{"product_id":"rupert-neve-designs-5060-s","title":"Rupert Neve Designs 5060-S","description":"\u003cp\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe class-A analog heart of your 21st-century studio.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSized for your desktop, the 5060 puts the tonality and center section features of Rupert’s flagship 5088 console at your fingertips, cementing outboard together with serious custom transformers, flexible monitoring, DAW transport controls, and the raw power of a Rupert Neve-designed 24×2 mix-bus.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDefine Your Tone.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith custom transformers, a class-A mix bus and variable Silk Red \u0026amp; Blue, the 5060 can provide a wide range of tonal flavors. Drive the mix bus hard and crank the Texture knob for a rich, saturated, vintage vibe – or disengage Silk entirely for clear, wide-open sonic beauty.\u003c\/p\u003e\n\u003cp\u003eThe Silk circuit reduces the negative feedback on the output transformer, adding harmonic content as the Texture is increased. Silk Red mode adds a sparkle \u0026amp; sheen to your mixes by accentuating the saturation in the high mids and highs, while Silk Blue amplifies saturation in the lows and low mids to add unparalelled weight \u0026amp; punch.\u003c\/p\u003e\n\u003cp\u003eWith Silk engaged, the 5060’s distortion characteristics and harmonic content are very reminiscent of many of Rupert’s class-A vintage designs – but here, these characteristics are fully variable. These controls add an unparalleled range of tonal options to the 5060, and open up a whole new world of sonic exploration.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDefine Your Workflow.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith a modular, hybrid analog\/digital mix system built around the 5060, you can outfit your studio with exactly what you need – and nothing that you don’t.\u003c\/p\u003e\n\u003cp\u003eUtilizing modern DAW control technologies, the 5060 seamlessly integrates stem outputs from the DAW with the rest of your control room, sums the final mix, and provides 2-track outputs, source selection, and up to three speaker feed outputs from the monitor section.\u003c\/p\u003e\n\u003cp\u003eUsed in conjunction with Rupert Neve Designs’ other summing products and outboard equipment, the 5060 Centerpiece forms the core of a scalable analog system. In this arrangement, additional summing mixers provide expandable channel counts and aux routing capabilities, Shelford modules provide preamplification, EQ, and dynamics, and the Centerpiece unites it all. The 5060 brings your dreams of a seamless hybrid workflow to reality.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe New Analog Standard.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhile digital technologies come and go, the modular, class-A analog designs Rupert created decades ago have been proven to stand the test of time. Instead of merely cloning these “classics”, Rupert’s team of engineers have crafted new designs – built on the same key principles – that take sonic performance, flexibility, and ergonomics to new heights.\u003c\/p\u003e\n\u003cp\u003eThese designs embody the high voltage, class-A, discrete and transformer-coupled architectures found in the 5088 console, which represent a culmination of Rupert’s vast analog circuitry knowledge. With the 5060 Centerpiece, the primary aim is to deliver the extraordinary quality of the 5088 in a compact, modular framework.\u003c\/p\u003e\n\u003cp\u003eWith exceptional fidelity, an abundance of interconnectivity and the tonal versatility of Silk, the 5060 is the ideal core of the sound-conscious modern studio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo Input Channels 1-8\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA professional grade 100mm fader determines the level of stereo input channels 1-8, with up to +10dB of additional line gain. Channels 1-8 can be either stereo or center-panned mono (via switches on the rear panel), and have both mute switches and inserts. The insert send of channels 1-2, and 3-4 has optional talkback assignment for use when feeding channels 1-8 through the 5060 to multichannel cue systems. The insert sends on channels 1-8 may also be used as a pre-fader send to a multi-track recorder.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo Inputs Channels 9-24\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEight active stereo inputs with rotary faders for stem and aux inputs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo Bus Master\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA 100mm stereo fader provides level control for the master stereo bus, outputting to both the stereo bus monitor signal and the stereo master output. For adding compression and EQ to the mix bus, there is also a transformer-coupled insert engaged by the Insert switch.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTexture \u0026amp; Silk Red \/ Blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eContinuously variable Texture controls with Silk Red and Silk Blue modes allow the engineer to fine-tune the harmonic ratio and tonality of the 5060’s outputs – or to leave each mix pristine and uncolored. The Silk Red mode accentuates the transformer saturation in the highs and high-mid frequencies to add a “sparkle” to the mix, while Silk Blue accentuates the saturation of the lows and low-mid frequencies to add thickness and density – especially useful for dry, somewhat anemic mixes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTalkback\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe included talkback mic is activated by depressing the Talkback switch. The Talkback has level control, a direct out, and assignment to insert sends 1-2 \u0026amp; 3-4. When the talkback switch is depressed, the speaker output levels are lowered according to the setting of the Dim control. A talkback remote may also be plugged into the ¼” talkback remote input on the back of the 5060.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTransport Controls\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eStandard transport functions in DAWs including play, stop, record, fast-forward, rewind, loop, shuttle \/ jog and marker drop are controlled through MIDI or USB interconnection.