u003cli\u003eCable drive capability: 100 m (328 ft)\u003c\/li\u003e\n\u003cli\u003eOutput balance principle: Impedance balancing with Active Drive\u003c\/li\u003e\n\u003cli\u003eCommon Mode Rejection Ratio (CMRR): \u0026gt; 60 dB\u003cbr\u003ePower supply (for full specifications): 48 V Phantom power (± 4 V)\u003c\/li\u003e\n\u003cli\u003eCurrent consumption: 2.8 mA\u003c\/li\u003e\n\u003cli\u003eConnector: XLR-3M. Pin 1: shield, Pin 2: signal + phase, Pin 3: - phase\u003c\/li\u003e\n\u003cli\u003eColor: Matte black\u003c\/li\u003e\n\u003cli\u003eMicrophone weight: 164 g (5.8 oz)\u003c\/li\u003e\n\u003cli\u003eMicrophone diameter: 19 mm (0.75 in)\u003c\/li\u003e\n\u003cli\u003eMicrophone length: 198 mm (7.8 in)\u003c\/li\u003e\n\u003cli\u003eOutput voltage, RMS: \u0026gt; 5 V\u003c\/li\u003e\n\u003cli\u003ePolarity: +V at Pin 2 for positive sound pressure\u003c\/li\u003e\n\u003cli\u003eTemperature range: -40 °C to 45 °C (-40 °F to 113 °F)\u003c\/li\u003e\n\u003cli\u003eRelative Humidity (RH): Up to 90%\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp class=\"richp\"\u003e\u003c\/p\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":43888441360427,"sku":"DPA-2011A","price":1134.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/dpa-2011a__39311.1682445068.1280.1280.jpg?v=1775676485","url":"https:\/\/www.empirepro.com\/products\/dpa-2011a","provider":"Empire Pro","version":"1.0","type":"link"}