{"product_id":"dpa-2011c","title":"DPA 2011C","description":"\u003cp\u003e\u003cstrong\u003e overview\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2011C Twin Diaphragm Cardioid Microphone Compact\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAll-round workhorse – blends clarity richness and dynamics\u003c\/li\u003e\n\u003cli\u003eTwin-Diaphragm capsule and interference tube technologies\u003c\/li\u003e\n\u003cli\u003eSuperb stage separation and level control\u003c\/li\u003e\n\u003cli\u003eModular flexibility \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAll-round workhorse\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe new DPA 2011C microphone has strong references to the acclaimed close-miking and hi-SPL handling specialist DPA 4011 cardioid microphone – not only by its type number 11 also in its all-round capture abilities.\u003c\/p\u003e\n\u003cp\u003e2011 is primarily optimized for on-stage use and the technology combines the new Twin Diaphragm Capsule and DPA’s strong know-how within interference tube technology.\u003c\/p\u003e\n\u003cp\u003eWhile 4011 has gained worldwide admiration for its total linearity at all sound confrontations the 2011 is purposely aimed differently; the off-axis response is still linear but in a smaller frequency bandwidth making stage separation and gain-to-feedback higher and mic level easier to control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eModular flexibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2011C is part of the flexible DPA d:dicate Recording Microphones series. The 2011C with the MMP-C compact preamplifier offers a subtle character alteration with a bit more “body” to the low end – in addition to its easier-to-position approach. The 2011A with the MMP-A preamplifier is the audiophile’s choice with low distortion and total accurate and faithful sound.\u003c\/p\u003e\n\u003cp\u003eAt any time and with no tools necessary it is possible to transform the basic 2011 microphone into a new configuration by combining it with another DPA microphone capsule or preamp.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTwin Diaphragm Capsule: cutting edge technology\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe overall distinctive sound image from the DPA miniatures is so well balanced that it meets the high demands of the DPA Reference Standard league.\u003c\/p\u003e\n\u003cp\u003eIn a 2011 capsule two opposite facing miniature capsules are custom re-built into a double diaphragm one-capsule composition.\u003c\/p\u003e\n\u003cp\u003eThe use and control of interference tubes has become a DPA specialty and the 2011 is no exception; the capsules are loaded to the supreme Reference Standard preamps instead of the tiny miniature FET preamp from the 4060 miniature series offering even more air and precision.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStage addict\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe 2011 has found its use on numerous stages and recording sessions. Exhibiting a previously unheard blend of clarity richness and dynamic range the 2011 performs like a much more exclusive microphone and redefines the term value for money.\u003c\/p\u003e\n\u003cp class=\"ov-desc\"\u003eThe compact \u003cstrong\u003e2011C Twin Diaphragm Cardioid Microphone\u003c\/strong\u003e from \u003cstrong\u003eDPA\u003c\/strong\u003e features a modular capsule design and sonic character. It contains a cardioid condenser capsule suitable for capturing instruments in sound reinforcement applications. The capsule's twin diaphragm is designed to provide a fast impulse response and large frequency bandwidth, resulting in low inherent noise. Additionally, the microphone maintains a linear tonal response when closely positioned near speaker cabinets, percussion, and other instruments. Its modular design allows users to manually switch optional capsules, providing versatility and performance. The 2011C's output stage offers the MMP-C preamplifier for faithful recreations of the original source material. The package includes a microphone clip and windscreen.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBlends clarity, richness, and dynamics\u003c\/li\u003e\n\u003cli\u003eTwin-Diaphragm-Capsule and interference tube technologies\u003c\/li\u003e\n\u003cli\u003eMaximum stage separation and level control\u003c\/li\u003e\n\u003cli\u003eModular flexibility\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003csection class=\"product--container layout--two-col\" data-product-wrapper=\"\"\u003e\n\u003carticle class=\"product--outer\"\u003e\n\u003cdiv class=\"product-main\"\u003e\n\u003cdiv class=\"product-description rte\" data-product-description=\"\"\u003e\n\u003cul\u003e\n\u003cli\u003eDirectional pattern: Cardioid\u003c\/li\u003e\n\u003cli\u003ePrinciple of operation: Pressure gradient, with interference tube\u003c\/li\u003e\n\u003cli\u003eCartridge type: Pre-polarized condenser, Twin Diaphragm Capsule\u003c\/li\u003e\n\u003cli\u003eFrequency range: 20 Hz to 20 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency range, ± 2 dB, at 30 cm: 50 Hz to 17 kHz with 3 dB soft boost at 12 kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity, nominal, ± 2 dB at 1 kHz: 10 mV\/Pa; -40 dB re. 1 V\/Pa\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, A-weighted: Typ. 20 dB(A) re. 20 µPa (max. 23 dB(A))\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, ITU-R BS.468-4: Typ. 33 dB (max. 36 dB)\u003c\/li\u003e\n\u003cli\u003eS\/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL): Typ. 74 dB(A)\u003c\/li\u003e\n\u003cli\u003eTotal Harmonic Distortion (THD) at 1 kHz: \u0026lt; 1 % up to 137 dB SPL peak\u003c\/li\u003e\n\u003cli\u003eDynamic range: Typ. 117 dB\u003c\/li\u003e\n\u003cli\u003eMax. SPL, peak before clipping: 146 dB\u003c\/li\u003e\n\u003cli\u003eMinimum load impedance: 2 kohm\u003c\/li\u003e\n\u003cli\u003eOutput impedance: \u0026lt; 200 ohm\u003c\/li\u003e\n\u003cli\u003eCable drive capability: 100 m (328 ft)\u003c\/li\u003e\n\u003cli\u003eOutput balance principle: Impedance balancing with Active Drive\u003c\/li\u003e\n\u003cli\u003eCommon Mode Rejection Ratio (CMRR): \u0026gt; 50 dB\u003c\/li\u003e\n\u003cli\u003ePower supply (for full specifications): 48 V Phantom power (± 4 V)\u003c\/li\u003e\n\u003cli\u003eCurrent consumption: 2.8 mA\u003c\/li\u003e\n\u003cli\u003eConnector: XLR-3M. Pin 1: shield, Pin 2: signal + phase, Pin 3: - phase\u003c\/li\u003e\n\u003cli\u003eColor: Matte black\u003c\/li\u003e\n\u003cli\u003eMicrophone weight: 64 g (2.3 oz)\u003c\/li\u003e\n\u003cli\u003eMicrophone diameter: 19 mm (0.75 in)\u003c\/li\u003e\n\u003cli\u003eMicrophone length: 92 mm (3.6 in)\u003c\/li\u003e\n\u003cli\u003eOutput voltage, RMS: \u0026gt; 4 V\u003c\/li\u003e\n\u003cli\u003ePolarity: +V at Pin 2 for positive sound pressure\u003c\/li\u003e\n\u003cli\u003eTemperature range: -40 °C to 45 °C (-40 °F to 113 °F)\u003c\/li\u003e\n\u003cli\u003eRelative Humidity (RH): Up to 90%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/section\u003e\n\u003cdiv id=\"cross-sell\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"upsell\"\u003e\u003cbr\u003e\u003c\/div\u003e\u003cp class=\"richp\"\u003e\u003c\/p\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":43888441393195,"sku":"DPA-2011C","price":977.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/dpa_microphones_2011_c_twin_diaphragm_cardioid_microphone_828115__29663.1682445068.1280.1280.jpg?v=1775676486","url":"https:\/\/www.empirepro.com\/products\/dpa-2011c","provider":"Empire Pro","version":"1.0","type":"link"}