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMonitor Source\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSelects the monitor source from between the stereo bus and three external monitor inputs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMonitor Select\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSelects which speaker output is active. By holding the Mon 3 button, the Mon 3 outs will “latch” on, allowing both Mon 1 \u0026amp; 2 to be used with subwoofers or speakers in the cutting room.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeadphone Amplifier\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA class-A reference-grade headphone amplifier with headphone level control. The headphone signal follows the selection of the monitor select.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMonitor Level\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA precision 21-step attenuator provides highly accurate left\/right stereo tracking, perfect repeatability, and determines the level of the monitor output.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeters\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVU meters display the RMS signal level of the selected monitor source, and the peak indicator illuminates red when the peak threshold has been exceeded.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDim\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEngaged when either the Dim or Talkback switch is depressed, Dim reduces the monitor volume between -6dB and -30dB.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMAX INPUT LEVEL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eChannels 1 - 8, fader at 0dB: greater than +26 dBu\u003c\/li\u003e\n\u003cli\u003eChannels 9 - 24, level trim at 0dB: greater than +22 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSTEREO OUTPUTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUnless otherwise specified, frequency is 1 kHz.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eMAX OUTPUT LEVEL\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eAny combination of inputs: greater than +27 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eTHD+N\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eChannels 1 - 8, fader at unity, BW \u0026lt;10 Hz – 80 kHz\u003c\/li\u003e\n\u003cli\u003e+20 dBu, 20 Hz: 0.03%\u003c\/li\u003e\n\u003cli\u003e+20 dBu, 2 kHz: 0.003%\u003c\/li\u003e\n\u003cli\u003e+20 dBu, 20 kHz: 0.02%\u003c\/li\u003e\n\u003cli\u003eChannels 9 - 24, trim at unity, BW \u0026lt;10 Hz - 80 kHz\u003c\/li\u003e\n\u003cli\u003e+20 dBu, 20 Hz: 0.03%\u003c\/li\u003e\n\u003cli\u003e+20 dBu, 2 kHz: 0.004%\u003c\/li\u003e\n\u003cli\u003e+20 dBu, 20 kHz: 0.02%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eNOISE (BW 22 Hz - 22 kHz)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eChannels 1 - 24 at unity: Better than -90 dBV\u003c\/li\u003e\n\u003cli\u003eChannels 9 - 24 at unity, 1-8 muted: Better than -100 dBV\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eX-TALK\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eChannel to Channel: better than 60 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eCMRR\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e1 kHz input to channel 1, 0 dBu fader at unity: -70 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eFREQUENCY RESPONSE\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e10 Hz to 120 kHz: +\/- 0.25 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eIMD\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e+4 dBu, CCIF\/DFD: Better than 0.0008%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSILK BLUE \/ SILK RED (Texture control at maximum)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eDISTORTION\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e+20 dBu in, 20 Hz: Up to 5%\u003c\/li\u003e\n\u003cli\u003e+20 dBu in, 200 Hz: Up to 0.2%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMONITOR OUTPUTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eMAX OUTPUT LEVEL\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e1 kHz: +25 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eTHD+N\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e+20 dBu, 20 Hz: Better than 0.03%\u003c\/li\u003e\n\u003cli\u003e+20 dBu, 2 kHz: Better than 0.02%\u003c\/li\u003e\n\u003cli\u003e+20 dBu, 20 kHz: Better than 0.02%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eMINIMUM LOAD\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eMonitor and Line Outputs: 3K Ohms\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHEADPHONE OUT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eMAX OUTPUT LEVEL\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eGreater than +20 dBu, unloaded\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eTHD+N\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e2 kHz into 68 Ohms, 16 dBu output: Better than 0.02%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eNOISE\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eFrom 22 Hz – 22 kHz: Better than -85 dBV\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eMINIMUM LOAD (headphone out)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e16 Ohms recommended\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePEAK LEDs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEngage Threshold: +22 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePOWER CONSUMPTION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAC Mains, 100VAC to 240VAC, 50\/60Hz: 110 Watts Max\u003c\/li\u003e\n\u003cli\u003eFuses: not user accessible, internal on power supplies\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDIMENSIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e18.5″ W x 12.5″ D x 5.75″ high in the back (3.5″ in the front)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWEIGHT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e22lbs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOPERATING TEMPERATURE RANGE\u003c\/strong\u003e: 0 to 35 degrees C\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSTORAGE TEMPERATURE RANGE\u003c\/strong\u003e: -10 to 50 degrees C\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOPERATING HUMIDITY RANGE\u003c\/strong\u003e: 10% to 95% Non-Condensing\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":43895126097963,"sku":"RND-5060-S","price":9881.53,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0642\/3019\/5243\/files\/5060-front-top__23934.1750794511.1280.1280.jpg?v=1775701431","url":"https:\/\/www.empirepro.com\/products\/rupert-neve-designs-5060-s","provider":"Empire Pro","version":"1.0","type":"link"}